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#guys I've known Mr. Joseph since before ya'll called yourselves that
artist-issues · 2 months
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Have you heard "Next Semester" by twenty one pilots yet? I feel like you'd love it.
I don't know if I've ever talked about me and Twenty One Pilots here. I gave my life to Christ in the summer of 2011 and heard a song by Tyler Joseph for the first time the same week. I didn't connect that the passionately screaming singer who made me think about how I couldn't force my emotions to line up with the reality of God, and needed Jesus to do that for me--I didn't connect that that singer was the same guy in the popular emo band until they became popular around 2015. And then I was thrilled. Because around that time I was fighting to submit my own dark thoughts to God, instead of identifying with them, so it really helped that the voice I already knew pretty well was singing those thought-provoking tracks that have made them famous. Then a year later I figured out what I wanted to do with my career, and how that connected back to God, and the first seeds of my whole understanding of storytelling and God as the Storyteller were planted--largely because of a song called "The Producer" which Tyler Joseph helped to write with Travis Whittaker.
So suffice to say, when the band that's been playing the background music of my life's biggest steps in faith makes anything new, you can be pretty sure I'm over here like 👀
I love Next Semester. It's hard, because with Twenty One Pilots, I notice my own commitment to truth and intended meaning and critical thinking at its strongest and its weakest at the same time 😅 Strongest, because you can tell he's so intentional with his lyrics and metaphors, and is communicating some things that he means so well—but weakest, because I'm constantly hoping that he's talking more about Christ and Biblical truth than he probably is. I'm always waffling between fear that Tyler Joseph is deconstructing, resentment that someone so blessed with creativity & hard work-ethic can refuse to come out and talk about the faith that saved him clearly, and...sometimes agreeing with him? Sometimes feeling like, he has a point, the way he creates and is careful to make his audience think for themselves can only lead back to Truth, which is Christ, if they're being as genuine as he is in the emotional content of the songs, and having them think for themselves makes them drop their guards and walk toward truth without "turning them off" by using culturally-Christian phrases—
ANYWAY. You didn't ask about any of that 😅 But the principals of what Twenty One Pilots does, (in terms of the art of communication and what that communication should be for) and why they do it, and what the right and wrong way to do it is, are something my brain is revolving all the time.
It's not really a good thing to keep revolving it, because at some point it's me trying to think exactly right about the whole topic, as if I can control what they do, or the outcome of what I create, if I just get it right. And that's not faith. At some point I have to quit trying so hard to think and do based on my own control! Welcome to you asking a simple question and me word vomiting/getting all preachy. (But lowkey I respect you and think you might appreciate what I'm rambling about, if anyone can. So maybe unluckily for you, you're probably the only person who could've asked me about this on here and gotten this kind of response 😅)
ANYWAY! Next Semester! I love that it's simple so that the emotion of it comes through. There's not metaphor-on-metaphor layering, so you're just left to hang on to his desperate vocals and the gut-check words of the song. I don't listen to it over and over like I do Overcompensate because it takes me to kind of a dark place—but I do love that it ends hopefully. Super hopefully. I started that paragraph above, talking about how twenty one pilots affects my critical thinking, to say this: I'm always having to be careful not to read too much of what I want to hear into the song. But that said, I do think the "person driving" in the song is representative of God. Someone outside yourself, giving you that slap of truth and hope and a fresh-start, who also could've run you down.
So I love that it ends hopefully. For a bit there, with Trench, I started to loosen my grip on them, because it felt like they would do a really good job of saying "We're broken, think about it, see how messed up we are?" And then "but we don't have to stay here," and that was really good. But...then Leave the City seems so obviously to stop at "don't stop." If that makes sense. Leave the City makes it sound like the way out of your depression, doubt, suicidal thoughts, and anxiety is just...movement. It's enough to know that you shouldn't sit in your dark thoughts (and basically sin.) But he won't say where to go instead. And I know it's because he's very genuine, and he doesn't want to say where to go instead if he doesn't know for sure that it's right, but that's not exactly reassuring.
It makes me think of the part in C.S. Lewis' The Great Divorce, where one ghost says something about how "the hopeful journey is much better than the destination." But then the redeemed person is like, "no, that makes no sense—there's no hope IN a journey if you're not moving toward a set destination. The destination is where hope comes from."
So in Leave the City I feel like he takes me by the hand and says "I know how you feel" and "eventually we'll move on from this feeling" but then leaves me at "not that I know where we're going." And it's like, okay, well then why would I ever get hope from moving on? If I don't know what I'm moving on to??
Christ. It's supposed to be Jesus Christ. You can't jump from a sinking ship into a raging ocean and think that that's better. You have to jump from a sinking ship ONTO DRY LAND. Or at least have it in sight, so you can swim in that direction.
Anyway. Next Semester is not like Leave the City, because it ends with hope. 🙃 That's all I'm trying to say. Thanks for coming to my rant.
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