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#not me still hoping for woodvale
demadogs · 2 years
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what i think every stranger things character’s favorite taylor swift album would be
will: red. not for all too well though, for treacherous. “this hope is treacherous i like it”. his all time favorite taylor song though is right where you left me but he relates to it not just because mike is with el, but also because he misses the innocence of his childhood before he was taken to the upside down and he feels like everyone grew up and he just wants to go back to being a kid.
mike: evermore but he would never admit that he listens to taylor. listening to dorothea after will moved made him realize hes in love with him.
dustin: 1989. i feel like he’s just here for a good time and loves this kinda pop. i also think lucas would be so over hearing shake it off all the time and claim the albums probably bad but then dustin would play him new romantics and he’d be like “oh?? 👀”
lucas: folklore. this is mostly inspired by the fact that he just randomly picked up a pinecone and was walking with it.
el: fearless. she loves love story and never gets sick of it. she also loved the other side of the door before the rerecord gave it a new appreciated life. lovers a close second.
max: reputation. “if a man talks shit then i owe him nothing” do i need to elaborate?
erica: reputation. erica singing the verses to ready for it and getting really into it just feels so right.
steve: fearless. he never skips you belong with me and his favorite is thats the way i loved you.
robin: 1989. she believes wonderland is about dianna agron.
nancy: lover. she unironically loves ME! and you need to calm down. 1989 is a close second.
jonathan: evermore. hes emo for exile and the song evermore.
eddie: speak now. because theres a lot of great guitar solos. not metallica level but still iconic. haunted? enchanted? better than revenge? he can play the whole album. he also prefers the 1989 tour version of we are never ever getting back together.
argyle: folklore. getting high to a different album would give him random jumpscares like the “ra da da da da” in i did something bad or the pots and pans in closure. this ones the most relaxing and spiritual.
joyce: red. like mother like son. she stayed up until 2:00am listening to all of red taylors version on the night of the release with a bottle of wine (as did i).
hopper: debut. i feel like hopper would say her old music is better.
murray: folklore. he loves the love triangle of betty, august, and james. he also 100% believed in the woodvale theory. he probably even contributed to it and found more easter eggs that he thought hinted at it.
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oflostdrcams · 2 months
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who: Caroline Davis and Cassie Devereaux (@fvckthepctriarchy) where: Woodvale Apt 203
Even though she had multiple roommates, Caroline felt like she rarely saw them. They all had different schedules, and lately, she had spent countless hours at the theatre for rehearsals and then her free time at Theo’s. It felt like it’d been way too long and that was why she’d purposely texted Cassie to see when she’d be free. At least she’d be able to catch up with one of her roommates. Hopefully she’d get to the others next.
Caroline unlocked the front door and immediately made her way to her roommate’s room. “Cass,” she called out, knuckles tapping a couple times on the door before she poked her head in. “Hey.” She’d given the woman a heads up text on the way home so she hoped she wouldn’t be intruding on work or something else Cassie was doing. "Please tell me you're still down for takeout and some random trashy TV show?"
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rollercoasterush · 5 months
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☆–– (sabrina carpenter , she/her, cis woman) who is BECKETT OLIVER anyways? ew. you don’t know about HER, we’ll bet you want to. they’re feeling 26 and YOGA feels like a perfect night to them. rumor has it they’re INDECISIVE and PEOPLE PLEASING because they care, but they’re also IDEALISTIC and SENTIMENTAL in the best way. SHE works to make a little money as a TATTOO ARTIST. they’ve rented a place on cornelia street in the form of WOODVALE. NEW YEARS DAY (b) is the song they could dance to the beat of forevermore.  
name: beckett oliver nickname: beck, becks, b, oli birthday: february 14, 1997 orientation: bisexual
beckett grew up in your stereotypical white picket fence family. two parents who are happily married and an older brother that she loves. she was adopted at two years old and doesn't remember her biological parents at all and since it was a closed adoption, her adoptive parents don't know anything besides first names.
