#horrible simplicity yknow

[bixshits]

so rosencrantz and guildenstern are dead functions on the idea of these guys not having a choice right? and even if they choose to just sit down and not move anywhere they'll probably be moved to where they need to be regardless? and the only choices they have are how they choose to interpret their world, with rosencrantz needing to find and test the boundaries of it and cement their place in it and guildenstern trusting the narrative without question? and guildenstern refuses to allow either of them to decide who they are? and they are so interconnected with each other that they are simply inseparable and indistinguishable, even to themselves? and they cannot define themselves without the other and become lost when they lose each other? and their choice (or lack thereof) in identity (or lack thereof) is mutually decided (or determined) to be in their inherent love and trust and unity in and with each other? and you expect me to be normal about that?

#they chose each other guys they chose each other when they didnt have a choice #something something one cannot exist without the other. to believe in one demands the reconciliation of the other #i swear i was going somewhere with this #idk i think theres a certain beauty and unimaginable pain in having to exist both undefined and defined by another #horrible simplicity yknow #anyway #ragad #rosencrantz and guildenstern are dead #r&gad

[deanky]

Here are some little like ‘reviews’ of all the Oingo Boingo albums... Under cut LOL... I just like to talk about Oingo Boingo I am so obsessed right now they have become tied for Mr. Bungle as favorite band... But anyways... Hope you enjoy ^_^

Only a Lad: Very fun sound as a whole. I enjoy how like poppy and synthy it is and stuff and that one weird electronic voice Mr. Elf man does in like every song. I remember like actually not liking most of the songs first time I heard it and I’m not sure why because I enjoy 9/10 out of them a lot now... But then again I like almost never really like an album the first time I hear it LOL I have a mean soul. A lot of the songs have pretty evil words in them but I have like slight respect for how much hatred Danny Elfman seems to have had for everyone on the entire planet at the time of writing. And for the majority of songs I cannot really complain about because I think it fits theme of like very happy sounding song but nasty words in it duality of man and such. Only one I really do not like is Capitalism because it has the whiniest lyrics of all and also it just does not sound good like as a song I think I am sorry. I must say it. Forgive me. I was so thrilled hearing Nasty Habits for the first time because I really like songs that sound like a homosexual cartoon villain would sing them to you. Well that’s all. Only a Lad itself was one of the first songs of theirs I heard except sped up and it had a picture of anime Bart Simpson on it. I like it. Good song. Recently I cannot stop getting it and Little Girls stuck in my head. That’s all

Nothing to Fear: Everything about this album is sooooo sooo good it is like so incredibly catered specifically to my tastes. One of the few albums I have loved immediately as soon as I heard I finished listening for the first time and was immediately like oh this is going in my favorites. I add some points also for absolutely incredible beautiful cover art it’s got weird colors weird animals logo made of worm things it’s so beautiful it makes me want to cry.  I think it gets SLIGHTLY weaker in its second half but that is hard not to do with albums. That said though a lot of songs that I felt were slightly worse at first have risen to being my favorites of the album like Why’d We Come and Reptiles and Samurai. Didn’t know what to think about Running on a Treadmill at first but I think it works very well in its simplicity and it is very catchy I can imagine people like singing it on actual treadmill and like jumping around abd being in zero gravity for some reason it is like that music video where they are in the plane but it is treadmills. Well, hi. The only ones that feel like slightly slightly worse to me are Whole Day Off and Islands but I think I am growing to like both of those a lot more too. My favorites though are Grey Matter and Insects and Wild Sex and also Nothing to Fear the titular song and Why’d We Come and Reptiles and Samurai which is over half of the songs so I think that’s good.  I remember listening to Private Life like 5 times before listening to the rest of the album but I always forgot how it went immediately after not sure why because I’d say it is a reasonably catchy song. Anyways INCREDIBLE album. Rude lyrics? Still a thing but tend to be much more agreeable like it is obvious who is being made fun of in like Grey Matter and Nothing to Fear and I say the fun making is well deserved! Even though I may be the target of Grey Matter I understand and I am sorry. The general sound is also amazing I LOVE all the weird noises and metal stuff and clanks and clonks and all the xylophone. Dude the xylophone is so good. Synth and xylophone and guitar they are all best friends and they sound so cool together and I think xylophones should be more widely used in like “pop” music as a whole whatever that defines. I keep wanting to start a band and just play xylophone. Like what’s anybody gonna do to stop me? I love xylophone. That’s all

