Tumgik
#horror movie found footage type beat. nice.
stinkman007 · 9 months
Text
Tumblr media
hhey guy s dave from. megadeth heere. uhhhwhere is here anyway
128 notes · View notes
yakuzacanons · 8 months
Text
Yakuza Headcanons: Watching Spooky Movies
Oooooo it's the spooky season ain't it. Hello hello I rise from the grave to bring you some fresh headcanons for the season. For those with asks still in the inbox, I SEE em, just been busy with my horror movie marathon. Anyways, some headcanons below da cut to tide you over. Also welcome bouncing baby boy Ichiban to the gang!
Kiryu Kazuma
Isn't scared easily by much of anything so it's really easy to get him to watch horror movies. Mostly watches them because someone else is too scared to watch them alone. He's the person they can hide behind or who will tell them when a particularly horrifying scene is over.
Gore doesn't bother him as much as something or someone looking creepy or offputting will. Kiryu still won't get scared but he will get uncomfortable. Most of the time he just reacts by going "Ah... oh!"
Fond of the classics and will gravitate towards movies with a strong and likable protagonist. Likes The Evil Dead, Aliens, and Halloween. Directors don't matter much to him.
Majima Goro
He's a mixed bag. If a movie is well put together, then it can scare him pretty easily. He's most scared of ghost stories or paranormal things. Least afraid of slashers because he thinks he could just beat them all up.
Cannot stand jump scares. Sometimes he evens yells at his TV at home in irritation, saying things like "Oi, whaddya keep makin' loud noises for? Sheesh!"
Honestly, the weirder the movie the better. It might seem stereotypical for someone who looks and acts like Majima but he thinks the whole point of horror is to be interesting. Fond of Takashi Miike movies like Ichi the Killer, Audition, and Over Your Dead Body.
Akiyama Shun
Doesn't watch a lot of movies because he totally falls asleep during most of them. He'll at least give it a shot if you ask nicely though. Honestly more motivated by the fact you might cling to him during the scary parts than anything.
As much as Akiyama is a total ladies' man and romantic at heart, he always laughs whenever characters start being intimate during horror movies. He makes jokes out of it, saying things like "Babe, would you still love me if we were in a spooky movie?"
Movies with a good soundtrack actually help him stay awake. Jump scares annoy him though because if he falls asleep, the noise makes him panic. Fond of monster movies or movies about animals like Jaws, Shin Godzilla, and The Host.
Saejima Taiga
Genuinely not scared of a single darn thing. If you want to watch it, he's down to give it at least a try. He might nod off if he's tired or bored, but he tries his best not to. Horror comedy is okay with him too although he might not get all the jokes.
Most of the time he sits with his arms crossed, paying full attention. He's kind of funny in that he makes noises like "Heh" or "Hmph" when a character is caught off guard by something. Makes an occasionaly "Tsk" sound at jump scares. Otherwise he's not reactionary.
Particularly fond of slashers, probably because those usually have villains that are actually kind of his size. He enjoys the Friday the 13th series, particularly Jason X.
Tanimura Masayoshi
Type of guy to be like "Ooh let's watch this, I heard it's really scary" and then proceed to either get scared out of his wits or say something like "Wait, that's ALL?" at the end. Bases most of his movie choices off of other people's recommendations since he's usually too busy to randomly go see however many movies he wants to.
Doesn't really like horror that's super in your face. Gets more scared by the tension itself than anything. Always has movie snacks on hand.
Found footage is probably his most favorite type of horror. Likes The Blair Witch Project, Noroi, and REC. Fond of director Koji Shiraishi.
Ryuji Goda
Doesn't watch a lot of horror movies but like Saejima he's not scared of anything. He's also the type of guy to drop everything to spend time watching a movie with his partner. Gets a kick out of being a shield or protector during scary parts.
Likes movies with a lot of personality and campiness. Slow burns or psychological thrillers just put him to sleep. It doesn't matter if it's good or bad, as long as it's entertaining.
Didn't think he'd end up being much of a horror fan but he's quite partial to John Carpenter. Likes The Thing, They Live, and Christine.