despite being adopted, her parents never made her feel like anything less than their own blood. they were always encouraging to her hopes and her dreams. it wasn't very often that they really didn't approve of something or someone she spent time with. for this reason, when they were truly set against something, she typically believed it was in her best interest to give it up.
beck had always been the golden child. she got good grades, made honour roll, always left the door open when she had a boy over, never got in trouble, she went to college for something practical. the only time in that she has ever strayed from this is when she went into a career in design and tattooing and even then she made an agreement that she would go into her backup career (financing), if things didn't workout within two years. luckily for her, her career as a tattoo artist seems to be doing well so far so she's been able to keep with this career path.
CONNECTIONS
significant other - beck's parents set these two up, she likes them but she hasn't found those fireworks yet
older brother - 28+, beck and her brother are very close. they can be adopted as well or biological.
exes - give me her first girlfriend, give me drama, give me friends who thought they should try dating and it didn't workout but they're still best friends
best friend - this person has been with her through everything and vice versa. they are the only person she has told about her interest in finding her birth parents.
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sprnklersplashes · 3 years
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stars around my scars
or, the tatto artist!robin au that no-one asked for but everyone gets (ao3)
Ever since he was 11, Theo has wanted a tattoo. He still remembers the day he first asked, if only because of his dad’s expression. He had hurried across the schoolyard, with a cardigan that was slightly too big for him and his backpack hanging off one shoulder, thrown himself into the car, and proudly rolled up his sleeve to show his dad the ‘tattoo’ Sabrina had given him during homeroom. It was simple really, a sword and shield adorned with his initials. His dad had chuckled at it fondly, the way any parent would chuckle at their child’s antics, and started to pull out of the parking space when Theo asked, “so when can I get a real tattoo?”.
He very nearly crashed the truck.
His answer was simply “when you’re older”, and being 11, that felt an age away to Theo, and he felt his chest sink at the idea of waiting for so long.
In the run up to his fourteenth birthday, he tried again, responding with “a tattoo” when his dad asked what he wanted. He sits cross legged on his bed and pretends he cares less than he does, all the while watching his dad out of the corner of his eye. Either he must look sadder than he thinks he does, or he should look out the window and check for flying pigs, because his dad sighs, but then his face softens and he does the impossible; he relents, just a little.
“Maybe when you’re 18,” he says.
His sophomore year of high school is when things start to get really rough. Nearly every day he comes home with bruises and cuts and his dad is less convinced by his excuses each time. He wakes up every morning and wonders what it’ll be; stuffed in a locker, shirt pulled up, pushed down the stairs. Words are used like weapons and hurt just as much, whether they’re spat in his face or written across a locker. Getting up is a constant battle and some days it just feels impossible. The school parking lot feels like No-Man’s Land at the best of times. His dad brings up the idea of transferring to him at dinner one night, but he just raised his chin and reminded him that he’s a Putnam. And Putnam’s don’t run away.
His dad had smiled at that.
There was some good mixed in with the bad though. He found answers to questions that had plagued him for years. He chose a new name, after the greatest woman he never knew, and found the courage to tell his dad who he really is. It hadn’t been easy, he hadn’t expected it to be, but when his dad drove him down to the Greendale barber that day, it had meant more to him than his dad might have understood.
His friends were amazing, which should go without saying. Of course they would be. And he feels good, in some ways he feels better than he’s ever felt about himself. Like he’s stepping into a new part of his life and while he doesn’t know what’s in front of him, he’s excited to see where it goes.
But as happy as he was, not everyone felt the same. Teachers and students alike struggled with his transition, some at least attempting to feign politeness, others not so much. The cruel words don’t stop just because he uses different pronouns now and he still comes home with the occasional bruised knuckles or bloodied nose.
Add on a few stressful long-distance calls with his mother and his high school experience thus far can only be described the same way his English essays are-“Could Be Better”.
Maybe that’s why, a week before his sixteenth birthday, his dad pops his head around his bedroom door and asks him “Do you still want that tattoo?”.