Good for Your Soul: I wasn’t so impressed by this one the first time I heard it but it quickly wormed its way up to a very close #2 and possibly even tied with Nothing to Fear as my favorite album of theirs. The album art on this one is also really good I will say! I felt like slightly let down at first by it just because it’s so hard to live up to how beautiful of a cover Nothing to Fear has in my mind. But its art is so cool too. Muscle man in wobbly world. What’s more to love (Side note I enjoy the song Wobbly World it is not an Oingo Boingo song it is by Devo I should listen to more Devo.) The first time I listened the only songs that REALLY jumped out at me super hard were No Spill Blood and Fill the Void, and I think those 2 are still tied as my favorites. I LOVE the whole like rhythm No Spill Blood has going on and the weird animal noises and also the lyrics they are not about Animal Farm they are about The Island of Dr. Moreau he did those surgeries don’t you know he made the animals have to be men and they were like are we not men but they didn’t say they were Devo sorry I keep talking about Devo in this Oingo Boingo album review. And BTW Fill the Void also is really great and has possibly my favorite set of lyrics in any song ever to exist which is the part like “Every little thing is a piece of a larger thing / Every little fish is a tyrant of the sea / Every little atom is a master of his family / Every single piece calls my name / What do they want from me?” It is so good it makes me go so insane I love it. Another song that works really well in just being a simple thing.  It is so nice and cool it feels like being in space and you are in one of the levels of one of those Kirby spinoff games where he’s like a ball and you’re rolling him around NOT Canvas Curse the other ones like Dream Course I think. Anyways though while I wasn’t super big on all the other songs they ended up like slowly coming back into my head one by one until I was obsessed with all of them. First it was Pictures of You. Then it was Nothing Bad Ever Happens to Me (would put that in my top 3 as well) and then Dead or Alive and then Little Guns and then Cry of the Vatos and then Wake Up It’s 1984 and then Sweat and then the titular song AND Who Do You Want to Be it was like. Wow. What a world.  WDYWTB + Good for Your Soul + Sweat were the 3 that didn’t really do it for me as much for a while but now I’ve been really enjoying them too so I think I can say I love every single song on this album. It is becoming my best friend. It’s sooo good. It feels like living in one of those fake Utopian cities and there’s actually something sinister going on behind the scenes. Like I will start seeing colors and freaking about it any time soon. Random memory that unlocked in me is that I used to be incredibly obsessed with The Book Thief and its concept of death when I was in like 6th or 7th grade like uncannily so but I never talked about the book ever I just hid it away in my mind. My sad story. Sorry everyone. That’s all

