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#hes going places you know meanwhile shinji is a drop out who never had a family ever hes homeless hes sketchy hes on drugs
hecksupremechips · 15 days
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Actually cry so goddamn hard when I think about Shinjiro Aragaki healing and being loved and having to learn to be okay with himself and being taken care of
#writing him has just been like. OOOOWOEOEOEOOE i piss tears i cant handle this shit this gay ass shit#i came up with an idea for just like a cute short one shot i wanna do soon and hnnnghh im so emo about it#very healing its like very hard to write some of the shit im gonna be writing cuz basically#some of it is just a little too real man and while i crave the angst and the drama i am just like#AND THEN EVERYONE HOLDS HANDS AND ITS OKAY PLEASE DONT CRY PLEASE#and ive mentioned how shinji has accidentally become nb to me now because i just kinda happened to write him that way without meaning to#and now another thing im noticing is that in my fic hes kinda bpd coded#it definitely wasnt intentional but now im accepting it as truth no one can stop me#i just really need him to be happy its more important to me than anything else man i need it for me#and he needs to be gay with aki they need to kissy and i think its funny cuz even in the parts where shinji is mad at aki and pushing him#away its like. he kinda has it bad lol and its clear he feels no actual hatred towards aki but more just self deprecation because he doesnt#feel good enough and like idk i just think about their respective roles in society like#aki is an honor student star boxer hero very attractive very kind very popular got adopted by a rich family#hes going places you know meanwhile shinji is a drop out who never had a family ever hes homeless hes sketchy hes on drugs#his reputation couldnt be any worse and he just leans into it and feels he has no future and hes worthless garbage#and aki could literally have anyone he wants you know he has an army of girls pining over him but he doesnt want them#HE WANTS SHINJI AND NO ONE ELSE HE SPENDS YEARS CHASING AFTER HIM#and shinji HATES it hes trying so hard to push him away and be the crusty delinquent and make aki see how worthless he really is#but aki just doesnt stop he loves him so much makes me sick SICK#and shinji really loves him back hes like not gonna shut up ever about aki hes like either doing it in a gay ass annoyed way#or hes like ‘haha omg aki is so cute though hes always trying so hard to be tough but hes just so sweet and gentle you know i hope he#doesnt push himself too hard if he got hurt id fall apart hes so silly i hope hes eating good i desire him carnally’#yeah sorry gamers this is just a pairing i cant be normal about they mean so much to me personally the fate of the world rests upon them
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The SDRA2 Crew stumbles upon a strange blog that appears to be writing about them in strange situations! How do they react? (Choose your three favorite imagines from any SDRA2 imagine blog and write the crew reacting to them)
This one has been sitting in the ol inbox for the longest. Only because I couldn’t freaking think of anything! I’m super sorry, nonnie! But your long awaited post is here!
“Ow! Hey!” Called one voice, “Stop shoving me!” Called another filled with anger. “Why are we all here?” A bitter voice said, standing out in the group. “I’m n-not s-sure..M-Mikado w-wanted to s-show is something..” A shy voice mumbled, it belonging to none other than Iroha Nijiue. “Show us something? It better be worth it, and if I get shoved one more time, I will start biting all of you!” Nikei yelled out in anger, his eye twitching from annoyance. “S-Sis! D-do you think h-he has something p-planned..?” Kanade asked, lightly squeezing the older sisters hand. Hibiki looked over her shoulder wii a bright smile, shaking her head. “No, I’m sure he doesn’t! And if he does, we can take him!”
“I don’t trust this, not one bit.” Yokuro stated, with a small frown on her face. Crossing her arms over her chest with a small huff. “A..At the very least, it wouldn’t hurt to see what this is all about, right? If it’s bad, we can always leave and be on with our day.” Yuki stated quite loudly, to calm the chatter from amongst the group. “You do have a point, Yuki..but where is he?” Sora questioned with glancing around the cafeteria, but there wasn’t sign of the magician.
“Who knows, but if he doesn’t show up soon I know I’m leaving.” Syobai grunted, with his hands shoved deep into his pockets. Looking as if he had rudely woken up, which probably was the case in all honesty. “We’ve been here for about ten minutes or so, maybe he forgot?” Commented Emma, with a slight puzzled expression herself. Kokoro only shook her head in response to Emma’s comment. Taking a moment, before speaking herself.
“It’s..unlikely, Sannoji knows fully well what he is doing. If I had to take a guess..he’s most likely is waiting to see whether or not if were going to leave.” Kokoro sighed, pushing up her glasses to the bridge of her nose. “Aww, why must you ruin my fun, Koko?” The one and only magician Mikado Sannoji pouted, poking his head through the ceiling. Not to worry, it wasn’t damage for he was using maaagic. Dropping through fully, only to land onto the table holding a laptop in his hand.
“Can we go now?” Nikei grumbled, crossing his arms over his chest adverting his gaze from looking at Mikado. “Now now, your in such haste to leave Mr. Yomiuri. You’re going to miss the most important thing of all!” There was slight mischief mixed with his tone as he placed the device onto the table, opening it up, showing the website that read, ‘Mumblr’ “Eh? Mumblr? I think I’ve heard of that site before.” Setsuka piped up, taking a small step closer for further inspection.
“Whatever it is, coming from you Mikado it’s bad news.” Boy, was Nikei radiating hatred towards the magician. Making the others confused as to why, from what they’ve seen. The two hadn’t interact as much, but looks can be deceiving. “Someone must have waken you up on the wrong side of the bed, Huh Nikei.” Hajime snickered slightly, lightly smacking the male on his back. Nikei flinched as a result, but calmed down rubbing his temple. “Probably, just didn’t get enough sleep last night. I was to busy writing my latest scoop until it was five in the morning.” He said, as if it was the most casual thing in the world.
“What?! You have to get at least eight hours of sleep!” Emma shook the journalist for a moment concern laced in her voice looking down at him. “I will tonight! I promise..!” Nikei has gotten dizzy from Emma’s shaking, but still able to give a proper response thankfully. “I’m going to hold you to that, Nikei.” Slowly, she stopped shaking him and flicked his hat. “Now that those two have gotten things settled, how about we check out some lovely things that I’ve found about us? It’ll be interesting for sure!” Mikado clapped his hands together.
His mask showing just how joyful he was to do this. “Eh? Go for it, I’m curious myself!” Teruya chimed, poking his head through to get a closer look at things. Mikado only laughed in response as he clicked the blog by the name of @imaginefanganronpas .
“Imagine fanganronpas? What’s a fanganronpa?” Hibiki asked, as the group slowly expanded around Mikado to each take a look at the computer. “Who knows, but I found something amazing, don’t you know! It’s called Despair Remnants Au! I can’t wait to read it!” Mikado took a moment, clearing his excellent reading voice and began reading.
“I-It’s about us t-turning e-evil and k-killing innocent p-people?! A-And I lost my eye?!” Iroha squeaked, clinging onto Sora our of pure fear. “Aw, I lose my tongue..? What a shame..” Mikado pouted not seeming to fazed by what he just had read. “I think I’m going to be sick..” Yokuro replied, looking away shaking her head. The thought of killing someone was who didn’t sit right with her stomach. Seeing how this person got her personality accurate, but..the killing..she would never do that, no matter what. She refused.
Yuki had a blue expression on his face, but Shinji’s gently placed a hand onto his shoulder squeezing it slightly. “Hey, it’s okay..little bro. It wasn’t real, only fake..you know as well as I that we wouldn’t do something like that. That goes for all of us, we wouldn’t ever hurt any innocent people, it’s just not who we are!” Shinji really was one of the people that brought happiness to the group. Keeping them maintained, Setsuka nodded her head in agreement. “Shinji’s right! We aren’t monsters, Big Sis knows knows as well as everyone else, that we would never do that. This is only like a spooky story! Halloween is right around the corner, ya know!”
That..managed to calm down the majority of them. “If that’s what you believe, I say it’s possible that it could or might have already happened and we just don’t remember it.” Syobai smirked, taking a hand out of his pocket scratching his chin. “But who knows, I might just be rambling, the point is. We all might be different in comparison to what we’re all acting like here.” It was simple, but enough to send chills down their spines. “Rei..Tsurugi..” The former merchant softly muttered, his eyes filled with sadness and worry.
“Don’t worry, Mr. Otori, I’m sure your companions are..safe.” Kokoro replied, looking at the merchant with a small nod of her head. “Is it just me, or is no one going to bring up that Emma and Kokoro kissed while blood was raining on them, Yokuro was with some person named Akane..and there was some guy named Utsuro?” Kanade suddenly spoke, for once without her usual stutter. Emma turned a faint shade of red, shaking her head and waved her hand for a moment.
“It was just a story, there isn’t a need to look into things, Ms. Kanade.” Mikado chuckled his mask changing expressions to one of pure happiness. “Now let’s move onto another one! I find this one to be quite..up lifting. At least, for those involved anyway. This next blog is called, @dra-and-sdra2-imagine-writer -writer . “This small tale is about, Nikei, Hajime, Emma, and Iroha. Oo, I can’t wait to read it for you all!” Nikei barely recovered from what was just read earlier. “Why was I with Yuri of all people?” The small Russian who had been silent for the majority of the time finally spoke, with a small glare thrown the journalist’s way. “As if I would like to be stuck with a despicable male such as you.” His tone was harsh, as usual when it came to men, so Nikei wasn’t all to fazed only sighing. “I should have expected that..”
After the two had gotten shushed by Teruya, Mikado has began reading about the four. Leaving out the parts relating them to being void members. In all sweetness, it was short but put a light hearted mood to the group. Those void members glancing at each other with a mix of surprise, yet slight happiness. “I-I liked it..” Iroha smiles warmly at the small story, Emma agreeing along with her. “As did I, I believed it showed just how close our bond is.”
“So you guys are like a small family, huh? That’s good to hear.” Sora spoke, with a soft sigh escaping from her. “I..um..liked it too.” Nikei softly mumbled, pulling his scarf up slightly to cover his face. It was easy to tell that he was happy about the small tale, even if he wouldn’t show it. “Same! It’s way different from what just listened to a few minutes ago!” Hajime grinned slightly at about it. “I figured as much, now onto the last-“ Mikado was cut off by Hibiki yoinking the computer away. “I wanna read one! I’ll find a good one! Oh! Look, this one is by @sdra2writer-imaginesandhcs s ! What this story is about..hmm..let’s see, ah! The SDRA2 boys as yanderes for their S/o? What’s a S/o?” Hibiki asked not being able to come up with the meaning. “S-significant other..” Kanade whispered to the older sibling before shrinking back into the group. “Oh! Well anyway, let’s get started!” And so, Hibiki begun reading.
Boy, was that something they weren’t expecting. The girls shuffled away, to depart themselves away from the boys. “Come on, we wouldn’t do that!” Shinji tried to reason with them. They weren’t having that, “Let’s before they can try and pull something! Look! Yuri’s already trying something!” Cried Hibiki and that was enough to get the girls running, Emma having to pick up Kokoro hurrying off. The guitarist snickered to herself, as she ran after them in their hurry.
Meanwhile, Yuri wasn’t even doing anything, at the very least just having his arms crossed. “This is going to take forever to convince them we aren’t yandere’s..” Nikei groaned, burying his face into his hand. “Perhaps, but it was a fun time reading, no?” Mikado asked, looking at the direction of the girls had ran off, before back to the boys. “For a first time, it was..pretty good!” There was a small thumbs up from everyone’s favorite big brother. “Y-Yeah, S-Shinji’s right..! Come on, let’s go and try to convince them that we aren’t like that! Who’s with me!” There was several yeah’s aside from Syobai who seemed pretty disinterested with the entire thing.
With Yuki leading them, they were off to change the female’s minds. The only one left was Mikado who chuckled to himself glancing around to see if he was the only one. Looking at the screen there was joyful wave. “I hope you’ve enjoyed~!”
The stories that were used was,
Vamp’s: Renmant Au, both male and female.
Mine: The Void family without Mikado included.
Annnnnd from Noir’s: Sdra2 boys as yandere HC’s
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imaginefanganronpas · 5 years
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Even though it’s September Let’s start adding some halloween themed headcanons,So How Abou Werewolf Shinji X Vampire Hajime Headcanons?
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We’re doing this huh? Yeah, I will take halloween requests of course, I love writing fantasy and horror, but please don’t send all your requests at once, I have over 200 in my inbox that also need to be worked on, requests from way back in june and had no motivation to work on...I will try my best though...it’s not really hc’s it’s more a miny story, but I hope it is still alright for you...