He looks up from his book, almost sure he’d imagined it. His dad may have changed his stance slightly, but if there’s one trait they share more than anything it’s that intense stubbornness. He was prepared to just ride it out and wait until he’s 18, or maybe even until he moves away to college altogether. But no, here he is, age 15, his dad looking at him expectantly.
“Really?” is all he can reply with.
“Yeah,” he says. “I mean, it’s clearly something you want a lot. And I know you’re sensible enough not to get one of those crazy ones that go all the way across your face.” He giggles at that. “And you’ve waited long enough so I figure… why not just let you?”
His mouth falls open and he blinks, waiting for the catch, only for his father to simply shrug at him, a teasing smile playing on his lips.
“Well if you don’t want to-”
He doesn’t get to finish the sentence, because Theo jumps and hugs him before he can.
He enlists Harvey’s help with the design. His drawing skills aren’t bad, but they’re not the best either and if this is going on his body, permanently, he needs to get it right. So he slides up to Harvey on Monday with wide eyes and a smile that’s just the right amount of cute. And if that doesn’t work, he has money in one pocket and a comic book that Harvey really wants in the other.
The other boy looks up with a raised eyebrow and Theo’s glad he brought the back-ups.
“What is it?” he asks.
“Why do you think there is something?” he asks. “Can’t I just be happy to see you? My best friend? My trusted companion I have known since-”
“Oh my God, what did you break?” Sabrina asks. She’s sitting on the desk behind them and her eyes have doubled in size. “Harvey, whatever you do, do not take the fall for him!”
“That was one time, Brina!” he replies. Sabrina bites back a giggle, a twinkle in her eye as she exchanges a look with Roz, and Theo exhales slowly. His cheeks warm, just a little, but he ignores it. Or at least he tries. Same with the nervous prickle of sweat running down his back “Harvey, what I was going to ask was… well, my dad finally said I can get a tattoo, and I was just wondering if maybe you could draw it for me?” His voice gets smaller and smaller as the sentence goes on, and the last word practically limps past his lips. He holds his breath, fingers twitching to grab his two back up plans. But as it turns out, he doesn’t need to, because Harvey bursts into a grin that warms his heart and undoes the knot in his chest.
��Of course I will,” he tells him. “That’s what you were so worried about?”
“Yeah, well,” he shrugs. Whatever words he had die on his tongue, and they laugh it off as Sabrina pats the space next to her. He jumps up next to her, their feet bumping against each other, and they take advantage of the few precious moments they have before class begins.
Harvey hunches over his desk, his hands moving as swiftly and carefully as only an artist’s can. It’s kind of amazing watching him, watching him lose himself in his work the same way Theo loses himself on the basketball court. No, it’s not the same and Theo knows it. He’s nevertheless fascinated by Harvey’s process and that’s why he’s hovering the way he is.
No other reason.
The nail chewing is also completely irrelevant. He does this all the time and it’s perfectly normal.
As is the pacing.
Eventually, Harvey just sights and pulls a chair up beside him and lets him sit. He only moves slightly, but Theo takes the hint and sits back, willing his heart to slow down. He does everything he can to pass time; jumps through social media apps on his phone, flips through Harvey’s stack of comics, even doodles something on a spare page. All the time waiting with baited breath and one eye on Harvey’s hand.
“Okay.” Harvey leans back in his chair, his fingers slightly greyed with lead. “I’m done.”
Theo leans forward and immediately a smile forms on his face. It’s exactly what he had in mind, the outline of a small bird sitting on a branch, poised to take flight, but Harvey’s drawing is more carefully and painstakingly structured than he could have hoped to make it. All his attempts somehow look flat, boring, but Harvey’s looks alive and it reminds him why he wants this particular picture on his body.
“Thank you.” He leans against him, cheek smushed against Harvey’s shoulder, and wraps his arms around him. He sings his words a little, bringing a smile to both their faces. “Thank you, thank you, thank you!”
Harvey plays it down, but he hugs him back just as tightly.