So-Lo: This one is technically just Danny Elfman but you know it is an Oingo Boingo album man they got the whole band there they were just having licensing issues because new label and stuff is my understanding. And they were like. Well let’s take advantage of this and do some less standard Oingo Boingo songs. That is how I grasp this situation I don’t know how correct I am her I actually don’t know that much about O.B. outside of the songs at this point I still cannot name any non-Danny Elfman member and I am really sorry for this and must learn to atone for my ways. This is a good album though. Once again has really good cover art I will say.  It’s like well hello there Mr. Elf man you’ve got some eyes sliding off your face and some funny colors and are controlling some little puppet things maybe it’s like you do you man LOL am I right or am I right! I like this album. This was yet another one where I listened the first time and was like. Man I’m not really feeling it with any of these songs. However I do enjoy that they all sound kind of like they were recorded on a Sega Genesis. I mean it does have very Genesis-y noises I know this was the 80s and it would be more accurate to say the Sega Genesis soudns like this album but you know what I mean. Anyways nothing grabbed me at first but upon my second listen I became extremely obsessed with the song “Go Away” and then listened to it on repeat for 2 hours straight and it still hasn’t got old for me I still like it very good song. Definitely my favorite. Tied with Everybody Needs which is also a very fun song I became similarly enamored with like a day later but didn’t listen to quite as much LOL. But anyways I went through that oh-so-familiar process which I must warn you is also the process I go through for every single album after this! - Where all the other songs started worming their way into my head and I was like oh brother I am beginnign to like them all now! Good for Your Soul, I think, marked like more obvious change from songs tending to be like “This is what Danny Elfman thinks of the world phrased in a humorous way” to more like actual stories and stuff, although the former wasn’t rid of entirely and the latter hadn’t just popped up or anything. But I think this album continued that in a really nice way and while it can be vague, listening to it I always feel that there is like one solid story all the song narratives go throughout. Someone pointed out in like Youtube Comments that Go Away feels like the sadder side of Cool City and to me it feels like the whole album is kind of in that vein. Seems to me like all the songs are in the Cool City itself and you’re seeing like the various different horrible things that go on in that town and horrible people that live in it. Yknow? Like Tough as Nails and Everybody Needs make me think of like various awful weird a$$ holbs living there and then stuff like Sucker for Mystery and Lightning and It Only Makes Me Laugh. Well they are clearly from the perspectives of some guy. The same guy? Maybe maybe not I don’t feel like they are the same guy. But it feels like they are like experiencing weird horrible sh*t in this horrible town that is filled with racists but also gay people. I like this album I enjoy it

Dead Man’s Party: OK I am sorry to say. This is a good album but it hasn’t COMPLETELY grown on me yet. But I DO like it a lot. I enjoy it it’s good. I really really love Just Another Day and the titular song and Heard Somebody Cry and Nobody Lives Forever and Weird Science which is over half of them so not bad all things considered. And I do not DISLIKE any songs. But the other ones haven’t quite grown on me yet. This album does kind of shift into like the more commercial stuff it’s not like generic pop or nothing. But it is like slightly strange to get used to. That said. The songs I like I REALLY like thye are so good. No One Lives Forever is an incredible incredible song just like Nasty Habits it fulfills my love of songs that sound like they are being sung by evil guys in cartoons but are not they’re actually being sung by Danny Elfman who is an evil guy in real life. Sorry I didn’t mean it he probably is not that evil I’m sure he’s perfectly nice Mr. Elf man if you are reading this I apologize. Anyways though. I like the general sound of this album I will say! I think though it has thing going on where like, in my mind, some of the songs feel like way too happy and overly peppy almost like mocking. I have a weird mind and a weird way of processing things and I am also incredibly afraid of everything on this planet so keep that in mind BTW I am sorry. But like Stay and Fool’s Paradise and Help Me and Same Man I was Before all have that kind of feeling to me, it’s like these are so cheerful and cheesy sounding to me it kind of scares me a little bit. However... I am starting to feel this less with Help me and Stay, and also I felt this a little bit with Heard Somebody Cry at first as well and I no longer do. So maybe I’m still going through the motions of song-liking as I do.  As I said though the favorites on here are incredible. Weird Science may have been written for strange movie deal and they may be really saddened by its memory or maybe just the music video’s memory but it’s a very fun song nevertheless. Dead Man’s Party itself it really fun true classic. Very orange song to me. It’s orange and purple like I hear it and I am like ah yes I am experiencing orange and purple. Very nice shades of orange and purple though, and they are mixing together in pleasing ways and throwing a big party and everyone’s invited you might even say it’s a dead man’s party heh heh heh (grins devilishly). I think this like takes the kind of narratives in Good for Your Soul and So-Lo and like takes it to best form! In that it has a very clear yet not super specific narrative going on throughout the whole album, I really like whenever an album has songs set up so pleasingly and nice like that it makes me sad when they’re just like in random order. But of course this album is all about death and accepting it and stuff and like all the different feelings of sadness and happiness and stuff that all go into it! And I like its message a lot, like obviously you shouldn’t want to die but don’t fear it. It has a very nice depiction of the afterlife. I like all the stuff in Beetlejuice and Corpse Bride with their similar interpretations too although Beetlejuice isn’t quite as positive about it LOL. I want to watch Corpse Bride again. I want to see another singing Danny Elfman skeleton. I want to see the Peter Lorre worm. My one complaint with the album narrative is that Weird Science goes at the end it kinda ruins the whole story a little bit but I can’t fault them because like where COULD they put it?  I think it might work kind of well as the first song because like trying to make frankenstein guy before all the accepting death stuff makes sense. But also. It would be a weird opener. Also the album art is so incredible I love it I want to join their party it’s beautiful. I did not mean for this review to get as long as it did. They just keep getting longer each album I’m sorry the length does not show my opinion but I just keep getting more excited each album