Werewolf! Shinji x Vampire! Hajime
-These two shared a very strange rivalry from the very beginning, sparks flying from the first time they had eye contact, even if they couldn’t figure out why, both looked perfectly normal in each others opinion
-Shinji squinted every time Hajime was close to him, crinkling his nose. He couldn’t point his finger on it, but something about Hajime’s scent was strange, there was something that didn’t belong, but he wasn’t sure what it was…
-Meanwhile Hajime had similar problems, he got goosebumps and had a very strange feeling when close to the other, but both tried their best to ignore their instincts and to get along and train together, because these two actually get along really well character wise
-Hajime has his thirst for blood pretty good under control, but he has to admit, the longer he waits, the more tempting it becomes to catch Shinji during their pre-sunrise jog and just get the blood he needs
-Shinji is confused why Hajime is always wearing shades and never stays in the sun for too long, but Hajime excuses himself with a ‘sun-allergy’ he is suffering from, so Shinji didn’t question it any further
-One day it becomes too much for Hajime and he waits for Shinji, hiding out for the redhead to appear and eventually attacking him, baring his teeth and hissing at Shinji, the redheads eyes widening. How did he not see that coming?! The signs were right there! The eyes, the allergy, the fact he never ate around him, his off scent...Hajime was a vampire…
-”B-Bro, wait! I know it’s tempting, but resist! You won’t like my blood, you really won’t! Come on!” He tried to reason with the vampire, but it seems like Hajime couldn’t control it any longer, a week without feeding really took a toll on him and he just needed some blood
-The boxer didn’t listen and sunk his fangs into Shinji’s neck, cringing when he tasted the blood. The firefighter was right….the blood was disgusting and unenjoyable, the vampire immediately letting go and gagging ,trying to get the taste out of his mouth. He didn’t understand, the only creatures blood thoroughly disgusting to vampires are werewolves, but-
-Hajime’s head shot up when realization hit him, hissing at Shinji and jumping back, ready to defend himself. Vampires and werewolves are enemies for centuries now and Hajime was weakened, it was only natural for him to be scared, Werewolf blood is like poison for vampires 
-”B-bro...It’s...it’s okay...we don’t have to fight now...I don’t want to fight you…” Shinji admitted, coming hesitantly closer, Hajime taking another step back and hissing at him, causing Shinji to shake his head. “Please bro...please let me help you…I’m not going to hurt you, I promise...”
-Hajime growled, showing his teeth to try and intimidate Shinji off, but it was no use, he knew he wasn’t going to win a fight right now, not in his current state, he was in need of blood, he dropped to the ground, taking his shades off and turning on his back, basically surrendering, which is something vampires usually don’t do. Usually they just flee like cats would
-Shinji didn’t care at all and picked Hajime up, running over to his home to give him a place to rest, shutting the blinds to dip the room into complete darkness
-”Rest for a bit...I promise I will find something to help you…” Whispered Shinji before closing the door and leaving the house again, on his way to find someone who would ‘donate’ a bit of blood
-He felt really bad asking one of his classmates for this, but he had no other choice, who would he even ask? Yuri was a space being, he wasn’t sure if Yuri’s space blood was digestible for Hajime, he would feel bad asking Yuki, Syobai and Mikado wouldn’t give blood to him anyway, but he had an idea
-He went out and asked Teruya, who was more than happy to provide his assistance and going over to Hajime with him 
-Needless to say, Hajime was very grateful for the donation and didn’t hesitate to bite Teruya and get some of that good stuff, with Shinji having to pull Hajime away so Teruya wouldn’t die from blood loss
-The merchant was very woozy after that and Shinji helped him to the guest room so he could sleep and recover a bit, before the werewolf went back to Hajime
-”How are you feeling, bro?” Asked Shinji, clearly worried but Hajime waved it off: “A lot better now, thanks to you..”
-They exchanged an awkward glance, before Hajime finally addressed the issue: “You’re a werewolf…”
-Shinji cringed, admitting with a hint of shame on his face: “I am...It’s not too obvious, is it…? Only during full moon…I-I don’t want to fight you though...I know we’re supposed to, but...I never…”
-Hajime sighed, running a hand through his hair: “Not one for old traditions, huh? To be honest, I...I always had a feeling, but I….I never wanted to fight you, you….you are too important to me…”
-Shinji admitted openly: “I...I view you as part of my pack...and I don’t fight pack…”
-Hajime smiled at him and hugged him tightly, promising him: “It’s okay...we can be pack. I wouldn’t want to fight you anyway..screw the traditions…”
-Shinji laughed heartily, hugging him back tightly: “Screw the traditions…”
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sailor-cresselia · 5 years
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Zi-O 48-1: In which I surrender and watch the raw.
So, it’s been a few days, and I know that the subbers have their own lives and whatnot, but… I can’t safely go on tumblr until I see this, because I follow a lot of Rider blogs, and have the Zi-O tag tracked, and i’ve got friends talking about this…
So I’m caving and watching 48 without subs. It’s been a long while since I’ve had to do this!
Enjoy eleven and a half pages of me being a nerd over a children’s tv show, that I can’t even properly understand.
(EDIT: SHIT SORRY I THOUGHT I”D PUT THE READ MORE IN THERE)
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Actually, first, I watched 47 again, to refresh myself, and noticed something. Not only did Tsukasa do the hand pose from the Zi-O promotional material when he transformed, but so did Daiki as Another Zi-O II.
The main difference is that Daiki used his pointer and middle finger – because he’s the second form.
It’s the little touches.
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We pick up exactly where we left off last time – with Tsukuyomi, Sougo, Daiki, and Decade finding htemselves surrounded by mooks and monsters from heisei riders past. Mirror monsters, makamou, masquerade dopants, yummys, dustards, ghouls, inves… so Ryuki, Hibiki, Double, OOO, Fourze, Wizard, and Gaim are gone. The meteors, and skywall say that Kabuto and Build are, too. Adding in the roidmudes we saw with Chase, that makes ten out of eighteen watches broken. I say eighteen because we’ve obviously still got Zi-O, and Decade is literally right there, having reclaimed his watch.
We get Tsukasa repeating – or, rahter, we re-see Tsukasa saying that he’s going to destroy the world… Not right at this moment, though. They should get going.
It looks like Daiki takes off in a different direction from the other three.
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Amid the scenes of people running, there’s a ganma mook… and Revol, along with people colappsing, static crackling across their bodies. That’s the Ghost and Ex-Aid watches done for, then.
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Geiz and Woz run along a rooftop, but immediately become a book image – we’re going pretty much right into the recap. Now, of course, I don’t speak Japanese, but I can get the gist of what he’s saying. Basically, there’s copious fighting, the time-space continuum is falling apart, and the world is ending because of Swartz.
There are two pages left.
Woz is looking off into the middle distance as he says this.
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… I don’t think I really expected that they’d update the OP again, this late in the game, but…
That doesn’t change that it kind of hurts to see Heure and Ora still be there.
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At 9-to-5, Tsukasa is being interrogated- I mean, is getting everyone onto the same page.
Ehh… let’s see… Basically, he’s saying that more and more of the other Riders are being… I don’t know, more completely erased? Like, the watches held their stories in stasis, like bookmarks, and now that they’re breaking, parts of those stories are escaping out.
Tsukuyomi mentions the wall and the tower – namely, Fuuto Tower, as opposed to Yggdrasil, which kind of bothers me. See, even if this weren’t all one Rider world, Fuuto Tower would have no reason to not exist. It’s just part of the city. Yggdrasil, on the other hand, was built explicitly to deal with the encroaching Helheim Forest and you know what it’s not that big a deal, because the multipleworlds thing bugs me even more than that.
…Although, since they’re apparently sticking with the outdated “every rider is his own world” method, which has basically never been true, with the exception of Decades ARs, I suppose it could make sense to have both towers appear. Fuuto and Zawame are different cities, and most Rider seasons are set in Tokyo. That would account for the Skywall, as well – it’s from a different world. That’s the best way to show ‘things aren’t where they should be’ - to have landmarks from parallel worlds and different cities all appearing in the same place.
Tsukasa explains that Swartz has been using Sougo for his plans since he (Sougo) was a young boy. He pulled him to that ruined future, and gave him the time powers there. Then he set him on the road to gathering the powers of all the Kamen Riders – thus consolidating them into one complete form. Namely, Grand Zi-O.
…Okay, the multiverse thing still doesn’t pan out, here. If they were all in different worlds, then Sougo couldn’t have met them! They specifically said once, during Shinobi, that the Time Mazines can’t go to different timelines – which would presumably include different realities along with it. So, the people that Sougo met couldn’t have been riders anyway, regardless of his interference.
…Wait. Unless Swartz is actually pulling the assorted AR worlds together – by removing the ‘original’ or ‘main’ versions of the Riders, he removes the potential for there to be alternate versions of them. So the Shinji who worked at Atashi Journal, the Wataru who was a small child, high schooler Takumi, and so on… none of them can exist, because the Shinji from Ore Journal, the Wataru who was an adult, dry-cleaner Takumi, and so on were never riders.
I mean, I don’t know if that’s where they’re actually going with this, but it’s a good theory, right?
I can still try to make sense of this, right?!
ANYWAY.
Sougo’s despairing over the fact that all of his fights have been playing right into Swartz’s hand, and I think that Woz is trying to reassure him? I’m not sure – I can’t make out any of what he’s saying there.
Geiz asks what they can do now.
“I already told you. I’m going to destroy the world.” Tsukasa sets down the mug he’s been holding this entire time. “This world is already lost. However… there might still be a way to save it.” He looks pointedly at Sougo.
Sougo pauses, and says that he understands, bringing up the ‘choice’ that Swartz told him about.
“Tsukuyomi’s path, Sougo’s path, or the path to Oma Zi-O.”
…Ah, man, I can’t tell what they’re saying now. I’m not sure what Sougo’s implying that he’s planning, but Tsukasa seems at least somewhat satisfied. The fate of the world counts on this.
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There’s a breif shot of the watch stand. It’s empty.
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Sougo stands in front of the wall of clocks, looking at them. It’s eerily similar to a shot in the opening… hang on.
Okay, no, he’s in a different outfit. In the opening, when Sougo reaches towards the wall of clocks and spins it backwards, he’s in a mint green shirt and tan pants. Here, he’s in dark green with white-and-black pants. But also? He’s just a little bit taller.
In the opening, he’s dwarfed by the wall, with the counters and everything else seeming to be so much larger than they really are. He’s not the one who’s really in control. The situation is so much bigger than he is.
But now? He fits perfectly. He’s coming into his own, both as a rider and as a person. He’s not holding the image of an idea that is so much more than he is anymore.
Sougo smiles as he looks at the assortment of clocks, saying that it’s time to head out. The acoustic guitar version of Over Quartzer starts to play.
Tsukasa – the only other person present – tells him to wait. There’s… he says something about either how there’s a lot of people involved, or there’s a lot of people counting on this, or that are at risk. Maybe he should be the one to carry out this plan-
Sougo cuts him off. It has to be him. He tells Tsukasa to listen. He’s been ready for this since he put on the belt. Or… maybe… he’s always been destined for this moment.
Tsukasa looks… I don’t know what that is. Surprised? A dull form of surprise or shock, that he wasn’t sure if this young man would actually be willing to pull this off?
Sougo does seem to have one small regret though, in that he doesn’t get to tell his uncle. He picks up a note off the counter.
…Junichiro has terrible handwriting. Holy shit. Like, that’s damn near illegible – I’m lucky that it’s just enough that I can tell he signed it, via using the Rider Wiki having his name. Given the preview from the last episode, I’m assuming he went out to the store? Maybe?
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In a plaza, Tsukuyomi is attempting to help people escape the assorted mooks, shooting with her Faiz Phone X and instructing them to run. Woz, meanwhile, is sitting and watching, like an absolute tool. She’s pissed at him, and basically yells that he can help out any time now, thanks!
“Okay, okay, fine…” He gives the single most put upon sigh as he transforms into Ginga Finaly.
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Geiz is in a construction area, beating mooks off of people with a literal pipe, until Swartz shows up, apparently taunting him.
Cue Revive Fury versus Another Decade.
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Junichiro is screaming as he’s being approached by two Waste Yummys and the Bison Yummy.