Unfortunately, there are no tattoo places in Greenedale. Theo wonders how, in all his fifteen going on sixteen years of living in this town, he never once picked up on this. Especially since he spent most of that time wanting a tattoo. But no, here he is, the White Pages open on his lap and him staring intensely at the page as if the words tattoo parlour are going to magically appear on the page.
He sighs deeply and scratches his cat behind the ears.
“Well, Lila,” he tells her. “Time to go look beyond Greenedale.” Lila lets out a groan, her little ears flopping down as she rests her head against him, and he takes that as her saying she’s with him. He kisses her head, her fur tickling his nose. “Love you too, baby.”
He finds one close enough, in Woodvale, the next town over. It’s pretty decent money-wise, and while it looks pretty small on the Facebook page, it’s close, and more importantly, his dad goes there for business at least twice a month. He tells him that night he has some errands to run there next week, in fact.
“You can go in, get your tattoo done, then maybe we can go for lunch after,” he says. He shrugs awkwardly, wiping his hand on a tea towel. “You know, if you want. Unless you have plans or something.”
“I don’t have any plans, Dad,” he tells him. “I’d love that.”
He doesn’t miss his dad’s bright smile at his answer.
That night, Lila is sitting around his shoulders as he copies the phone number off the Facebook page. Her tail flicks him in the face and he sighs and adjusts her on his shoulders so she’s more comfortable. His dad sometimes calls her The Queen, and for good reason. That damn cat is more pampered than anything he’s ever known. Even if he does love her and thinks she deserves it.
“Don’t suppose you want to take this phone call for me, do you?” he asks her. She meows back at him, which he takes to mean no you weirdo, make your own appointments, you’re an adult now. She’s right, he doesn’t like it, but she’s right, so he kisses her nose and hits the call button.
“Um, hi, Midsummer Night’s, how can I help?”
Theo clears his throat, glad he had the foresight to chug water right before making the call. Social skills aren’t his best in general and they somehow get worse on the phone. Especially with this kind of appointment-booking stuff. He’s made progress, at least. By that he means he doesn’t feel the need to ask his dad any more. Baby steps.
“Hi,” he replies. “I’d like to book a tattoo. For next Saturday?”
“Next Saturday…” Their voice trails off, the sound of stuff being shoved and moved around filling the silence instead. “Sorry, just bear with me for one second.”
“It’s fine.” He turns on his heel and walks the length of his room again, Lila flicking her tail. It takes him a while to recognise the song playing in the background; Kansas. Carry On My Wayward Son. He’s a little embarrassed; he didn’t spend all that time watching Supernatural to not recognise this song instantly.
He catches himself humming just as the second verse hits.
“Okay, here we go,” the other voice says. “Sorry about that.”
“No problem,” he replies, as though a pink blush isn't colouring his cheeks.
“So that’s next Saturday… what time were you thinking?”
“Is around ten am okay?” he asks. “Sorry, I know it’s like right when you open, but my dad has some business around town that he can’t move and-”
“No, ten’s fine,” they tell him. “And what’s the name?”
“Putnam,” he says, perhaps a little too quickly. “Theo Putnam.”
“Okay, Putnam, Theo Putnam.” It’s a terrible joke, a dad-level terrible joke, but he laughs all the same. “That’s you booked in. I’ll see you Saturday.”
“See you on Saturday,” he replies, and the flutter of excitement in his chest leaves him breathless.
*****
Midsummer Nights' turns out to be a relatively small shop nestled on a street corner, looking only slightly out of place with its dark blue paint job, contrasting with the more pastel colour palette for the rest of the street, and indeed, the rest of the town. He likes it, and he especially likes the shooting stars painted around the door and windows. Twinkling in the mid-morning sun and outlined in thin black lines, trails of gold and silver shooting out from behind them. They’re tiny and probably there as an afterthought, a way to fill space, but Theo is far more enchanted by them than he is the larger pictures of fairies and mermaids that adorn the walls. The care taken alone leaves him breathless. The bigger pictures are impressive, sure, but the care with which the stars have been painted almost takes his breath away. Whoever did them must have the patience of a saint. He’s never really been one for patience, nor for taking his time, instead always running from one thing to the next. Maybe he could learn a thing or two from this person, whoever they are.