Boi-Ngo: Will admit this one is my least favorite. And once again my bias shows because it has cover art I don’t like very much. It’s just real guys looking at you. Where’s the funny Oingo Boingo touch where’s the charm people!??!? it makes me sad. And also, as a whole, while I DO like most of the songs I feel like I don’t like them as much as I like any of the ones on other albums, and it also has my least favorite song I’ve heard other than Capitalism which is We Close Our Eyes sorry I’ve seen a lot of people who really like that one but it just scares me. It feels so insincere to me it makes me feel that thing once more where it’s like this song is waaayyy to happy and peppy to not feel like it’s kind of sinister deep down. I apologize. It is a fun album however! I think it kind of goes back more to “Danny Elfman’s humorous observations about life”, which is not always a bad thing, but it seems to revert a little bit too much back to like him just being kind of whiny and not making much of a point in like, say, New Generation. Although it is a nice song I think! It scares me when he goes like now he’s got you by the balls. I understand the point of that lyric. But it frightens me.  I think my favorites are Home Again, Elevator Man, Not My Slave (although lyrics feel like slightly concerning), Outrageous, and Pain. Which once again is more than half the album so shows what I know complaining about it this whole time. 

Dark at the End of the Tunnel: I feel bad for this album because before listening to it I always forgot it existed, like I listened to Boi-Ngo and was like aw man I only have one album left! Oh wait nevermind I have 2. And now I keep fearing there’s another one I forgot not including like the live albums and singles stuff. Maybe there is.... haunting me But anyways... I already did like incomprehensible post talking about this one earlier LOL which inspired me to do more equally incomprehensible things on all the other albums hence this post. So I’ve already said a lot of what I have to say about this and hope not to repeat it too much... but... LOL I was so afraid wondering if I would actually like this one or not... I wanted to just because of how awesome the cover art is. And I was afraid because I wasn’t really a big fan of most of the songs at first. But I think with this album and the whole Boingo era they were moving towards like more orchestral stuff and changing their sound and all... So it was a bit strange to get used to at first but the more I listened the more I enjoyed everything I guess like taking in all the instruments and textures and what not. A lot of the songs in this one also feel like kind of creepily cheery but I think it works best for this album specifically, because as I’ve said before it feels very intentional - there is like whole dual thing of more dark mysterious sections and light-hearted happy sections in most of the songs. Although my top 3 are all songs that mostly just have the former going on... Right to Know, Long Breakdown, and Run Away.  I also really enjoy When the Lights Go Out, Skin, Out of Control (though it still feels like vaguely scary to me LOL), and Glory Be... But I keep finding myself getting all the others stuck in my head as well. So still growing on me LOL! I am beginning to appreciate all the other songs more for those cheerier parts as well yknow... I think this whole album has a very fantastical vibe to it LOL but definitely like, a very old fantasy. Like they discovered this album in a giant wizard’s tower like ten thousand years ago and now it’s been unearthed again. But it was created by a child wizard who was like 5 years old. But still had a wizard beard. That’s the guy on the cover I’ve decided. Little wizard from long ago.  However... It does feel like it’s kind of setting up something. Like all the songs do... whole album is good but feels like it’s kind of a preparation for the next one. Which doesn’t make it bad! Just like I feel like it’s kind of part of a set... Incomplete on its own yknow? I would probably rank it in my lower 4 of all the albums but I’ll still say I enjoyed it quite a bit, that is no insult. And I like wizards