Nishikiyama Akira
One of the bigger scaredy cats of the group. Won't suggest a horror movie but will totally act like he's not at all afraid if you ask to see one.
Honestly, the two of you end up just kind of holding onto each other during scary parts or pulling up the blanket almost over your eyes when a character is about to die. Violence doesn't necessarily bother him but excessive gore kind of annoys him.
Enjoys a good ghost story movie but only if you'll watch it with him. Anthologies are also good too since it offers so much at once. Likes Ju-On, Ringu, and Tales From The Crypt.
Mine Yoshitaka
Likes certain horror movies. Not scared of much but he does get noticably uncomfortable with torture movies like Saw or Hostel. He just finds it to be weird more than entertaining.
Fond of more classic monsters like vampires or werewolves. Mine's the type of guy to actually have a decent home theater setup, even if he doesn't get much time to use it, so he doesn't go to the movie theater much.
Has a soft spot for some of the really old classics in the 30's like Frankenstein or Nosferatu. His favorite horror movie is Interview With The Vampire.
Daigo Dojima
Probably the only one of the boys who actively enjoys slow burns and more psychological horror. He doesn't get opportunities to watch movies much but he does have an interest in the medium as a whole.
Particularly loves anything with spectacular cinematography. Good directing, lighting, or costumes really impress him. Kind of interested in some of the technical aspects as well. Also probably the only of the boys to ever look something up on IMDb.
Especially fond of movies by Kiyoshi Kurosawa. His favorite horror films are Kwaidan, Cure, and Pulse.
Tatsuo Shinada
The biggest scaredy cat of all of the boys. Will attempt to watch a spooky movie with you at least once just for the sake of trying but will honestly just close his eyes if he feels overwhelmed. You HAVE to hold his hand though.
Probably the only one of the boys who actually gets squeamish easily. Gore and blood make him uncomfortable, although he has SOME tolerance in general. He'd just rather watch something that's not super heavy on bloodshed.
Horror films with a particular visual style, especially super colorful ones, make it a lot easier for him as he can actually see what's happening and he feels less worried. Movies like House or Suspiria are good for him. Also likes super over the top movies like The Lost Boys or Killer Klowns From Outer Space as they're so hilarious to him that he forgets to be scared.
Kasuga Ichiban
Somewhat easily scared. He gets more shocked or surprised than scared, honestly. The movie HAS to be interesting to some degree or he will just conk out and there will be no waking him. Doesn't mind jump scares since they help keep him awake at least even if the movie's bad.
Having said that, he does enjoy taking the time to see a movie that's genuinely just really good and talking about it with you afterward. Movies with really good effects tend to impress him a lot. It's also more visually memorable.
Tends to like movies where the main character has special powers. Partial to zombie movies since a lot tends to happen and involves multiple characters. He likes 28 Days Later, The Dead Zone, and Carrie.
97 notes · View notes
briangroth27 · 5 years
Text
Annabelle Comes Home Review
Annabelle Comes Home is a respectable and dependably spooky addition to the Conjuring franchise. It isn't the scariest—none of the spin-offs have been able to touch The Conjuring 1 or 2 yet—but this is my third-favorite film in this ever-growing horror shared universe and I had a lot of fun watching it!
Full Spoilers…
It was great to have Lorraine (Vera Farmiga) and Ed Warren (Patrick Wilson) back in more than just stock footage, even if they still had reduced roles. I’m glad they touched on the real-life questions surrounding the veracity of the Warrens’ investigations: that’s a good aspect to mine for drama, both for them and for Judy (McKenna Grace) with her peers at school. As far as the Warrens go, it’s hard to play that real-life public scrutiny any further than they do here: there’s no question whether ghosts are real in the movies since we can plainly see that they are. This film finds the Warrens in a more traditional horror setup, with them out of the house and the terrors affecting the teenagers left home alone, but the movie’s creators found the right balance to keep them recognizably “the Warrens” while also exploring that setup. Plus, Farmiga and Wilson are both so good in these roles that it’s nice to see them in whatever new situations the writers can cook up! This setup offered a peek into their home life when they’re not on an investigation and brought a little more variety to this cinematic universe’s offerings. The one thing I would’ve liked from Lorraine and Ed this time was a discussion about whether or not they should continue keeping their haunted vault room in their house with their daughter. They have to decide that they will, given it still exists in the Conjuring films, but I would’ve liked to hear the thought process behind keeping it. Did they have second thoughts at all? Do they just trust that the kids have learned their lesson? Did Judy reassure them that she’d be fine, either through her actions here or with a newfound strength uncovered by the film’s events? Might they even use the archives room to train Judy in the use of her paranormal sensitivity to some degree? (Probably not, given that would mean intentionally exposing her to dangerous demons). 
