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iatheia · 3 years

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EDA reviews Part 6 - books 47-55

Previous part 1, 2, 3, 4 & 5

47) The Slow Empire - Uh, couldn't really follow this one at all. There are books when the first person narration works, but not here - too many jumps in setting, too little connective tissue, most of it told from the POV of a person who is barely connected to the protagonists? And that's even before they started repeating chunks of text wholesale between various parts - and I couldn't figure out if it was intended, or if it is the ebook was acting out on me. More than half way through the book, I still couldn't entirely tell what the story is supposed to be about, or if the plot has even started yet. Even having finished it, I find myself somewhat aghast. There are a few glimpses of something interesting, but for the life of me, I can't figure out what. 4/10

48) Dark Progeny - Also not really feeling it. It's not a bad story, but I do rather prefer a Doctor Who story to actually feature the Doctor and the companions front and center, whether they are POV characters or not. Here, though, they are barely in it - it's even more egregious than the previous one in actually giving the supposed protagonists stuff to do, and even on rare occasions we do switch back to them, it is all pretty generic. Anji developing telepathic abilities and the Doctor trying to calm her down all the while Fitz is freaking out in the background? Yes, please, more of that. Following around 20 interchangeable OCs that have nothing to do with the trio? No thank you. 6/10.

49) The City of the Dead - If you are invoking magic in a sci-fi universe, you need to be able to handwave it. It doesn't need to be awfully complex, "something something aliens, something something energy" is usually enough, but without it, you can't just throw magic about willy nilly. There are rules.

There are moments when it is a beautiful story, evoking a lot of dream-like wonder, and if it managed to remain a hazy dream, it probably would have been better for it. At the same time there is something very uncomfortably cynical about it, to the degree it left a bad taste in my mouth. There is a narrow line between not shying away from the ugliness of the world and deliberately making something ugly just for the sake of it, and often it felt like it was leaning towards the latter. Dunno, I started out wanting to like it, and feeling rather conflicted about it, but by the end became utterly indifferent. 7/10

50) Grimm Reality - Pure crack. Mind Robber wishes it could be as hilarious and off the wall as this story is. It throws every cliche fairy tale narrative device in the book at the characters and expects them to take it with the straight face, all the while realizing that the rules of the world are completely bonkers. And it manages to sustain this energy throughout, which is a no small feat. It's actually pretty exhausting by the end of it. Fairy tales stories do not belong to a lengthy literary genre, and even taking time deconstructing them, at 95K words becomes it becomes just too much - figuratively, and, on occasion, literally. Still, pretty great, I wish more books had its energy 9/10.

51) The Adventuress of Henrietta Street - *sigh*. My expectations were pretty low to begin with, and I still am somehow disappointed. Credit where credit's due - it is probably most coherent of the books from Miles. And at least it's better than Interference. That's really not saying much, though.

Honestly, if you've read any story about prostitutes, murder, satanic sex rituals bordering on blatant pornography, eastern culture and "mysticism of female sex" used for fetish fuel, written by a dude who clearly gets off on all of this - you've read all of them. There is really nothing revolutionary or compelling about it. On the list of "plots I never want to see in Doctor Who", they are definitely up there. And the Doctor is dying again, because it wouldn't be Miles's book without it. And he's, uh... living in a brothel, trying to marry someone, in order to, uh..... ritualistically tie himself to Earth, for, reasons? Did I read that right? After over 100 years of living on Earth and wanting to do nothing else than seeing the back of it, right. And writing books not quite about sex but definitely about sex. Because that's the thing the Doctor apparently does now. Self insert what self insert. And Fitz and Anji are just... there. On an occasion. All of it exposed on in a dull faux academic style without a shred of characterization, all the while absolutely nothing of note is happening, despite being a singularly longest EDA.

Just, if you hate the characters so much. If you don't understand what makes them tick to this degree. If you don't even care to learn. If you consider any established emotions they should have about the plot you are putting them through beneath you. Why are you writing in a shared universe to begin with? 2/10

(I did have an unintentional moment of hilarity with it, though. There is a character that is referred to as Lord ______, as if his name is censored. TTS would always pronounce it as Lord Underbarunderbarunderbar. Always gave me a chuckle).

52) Mad Dogs and Englishmen - A hilarious story, a very easy read, flowing from scene to scene. There are several occasions of fridge horror treated with levity that I would have rather have avoided. Plus, it is as incestuous as a book about books can get, and yet.... It is just absurd enough to work.