Oh, judging by the box with the shops logo, he wasn’t out shopping, he was making a delivery.
“LOOK OUT!”
Zi-O blocks the Yummy, shoving them away from his uncle – notably without saying anything else to Junichiro.
Why is that notable?
Because Junichiro’s next line is “…Eh? Sougo-kun?”
Me, crossing my fingers as Zi-O prepares a finisher: please have known all along please have known all along or at least have caught on at some point please
Zi-O, having finished the monsters off with a Time Break – don’t think I didn’t see those little circles flying off of them as they exploded, Toei, I saw those cell medals there – storms up to his uncle. “Uncle, are you an idiot? Why did you go out at a time like this!?”
“Sougo- that was- just now-”
Zi-O drops his transformation… and Tokiwa Sougo bows low to his uncle, apologizing.
“Uncle… I’m sorry. I wanted to tell you… the truth is, I’m a Kamen Rider.” As he straightens back up, the piano version of Toki no Ouja starts to play. Junichiro is speechless as Sougo continues. “It’s a power that I’ve been using to fight, in order to protect everyone.”
Junichiro doesn’t seem to know what to say, just asking if this is how he’s being a king.
Sougo… supposes that’s true. But he has to go, so that he can save everyone. He just wanted to tell his uncle first.
Junichiros response? “I can’t do much, I just fix clocks. But you… You’ve got such a responisibility. Go. Have a safe trip.”
I don’t think Sougo expected him to react this well, he probably expected that his uncle would try to stop him, or protest in some way, at least. But really, clearly Sougo hasn’t been paying attention. Junichiro barely batted an eye at the Imajin asking him to fix the Denliner. This isn’t much of a stretch at all.
“I’m headed out.”
Junichiro kind of looks like he’s about to cry as Sougo runs off – tears of worry and of pride.
Sougo runs down the partly ruined street, as his Time Mazine zooms down in the ship mode.
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Sougo is in the cockpit of the Time Mazine, which is barely lit by dark blue light.
“One last trip through time…”
He looks at the display, set for 2068.
“Time-space system, activate!”
Time Mazine!
The machine zooms through the time tunnel, off into the future.
––––
Geiz, in a very ruined stairwell, fights a whole slew of mooks as Another Decade watches. He gets knocked down a few flights, and can’t get back up due to all the mooks who are basically on top of him.
Right up until Decade shows up to knock them away.
I can’t tell what they’re saying, but Geiz sounds really surprised that Decade’s still here.
They start fighting their way back upstairs together.
––––
Woz and Tsukuyomi are fighting against another set of mooks, in the same plaza they were in earlier.
Eventually, Woz calls down a bunch of mini planets to destroy the mooks and a Violence Dopant, because of course Ginga can do that. This might as well happen.
A bat-type Roidmude appears, advancing on Tsukuyomi – before Mashin Chaser flys in from nowhere, tackling it down, and quickly dispatching it with the Spider Viral Core’s Tune attack.
He then immediately falls to his knees, clutching at his head, before dropping his transformation. His hand shakes as he wonders why he just saved a human.
Woz, being far too flippant for my robo-lad’s current existential crisis, hops down from the steps. “It’s quite simple, Chase. According to this book, in the original timeline, you, too, were a Kamen Rider.”
“I’m… a Kamen Rider?” Chase looks at his shaking hands, and we get another flashback. (Toei no don’t break my heart like this…)
––––
Chase, in a warehouse, water pouring from a broken pipe. He holds up a shift bike, determined.
Kamen Rider Chaser stands under the pouring water after his first transformation.
––––
Chase roars in denial, slamming his Break Gunner to activate it.
Break up!
Mashin Chaser yells. He’s a GRIM REAPER, damn you!
(Toei, NO! Don’t break my heart like this!)
He brutally starts attacking Woz.
––––
2068, in front of the statue commemorating the first transformation of Tokiwa Sougo.
…Oh, now that’s interesting. The other times we’ve seen this particular statue, the riders weren’t posting at all – they were just standing, looking somewhat down. Right now, though?
Each and every one of them is doing their post-transformation pose.
Interesting.
So’s Sougo’s comment, which I think is ‘The most important person in the world…’
Sougo’s arrived at a point where there’s a smaller fight between the resistance and Oma Zi-O. It’s not that final stand we saw in the first episode, with the copious time mazines – the battlefield isn’t nearly large enough to be that one. But Geiz and Tsukuyomi are both there, both shooting at Oma Zi-O; her with the Faiz Phone X, and him with a machine gun.
People are being injured/killed left and right. Sougo goes to Tsukuyomi, who’s just been knocked down, asking if she’s alright.
He slips a blank ridewatch into her pocket.
I’m not sure what Geiz is yelling at them, but I’m pretty sure it’s something about ‘if you’re not going to fight, then get out of here!’
Tsukuyomi seems to feel the same, telling him to hurry up and run.
His expression stoic, Sougo tells them that they should hurry and get out. He’ll take care of this.
He pulls out his Ziku Driver, and the Zi-O Ridewatch as Tsukuyomi, Geiz, and the handful of resistance members look on.
“HENSHIN!”
As Kamen Rider Zi-O strides forward to face off against his future self, Geiz and Tsukuyomi are stunned. They know that armor and transformation, even though they’ve not yet met him properly in person.
––––
Oma Zi-O and Kamen Rider Zi-O stand across from each other, in that same valley where they’ve fought twice before. Or, where Sougo’s fought him before, and Oma may or may not have been on the current side yet. Time travel, yanno.
Oma says… er, basically that his younger self has no hope of defeating him.
Sougo… he says that that may be true. That this may really be his future.
Even so… he still has to try.
He pulls out his gun – his gun, not his sword – and fires, charging at Oma.
I’ve said before that Sougo almost never uses the gun form, and it’s true. All of his upgrades exclusively gave him a sword. The gun is only ever used for strategic purposes – Sougo doesn’t usually fight at a distance, he’s much more of a close range combatant. This only serves to make the fact that he pulls it out as the gun form all the more unusual.
Each shot is blocked by little mini forcefields that Oma raises for each individual blast, before Sougo is finally close enough to switch into the sword. Each strike is blocked, before Oma shoves him backward with waves of orange and black energy.
Sougo – still in base form Zi-O – lands, and as he pushes himself up…
“Let’s go.”
He pulls out the Trinity watch.
––––
2019
Geiz Revive Fury and Decade versus mooks and Another Decade.
They’ve made it back out into the open, and quickly dispatch the assorted mooks, leaving the two riders and the single villain.
Swartz… ugh, I can’t make it out, but I think he’s saying something about how they can’t stop him, the world’s already finsihed.
Both Geiz and Tsukasa say that’s not true. There’s something about Tsukuyomi in there – either they’re saying that it’s not Swartz’s world to take, it’s hers… or that they’re choosing her. They’re not choosing this world, they’re choosing Tsukuyomi’s.
Or they’re saying nothing of the sort, because I just can’t pick out enough words that I recognize to be sure at all.
Regardless, Swartz screams in rage, and starts wailing on the both of them, before knocking them both down. Aiming for Geiz, he charges his copy of Tsukasa’s rider kick – card images and all. They’re eerily accurate, too. They’ve got the exact Decade logo on them, but they’re black and dark purple, instead of the lighter magenta that Tsukasa would have.
It doesn’t matter, anyway. As Another Decade passes through the last card-
A yellow beam of light shoots from the sky, and warps Geiz away.
––––
Tune! Chaser Cobra!
It doesn’t matter, anyway. As Mashin Chaser’s whip attack reaches Woz’s location-
A green beam of light shoots from the sky, and warps Woz away.
Growling, he turns to Tsukuyomi.
––––
Trinity time!
Sougo, in the Trinity Cockpit, smiles a little as Geiz and Woz appear. “Oh, good, it worked.”
I don’t think they were sure it would.
Woz, appearing as an overlay on his shoulder, says that they’ve made it to 2068.
Geiz, doing likewise, says something about Oma Zi-O.
Sougo, no overlay in sight, says that in any case, it’s time to fight.
Trinity charges at Oma Zi-O, wielding Zi-O II’s sword.
––––
2019
Kamen Rider Decade dusts off his hands as he stands up. Time for Decade Versus Decade.
Swartz almost laughs at that. You think he’s only got Decade’s powers?
He freezes Tsukasa in time. His own power is even stronger. As he advances on the frozen Tsukasa, he’s frozen, himself.
Kamen Rider Diend strolls up, one hand outstretched. “Oh, you mean the power you gave little ol’ me?”
Decade’s fight music starts to play as Daiki straight up whacks Another Decade with his gun, breaking both magenta men out of their paused states.
As they stand next to each other, Tsukasa has to be rolling his eyes under that helmet. “Took you long enough.”
“Let’s go, Tsukasa.”
Kamen Riders Decade and Diend – Kadoya Tsukasa and Kaitou Daiki – attack Another Decade in unison.
––––
2068
KING GIRI GIRI SLASH!
Trinity slams his slash attack down on Oma, but said overlord just pushes the energy to the side. They rush him, bringing the sword itself down on him, and when he blocks it with his crossed arms, a ring of dustclouds explode around the combatants.
Trinity forces the sword down, before abruptly yanking if off of where he’d been pressing it against Oma, using the loss of that resistance to throw Oma Zi-O off balance, and pointing the tip of the sword at his torso. Under the helmet, Sougo at minimum is grinning.
Trinity Time Break-Burst-Explosion!
A beam of attack power pushes out from the sword, blasting Oma Zi-O back into the cliffside, where he leaves a massive impact crater before falling to the ground.
He asks where his younger self found this sort of power.
Sougo’s answer? It’s not his power. It’s his friends power.
In the cockpit, we see the three standing side by side, their sections of the faceplate behind them, but they aren’t in a circle around the clock, or in divided screens. They’re all on one visual plane.
According to Sougo, and my very limited understanding of what’s being said, because I don’t recognize most of this… there’s more than one path to take. He’s not taking the one that leads to Oma Zi-O. He’s taking the one that he’ll make with his friends.
Oma Zi-O seems to find that interesting, and says that Sougo’s… what, fighting for his friends sake?
And I’m not sure what just happened, but Geiz doesn’t know what Oma’s talking about either, and Woz tells Sougo to be careful…
Right before the Trinity transformation ends, leaving only Sougo standing in front of Oma Zi-O.
Just Sougo, without any armor.
He’s not even wearing his belt.
He also doesn’t look surprised, or concerned. Just angry.
––––
2019
Woz reappears right where he left from, in his civilian attire, and looking confused. Tsukuyomi is nowhere to be seen.
––––
Geiz appears right where he left from, in his civilian attire, and looking both confused and frustrated. Decade and Diend are still fighting Another Decade, and getting kicked around a fair bit, before Swartz scoffs, and says that Tsukuyomi is his to… uh, I think kill is the word here.
He dimension-walls himself out of there, and Geiz curses.
––––
2068
Tokiwa Sougo stands across the field from Oma Zi-O.
“Now what? You’ve sent your friends away, and what for?”
There’s no background music, just the sound of the wind.
Sougo stays calm. “That’s because I’m not here to fight you. But… I’m still going to defeat you.” He starts to walk forward. “Tell me, what is the power of Oma Zi-O?”
Oma Zi-O looks a bit to the side. “It’s the power to destroy space and time.” The orchestral version of Toki no Ouja starts playing. I can’t quite make out the next part of Oma’s answer, unfortunately. Something about Swartz’s granting him time powers, and his own powers over space, and those combining. I think.
Sougo responds that the two of them – himself and Oma – aren’t the same.
Oma… agrees. I think, and says that he looks forward to seeing the world Sougo will make, before sending him back in time.
A muscle twitched in Sougo’s otherwise expressionless face – the ghost of a smirk trying to make it’s way through.
Oma Zi-O looks up, a note of resignation in his voice. “That’s it, then.” He makes a small noise, almost like a laugh… and says something about… I think it’s that ‘this is what he can do to help.’
He raises one hand to the sky, firing motes of golden light out.
––––
As the other members of the resistance continue retreating, Geiz and Tsukuyomi stop. I’m not sure what they’re saying, but it’s something about how that guy was strange, that he must have had some sort of plan.
Motes of golden light pass over them, and a pink light comes from Tsukuyomi’s pocket, seeming to shock her physically to make sure she notices.
The ridewatch Sougo had slipped her glows white, but quickly fades… and it’s still blank.