“Woah, calm down there,” he tells himself as he turns the handle. “It’s a painting, not a therapy session.”
Inside isn’t entirely what he expected. Well, he’s not completely sure what he expected. Maybe a bunch of hairy biker types, the faint stench of alcohol in the air and a deer head mounted in the wall for good measure. But no, instead he finds white walls decorated with painted trees and vines and as he looks closer, tiny fairies and gnomes poking their heads around them. A smile tugs on his lips as he looks at it. It’s almost magical; a new creature appearing before his eyes the longer he looks. The space is bright, mostly thanks to the large windows, and someone plays folk music softly in the background.
He approaches the front desk, which in actuality looks more like a glorified coffee table and is manned by a girl with blue strands of her hair. She looks up from her book as he approaches and slips a bookmark in without looking. He takes an instant liking to her, or rather she seems like the kind of person he could like.
“Hey,” she greets nonchalantly. “You have an appointment or are you a walk-in?”
“Uh, an appointment,” he replies, scratching behind his ear. “It’s uh-Theo Putnam.”
“Okay, one second.” She flips open a spiral notebook, twiddling a pen between her fingers. Theo takes the opportunity to have another look around, his eyes once again drawn to the walls. He looks up at them, more than happy to wait. There’s something almost tangible yet so surreal about it; like he believes he could find himself here, just not in this reality. And as he cranes his neck, he spies right where the wall meets the ceiling; the stars from the outside.
“Sorry about that,” the girl says, snapping him back to reality. “So yeah, you’re all booked in, if you just want to go down to the back, Robin will take care of you.” Theo nods, a ‘thank you’ on his lips, but before he can say it, the girl turns her head and screams “ROBIN YOUR PERSON’S HERE!”. Theo stumbles backwards, blown away by and also amazed that all the windows are still intact. She simply turns back, her smile sweet, and opens her book again. “He’ll be down in just a second.”
He can’t decide if he likes her more or less after that.
“Jesus Christ Moth, I’m coming,” someone, he presumes Robin, calls from above them, the voice faint. Theo grins as he realises that he probably wasn’t meant to hear that. He wanders past the front desk, but not before catching the small shit-eating grin on Moth’s face.
He likes her.
Robin (he assumes it’s him anyway) emerges on the bottom step, shooting an annoyed look at Moth that disappears immediately once he sees Theo, instead morphing into an apologetic half-smile.
“I’m sorry about her,” he says. “She’s under the impression that she’s cute. And she’s also a middle child.”
“Ah that explains a lot,” Theo chuckles. “Well, it’s fine. I mean, it seemed to be effective anyway.”
“Yeah,” he chuckles. Theo’s breath catches in his throat and he can’t work out why. Robin is pretty, but he’s never been the type to lose his words over pretty boys. He’s tall, way taller than Theo, and his short-sleeved black shirt doesn’t leave much to the imagination. His dark hair is streaked with green and falls forwards into dark eyes, causing him to toss his head to push it back. Normally he’d find that kind of look douchey, but it’s not, not on him, it’s actually kind of cute in a punk-rock slash edgy poet kind of way and suddenly he’s aware how neither one of them have said anything yet.
“I’m Theo. We uh, we spoke on the phone.” It comes out as more of a question than a statement, at least in his mind.
“Yeah, I remember,” he says. “Putnam, Theo Putnam.”
“Yep, that’s me,” he replies, caught between laughing and cringing at himself. If he had known it was going to be like this, he’d have tried to make that phone call way less awkward. Robin doesn’t seem to mind though, instead tapping his arm lightly and gesturing with his head.
“Why don’t you come through with me and we can get started?”
“That’s definitely what I came here to do,” he says, and when Robin smiles, his heart melts and he curses silently.