Like the Warrens, the rest of the characters were very likable and engaging. I greatly appreciated that the kids at the center of this film weren't the typical dumb teenagers messing with haunted things for fun or because of carelessness, but were instead aware of and at least a little respectful of the power of the Warren's archives. They were also capable in their own right (at least, as much as they could be in the face of this sort of danger). Judy's struggle with her burgeoning paranormal powers was well-handled and this was one hell of a first experience! The fallout at school from the questions about her parents' honesty was both a smart place to plant the seeds for the movie's main plot and to explore the unexpected (and until now, unexplored in this series) effects on Judy. I wonder if they’ll take liberties and have Judy grow up to follow in her parents’ footsteps someday, because Judy going from scared, lonely kid to opening herself up to the supernatural to save her friends was a great arc that could easily build into a new sub-franchise (particularly as we haven’t seen Lorraine’s early experiences with her supernatural abilities at an extended length). Grace did great with that transition and she was also really good at playing the more everyday character beats like Judy’s conflicting hesitancy and eagerness to open up to a new friend (Katie Sarife) despite pretty much everyone she knew thinking she was a freak (a very relatable tween/teen struggle). That development was a nice, grounded parallel to Judy’s sensitivity to the supernatural. I liked the idea that there would logically be good ghosts out there in addition to the demons the Warrens investigated, just like not all people are bad. That bit of wisdom was a cool moment for Judy’s babysitter and (initially) only friend Mary Ellen (Madison Iseman) to help Judy on her journey, giving Judy the courage to lean into her abilities to help save the day.
Mary Ellen was a refreshing change of pace as a responsible babysitter who truly cared about her charge. I liked her friendship with Judy and their scenes together felt totally natural and lived-in, as if their hangouts had been going on for years. I also enjoyed her displaying no hesitation to trying to put an end to the ghosts once she knew what was going on. Iseman’s acting and Mary Ellen’s writing also made good use of the push and pull between her responsibility to take care of Judy and Daniella’s intrusion into both the Warrens’ house and her romantic life. Mary Ellen’s awkward flirtation/burgeoning romance with Bob (Michael Cimino) was cute and the film included just enough of it to sell their mutual attraction and chemistry, while keeping it at a realistic level for teens who knew each other but didn't really hang out (so there was no "it's totally love already!"). The one beat that rang a little false for me was Mary Ellen and co. going “We’re totally fine!” at the end of all that terror: that was a touch too glib IMO, but as teens trying to save face in front of their peers—especially the guy she liked—it still worked. Besides that, I’m glad the horrors here weren’t just laughed off and there was an honest discussion with the Warrens about this being a serious incident.