… the one that kept making its way to Sougo in episode one stayed blank for a long time, too, right up until he showed the resolve to fight.
––––
2019
Tsukuyomi reaches a different plaza, still running from Mashin Chaser. She begs him to stop, she knows he has a human heart!
He just yells that he doesn’t have a heart, he’s a Roidmude- but he freezes up. He can’t move. It’s not the time powers in action – it’s that he’s seized up. Like one part of his programming is stopping him from moving, from lowering his arm and pressing the trigger. There’s a very deliberate shot of his hand holding the break gunner, finger raised.
Swartz – as Another Decade – comes up. “That’s enough. She’s mine… Finally, little sister…” He goes to attack her, but-
Chase stops him, rushing up and grabbing his arm, shoving him back. He may not be human, may not have a human heart, but. But the human heart is the most beautiful thing there is!
He goes on the offensive – against Swartz.
But Chase tends to get sloppy when he fights with his emotions running high. It’s simple enough for Swartz to redirect his straight charge with a pair of dimension walls, placing Chase behind him and charge-kicking the Roidmude in the back, sending him staggering. I can’t tell what Swartz says, but it’s definitely an insult to Chase – as a Kamen Rider.
Chase staggers backward, his transformation breaking. He starts to fall to the ground, but Geiz catches him…
(Toei… no…  don’t… don’t break my heart like this…)
Purple arcs of electricity cross Chase’s body as Geiz holds him.
“You… were right. I really am… a Kamen Rider…”
Geiz’s face is partly hidden in his collar. “You’re more than that – you’re a friend.”
Geiz – who only met Chase today, who probably only knew him as a hero from what Gou may or may not have said during Over Quartzer, and from his actions right now – is telling Chase that they’re friends.
“That’s… nice. That even now… I’ve made another human friend…”
(Toei. No. Don’t. Don’t break my heart like this.)
Chase glows a light purple, and dissolves into motes of purple light, leaving his core floating, before it, too, dissolves.
(I, a Drive fangirl, and particularly a Chase fangirl, am going to have to bury my face in a pillow when I’m done here.)
Geiz can’t talk. He’s too stunned by what just happened – he’s trying not to cry, I think.
Swartz advances on Tsukuyomi. Now that that little distraction’s over with, it’s time for her to die.
She backs up, terrified. Time feels like it slows down. Not, like, the type in this show where it actually does, just the muted, echoing effect of a single moment.
“TSUKUYOMI!” Sougo runs towards the scene. “THE WATCH!”
“Eh?”
“THE ONE I GAVE YOU!”
Confused, she reaches into her pocket, and pulls out a blank ridewatch – that very shortly isn’t blank anymore.
It’s white, with a mask, and the year ‘2068’ written on it.
Woz comes in from the other side, still at a distance. “Go! Tsukuyomi!” He throws her something.
Tsukuyomi catches a Ziku Driver.
Sougo nods, certain. Geiz looks confused as all get out. Woz looks like he’s hoping this will actually work.
She puts on the belt, and raises the watch, turning it.
“Tsukuyomi!”
Techno standby music plays as she places the watch in the driver, and spins it.
“Henshin!”
A gorgeous transformation sequence later…
Clad in a black undersuit, with white armor and gold accents, with a cresent moon-shaped visor, and a gold-trimmed cape and side-skirt…
Kamen Rider Tsukuyomi makes her appearance.
––––
The closing screen is Geiz Revive at the bottom, Trinity at the top…
And Tsukuyomi in the center.
––––
The preview for the final episode… and it’s a battle theme playing, not Over Quartzer.
Grand Zi-O versus Another Decade.
A brief flash of Kamen Rider Tsukuyomi.
A splitscreen shot. Kamen Riders Grand Zi-O, Double CycloneJokerXtreme, Wizard Infinity Form, OOO Tajador, and Gaim Pineapple Arms are on the top.
On the bottom… okay, so, I have no idea who most of these villains are. There’s Gamedeus in the center, and Evolt to the far end, but the others? Not a clue.
Over top of that, and the two groups starting to fight, we hear Sougo practically growling, saying ‘I have the power of all the Riders.’
Flashes of Tsukuyomi and Woz, as themselves, looking concerned. At this point, they add in a subtitle disclaimer saying that Zi-O is fiction. (Thank you, Google translate for my phone, which allows me to hold it up to a screen and get an idea of what’s written.)
A quick shot of Oma Zi-O on his throne, his face obscured – and text implying that we’re going to get to see his face!
Someone – either Oma Zi-O or Swartz, because they sound really similar when Swartz is Another Decade – saying something about… I don’t know, that this is his battle? I think?
But that’s played over the previous two sequences, and a sequence of Sougo, openly weeping, holding a very injured Geiz, who’s going limp.
Then, Sougo standing, furious… and then him activating the belt that Oma Zi-O wears.
In a defeated voice, “I’ll become Oma Zi-O…” and then, in that same growl as earlier, “HENSHIN.”
The final shots are two angles of Oma Zi-O. In armor. And in the present day.
–––– ––––
(deep inhale)
(sharp exhale)
AAAAAAAAAAAAA!
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juice-boxs-imagines · 5 years
Note
Hey sweets! So, the captains go camping. Kinda like those corporate retreats where they test their mettle by being in the wildness for a week. Who is the natural survivalist? Who can’t cope? Who surprises themselves by rising to the challenge & adapting with some impressive skills? Have fun! ❤️😘
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Lol, these ask! I had too much fun writing these! When I was making them, I kept finding myself saying this the same thing in each ask or making too many references to others, so I decided to combine them and address each captain and lieutenant by their respective Division. I wrote these as if they all went on the same camping trip together. I hope readers enjoy them just as much as I did! 😂😂😂
Ah! And thank you @shadowsnlace for letting me use your hc!
SHUNSUI KYORAKU AND NANAO ISE
The head captain is a lazy bum even while camping. You'd think he's helpless and can't fend for himself, but in reality it’s just that his laziness knows no bounds. He'll try to mooch off Nanao, but she won't let him. So his next go-to will be poor Jushiro (who doesn't have the heart to turn him away). Nanao will nag Shunsui for bumming off of Jushiro. She’ll use a can of mosquito repellant as a substitute book for whacking Shunsui in the head each time she deems he needs it. Nanao will have a camping guide in her hand at ALL times, and she will utilize Shunsui as a pack mule when they're heading to their campsite with their fellow campers. Shunsui will be whining having to carry literally everything, while Nanao leads the way with a map in hand.
-Shunsui: Why are you so mean, my little Nanao-chan? 😭
-Nanao: I refuse to let you get the both of us lost in the middle of the woods!
Alas, despite Nanao’s greatest efforts, Shunsui will be drunk before its time to make the s’mores. Before they had left the Seireitei, Nanao had gone behind Shunsui and removed all of his packed n̶e̶c̶e̶s̶s̶i̶t̶i̶e̶s̶ sake. Unfortunately for Nanao, however, she and Captain Hitsugaya failed to do the same thing for Rangiku- and drunkards help drunkards. Nanao will be fuming next to a certain snow-haired captain.
SUI-FENG AND MARECHIYO OMAEDA
If it were not for special circumstances, these two would have never stepped foot outside of the Seireitei. Sui-Feng can't be bothered by something as “childish” as camping, but what got her into kahoots with this was listening to her lazy Lieutenant nag about how camping is not an appropriate activity for a “rich and handsome” man. T̶h̶i̶s̶ g̶a̶v̶e̶ S̶u̶i̶-F̶e̶n̶g̶ a̶l̶l̶ t̶h̶e̶ e̶x̶c̶u̶s̶e̶ i̶n̶ t̶h̶e̶ w̶o̶r̶l̶d̶ t̶o̶ b̶u̶l̶l̶y̶ h̶e̶r̶ l̶i̶e̶u̶t̶e̶n̶a̶n̶t̶. Similar to Nanao, Sui-Feng utilizes her lieutenant as a pack mule. The only difference is, Omaeda is carrying HER, too.
-Omaeda: Captain, why do I have to carry you AND all of the stuff?
-Sui-Feng, is sitting on top of the luggage strapped up on Omaeda’s back: Shut up, and follow the other pack mule in front of you (s̶h̶e̶ i̶s̶ t̶a̶l̶k̶i̶n̶g̶ a̶b̶o̶u̶t̶ S̶h̶u̶n̶s̶u̶i̶).
Later on, Omaeda soon learns that the double-tent that captains and lieutenants are sharing will be off-limits to him; Sui-Feng will say it is part of his training. Poor Omaeda has to sleep in his sleeping bag outside; Sui-Feng uses the extra space in the 2nd-Division themed double tent as an open room just in case Yoruichi decides to go camping with them. There is a cat bed and an extra sleeping bag, so that Yoruichi can decide which form she'd rather sleep in. Sui-Feng spends the rest of the night fantasizing about sharing a tent with Yoruichi. Forces her enslaved Omaeda to find wild catnip just in case Yoruichi drops by for a visit.
ROJURO "ROSE" OTORIBASHI AND IZURU KIRA
The only thing Rose packs for the trip is his guitar. He doesn't see a need for anything else. Kira, the ever worrisome cinnamon roll, will borrow Nanao’s camping guide to make sure he has everything. He also visits Unohana to get a brief lesson in identifying dangerous plants, like poisonous mushrooms and poison ivy. He also asks Hanataro if he can borrow the best, most up-to-date medical kit the 4th Division has.
Kira will haul a wagon for their stuff, and Rose will be in the wagon, singing and playing guitar songs to the passing scenery. After they get to the campsite, Rose will help Kira pitch a tent, but he will want their duo-tent to have a more “dramatic” feel to it. So he leaves to gather some beautiful plants and flowers to decorate the area. Kira has a mini heart attack when he recognizes one of the plants as poison ivy. Kira freaks out when he further realizes that of all things, he forgets to bring poison ivy cream- something that is not included in the medical kit. Rose and Kira have to go see Captain Mom (Unohana).
Later on, Rose will insist to play his music, even though his fingers still suffer from poison ivy.
-Kira: But, Captain, you're still-
-Rose: No, Lieutenant! The show must go on!
-Retsu: I'll be over here when you next need me.
RETSU UNOHANA AND ISANE KOTETSU
Retsu will find enjoyment in any activity that involves interaction with the great outdoors. Isane will be nervous, but if she sees her captain taking this into her ever present grace, Isane will give it a whirl. Unohana will use Minazuki to transport her and Isane’s needed essentials. Given her history, Unohana will be an expert living off the land. The only problem there will be is if she can't spice her food the way she likes; Unohana prefers strong foods, so she will be packing a basket special for adding savory spices and seasonings to her dishes. Meanwhile, she will realize Isane is following her like an imprinted duckling, so Unohana will encourage Isane to start trying new and different things. This is when Isane will find that she is a prodigal child at identifying wild plants. Isane won't initially realize it's because of all of those lessons from Unohana over the years; In her free time, Unohana travels into the Rukon to gather wild herbs, so Unohana can do the same. Unohana will chuckle and begin to teach Isane new stuff.
Later, Isane will grab her camera to find Nemu to go take pictures of stuff around the campsite, and Unohana steals the opportunity to turn the two of them into kindred spirits by mentioning bird-watching. Unohana “convinces” Mayuri to let Isane and Nemu borrow his binoculars. Later on, while everyone is making s’mores, Unohana will sit next to Ukitake and sip tea while watching her younger friends and colleagues go about with their shenanigans. She will also scold Isane if she eats too many sweets, and she will scold at Zaraki for letting Yachiru eat s’mores for dinner.
After the camping trip, Isane will want to start going with Unohana to the Rukon, as a result of finding her new talent.
SHINJI HIRAKO AND MOMO HINAMORI
First thing that comes to mind: Poor Momo. She has the worst possible partner.
Shinji is not an outside person AT ALL, and he has awful camping experiences in the Human World thanks to Love, Kensei, and Lisa. Shinji makes sure to bring along all sorts of spider killer and bug repellant. (Kensei anticipates this and goes behind Shinji to replace all the poison with sugar water.) Momo gets to choose the tent and she picks a watermelon themed duo-tent that makes Shinji whine. Momo ends up leaving early to walk with Isane, so Shinji soon finds himself on Team Pack Mule.
Once at the campsite, he expertly assembles the obnoxious tent before deciding to go for a swim in the lake. He then has to visit Captain Mom when he comes back with his back covered in leeches. Being extremely anti anything that wiggles and crawls, Retsu has to stomach his whining and squirming while showing him medical assistance. Shinji now can't be caught dead anywhere near the “dangerous” lake. Even Rose tells him he's being dramatic; Now everyone is staring at Rose like HE’S the weirdo.