Boingo: This album is SO good dude. I’m glad this is what they left off on. Really great finishing album... I have a weird timeline involving this one because it was actually the first album I listened to, my dad showed it to me, but I only ever listened up to Lost Like This before very recently and by recently I mean today and I am still listening to Changes for the first time as I write this which is probably a bad idea but I am doing it anyways. Anyways though... The first O.B. songs my dad showed to me ever were Insanity from this album and Dead Man’s Party the song, and despite how different their two sources are they both have extremely similar structure I think. And so I kind of painted this picture of like all Oingo Boingo songs being similarly structured around 6-7 minutes and mostly repeating the same different sections in slightly different ways. And I am pleased that this album kind of fulfills that - a lot of the songs are like 2-3x longer than they really need to be but I enjoy that because I love long songs.  As I mentioned earlier, DatEotT feels like it’s just the beginning of something, and this provides a very satisfying ‘second half’. I think it works well by itself too, though! Boingo marks such a big change musically from everything else before even DatEoT but it somehow stays very true to their old spirit anyways.. But everything feels so much grander and I really like it. Almost every song has a pretty wistful melancholy feel but at the same time ALSO almost every song but like a different set of almost every song is very big and bombastic. So it definitely has that “well this is our last album goodbye” feel to it. But it’s OK. It’s like a big grand finale. If there was a like an Oingo Boingo musical that had every single song for some reason and lasted like 10 hours I feel like the other albums could be switched around the whole thing regardless of their actual releases, but this one would HAVE to be last. Adding to that, I feel like it really like takes a lot of the earlier concepts I’ve liked a lot in previous albums and had them return. Like So-Lo, many of the songs have pretty different narratives, but all feel like they can be one loose intertwined thing. Pedestrian Wolves and Lost Like This definitely feel connected for one... and like Insanity and Changes provide like nice bookends where the first is like analyzing the world around us and then the second is analyzing the self. Side note. Danny Elfman is always referring to himself as stupid in Oingo Boingo songs. And sometimes it’s just like PoV character or something. But it ticks me off a little bit because he is like clearly not stupid he is like a crazy evil genius.  But ALSO I’m not really sure what exactly the whole story of Boingo is, but it just feels connected in some sort of mysterious way yknow? Maybe it will appear to me later... If Dark at the End of the Tunnel was created by a little five year old wizard ten thousand years ago, this was created by the same wizard when he was reaching the end of his life and was in the wizard’s nursing home in like the 1920s. It still feels like mildly aged, there is SOMETHING about it that feels like it’s meant to be played on like an extremely old awful record player, but it has a much more modern feeling. It almost feels like another interpretation of the afterlife... Maybe that more Beetlejuice kind where it’s just like real life at first but if you peek around the corner you’ll find all the weird sandworms and colorful ghosts and stuff. Anyways though. This album is so good. Not my favorite right now, but definitely in top 3, like at the moment of writing this I would say. #1 is Nothing to Fear. #2 is Good for Your Soul. #3 is Boingo. But I am loving it soooo much on my first actual full listen even though I’ve had time to like absorb half the songs already admittedly. So it might end up being my favorite after all! I think my 3 favorite tracks also on this are Insanity, Lost Like This, and Hey!. Random completely unrelated parallel to my other favorite band. I like that they have a song called Hey! and Mr. Bungle has a song called Hi! It all fits together. And they both have the exclamation point. But anyways ALSO since I’ve only finished listening for the first time Changes finished while I was writing this BTW. I am still figuring out my opinions on the rest of the songs. Don’t think the I am the Walrus cover QUITE does it for me, I like Spider and War Again but not sure if they’re favorites. I hated Can’t See/Useless the first time I listened but now I like it how about that! ONE MORE thing I like about this. Is its songs feel like continuations of stuff in other albums. Although that may just be because of similar themes! Like, War Again feels like a continuation of both Nothing to Fear and Little Guns but it’s about similar subjects to both. And Tender Lumplings, Little Girls, no real explanation needed there. Insanity and Nasty Habits match up pretty well, with both just being like about hating the world although Nasty Habits is more specific than that LOL. Mary is a girl who is unfairly ostracized, Johnny of Only a Lad is a boy who is unfairly praised, you know.  And also one more thing ONE more I know this one ALSO kinda has the classic Danny Elfman yells about things stuff going on but I feel like this is the album where it works best. But maybe I am just a hypocrite. OK that’s all. Hi