Plus, the whole, “His books are full of black magic, mind control...and perversion - moral and ethical and sexual. He is polluting the atmosphere of our group”, “What’s next? Rewrite War and Peace so it’s about guinea pigs?” - Oh, the shade. It is a good book in its own right, but just for this alone, 10/10

53) Hope - It's a pretty average book. Not outstanding, not horrible. Would have made a decent episode, all things considered, in a bread and butter sort of way. It does have some great ideas - the refuge of humanity, the conflict between Anji and the Doctor finally coming to light - not quite the type of conflict I was hoping for, though. If only it had a bit more nuisance, without neatly delineated black and white, if the antagonist didn't end up being a mustache twirling villain, if the Doctor didn't end up strong-arming everyone in a much more macho manner than he normally goes for (with a rather clunky dialogue). It had potential, even if it didn't end up being realized in full. 8/10

54) Anachrophobia - Very meh. The set up was fairly contrived, it never made me care about any of the characters, including whatever the hell the Doctor and co were doing, not to mention any of the secondary characters. Not terribly engaging, after a point I was mostly flipping through it. There is some big conflict brought up at 95% mark, and it is resolved in just couple of pages via a deus ex machina and a paradox. Overall, I might have said that I would have liked it better if I was in a mood for existential horror, but I took a break in the middle to listen to the Lease of Life - and it actually touches upon several similar themes, but with and outstanding character drama and much more graceful execution, which made this book look even more poor in comparison. 5/10

55) Trading Futures - I will give the author all the points for keeping an eye on the future. Perhaps, in 2002, predicting tablets being used as menus in fancy restaurants wasn’t that big of a reach, but I absolutely had a spit take when TTS has read to me something about “eye-phones”. There are some modestly clever moments throughout the book. Too bad that the rest of it is a complete rubbish. Not terribly original, either - a lot of ideas are copied directly from other books and other franchises. Reasonably entertaining, all things considered, but in a much more slapstick sort of way than was probably intended. 7/10

Overall impressions so far - This batch is, for the most part, fine. Some stories are worst than others, some better. With one exception, nothing horrendous, but nothing to write home about, either. They are, for the most part, serviceable. Individually, they have decent enough plots. But. There is very little character work. They can generally be read in any order, or dropped entirely, and you wouldn’t miss anything. The Doctor is mostly coasting from the excellent streak in the last batch, always in a spot light. I am starting to tire of the whole amnesia arc, though - it was good, but it ran its course, and at this point, with everything functionally back to norm, with barely a stray mention of it here and there, we are starting to be overdue for some semblance of resolution of all that. Henrietta Street is entirely a step in the wrong direction - not only it does nothing worthwhile for the characters, it’s just getting unnecessarily further into the weedworks, adding yet another plot thread that is forced on other writers to carry (they mention it occasionally, but it’s not like there is much to build upon) - rather viciously reminding of the previous mess of an ark “don’t you dare to think that it is over”. And I am so over it. Just, move on.

The companions fare rather worse. They are decent enough, they participate in action, in each book, they are mostly staying in character, with a handful of neat moments here and there (in a blink and you’ll miss it sort of way, though), they aren’t written off as an unnecessary burden to carry, which is an improvement. There is nothing meaty given to them though - they ask the necessary questions, do the things required of them, and generally stay out of the way when they are not needed. I guess Anji has at least some character driven moments, even though most of them are reduced to “I miss my dead boyfriend”. Which is... fine, we’ve all lost people, we all mourn them in our own way, but it has been 14 books since her introduction, and she is leaving in another 10. To have her character reduced to just that bit from her first book, with barely anything else to offer.... Plus, all the while, she rarely felt like she integrated into the team - because she is constantly eying her exit and returning to normality (even though she always decides to stay just a little while longer due to circumstances), it’s like from the very beginning she had one foot out of the door.

But while Anji is a bit of a one trick pony, at least she has that much. Poor Fitz gets absolutely nothing to do. The last meaningful book that addressed his character in any way was all the way back around book #42-43, and even that was just catching up on plot after his prolonged absence. He’s been essentially frozen since early 30s books. He is generally a fun character to have around, and does good supporting work, but can he please get something more impactful any time soon? Heck, by this point I’ll even take the recurrence of “finding a new love interest number 20 who will inevitably die by the end of the book” - it has been overdone, and it is certainly not a very exciting plot, not to mention reductive, but at least it’d be something. Though, I guess only one companion is allowed to carry that staple at the time, and right now Anji is it, two dead lovers is just an overkill.

And it is an absolute shame - especially when considering that on the other side, Big Finish was in the middle of streak of some of the best stories. Over the same time that these novels were published, we had audios such as Project Twilight, Eye of the Scorpion, Colditz, One Doctor, Chimes of Midnight, Seasons of Fear, which were full of character.

#doctor who #eighth doctor #eighth doctor adventures #eda

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