Momo will sit with Isane and Sajin while Isane explains all the different kinds of wild plants to be found in the woods. Momo then learns about some white flowers and brings them to Toshiro. She discovers Toshiro holed himself up in his tent because “its too hot” and he's “being eaten alive by bugs.” Momo spends the rest of her time drawing Toshiro out to have some fun.
Later on, Momo is eating s’mores with extra chocolate. She happily takes in the s’mores Toshiro rejects from Jushiro. The child in her asks Jushiro for stories by the campfire. Momo is too sweet and innocent for this world.
Later on in the night, Shinji wakes up with the spider the size of a baseball crawling on his face and the rest is history. Momo ends up spending the night with a knocked out Rangiku in the 10th Division tent. Shinji ends up getting pitied by the pure-hearted Sajin and earns a safe place in the dog-themed tent. Lisa and Kensei are blue in the face trying to hold back from laughing.
BYAKUYA KUCHIKI AND RENJI ABARAI
Believe it or not, Byakuya has an initial impression to camping comparable to Omaeda. However, Byakuya is surprisingly open-minded to new things (that are reasonable, of course). He gets looped into the trip when he overhears Rukia and Renji talking about it. Oh? Camping? Where he can show off his independent, manly skill? Where he can exercise his artistic sense in the arts of knots and wood carving? Count him in!
Byakuya will carry only his backpack. Renji joins Team Pack Mule with Shunsui and Omaeda, because you can't expect Byakuya to do THAT. Byakuya enjoys the hike into the mountains to the best spot to pitch camp. He buys a camping guide just like Nanao’s, as well as a map of the local area. While walking through the woods, he will drink in everything: sights, sounds, smells. It's all inspiration for this artistic man.
The duo-tent that Byakuya and Renji share look more like the parent-and-child duo-tents; Byakuya’s tent is huge, and Renji’s looks like it's the kiddie part. The Kuchiki Clan seal is bold on Byakuya’s, while the 6th Division flower is on Renji’s.
After the tent is pitched, Byakuya’s interest will perk when he notices all of the interesting stuff by the lake-side: shells, freshwater crawfish and crabs, birds, and mudskippers. Who knew a lakeside would be home to so much activity?
Meanwhile, Renji will occasionally squabble with Rukia for antagonizing her about her chappy theme tent, and later he, Ikkaku, and Iba find themselves in the mixes with Rangiku’s issued sake challenge.
SAJIN KOMAMURA AND TETSUZAEMON IBA
Sajin will be a natural at camping. Due to his wolf-side, he will feel more at home in the the woods than he does in the scrutinous society of the Seireitei. Having a heart of gold, he’ll offer to carry Iba’s things to him, but Iba won't let him. Sajin and Iba will follow Scout Leader Nanao as she leads the group to the camping site and they agree to pitch their dog-themed duo tent right next to the lake so they can have that awesome view the next morning.
Sajin will want to go hiking, and later he'll bump into Isane while she is exploring the woods and looking for rare plants and herbs. He gets caught up in listening to Isane talk about different herbs and their uses. He'll lay in the grass, staring up at Isane with big bright eyes and nodding occasionally, completely engrossed in everything she is teaching him.
Meanwhile, Iba will get wrapped up with Ikkaku and Renji; those fools are seeing who will be the last to get drunk, a competition originally started by Rangiku.
LISA YADOMARU
Lisa is chill as fuck, just like her old boss, Shunsui. Only difference is, she can get off scot-free with bumming off others. She had perfected the art of slipping past Nanao’s bullshit-sensory radar. Lisa can pitch her own tent, and as she is without a lieutenant, she just has a single tent. Which, believe it or not, is just FINE by her.
Half of Lisa’s packed essentials are actually porn mags. She doesn't bother with packing food because she knows Kensei will be packing his kitchen. After she sets up her tent, she will sit by Rangiku and the two of them will be sipping sake and cooing at half naked girls in magazines. Shunsui will slyly join them eventually. Unlike Shunsui and Rangiku, Lisa can hold her liquor, so she won't be drunk by the time it's time to bust out the s’mores. That's around the time she'll hatch her evil plan with Kensei.
KENSEI MUGURUMA, MASHIRO KUNA, AND SHUHEI HISAGI
Mr. Sexy won't have any problem going camping. As in matter of fact, having lived in the Human World, he's done it before with the other Vizards. So this is a piece of cake. He and Shuhei split the load of stuff together and follow Scout Leader Nanao to the best camping spot available. Shuhei will eagerly follow his role model and he listens diligently while Kensei teaches Shuhei camping basics. Mashiro tags along, too, but she steals Sui-Feng’s idea and hitches a ride on Kensei. Kensei will nag and complain, but Mashiro will get her way.
Later on, Kensei will have attracted a mini-crowd to his cookfire when he makes a makeshift grill out of a thin slab of rock over a fire. People start bringing him stuff to cook up, and Chef Sexy has no issue in doing so. Retsu allows him to use some of her packed spices, and when Kensei starts cooking the meat Zaraki and Ikkaku brings him, Toshiro the meat lover is first in line. After everyone has had their fill, Kensei joins forces with Lisa and the two of them go spider hunting.
Later that night, the entire camp will wake up to Shinji and Momo screaming about spiders crawling around in their dual-tent. The spider prank was meant for Shinji; poor Momo was just collateral damage. Sorry, Momo.
TOSHIRO HITSUGAYA AND RANGIKU MATSUMOTO
Camping? To be honest, Toshiro is just like Sui-Feng on this one. A captain of the Gotei 13 cannot be bothered with such things when there are important duties to be- Wait, all of the other captains are going camping too? Maybe it's not so bad after all. And he cannot possibly say no to Momo. Toshiro decides to use a wagon like Rose and Kira to tote his and Rangiku’s things, with the intentions of them taking turns pulling it. Unfortunately for Toshiro, it doesn't take long for Rangiku to pull a Rose and hitch a ride in the wagon, and thus Toshiro is an official member of Team Pack Mule. Only difference is Rose is serenading the trees and she is making Z’s (I have a Seuss-Muse! 😎).
Toshiro ends up having to pitch the 10th-Division theme tent himself. Rangiku wakes up ready to party and she suddenly starts pulling out a whole liquor store from the bag Toshiro THOUGHT he packed up some paperwork in.
-Rangiku, giggling: Oh, I had to make room for the party essentials, Captain!
-Toshiro: MATSUMOTO!
Shunsui: *casually slides in for the sake*
When it gets super hot, Toshiro is needed to make some ice. Kensei also takes advantage of this, and Toshiro gets his earnings in meat. This boy is a meat lover, and he pitches a fit when a tipsy Rangiku eats off his plate. He also gets yelled at by Mayuri when his “annoying, stupid ice menace” obscures the view of the Mayuri Tree. Sorry, Mayuri.
Later on, Toshiro is pouting with Nanao while watching Rangiku and Shunsui waste themselves into the “young, infant night.” Toshiro tells Rose to quit messing up his self thought narrations with dramatic descriptions of the night. He also has to fend off Jushiro’s attempts of feeding him s’mores and sweets.
KENPACHI ZARAKI AND YACHIRU KUSAJISHI
Yachiru: Ken-chan, let’s go camping!
And that, ladies and gentlemen, is all it takes to get Zaraki camping. To be honest, though, Zaraki technically goes camping ALL the time. Yachiru often gets the two of them lost in the middle of the woods and have sometimes had to spend the night somewhere in the middle of the Rukon. To Kenpachi, THIS time, they were sleeping in the middle of the woods on PURPOSE. That concept misses him by miles, but he'll do it to make Yachiru happy. Besides, SOMEBODY has to protect the camp from cave bears! But, Kenpachi will refuse to carry anything other than Yachiru on his shoulder, thus Ikkaku gets put on the list of things to bring camping and is promptly enlisted for Team Pack Mule. (Yumichika will refuse to go camping; It's not good for his beauty.)
Ikkaku is also tasked with pitching the tent. Mr.Muscles can't be bothered with guides to setting up tents though; he tries to get it done himself until finally Renji and Kira have to show him how it's done.
Meanwhile, Zaraki goes cave bear hunting, and he brings back a lot of meat for Kensei to cook. Retsu makes sure to get her share of his kills. She asks “politely” and who can say no to such a sweet woman?
MAYURI KUROTSUCHI AND NEMU KUROTSUCHI
Only a fool would invite Mayuri camping. First of all, it’s a miracle he decides to even GO, but coincidentally the camp trip date aligns with the days he was supposed to leave the Seireitei to collect fresh, new specimens. Naturally, Nemu tags along and joins Team PM with Shunsui, Omaeda, Shinji, Renji, Toshiro, and Ikkaku. Mayuri brings with him a portable, inflatable tent. Sadly, it didn't last 10 minutes; Yachiru thought it was a bouncy house and it exploded upon impact. There was no way Sui-Feng was giving up the extra space in her tent, so Mayuri gets Nemu to build a treehouse. Said treehouse is built in under an hour and it is where Mayuri will spend most of his time when he isn't out looking for v̶i̶c̶t̶i̶m̶s̶ animals.
Meanwhile, Nemu will be getting whisked away by Yachiru doing god-knows-what. When Yachiru isn't having her doing something that is for Nanao’s despair, Nemu and Isane will get their cameras and go bird-watching together.
Meanwhile, Mayuri will find himself in kahoots with Kenpachi. Zaraki unwittingly took an axe to Mayuri’s tree to make firewood out of it; Mayuri will have none of it.
-Mayuri: You ignorant baboon, don't you see me up here?
-Zaraki: *grunt* ‘Ey, Ikkaku, get a load of this. It's a jive-talkin’ monkey in a tree. Interestin’ huh?
-Ikkaku: Captain, that's Captain Kurotsuchi.
-Zaraki: Same thing.
-Mayuri: Specimens. All I wanted was specimens.
JUSHIRO UKITAKE AND RUKIA KUCHIKI
Camping?! Jushiro will be THRILLED to go camping! He doesn't even mind letting Rukia pick out a chappy themed duo-tent for them to share. Jushiro is the one who makes sure there are enough s’more ingredients for everyone, and he throws in extra sweets for Yachiru and Toshiro just in case. Captain Unohana goes behind him to make room for his medicines and their favorite brand of tea. Rukia adds their load to poor Renji, as she is Byakuya’s younger sister.
Jushiro will be walking with Nanao, chattering about all the fun stuff he'll be able to do with Shunsui the pack mule. Rukia watched Byakuya pitch his tent carefully and managed to pitch Fort Chappy single-handedly. The crappy themed duo-tent came with chappy-themed sleeping bags, equipped with these giant bunny ears. Jushiro is thrilled by how soft it is.
Jushiro finds fishing to be a wonderful thing to do while camping, and he brings the meat to sexy Chef Kensei to clean, prep, and cook. Later on, he busts out the s’mores for everyone and sits next to Retsu sipping the tea she slipped in his bag. She also makes sure he takes his medicine, as he is too excited and occupied to remember to do so himself. Jushiro attempts to feed a certain snow-haired captain s’mores (but ends up feeding them to Momo instead, as well as telling her embarrassing stories about Shunsui in their old, Academy days). This makes said snow-haired captain pout even more.
Meanwhile, Rukia likes to explore the lake-side with Byakuya, exploring all of the nice things there. She is also on constant defense of Fort Chappy against Renji’s jokes.
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circuitlover · 5 years
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Neon Genesis Evangelion: The End of Analysis
Is this a ridiculously naval-gazing post about Evangelion? Yes. Is it an accurate assessment of the franchise as a whole? I have no idea. I tackled this as an unknown initially, starting the series with zero contexts beyond the usual recommendation of “you should watch this.” Which is part of the reason why I’ve been a little hesitant about even broaching this subject to begin with. I’m so removed from the zeitgeist, both in terms of not being a regular anime viewer, as well as it being long past Evangelion’s relevance as a franchise, that it seems everybody already has their opinion on Evangelion all figured out. So at least indulge me, as I scramble around for something.