#definitely going to delete this later LOL I get embarassed #but i had fun writing all this incomprehensible stuff

[mychemicalaromanticism]

i forgot i talked about cherris aura sensing shit. its not like auras in the way of seeing A Color or A Shape or whatever, im just using the word aura for simplicity. he can see/sense a vibe or whatever thats somewhat unique to you, but mainly he can see echoes of someones past experiences. not super in detail, but over time he learns how to interpret what he sees and he starts being able to tell that this person has experienced X type of thing. yknow when ppl analyze dreams and say "this thing represents feeling out of control" or something? its like that. so if he wanted to he could probably figure out that like, one of your family members died when you were young and it heavily affected you. or you have a super personal connection to a certain animal.

rest of this under a readmore tw rape/sexual abuse

one of the reasons ive thought so much about this is bc i wanted cherri to see that val also had sexual trauma. because i love making people bond over horrible shit. cherri ran from his neutral town because he was being abused and val was taken advantage of about a year into living in the desert.

and obviously cherri doesnt just go up to val like "oh sick i also got raped" BUT. for val, not having to explicitly say anything makes it way easier for him to get support. hed definitely be horrified once he found out cherri could see things like that, because yeah it can feel really invasive.

i think it would develop kind of likeeee.... the Vs hang out with the girl which means the four are often there which means cherri is occasionally there. over the course of however many late nights and cherris tendency to overshare at a firepit val learns about cherri and the girls (and ghouls) connection to the witch and the stuff that comes with that. cherri says very little on what actual "powers" he has, but says he can see ghosts, the girl adds that he can "sense auras" and that she kind of can bc he taught her. cherri does not elaborate.

cherri accidentally lets on that he knows more about the girls time alone than he should. which creates a strong sense of paranoia- can cherri cola read fucking minds? cherri has to spill tha beans to avoid worse fear and tries 2 explain the echoes thing.

and whatever im bored there comes a realization from val that Cherri Probably Knows. i think he confronts cherri about it ("just tell me what you know" etc) n cherris like well the good news is. Same hat.

ANYWAYS. i always feel like someones gonna get mad at me for putting intense shit like this in stories especially the way that i talk about it being interesting but whatever man. it IS interesting to explore the different ways people live with trauma. and being able to get support without having to actually tell anyone whats going on? sounds fucking dope. so basically everything i write is one big projection and vent art /j

#cat talks #lore

[whale-shark-queen]

You mentioned fucked up weird AUs in your one post? I'm interested. Tell me about your favourite one(s)!!

AAAaaaah thank you so much!!

Uhhhhhhh heck most of them involve N turning into some horrible Thing because he’s the Estranged Outsider with a Connection to the Bad Guys Even If It’s Not Willingly (yknow like how Eren from snk is a titan shifter or Rin from blue exorcist is part demon) and all of them involve vuvuzelashipping (Nxall the Nuvema lot) I don’t really have a single favourite but I’ll summarize the ones I like most (also note that some of them are good dad Ghetsis/Dadsis aus because u gotta balance out the angst somehow plus dadsis aus are Cool)

Under the cut because I literally can’t summarise for shit and I’m sure no one wants to scroll past 3 pages worth of this (mobile users I apologise since the app is SHIT and refuses to even acknowledge these) 

Also here’s a bit of an index so u can skip to ones that sound interesting instead of going through them all but first u should ask nationalharmonica about her aus bc I love all of hers and they’re awesome and need more love and she also helped with alot of these aus too!! ESPECIALLY the Dragonflower au which I won’t include here because I think she has it on her blog somewhere already.  If ur wondering why I haven’t posted any of these it’s because a) i have neither the skill, time or patience to draw up proper references for all of the characters involved and b) I’m always worried theyll seem too Out There for some people but here we go au masterpost i guess, if anyone reading would like more info feel free to ask!!!

