#my DL mysteriously disappeared after finishing this though so | Explore Tumblr Posts and Blogs

pinksweatergettingbetter · 7 years

Text

// y’know since I finished DD I've been trying to puzzle out why the ending was so unsatisfying, and I think I’ve figured it out

First off, I felt really uncomfortable finishing off the phantom; I actually ended up feeling bad for him during his breakdown. But why, though? His breakdown is actually pretty similar to Matt Engarde’s (cowering behind the bench in fright, tearing up his face). In fact they’re both quite similar villains: They’re both responsible for kidnappings in some way, both could be considered sociopaths and both pretending to be innocent.

However, where I hate Matt Engarde and take great pleasure in making him cry as I threaten to put him in jail or leave him at the mercy of an assassin... I don’t really feel anything towards The Phantom. I acknowledge his crimes were bad, but they don’t make me feel the same hatred, so I don’t really feel especially good taking him down.

In fact, the person I felt the most hatred towards in DD was Aura Blackquill, and her take-down wasn’t satisfying at all.

So I think the main problem with this ending is similar to the reason why everyone mistakes Dahlia as the arch-villain of T&T

Lets think about her for a second; Dahlia isn’t the true villain of Bridge; its Godot (as the murderer) and Morgan (As the person who put the evil plan in motion in the first place)

But we hate Dahlia with a fiery passion. Why?

Because she's A) Really Unpleasant, and B) She visibly hurt someone we care about as an audience.

Godot doesn’t register as the main villain because his actions (though stupid, selfish and fucking awful) were based from a good intention (not really though) and his victim was someone so peripheral that it hardly matters. Hell, we don’t even know who she is and how she affects someone we relate to (Maya) until quite late in the case. (tbh I actually don’t know why people don’t hate Godot more; he put every one of the Feys in danger for his own shitty revenge and he sucks. But I’m getting off track...)

Morgan doesn’t register as the main villain because she only appears in flashback and doesn’t do anything material. She’s still disgusting for treating her daughters that way and attempting to have Maya killed, but she doesn’t appear for us to hate.

So our hatred is laser-beamed at Dahlia, who is nasty, smug, and most importantly: She hurt someone we care about. We can see how much her actions destroyed Phoenix over the course of the entire game; his misfortune is the catalyst for us to hate her, along with what she had in mind for Maya. Same for Matt Engarde and Manfred von Karma; both of them visibly hurt and endanger Maya and Edgeworth respectively, who are characters we’ve come to sympathize with and love.

Nobody cares about Juan Corrida, Robert Hammond or Valerie Hawthorne/Terry Fawles’ deaths all that much because we don’t know them. If they had been the villains’ only targets, we wouldn’t have hated them as much. What makes them an Arch-villain is how they affect a main character. Redd White and Morgan Fey (in her first appearance) become closest to arch-villains in their one-off villain roles because of their involvement with main characters.

But, returning to DD, the Phantom doesn’t actually... do that. Sure, he killed Clay, who was Apollo’s best friend, and Metis, Athena’s mother... But they’re such non-entities that it doesn’t trigger my sense of sympathy. Now I’m not saying non-appearing characters can’t have weight; but the way to do this is to have their presence made known through the actions or words of more important characters.

We can feel Magnifi Grammarye even if we’ve never met him because of the effect he had on Zak, Valant an even Trucy. We can feel Misty Fey because of DL-6 lore and Maya’s own grief. We can feel Celeste Impax because of how broken Adrian is over her death. Or at least we can at least feel bad for Adrian and hate Matt because of it.

But they don’t do that in DD; they set up their expendable characters very poorly. Clay obviously means a lot to Apollo, and we’d probably feel his presence through Apollo’s grief....... if we were allowed to actually see Apollo’s grief. He’s basically shoved out of the story after Clay’s death to ‘investigate it on his own terms’, so apart from a couple of lines, we don’t really see how much it hurts him in depth. Meanwhile, (and this frustrated me to no end) NOBODY else seems to give two shits about Clay. Even Solomon Starbuck, his mentor, is more worried about Athena during the case. He basically has a line or two of how much it sucks to lose Clay, then he totally forgets about him.

I love Clay as a concept, but he’s drowned out by all the other grandiose plot elements and never given a proper funeral. So I find it hard to care about his death.