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‘The End of Evangelion’ is a certainly a gratifying conclusion, as we finally get to see much of what was being concealed behind the veil (well, as much as one could reasonably hope for). It also reminds us of some long-standing questions. Why do the Evangelion possess such a bizarre tendency to be ill suited for battle? How do NERV’s continue to run unabated from governing bodies? What exactly is the mystery surrounding the origin of the ‘Geofront’? These were all broad strokes of why I felt unsatisfied by the original conclusion (the hastily arranged make good of the final few episodes of the series), and though I don’t expect every minor detail to be answered about such a multi-faceted world, I still feel these were questions pertinent enough to have been resolved in some fashion. Now I’m a little more aware of the troubled events leading up to that ending and it’s quite admirable that they managed to deliver something, despite the haphazard nature of those final two episodes.
 It’s clear that End of Evangelion intends to underline the original series from the start, dropping us back at the critical juncture where episode 24 had left us. Even if one could feasibly state that we reach the same point after the events of EOE, I’d argue that we inhabit a vastly different headspace by the time we reach it here. It’s not difficult to surmise what happens between the gaps left between the final two episodes, though everything is lent much more credence here, now that we are left to witness the macabre reality of what the entire series has been building towards. NERV headquarters is finally attacked by SEELE, and with this, we finally see the bloody climax. Now free to depict the attack in full detail, the opening half is certainly full of action and excess, though far from mindless, with only the most unflinching of viewers (or those divorced from its context) likely to derive any sort of baseless enjoyment from these scenes. The various lingering shots of deaths sit uncomfortably here, but nonetheless punctuate the finality of it all. If anyone could have accused the series of taking a wholly unexpected (and saccharine) turn towards it’s finale, then EOE is it’s biting rebuttal.  As cold as the NERV headquarters is, with almost everything bad that has occurred almost exclusively originating from within it’s walls, it’s still disconcerting to see such a familiar setting being callously destroyed in a matter of minutes, along with it’s inhabitants. The conflict has essentially existed as a faceless one; both the audience and Evangelion’s protagonists seldom knew what they’re truly been up against. It’s a war being played out by the pawns, and here we see the severity first-hand.
 As their headquarters are crumbling, so are the pilots. Shinji is in no fit state, evidenced by his own bemusement over his actions towards a comatose Asuka. It may be shocking, and his actions are far from admirable, but given the context, it’s hardly surprising. After all, his confidence had been built up; only to be meticulously broken the instant Kaworu reared his head. This compounded with his earlier apprehensions after Toji’s departure, his various disingenuous, failed, and otherwise doomed relationships leaves his mental state in tatters. I personally don’t like Shinji, but then again, it’s quite clear to see that you’re not really supposed to. Even without Hideki Anno’s spiteful intent of wanting to deconstruct the typical shonen hero propelling Shinji’s arc, it’s quite safe to assume that anyone who had any lingering empathy for Shinji will almost certainly have abandoned such notions at this point. The Shinji we were first introduced to, awkward, unlikeable, with an overriding sense of hate and self-loathing, has now given way to complete apathy. “I’m so fucked up” seems to ring more an acknowledgement, than it does a realization.
 Like Shinji, Asuka too has succumbed to her trauma, but on a much more literal scale, being broken in both mind and body. They are two characters that are seemingly analogous to one another. But again, first appearances can be deceiving, as by the point of Asuka’s introduction, we are already keenly aware of Shinji’s nature. He openly laments his position; Meanwhile, Asuka is brash and outspoken, embracing her identity as a designated hero, rather than cowering behind it. How they choose to define themselves is different, but the underlying reasons are gradually revealed to quite similar. Both driven by an inherent self-loathing, we witness the pair at varying levels of despondency, though rarely at the same time. In fact, for as consistent as emotional turmoil is through NGE, it is rarely overt, leaving most characters to wallow in their own abject misery. Almost everything operates on a certain level on duplicity, some of which, admittedly, isn’t apparent upon first viewing.
 Rei is ostensibly disconnected from the very beginning, though that makes the act of attempting to interpret the character, quite difficult. Very little is revealed about her, and most of the development is concerned with what she is, rather than what she does. Her role is pivotal to the overall narrative, and the themes being explored, as she is, by design, a doll that emotes. Which I guess is where her appeal lies. The mystery intrinsic to the character is never completely done away with, even at the very end. And the case could be made if the third incarnation of ‘Rei’ is even the same character that we’d become accustomed to, as her eventual rejection of instrumentality is a stark contrast to the cold pragmatist that bookended the TV series.
 The (quite literal) congratulatory nature of the series conclusion was always conspicuous in its inclusion. Evangelion had never been a work that had an interest in servicing its audience, at least in terms of a ‘happy’ ending. Which isn’t to say that wasn’t a possibility, but the tonal dissonance in which it was delivered never quite rang true. As an audience, we were conditioned to cautiously enjoy any brief respites afforded to our characters, as more often than not, it was simply a prelude to the turmoil that was soon to be heaped upon them. All of which (keeping with tradition), means the course correcting of EOE ups the stakes by an order of magnitude. The imminent attack is at the worst possible time, with each pilot being indisposed. The first big sequence, the assault on NERV, is a veritable massacre. Everyone’s fates are conclusively played out, whilst the Evangelion units become the focal point. 01 is promptly captured, whilst 02 (along with Asuka) is sunk to the bottom of the lake. This leaves Misato to attempt to galvanize an unstable Shinji. It’s kind of galling to see Shinji act so despondently in the face of her imminent death, though his selfishness probably obscures that fact until it’s too late. For me, Katsuragi is probably the most well meaning of the entire cast, but tragically, is someone woefully inept of providing the emotional support that others around her need. Her own weaknesses are clear to see, and although many of her problems are often emphasized for comic affect, she is still one of the few who straddles the line between her duties and profession life, perhaps the most convincingly. Like most other characters, she serves as juxtaposition to Shinji’s own conflict, and highlights how everyone is dealing with their own issues, just with varying levels of inadequacy. Her final actions echo her previous (failed) attempt at comforting Shinji, with her own loneliness giving way to fleeting intimacy.
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Everything hits a crescendo once the Evangelion finally make their appearance, quite literally. Asuka awakens, and with it, her centrepiece battle takes place. I’m sure that it isn’t really something that I need to go into exacting detail about, because the following scene is enduring all by itself. Though it is notable as a culmination of the various elements all coming together; music, animation, along with the story. This is where EOE leverage’s its theatrical status for all its worth, eschewing the patchwork TV production in favour of something grander.  The actions scenes are often impressive and horrifying in equal measure, and there is probably no greater proof than here. Asuka’s death is certainly disturbing, and much of that is down to how they chose to portray that violence. For me, it recalled earlier moments, where the eldritch abomination like nature of the Evangelion had been evoked. These moments give the audience a brief pause for thought, where much is suggested of how horrifying their (The Evangelion) unshackled nature truly is. The unease, which these moments produce, suggests that something is terribly untoward. Most of which is conveyed in how we (the audience) see others react, gleaning what we can from cutaway shots of onlookers recoiling in horror. If recollections of Unit O1’s previous ‘feast’ already served to perturb, then this surely toys with our imagination yet further. We only see Unit 02 itself being devoured, and now knowing what we do about the distinctly human aspect of the Evangelion, the horror of Asuka’s fate here, trapped inside, now inhabits an altogether more unsettling space. The series ending, try as I might to appreciate it, was never going to suffice. It was nice to see Shinji’s own paradigm being settled, but I felt like it would have been more effective with a little more of that ambiguity stripped away. For as much as Neon Genesis Evangelion likes to steep itself in duplicity, this is where it’s felt like it was something of a compromise. The inner turmoil was my key takeaway from the work as a whole; it forms the crux of every relationship, and dictates the course of every action. It’s a lonely show, something that if not apparent from the get-go, slowly permeates throughout the narrative. Shinji is an initially an awkward character to relate to, bumbling his way through his scenes, though much of this weak nature is revealed to be a product of his environment. The world in which this all takes place is irreparably damaged, and even if the true extent of the second impact isn’t made expressly clear, it becomes quite apparent that humanity lives on in its own self-inflicted dystopia. It is this inherent contradiction that defines nearly every relationship, as each is unwilling (or unable) to acknowledge their true feelings. It is ultimately a self-destructive existence for the likes of Shinji, who permeates multiple meanings to his interactions with people, the paradoxical nature of which is explored in the conflict that defines the multiple endings and interpretations. Shinji is our proxy, but even so, it can be difficult to empathize with him. A hero he may be, but it’s more by designation than by design. It’s a role, which he consistently questions, as he exhibits almost none of the values we typically associate with someone tasked with such a mammoth task. He ostensibly comes of age throughout the series, gradually gaining some semblance of self-worth, though it a precarious act as he constantly seeks assurance from his father, and later anyone (which becomes something that Asuka resents him for). No character is treated like a proverbial puppet more than Shinji. In fact, it is SEELE themselves, who objective turns out to ultimately “break” Shinji, rendering his ego to naught. For all intents and purposes, it could be argued that the whole world is literally against him, at least by his own perceptions. His relationship is Asuka is extremely strained, initially showing hints of affection, with their hilariously depressing kiss encapsulates this dichotomy; Neither the circumstances (nor the characters) allowing for anything to take place. Even the slight reprieve offered in the finale (Asuka’s acknowledgement amidst the fallout) is obfuscated by the context in which it’s delivered.
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Shinji’s journey dictates the ending, first, in the original series, where his perspective colours the ambiguity from which we see the fallout. Thematically this works (and I can see why some may prefer the agency it gives the audience), though I feel that the abstract nature of this ending, robs it of some emotional resonance. This conclusion is also hampered (at least for me) in how abrupt it is, with certain story threads left dangling. In my opinion, ‘End of Evangelion’ lives up to it’s billing as it gives a much more balanced and subjective conclusion, where we see first-hand “The Human Instrumentality Project” in effect. I was suitably invested to the point where I wished to see how the end was reached, and of course, see something that wasn’t cobbled together with recycled animation or slight of hand. I can certainly appreciate the original ending as a companion piece, which serves as a more personal and intimate resolution. But the fact remains, a lot of the fascination surely lays with how incomplete this all feels, with each finale, seemingly answering as many questions as they create. That said, I find that both endings offer up a surprisingly optimistic message. The original may be more overtly upbeat, but I think that EOE’s is lent more credence by virtue of the horror that precedes it. The life affirming message is delivered in the most tragic of circumstances, and I perhaps find that most heartening of all. By no means does ‘End of Evangelion’ end on a positive note, but I think it’s enough that it carries the promise of one. The somber sentiment may be more prevalent for some, though my rebuttal would point to the fact that, for as depraved and unethical the means may be, everyone ultimately wants to be happy. There is something to be said about the apparent theology that makes up a large part of Evangelion, and even if it has no real implication beyond the aesthetic (those initial warnings from long-time fans that, yes, a lot of the pseudo Christian imagery is window dressing at best. ), I still feel that its prominence casts a large shadow over proceedings. If nothing else, it certainly lends a morbid atmosphere to the show. When one starts to take this aspect into closer consideration, it’s easy to see why theory regarding Evangelion has become so prevalent. One of the constants throughout is the titular Evangelion. Though they remain a focal part, their function, both narratively and thematically, are constantly shifting. Initially agents of change, they are presented as a mysterious, if helpful force. Gradually this is peeled back, as various allusions are made to what they actually are. Throughout, we see how their pilots are affected by their experiences in their cockpits. Shinji is continually drawn and repulsed by the idea of piloting his Evangelion, seeing it as a means to forge something meaningful, whilst at the time, also aware of how dependant he becomes of his new role. Rei is driven by a sense of twisted duty, one that routinely sees her sacrificing herself (needlessly) for the cause. And Asuka perceives her role as raison d'être to obfuscate her own past, this being both a strength and a weakness. For better or worse, the Evangelion define them, and as the story progresses, we see that this takes on altogether more sinister connotations.  When viewed as an allegory, I think Evangelion holds multiple meanings, depending on what part is being referred to, or indeed who is viewing it. My initial impressions were pretty much taking it at face value, though I think the misdirection of the opening is a deliberate ploy for the most part. I’ve read that some take it as a deconstruction of the very genre it inhabits, though not having much experience with that myself, I choose to focus solely on the emotional aspects. Indeed, the psychological (and philosophical) strands become much more prominent as the series progresses, as it steadily veers into becoming a wholly oblique affair. Humanity may live on, but in spite of itself; something which is made abundantly clear, throughout.