Dimples. Of course he has dimples. The asshole.
He sits up on a leather chair, his backpack and jacket discarded on the floor and his sleeve rolled up. His feet dangle just above the floor and he’s deliberately not looking at the very pointy needles. It’s not like he’s got a phobia or anything, and he definitely knew this would be part of the process. It’s just a little unnerving.
“You got a design?” Robin asks.
“Uh, yeah here.” He holds the paper out to him. “My friend Harvey drew it. He’s really great at the art stuff. But-but the idea was mine and I… dictated it to him.”
“Cool,” he replies. “And where do you want it?” Theo pulls his sleeve up, his fingers gesturing to just below his shoulder. Robin nods, and his eyes darken slightly, as if his focus is shifting entirely to the tattoo and nothing else. He positions himself as close to him as possible, and they sit in silence as he carefully transfers the design onto tattoo paper.
Then Robin’s hand is against his skin, and the needle is barely an inch from it, and goosebumps prickle along there.
He must look as nervous as he feels, because Robin’s grip on his shoulder softens slightly, as does his face, and his voice comes in a careful whisper.
“Hey,” he tells him. “It’s okay. It doesn’t hurt that much. And I promise I’m careful.” Theo nods, even if his nails are digging into the leather beneath him. “Besides, it’s only the first one that really hurts. After that everything’s fine.”
“That’s what she said.” His voice is far weaker than he’d like it, the joke even more so, but Robin busts out laughing and so does he, and he barely realises that he started.
He was right though; while the pain doesn’t necessarily lessen, he gets used to it. If one could ever get used to the feeling of a needle jabbing one’s skin over and over. It kind of helps that he’s got plenty to distract him with the art on the walls and even if he didn’t; Robin is surprisingly easy to talk to.
“So you’re not from around here, are you?” he asks casually. “Sorry, it’s just… here you get to know people pretty quickly. And I’ve never seen you around here.”
“It’s fine,” he replies. He relates of course; small towns are small towns. “I’m from Greenedale. Ever been there?” Robin frowns slightly, his mouth falling half-open as he thinks.
“I think I drove through it once or twice,” he says. “Isn’t that the place that’s obsessed with witches and stuff?”
“That’s the one,” he says. “They’ve got all the spooky sights but unfortunately no tattoo parlours.” He goes to shrug but then remembers one arm is currently being used. “So I had to take a little trip out here.”
“You know when I was driving through I distinctly remember the lack of tattoo parlours,” Robin jokes. “Still. It’s a nice place.”
“I guess,” Theo mumbles. “I was always so focussed on the leaving.” He kicks the ground.  “I’ve never looked around properly.” Greenedale hasn’t exactly been kind to him either. He may love his friends dearly, and it’s not like his memories are all bad, but there are days when the familiar streets are less comforting and more maddening, and the town line feels more like a prison wall. It’s not every day he feels like this, but enough for him to have taken notice.
Robin chuckles beside him, and it’s then he suddenly remembers where he is, and that there is in fact a person beside him. A person he barely knows. And while a blush does creep over his cheeks, he doesn’t feel nearly as embarrassed as he should.
“Sorry,” he mumbles. “Kind of dumping my tragic backstory on you there.”
“Trust me, you’re not the first,” Robin tells him. “Guess there’s something about a person having a needle shoved into their skin repeatedly that puts them in a sharing mood.” He flips his head, tossing his bangs out of his face. “So what’s the deal with the witch thing?”
“Basically a lot of witches came over from Europe and settled over there,” he explains. “And when it came to picking a town personality trait, it was between either witches or thinly-veiled bigotry.” He goes to shrug, but then remembers the needle against his arm. “I guess ‘we’ll put a spell on you’ is a more catchy slogan than ‘we’re all raging assholes’.”