Bacterial Contamination inspired au aka bacterial pestileNce

BotW au

Ib au

PMMM au (the longest one)

Plasma/Aether swapover, N wins+UB monochromeshipping au

Simple fNaf dadsis au

sister locatioN dicksis au (yes I have two for that because I only found out about the secret springtrap cutscene at the end of SL that changes everything the other day)

Nombie (dadsis) au

isolatioN au- Au based on the song Bacterial Contamination.  N goes to the snobbiest most pretentious school you can imagine only because his ex mafia boss dad wants the best for him.  N hides the fact he’s being relentlessly bullied until a teacher phones Ghetsis up asking why N is in such a state whenever he comes into school (BC bruises and cuts and looking roughed up in general).  N goes to therapy and gets meds but surprise they’re an experimental drug and he’s a bug boy now

- BotW au where Touya is Link, Cheren as Revali, Bianca is Mipha and Touko is Zelda.  Ghetsis (who is kinda like Demise if he hung around to make sure his curse worked) is the king of a neighboring region who’s a bit of a warmongering asshole but his son N is friends with princess Touko and her…ahem, associates, which is the only reason Touko’s dad stays civil with him at all.  He uses this to his advantage and infects N with the Malice and reveals his plan to take over Unova, knowing fine well that N would run away to Touko for help.  The truth is he’d set up N to be a ticking time bomb and eventually he becomes the Calamity.  After the whole ~100 year coma and releasing the divine beasts~ thing Touya only remembers who N is after killing him but dw there’s a blood moon just as Touko is sealing the Malice away and N’s freed spirit is brought back to become a friendly giant fluffy spider boy just because I said so

- Ib au with N as Mary (obv Ghetsis is Guertena) except instead of going crazy and trying to kill everyone and being burned up and dying himself the toutous make him sit in the frame while they drag it out of the portal to the real world: problem solved.  I have all this stuff about the others being able to step into his frame but he can’t leave unless someone else draws him so he can possess the drawing but I won’t go into it here BC this post is gonna be long enough already

-Okay I have two madoka aus because possibilities for N are Ndless but I’ve only really developed the dicksis version whereas I only have a witch design for a possible dadsis version so here’s the dicksis one.  The first: Ghetsis is kinda like Walpurgisnacht and N was originally a familiar that represented Ghetsis’ interest being only in things that directly oppose him who was becoming powerful enough to become a witch of his own.  Not wanting him to have even a fraction of power himself Ghetsis transformed him into a human shape, gave him sentience and intelligence and as close to a pure heart as possible so he would be easier to manipulate and led him to believe that magical girls/boys hunt down innocent witches for fun and have witches trapped in their soul gems and tasks N with stealing people’s soul gems to ‘free the witch inside’.  The problem is that the alteration gave N the mindset of ‘innocents who aren’t involved must be protected at all costs’ rather than Ghetsis’ mindset of ‘don’t give a fuck about anyone unless they’re a problem’.  N is also sent to integrate into human society so that he can find magical peepos easier so he ends up coincidentally going to school with the Nuvema kiddos.  He ends up becoming friends with them until he finds out Cheren and Bianca are magicas (I’m just gonna call them that for simplicity) but even though the toutous arent magicas they still support them which is all very upsetting and conflicting for N but he tries his best to protect the witches and steal more soul gems until the others eventually call him out on it and prove to him that the shit Ghetsis told him is bull.  When he goes to confront him about it it’s too late, Ghetsis has absorbed enough witches to become a Walpurgisnacht-like entity, and finally allows N to become a witch.  I’ll link the drawings I’ve done of him but basically his labyrinth would be like a puppet theater and even tho hes the witch he’d have this fuckin giant messed up ghetsis-lookin puppet master familiar who pulls at his strings and coordinates his attacks.  There’d be an audience of masked figures that look like all the magicas he’s caused the deaths of, tiny animals with scissors to represent his wish for freedom and also his fear of his ‘father’ since they never actually get to cut the strings holding him up, and figures that look a heck of a lot like the nuvema kiddos watching in a balcony.  This is all tied into a theory I came up with that almost all the witches are able to be saved since yknow how Homura had that figure of Madoka locked away and Madoka was able to bring her back, and how Sayaka had the violin guy and Charlotte had that doll that probably represents her dead mother? My guess is that if the people those figures represent are brought to the witch and reach out to them the magical girl inside would be able to be freed.  But yeah since N was never really a human the Nuvema kiddos can only really save a fraction of his conscious and he ends up like Bebe.  They all beat the shit out of Ghetsis and everyone lives happily ever after with their pocket witch bf