Metis gets things slightly better as Athena doesn’t go missing halfway through the game... but her death also only comes up pretty late in the game and, well... Her memories aren’t altogether great. As much as Athena says she loves her, she also explains her belief that her mother had been experimenting on her, and didn’t care much for her. And it’s fairly obvious that Metis Cykes wasn’t the most attentive of mothers, no matter what Simon Blackquill says to the contrary. Anyone who lets their naive 11 year old daughter play with heavy machinery is not a good mother in my books. So I loose sympathy for her.

Oh! And the person who grieves for her most? It’s Aura Blackquill, who is so bitter, cruel and selfish that I like Metis even less just by association.

So our main reasons to hate the Phantom don’t really stack up. Besides that, his previous bombings don’t actually have any casualties, unless you count what happened to the HAT-1 and Starbuck. At the same time, if I remember correctly, that’s actually the fault of Yuri Cosmos and the Government who allowed the launch even when there were threats from a spy. Good going, you guys. (that might’ve been the HAT-2 actually but tbh my point still stands.)

There’s no story-weight behind his villainous deeds. Also, there’s no malice; the Phantom doesn’t kill for the horrible reasons the other villains do. von Karma killed out of twisted and petty revenge, Matt Engarde was a vain and utterly self-absorbed monster, and Dahlia (and Morgan) were both selfish and hateful.

But the Phantom kills for two reasons; orders from a higher-up, and to protect his own identity. Sounds a lot like our Other Assassin, Shelly de-Killer, who I’m not sure anyone hates, really. (I dunno. I never hated him all that much) That obviously doesn’t make his murders permissible or forgivable in any way, but it lacks the spiteful motivation that makes us hate a villain. Phantom was just ‘doing his job’. Perhaps we’d hate him a little more if we knew the origins of his mysterious contractors.... but we don’t. We don’t even know if they’re evil. They could be the country’s own government for gods sake. Hell, even knowing that would add some intrigue. But we know diddly squat. He’s a nowhere man, living in a nowhere land, making all his nowhere plans for nobody.

In any case. The Phantom doesn’t provide us with evil personality traits or close-to-home crimes. Who does?

Aura Blackquill, of course! She’s highly unpleasant, her motivation is selfish hatred for a child, her actions are ridiculously overblown and ill-timed (could’ve done something a little earlier than the day before the execution, eh, Aura?) and the person she kidnaps?

Trucy. Our precious darling Trucy who we’ve had an entire game to get to know, love and sympathize with.

Of course I love (read: hate) how the game tries to play this off like it’s no big deal; Phoenix barely worries about her (in comparison to his constant stress/anxiety/near panic attacks over Maya in Farewell) and when she comes back there’s like 2 lines of her being all “Nah it was cool i just did magic tricks lol” Along with Aura asserting that “none of this could have been accomplished without me”. Yes, thanks Aura; none of this could have been accomplished without terrorism and kidnapping. You sure are a grade-A hero.

So we finally come to the final point of the Phantom; his lack of emotions. Or his semi-lack of emotions, or... Well. DD doesn’t explain it very well. Does he have emotions? Does he not? Are they very minor, or does he control them very well (...somehow? You can’t suppress an emotion so much that it disappears; by the Mood Matrix logic, they’d still be able to hear it easily underneath.)

Phantom gives the cliché spiel of “emotions make you weak”, until the heroes insist that they don’t. And then... He doesn’t go down with defiance? He doesn’t go down cursing emotion to his grave. In his last moments, something in our heroes’ words touches him and in a moment of self-reflection he tries to ultimately remember who he is. Most villains show no remorse, but the Phantom seems very close to perhaps taking a step in the right direction. He renounces his lack of emotions and gives in to fear, and his end is really honestly terrifying to watch (at least it was to me)

This might partially be that I still associate him with Bobby, who’s been pretty much my favourite character in and motivation for finishing the game. Whatever the case, the Phantom doesn’t really make me feel smug for defeating him. Just kind of... uncomfortable.

Then he gets shot by the most amateur sniper in the universe (unless this is just another plan) and carted off to the Police. And so, with that ONE SINGLE TRIAL, the Dark Age of the Law is vanquished. Because that’s how Trust works.

TL-DR; the DD team did a poor job of setting up concrete reasons for us to hate the phantom, making his defeat not particularly satisfying. Also the whole plot is garbage and i hate it but meh

#Dealing with DD #sorry for the wall of text ahaha #ooc #just trying to long-windedly puzzle out why the end stunk so much

2 notes · View notes