“Well, that may be true,” Robin says. “Though I’d admire any town with the balls to admit that they’re all assholes.” Theo chuckles again, swinging his feet slightly. Robin must be right; there must be something about getting a tattoo that makes you pretty chatty. That or Robin’s just… easy to talk to. He hasn’t met someone like in a while, not since Sabrina and Roz and Harvey. Something flutters in his chest and he doesn’t quite recognise it. He likes it, though. Even if in the back of his mind he wonders if he should be scared by it.
“Yo.” Moth appears in the doorway, hanging off the wall by her fingertips. She looks over at Theo’s arm, where Robin’s needle is, and a faint smile forms on her lips. “Not bad, Robin.”
“Thanks,” he replies, his eyebrow raised, and he looks up at Theo. “For her ‘not bad’ is possibly the highest praise you can get.”
“Not true. There’s at least two more levels, you just haven’t unlocked them yet,” she adds. “Anywho, I’m going on the coffee run, what do you want?”
“You know my order,” he replies, focussing more on his work than on her.
“So that’s an iced salted caramel latte, then,” she says. Robin’s cheeks turn pink suddenly, his hand slowing but not faltering. Judging by the look on Moth’s face-which can only be described as a shit-eating grin-that was the goal. “Do you want me to ask for whipped cream like last time?”
“No, thank you, Moth,” he mumbles, rolling his eyes. The gesture is equal parts exasperated and fondness, like Moth has been a pain in his ass for so long, and he likes it that way. Theo relates.
“He always pulls that ‘you know my order’ crap when a customer’s here,” she explains. “He’s embarrassed ‘cause his actual order isn’t very macho. Plus he thinks the cool and mysterious vibe impresses clients. Especially around the ones he thinks are cute. Anyway, you want anything?”
Theo freezes, his response-whatever it would be-caught in his throat. Moth seems unaffected, checking her nails like nothing is wrong. Maybe nothing is wrong, and he’s just overthinking. Or misheard her and she didn’t actually imply that Robin might find him cute. Either way, there’s probably no reason his cheeks should be as pink as they are now.
“N-no I’m okay thanks,” he says.
“You sure?” she asks. “No extra charge, just give us a good review.”
“It’s fine,” he says. He clears his throat and hopes his voice doesn’t actually sound that high. “I’m going out with my dad after this anyway.”
“Mm. Suit yourself.” She turns on her heel and flounces off, the sound of jangling keys and her boots on the floor growing fainter. Theo doesn’t dare breathe until she’s gone though-the closing door releasing the tie around his chest. When he turns to Robin, the other boy seems far calmer than he is, already back to work with a bemused grin on his face. His eyes meet Theo’s and he shakes his head lightly, his hair falling in front of his eyes.
“Don’t worry about Moth,” he tells him. “She’s taken it upon herself to try to set me up with every guy that comes in.” He shifts himself slightly. “Trust me, it was nothing.”
“Oh… okay.” The small tug of disappointment comes at a surprise to him, and he searches for a way out. “But was she right about your coffee order though?” Robin chuckles.
“Maybe.”
“Well, you don’t need to worry,” he tells him. “I personally think iced lattes are very macho. Of course we should ask ourselves ‘what is macho’ and then that takes us on a whole lovely journey that you probably don’t want to go through right now.”
“Eh, I might do,” he says. Theo turns to him, and his eyes are the exact mixture of teasing and serious, and the grin on his face widens. “But we can agree that salted caramel lattes rock, right?”
“Absolutely,” he says, and he realises in that moment he really likes this guy.
Which way he likes him though is a question he leaves unanswered.
In what feels like no time at all, Robin is slowly finishing up, an empty coffee cup at his side. At some point, Moth came in and started work on another client, casually talking to Robin above the hum of the tattoo needles. Robin doesn’t stop chatting to him though and they move through things like school (where he learns Robin’s favourite subject is English), music (where Robin actually has to stop and write down Theo’s music recommendations) and pets, where Theo goes on a ten minute rant about Lila and how she’s simultaneously the love of his life and the bane of his existence.
“Your cat sounds amazing,” he says. “Next time you’re in town you should bring her in so I can meet her.”