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Though its message initially seems quite muddled, I still feel it one that still manages to remain pertinent. I certainly can’t fault it for ambition. And there is something to be said about a piece of work that I simultaneously feel, is one of the most bleak and uplifting things I have witnessed, flawed or otherwise. I appreciate the themes that it chooses to explore. I like the characters, even in spite of everyone being contemptible in some glaring way. And in that respect, this series is nothing, if not a parade of characters struggling to deal with their emotions. But maybe that’s why I like it amidst all the abstract craziness; it retains a very human message.
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ikiruwill · 5 years
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@thankycu | timeskip verse  ( prologue / start )
The sweltering heat of early June rains down again today. The sky is especially cloudless, a brilliantly deep blue. On the ocean's horizon, a red just as deep meets that blue--- life above, but not below.
Still from nearby--- somewhere, a seagull takes flight. Today, the entire coastal edge of the country seems still, but not lazy. A country that survives today despite it all, where the sun keeps rising first and early. Despite the troubled past it doesn't need to chase.
The air is still, too. But stifling, causing a mirage--- almost everything shimmers. Like the noisy voices of daytime cicadas. Overbearing, yet forgetful, in the background. Past, present, future. Empty shops, old high rise buildings. Concrete roads suffer the most from the heat. And there's few cars to see, if at all. Everything's a bit too quiet today. At least, that's what a young man has noted.
Relatively tall. Dark brown hair kept short and deep blue eyes--- clad in a short sleeved white dress shirt neatly tucked into black pants, a belt hanging to his side . A high school uniform with a dark blue tie ( that's always too hot for this heat ). So his collar is a bit loose. Finally, there's a brown messenger bag slung over his shoulder, and his gaze is sharp, unwavering.
Four years can pass in a blink of an eye. They can pass all in one season. Only in one season. ( summer never ends. ) The world still hasn’t rid itself of this unchanging truth.
Yet his eyes are gentle. He stares forward into a phone booth--- the red payphone in his hand, and on his wrist, a black watch. He blinks again. And after a few rings---
「 We're sorry. Due to technical difficulties, all phone lines are currently.... 」
The automated voice fades. His brows furrow as he pulls the phone away, staring at it. And then a sigh--- “Great... again? And I forgot my cell at home today, too...” The phone is hung up with a clang, and he looks down at the two small pieces of paper in his other hand. 
A sentimental expression. 
“I guess we might not meet today.... I didn’t even tell him.”
When the thoughtful moment passes, he stuffs them back in his pants pocket. The feeling distracts him as he does it again. He starts to turn around, but--- Something else grips his heart just then. It's too late, he's already looking behind him. 
But there's nothing there.
Just a flock of white birds on a telephone pole in the distance. The road is still empty.
Nothing else moves or changes. He blinks. Suddenly, a strong breeze blows--- his eyes shut, arms in front of his face. The air is filled with the sound of swaying telephone wires--- it echoes louder. A hollow rhythm and song. And then it disappears. 
With a tense expression, his legs finally move.
At the side of the road, someone stands, an old fashioned sports car behind them. Arms crossed in a black sleeveless mini dress. Gold earnings, a white cross around her neck, dark hair only down to her shoulders, curled, a bit short--- there's the mature yet modernly stylish woman. Cool shades over eyes, her head tilts slightly when she hears her name in the distance.
Aha--- there he is! Jogging over towards her.
“Misato-san! Sorry! I kept you waiting.”
“It's fine!” A fingerless gloved hand casually reaches for her face. Dark violet hair flips and bounces, the shades come off. With a charming grin--- “Welcome back, Shinji-kun.”
As blue as the sky above them, the Alpine A310 speeds down the empty highway, surrounded by rolling hills and mountains of natural Hakone. Inside---
“And...?” The woman looks beside her, one hand casually on the steering wheel as always. “How'd that go?”
The window view is nice.... familiar. Hand on his chin, the young man suddenly sees his own reflection blink. Then he comes to attention beside her, head turning.
“Oh--- good. It was the same as always.”
“Your sensei? Or your old place....?"
“Both, I think.....” Blue eyes glance forward as he lets his hand fall with a small smile. “But I don't actually miss it all that much, if that's what you mean.”
"Hmmm?” She grins back, “Used to the big city then? Isn't that nice ♥ Oh, and you'll always have me after all. And I wasn't even late this time, brings back memories, right? Or the opposite, hah!”
He looks back at her with a mildly worried expression. This does get embarrassing eventually! “I keep saying..... I'm really okay on my own. You didn't have to pick me up. The buses and trains are fine, so I could just---”
“Not without a car today you couldn’t!”
He blinks at her, and so does she. Silent surprise on both of their faces.
She stutters first--- “Er... well, I mean, I know you mean that about stilll living together, too. But how are you gonna move out to anywhere soon...? Even within the city, things are getting popular... you know. A part time job is nice, but that isn't gonna cut it, yeah?”
“Um....” gaze dropping, he stares down at his lap.
“And you really should get your driver’s license soon. Your birthday's in a few days, isn't it?”
“Yeah.....” Slowly, his fingers curl together against his leg. Oh. He's letting the words hang in the air for too long. “I guess. I don't really have any plans, though.”
“Got anything you want? How 'bout a new phone? Ah, right---” her hand dips down and reaches between their seats, and when it comes back up--- “Here, by the way!”
There's his cellphone. “Oh... thanks for bringing it.” He takes it, looking at it closer. Still the old model--- plain, unremarkable. Still works. It's the exact same one he had when he first came here. Though, at least people call and message him on it now.
Speaking of--- since he's been offline two days, it half crosses his mind to check, but Misato's voice just keeps on going. Likewise, he's only hearing about half of it.
“—.... I’m just saying, you should think about things some more. I mean, if you’re an adult and all. Buuut, I guess that’s only when you’re twenty in this country, so… two years short still even after a party.”
“…...... Yeah.” A nod.
“Hey, you deserve one!” A beat of silence, and then— Bright eyes casually flicker in his direction. “Why the long and pouty face?”
“Huh….? That’s not true!” Now it is.
Bullseye! She turns her head to look at him, confirming the reaction. And then there’s her playful smirk. “You’re still just that moody kid after all, huh? Hehe.”
I’m not! His brows furrow in silent protest as he stares at her. And so many lectures, too... With that same mildly annoyed expression, he lets it loose—
“And I guess you’re the only one who’s getting any older, Misato-san.”
Almost instantly, her face is comically offended. 
“Wh–?! Hmph—” she somehow didn’t see it coming. Still, speaking of that!
Suddenly, a hard turn to the right for the steering wheel! The car follows of course, swerving like it would down a racetrack! With a loud yelp, only the young man beside her suffers, palm against his window— and the other accidentally on her leg.
“Uwa…..?!” Shinji lets out another terrified gasp. For different reasons. Obviously.
She doesn’t miss a beat.
“Still don’t know how to talk or act towards a pretty lady, huh, Shin-chan? No girlfriend yet?!”
“N-No, that’s–-!!” Face red, he smiles nervously at her, but she’s not even looking. To suddenly keep an eye on the road now of all times?! “I-I mean, I’m sorry!! God, I really do need my own car–--”
And then it immediately swerves to the left! She looks ahead with a terrifyingly sweet smile, eyes on the road and nothing else--- “What was that ♥ ?”
Meanwhile, eyes squeezing shut, he manages to shout— “License! A license–--!!”
Both he and the tires screech endlessly. This might be a long ride.
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A secret extra for the Orpheus and Eurydice/Crane Wife AU that no one asked for that I sent to a couple people a while back because that AU still consumes me all day every day. 
     Bottom steps, of all things, became Kaworu’s greatest obstacle to assimilation after he’d become a full-fledged human.
    “The ground just comes up so much more quickly now,” he said to Shinji the third time he’d tripped coming down the stairs to their house. And because he’d been much more attuned to slips of the verbal variety post-transformation, he was able to expertly truncate his sentence before the full, unabridged “now that I can’t fly anymore” could be uttered. Kaworu had already amassed a small cache of these fragments in the few days following his return to the surface, some of which included “now that I can’t hear my siblings anymore” and “now that my father won’t speak to me anymore,” and he’d  discarded them like offal to one of the darker recesses of his mind to be compartmentalized only as things he couldn’t let Shinji hear him say. He had a hunch that Shinji knew of their existence regardless, if the apologetic look he gave Kaworu after these statements was any indication, and so they fell quickly into comfort rituals and actions to assuage the lingering pain Kaworu felt where his bonds to his family had fractured.
    Shinji took to monitoring Kaworu’s skin closely for any signs of impending bruises following each of these encounters with the ground, a task which hardly taxed his faculties seeing as how pale Kaworu was. At each new discoloration he found, he would gently coax Kaworu to extend the injured limb by running his hands down to the place where the bruise was forming, and then he would bow his head and kiss the nascent injury like a prince kissing his princess’s hand. He made sure to repeat this ritual each day, sometimes several times a day, until the skin was healed, so that Kaworu could credit him for his amelioration.
    “No running into things on purpose just to get me to kiss you,” he’d said once after he’d finished up with a particularly nasty specimen on Kaworu’s arm, and he punctuated his order with another kiss to Kaworu’s cheek to reinforce the message.
    Kaworu, for his part, had leaned even further into his proclivity for sweeping Shinji into a bridal carry at every opportunity. Oftentimes, he wouldn’t even walk anywhere, just smile down at Shinji affectionately while Shinji fussed and demanded (facetiously) to be put down. Once, Kaworu had caught him trying to return the favor. He’d approached Kaworu secretly from behind and pulled him into an embrace while Kaworu had been stretching his cramped limbs after a session at his loom, and it only took a few seconds of Shinji struggling to lift Kaworu’s feet off the ground before Kaworu finally put him out of his misery and said, “Shinji… are you trying to lift me?”
    “You’re heavier than I thought,” Shinji had said in his defense. “You can only do it to me because I weigh less.”
    “What?” Kaworu had asked innocently before he lifted Shinji into his arms in one well-practiced motion. “This?” He’d meant to temper it with a gentle “I’ve just had more practice than you, that’s all,” but that got cut off by Shinji’s subsequent efforts to sabotage him by going into a dead weight slump.
    Several days later found Shinji in Kaworu’s arms like this again, but with the usual affectionate glow in Kaworu’s expression rendered dimmer by something else he was considering. Shinji had found him hiding in the forest, where his vestigial avian instincts had guided him to arrange a bower in which he could temporarily nest. He’d looked as though he were trying to curl back into an egg, the crown of his head pressed resolutely against his knees, and meanwhile he touched his fingers to different parts of his neck, humming sadly to himself. Shinji had watched his fingertips trace a pattern from his adam’s apple, to the base of his throat, to the spot where his jaw met his neck beneath his ear, and when Shinji finally did feel compelled to call out to him, he had been unable to break the trance until he knelt at Kaworu’s side and placed a cautious hand on his.
    Kaworu had slapped his hand away when Shinji startled him back to cognizance, and for the next minute continued to pace agitatedly in circles, hands held to his throat, desperately trying to force a tone that wouldn’t come, until finally he seemed to fully emerge from his dazed state to look at Shinji, who was shaking before him. Later, Shinji would feel slightly ashamed of himself for how he had flinched when he’d felt Kaworu seize his wrist, only to find himself urgently lifted into Kaworu’s arms with his groom’s face pressed to his neck.
    “I’m sorry,” Kaworu said. “I just need to reassure myself of something.”
    Shinji didn’t fight Kaworu when he carried him after that, although sometimes he thought Kaworu took advantage of this behavior.
    “You just like to show off,” he pouted once after Kaworu picked him up in a considerably happier mood.
    “I like to show off my fiancé,” had been Kaworu’s readied reply.
    “Our wedding is still months away.”
    “So?” Kaworu was unimpressed with this protest. “We’ve done lots of other premarital things.”
    Shinji narrowed his eyes at him. “I suppose you’ll just say this is more ‘practice,’ then?”
    “You know me so well,” said Kaworu happily. “That’s why I’m marrying you.”
    Shinji wasn’t moved, and simply informed Kaworu, “You’ll have to find a different excuse soon.”
    In time, they slowly wrung all the intent out of their respective comfort rituals, although in the true spirit of a ritual, they kept the motions in place long after the reason for their existence had been forgotten.
    “Should you even be carrying me?” Shinji asked, stretching his neck as best as he could from his position in Kaworu’s arms so he could survey the terrain for any irregularities.