Mary-Ellen's friend Daniella gets that talk and it was a nice show of responsibility that she’s the one who pushed Lorraine to call her out on her mistake. Throughout the movie, she was well-drawn not just as a dumb teen looking to stir up some ghosts for laughs, but as someone who had real pathos in wanting to see her dad (Anthony Wemmys) again. While you’re spending the movie thinking that she should absolutely not be exploring the vault and trying to contact her dad, her performance and the writing make it totally understandable that she would. I bought her sadness and guilt and thought she walked the line between accomplishing her agenda and genuinely caring about Mary Ellen and Judy very well. I also liked that she truly seemed interested in Judy as a person, even if she was also using her to see her dad again (if only she’d just asked Judy which artifact could help her!). All three of the central girls have a similar complexity to their characters, pulled between what they want and what’s been forced on them (Judy’s powers and the isolation caused by them and her parents’ reputation), what they’ve been hired to do (Mary Ellen, though she would still be Judy’s friend; her arc has the least tension), and what they’ve convinced themselves they have to do (Daniella seeing her dad again, which makes her a nice foil for Judy in that the paranormal is what she’s seeking but her pull away from it comes from befriending Judy). That’s a cool common building block to these characters that immediately makes them multi-dimensional, a state that’s only further enhanced by the actresses’ performances. Ben was fun as an awkward teen with a crush, and I liked that he wasn’t too toxic, like you might expect from a high school boy in a horror movie. Another refreshing twist (and a bonus gift stemming from the public scrutiny about the Warrens’ cases) was that all the kids readily accepted that ghosts were real rather than having to go through the motions of beginning to believe in them.
While this was entertaining, I’m over Annabelle as an antagonist at this point: she was fine here, but the other ghosts definitely felt like more of a threat and stole the show while it felt like the doll didn’t do much of anything (even though it was the object pulling the other ghosts to the house). I wouldn’t mind if this were the last Annabelle movie, as it seems like they’ve said all there is to say about the doll. They also included a nice full-circle tie back to Annabelle Creation with a brief vision of her human self (Samara Lee), making it feel even more like this is the last one. Thankfully, there was a sizable monster mash of new ghosts here too! While I would’ve liked some more focus on each of them (a longer haunting act would’ve been nice), I liked what we got and there was a solid variety to the types of scares they generated. The Ferryman was scary and I liked the mythology behind him as well as his appearance. The the coins hitting the floor and rolling in to view to herald his approach were really creepy-cool, and the rules about him appearing in the dark vs. disappearing in the light were used against and by him really effectively. At one point I was hoping the “werewolf” case would be the basis of Conjuring 3 since it seemed like an original take on both a possession and a werewolf movie, but I guess not. Still, I liked that they got some classic werewolf imagery out of the Black Shuck (Douglas Tait) when it ripped up the car. The Bride (Natalia Safran) and the typewriter brought a classic ghost sensibility to the mix and the Feeley Meeley game was bizarre even before it was haunted! The movie definitely left me wanting to know more about the other ghost artifacts in the Warrens’ vault, especially the cursed samurai armor and the future-telling TV. Maybe they could make a web series or something exploring the cases that brought the vault objects to the Warrens�� attention! 
Annabelle Comes Home has a strong cast with well-written and atypically alert characters facing a good variety of specters. The pacing’s solid: they take their time introducing us to the characters, which helped generate fear for them when they were put in danger and made the film feel like a throwback to 70s horror, which is fitting given the film’s setting. It also helped to defuse any knee-jerk “this is a real dumb plan” reactions to Daniella trying to contact her dad because she explained her mission enough for me to be invested in it (giving her such a strong a need to see him also avoids any “this is what you get for being stupid” reactions when her quest puts everyone in danger because I felt sorry for her). Jump scares don’t bother me—they’re fun too!—and this movie definitely has some effective ones along with the creepy visuals (like the denizens of a graveyard (Sheila McKellan and others) approaching the Warrens’ car that only Lorraine can see). The paranormal attacks seemed more intense overall in the Conjuring films and Annabelle Creation, which are probably the three scariest entries in this franchise so far (though I liked this one and these characters better than Creation’s). The music, both the score and the 70s songs, was well used to creepy effect.
This movie might not have been necessary, strictly-speaking, since we already saw Annabelle get loose in the first Conjuring, but it was definitely a lot of spooky fun! It's a solid haunted house flick with a strong cast and that’s exactly what it needed to be. It’s also a good ending to Annabelle’s spin-off trilogy and got me ready for the next Conjuring with the focus shifting back to the Warrens (and maybe Judy this time?). You should definitely check this out!
Check out more of my reviews, opinions, and original short stories here!
6 notes · View notes