- the au where 1) plasma and aether are sort of swapped around and 2) N beats the toutous in the final battle.  This is actually based on nationalharmonica’s courtesaN au which is awesome BTW (but it doesn’t involve actual courtesans or N being a courtesan at all but its Sarah’s au so if you’re interested you should totally ask her about it).  Ghetsis keeps Touko and Touya prisoner and just to rub it in their faces blackmails Cheren and Bianca into joining and doing sciency experiment shit which ends up with Touko and Touya becoming UB fusions/hybrids themselves; Touya with Kartana and Touko with Celesteela.  Ofc in the later stages they are able to destroy their place of confinement and escape with Cheren and Bianca to find N who becomes understandably fucked off and upset that his friends have been put through all this shit but begs them not  to kill Ghetsis so he can ask what’s going on.  When he does Ghetsis stabs him with a syringe full of UB fusion shit because he knows fine well hes gonna die he just wanted a final ‘fuck you’ before he is killed by both fire and paper cuts.  Surprise! It’s a Guzzlord.  N becomes a big squishy boy. I’ve done drawings of N in human Guzzlord fusion/hybrid form but I’ve been afraid of posting it but uh if anyones interested i will

- Simplified fNaf dadsis au - basically N and the Nuvema kiddos are the ones that were killed and stuffed in the animatronics, Ghetsis owns the place but risks going bankrupt pouring money into helping find the culprit and also his son and his friends when they’ve been stuck in the one restaurant he kept open to stay afloat.  Nate is the new nightguard and they decide to fuck with him to get rid of some of the boredom of being alone together in the one building for like…30 years or so.  In the end they fess up and make Nate pizza as an apology and they’re chill again

- sister locatioN dicksis au - I already summarised a thing i wrote of it in response to an anon but I’ll include here too.  Once again Ghetsis owns all the shit with the animatronics.  Anthea and Concordia get killed by one of them when they were young so years later Ghetsis sends N down to ‘free’ them (surprise he only wanted to get rid of N) but since their spirits have been fused into one hideous amalgamation of animatronics they’ve gone a bit loopy and want to leave.  The whole scooping room thing ensues and they accidentally turn their brother into a zombie

- Nombie au bc Z is a sideways N heheh I ahven’t thought up much of the background for it but it involves Plasma being a pharmaceutical company that is sort of accidentally being the cause of it.  N gets separated from his dad who ends up being the leader of a large group of people in a little town sort of thing they were able to reclaim but is Sad bc he thinks his son is dead which ends up being half true bc surprise N is half immune and ends up being a conscious zombie boy who wears a curtain as a cloak so he doesnt immediately frighten people bc he got his eye shot out by hillbilies, his face scratched up, his throat bitten out and his heart impaled on a pole (hes a freak without a human heart geddit) zombie apocalypse stuff happens

- isolatioN au - basically spawned from the thought of ’what if N was kept even more hidden away/locked up/never even left at all’.  Plasma is instead secretly in the Pokemon poaching/hunting/selling business but are disguised as…well you already know about Plasma.  The nuvema kiddos had varying levels of rough childhood and were desperate for money so they all joined up; the toutous as night guards and the dualrival s as researchers.  Hidden deep in the facility is a certain tree haired manchild who has been kept in a cage for pretty much his entire life.  Ghetsis does a mother gothel and makes out its to keep him safe and brings him Pokemon to ask about where they live and what other kinds of Pokemon live there so that Ghetsis can release them safely back into the wild go hunt for more Pokemon in the area if there’s anything good there

There’s a few more that I have but I won’t include them because im worried it’d be a waste of time if no one takes interest in any of these but uh thanks for asking and reading if you did!!!

#n harmonia #natural harmonia gropius #ghetsis #trainer bianca #cheren #trainer touko #trainer touya #someone is gonna give me hell for putting this shit in the tags i just know it #honestly im terrified of posting this because i cant write or draw for shit #the only thing im vaguely good at is coming up with ideas for things #but here we go