    “Yes,” Kaworu said, patiently readjusting his arms as necessary to accommodate Shinji’s shifting about. “I should, both in the sense that I am permitted, and in the sense that I am compelled to.”
    Shinji placed his arms around Kaworu’s neck, though he still wasn’t persuaded. “You’ll be responsible for any injuries I incur when you trip on a speck of dust and drop me.”
    “Shinji,” said Kaworu with affected gravity, and he relished the way Shinji gripped him more tightly when Kaworu dipped him so they could press their foreheads together. “I carried you barefoot across Gaghiel’s back, I carried you up the stairs from the underworld, and still you doubt me?”
    Shinji slid one of his hands along Kaworu’s neck to cradle the back of his head, which he used to brace himself so he could sit back up just far enough to place his lips right next to Kaworu’s ear. “Kaworu…” he breathed, “… you forgot that you dropped me after you carried me up the stairs.”
    “It still counts,” Kaworu laughed, suddenly righting his posture and feeling pleased with himself for finding another excuse to get Shinji to hold on to him more tightly. “Because I finished walking up the steps first. And since I’ve become human I’ve never,” he added, heaving Shinji a little higher to look him in the eye, “never once tripped while I was carrying you. You know I haven’t, Shinji; I’m always careful with you.”
    Shinji looked away.
    “Shinji. Aren’t I?”
    Shinji turned his head the other way.
    “Very well. I promise that even if I do drop you — which I won’t — I’ll make sure to kiss every one of your injuries. Assiduously.”
    “It doesn’t count as a penance if you like doing it.”
    “It kind of does if you also like me doing it. Shinji,” he pleaded, “my groom refusing  to look at me is not an auspicious beginning to my marriage.”
    Shinji relented, and when he wordlessly buried his face in Kaworu’s neck, Kaworu realized he’d been crying. He smiled comfortingly (though Shinji couldn’t see), lifted Shinji just the slightest bit higher, and opened wide the door to their house.
    “Welcome home, Nagisa Shinji.”
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sailor-cresselia · 5 years
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Zi-O 21; both raw AND subbed~!
Advance Warning: I have never seen Ryuki, and it’s probably going to show. A lot, if only because I have no connection to whoever the Guest Characters are, and what any issues they bring in could mean. I’ve seen Marcosatsu’s History Of Ryuki though, so that should help a little. (three links, because he wound up doing it in three parts)
Starting off with watching the Raw!
BlackWoz’s Storytime Vault doesn’t have much to offer, aside from a worrying angle at the end.
I’m impressed by Uhr’s control with reversing the damage he’s doing to that mirror. Of course, he’s paying almost zero attention to Schwartz in the process, but there’s a method to his being a little brat this time.
He’s trying to get the attention of some guy in Ryuki’s mirror world.
Sounds like his idea is “So, my new candidate? He’s from another world. Remember how that Tsukasa guy traveled? It’s kinda like that, but not.”
(What was going on in Ryuki?! Also, how many endings is this going to make for that season? Because I seem to remember hearing that there’s like, five? At least?)
I like the touch with Another Ryuga’s name and year – they’re backwards, like you’d see in a mirror.
Sougo’s DEFINITELY using Gun Mode a lot more recently. I like it’s finisher with Double, though – it’s basically a smaller scale version of the CycloneTrigger Memory Break. … What was that one called? Ah, there it is. Trigger Aerobuster.
Names are important. I’m doing my best to get them right.
But it’s basically that, with purple shots in the center of the wind bursts.
… of course, it gets reflected right back at them, because MIRRORS, but still. Points for fighting at a distance, especially with that dragon arm – that was doing some damage, it looked like.
Geiz’s Drive armor is back! (I’ve missed the shift cars, so it’s nice to at least see Max Flare, Funky Spike, and Midnight Shadow’s tires again.)
But again, mirrors.
Tsukuyomi: So, you lost him?
Sougo: Well, yes, but also we had to help the injured construction worker.
Geiz: And everything got sent back at us, so…
blah blah, ‘whats the deal with the time jackers’ blah…
“What IS this Day of Oma you mentioned, anyway?” Good question, bud.
“Well, in our history, it’s the day that Oma Zi-O took over the world.” Geiz, I get that you’re upset. But. Um. What did you just do to that chessboard?
As far as I know, you’re not able to cause shockwaves. Not just by symbolically slamming a chess piece down. ...I don’t know anything about chess, but I’m assuming that piece is the Black King. Wiping out all of his opposition in one strike… along with all of his allies.
Sougo retaliates with “And the one WhiteWoz is from, says that you stopped that from happening.” He uses the White Knight to knock down the Black King, leaving the Knight alone on the board.
And then we have the Time Jackers, trying to get someone else altogether in charge. Black Bishop takes out the White Knight. The Time Jackers are from the same timeline as Tsukuyomi and Geiz, after all.
That day is when the world’s future is decided… ooh, ominous.
… drat, have to skip the next bit of exposition, but while they’re outside talking about… victims? I think?
I hear that same sound that heralded Geiz’s Time Mazine arriving back in Episode one.
Okay, so the victims are all connected to the magazine/journal/website from Ryuki? Makes sense.
Oh man, Shinji’s already dead?! Welp, that’s it, arc over, time to go home. (dusts off hands)
Hm. He covered up all the reflective surfaces – which would include windows and vents. Because Mirror World.
Of course, that poses a problem when you use a gas heater.
Okay, so at this point, while I was watching, Over-Time posted their subs. So I just got the script, went back to the beginning, and started over.
Well, at least BlackWoz is going along with the nicknames for now. I guess he understands the need for the distinction.
Hm. Schwartz seems to think that Geiz is going to be trying for the throne on the Day of Oma. But, sir, have you met this kid? Yes, yes you have, we’ve seen you interact with him. There is nearly no way that Geiz would ever want to be in charge.
...I say nearly, because time travel and predestination and all of that jazz. WhiteWoz is screwing with the kids head.
HUH. Uhr’s logic isn’t even “it’s kinda like that Decade guy”, he was specifically told about the Mirror World by Tsukasa. (insert a certain 10-year-old meme here.)
And what’s even more interesting than that… is that Schwartz didn’t know about the Mirror World.
And we’ve already seen that Schwartz can go to other timelines, as per when he created the Another Shinobi Watch.
Hm, looks like we’re in for another variation of ‘not the Another Rider you think he is’, aren’t we? Another Ryuga has the last portion of his name covered by what appear to be burnmarks. Much like how Another OOO’s year was cracked, so it could appear to be 2016 while actually being 2010.
Oh dear GOD they’ve been fighting Another Ryuga for a WEEK. He just keeps showing up and disappearing. (Because mirrors, not that they know that.)
“Why do they keep getting harder to fight?” Well, Sougo, it’s probably largely because we’re about out of Phase Twos, and the Earlier Heisei Riders were pretty brutal, from what I’ve heard. Plus, you keep getting teleporters involved, so that doesn’t help in the slightest.
Thank you for finally asking what the Day of Oma is, though.
(Low INT, high-ish WIS.)
“Well, what future do the two of you want?” Asks the noodle with a pretty decent Charisma stat. And neither Geiz or Tsukuyomi actually have an answer for him.
(Ow, my heart.)
Okay, all the victims followed Ore Journal online, but it has since gone completely under, since it just couldn’t keep up with the times.
I was right on the money about Shinji, though, he clearly knows full well about the reflection teleportation, and now so do The Kids.
GEIZ I UNDERSTAND YOUR LOGIC. BUT THAT DOESN’T MEAN I HAVE TO LIKE IT.
“Beat him in the time before the attack returns.” Because there’s a lag before the mirror shield shows up, so there’s a brief window of time. But an attack that would take it out that quickly would return just as powerful… directly at where it came from. Also known as the Rider who launched it.
And also also known as Geiz, if he gets his way.
Because a soldier who can’t defeat his enemies isn’t much of a soldier, now is he?
(Thanks a lot, eps 15 and 16. Thanks.)
Aaaand Uncle Tokiwa doesn’t actually know Woz’s name! All he could do for the Watch was clean it up… oooooh...
Sougo’s next powerup has an awful lot of that burnished gold on it. The same, or almost the same, tone as Oma Zi-O’s.
“Hello, my overlord~!” “Not. Now.”
Good boy, Sougo. And you even met this weeks tribute, and didn’t realize it!
I still don’t buy the “he doesn’t remember” thing, by the way, especially given the mirrored surfaces – how would he have known without having been Ryuki? Does he know about all the other victims? I don’t think you’ve actually talked to him yet. But I’ll let the memory ‘detail’ slide for now, since it looks like BlackWoz is actually being straightforward at the moment…
Aaand Sougo’s desperately trying to ignore him. Fair. Since that second Zi-O watch is tied to him becoming evil and all. Decent WIS stat, and also BlackWoz’s idea of ‘subtle’ is very much not so.
Meanwhile, with Geiz and Tsukuyomi… Yeah. He doesn’t plan to come out of this fight. Because what good is a soldier who can’t win?
And also, he, too, knows he is being stalked by his own personal Woz.
“What’s your end goal? If I come out on top, what’s your future like?”
“Just like this, a peace as if time has stopped.”
… Hi, yeah, not here for that phrasing at all, actually. Having just come out of HUGtto! Precure, wherein ‘stopping time so that despair can’t happen’ was kind of the villians whole thing, I’m trusting you even less than before.
Nothing can disturb the peace if nothing moves again, now can it?
But for Geiz and Tsukuyomi, literal veterans who have seen armies destroyed in the wave of an arm… they don’t have that frame of reference, now do they? They might just hear the “a time not unlike the one here” aspect.
“Hey, think I can use that notebook?”
“Nope, nuh-uh, OP reality warper powers are mine and mine alone.”
OOF. Right. Uhr contracted Mirror World Shinji, didn’t he? Which, of course, means that his existence is tied to Regular World Shinji’s existence. Can’t defeat the Another Rider? Take out his other link to living.
WhiteWoz and his “Obstacles are for killing” attitude does not sit well with Geiz.
“Hey, other me! You want revenge on that guy, right? The one who attacked you? Of course ya do! Why not!”
Meanwhile, Regular Shinji looks like he’s having thoughts along the lines of “I’m not going back to the belt! I’m out, man! I finished! I’ve finished like FIVE times already! Let me retire!”
Huh. The smudge over ‘Ryuga’ is gone. Neat. (aaand at which point I realized i’ve probably been spelling it wrong, and went back to fix all the places I used two ‘u’s on instinct.)
Clever, clever Uhr. “You can’t get a watch from a person who never existed, from a world that no longer ever was.”
...well, Schwartz could go to alternate timelines, so… Hey, Geiz, Tsukuyomi, Sougo, did any of you happen to get Tsukasa’s contact info?
Also, Tsukasa, did you have to clue the Time Jackers in on the ‘other worlds’ thing? I’m just saying, that might come back to bite you.
You are coming back, right? You don’t get to drop cryptic ‘I’m destroying this world first’ comments, and give tips to the assorted groups, and then just never come back.
It’s rude.
We need some sort of follow-through on this stuff, at least.
Geiz attempts his suicide attack… but Sougo knocks him out of the kick before he can gain momentum…
“I’m not letting you die, damnit! You still need to make sure I don’t go evil, and I’m definitely tempted by this watch right now...”
and then said watch doesn’t even try to activate.
Aaaand then Sougo gets wrestled into the Mirror World.
(Isn’t that place supposed to be super fatal if you don’t have an Advent Deck?)
Aaaah! The backwards writing, and the fact that some of it is glitching is bad enough. But the lack of sound? Nope, I’m not here for that at all. That’s never a good sign.
Although Kudos to O-T for getting the subtitles for some of those signs. Well done.
So, yeah, sorry Sougo, it’s not 3-Days-From-Now You this time. (But seriously, what happened to him?) This time it’s Evil You.
Not even 50-Years-From-Now Bad-Ending Evil You.
We’re talking a “Terran Empire Enterprise” type of Evil You. … well, at least he doesn’t have a goatee.
OH GOD AAAAGH GO BACK TO SILENCE PLEASE
Distorted belt effects are not okay! Agh! NononoNO!
Oh, and uh... Hey! Remember literally yesterday? When I said I’m loving the ‘parallel self’ juxtapositions that Zi-O’s been doing?
I should probably have remembered that the Ryuki tribute was next, and that I’ve seen the preview screenshots with Mirror Sougo being super creepy.
I may have changed my mind a bit on that juxtaposition love.
MISTAKES WERE MADE.
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