“You could always come over to Greendale,” he says. It’s so casual he didn’t even think about it before he said it, and he might have freaked himself out. If Robin feels the same, he doesn’t show it, only nodding and saying he might take him up on that.
They turn to talking about Midsummer Nights’ itself; how Robin started working there one summer as a teenager, how only last year he graduated from sweeping floors to taking clients, and how just a few months ago he and Moth (“mostly me,” he added, just loud enough so she could hear) redecorated the entire place, including the outside.
“I did those little stars on the wall outside,” he remarks. “Don’t know if anyone notices them, but they’re my crown jewel as far as I’m concerned.”
“I noticed,” Theo tells him. “I like them.” He doesn’t tell him how entranced he was by his work, but he does notice the softness in Robin’s smile, the pink hue in his cheeks. It makes sense, somehow, that Robin painted those stars. He barely knows him, but he feels like it makes sense.
For the last few minutes, the conversation drops away, and silence falls as all Robin’s focus shifts to his work. It’s a look he recognises from Harvey, an artist’s expression, but it feels deeper with Robin. His movements are so precise, so deliberate, that Theo feels he should hold his breath lest he break his concentration. He imagines him months ago, the same expression on his face as he paints the stars outside, and he’s almost sad he wasn’t there to see it.
Robin groans as he leans back, pushing his hair away from his face, and his eyes light up.
“We’re done,” he says. “You want to see it before we put the bandages on it?”
“Hell yeah I do.” He jumps off the seat and follows Robin, bouncing on the balls of his feet as he goes. Robin leads him to a mirror, his face shining with anxious pride, and Theo gives him a small smile before he turns and his breath is taken away.
“It’s perfect,” he breathes. Perfect as anything could be, really. Clean cut, careful, delicate. There’s so much life in it, even though it’s only ink. The little bird sits perched on its branch, determination strong on its small face. He couldn’t have asked for a better job. It’s everything he dreamed when he was younger, now a physical reality. He takes a deep breath, trying not to be the kind of person that cries after their first tattoo. “Thank you, Robin.”
“No problem,” he says softly and when Theo looks up, he finds Robin’s eyes lingering on him. “Putnam, Theo Putnam.”
                                                                        *****
He and his dad find a little cafe in the middle of town and sit outside, taking advantage of the good weather.
“So was it worth waiting for?” his dad asks. “The tattoo?”
“Yes, it was,” he replies. “Thank you, Dad.” His dad waves his hand dismissively, as though the back-and-forth between them never happened.
“No problem kid,” he says. “It was what you wanted. And the place was good?”
“Yeah.” He pops another French fry in his mouth. “It was really, really good. They were uh… good at their jobs.” His hand moves to where the bandage sits on his arm, the tattoo perfectly preserved beneath it, and yet that’s not what he’s thinking about. Instead his mind drifts back to Robin, with his hair falling into his eyes and his laugh and those damn dimples. He takes a drink just as he feels the heat rush to his cheeks, and his dad eyes him curiously. He sets the glass down, even though his mouth is still dry. “It was great.”
A knowing smile spreads across his dad’s face and he curses under his breath. This is what he gets for having a close relationship with his father. Stupid strong father-son bond.
Theo puts his hand in his pocket and his fingers close around empty fabric, rather than plastic. He hurriedly checks the other pocket, then his jeans, his panic rising each time. His dad turns when he realises Theo is no longer beside him, his feet rooted to the sidewalk instead, and his eyes widen, reflecting Theo’s own alarm back at him.
“Theo?” he asks. “What happened?”
“I-I can’t find my phone!” he sighs. He pulls items out of his pockets one by one, his wallet, his keys, loose change… no phone. He taps every pocket again to make sure, as if it was going to magically appear if he willed it hard enough. No such luck. He mumbles under his breath, a stream of ‘oh shit’ and ‘oh no’ as he tries to fight off the rising panic. He tries to retrace his steps, to remember the last place he had it out, to think of wherever the hell his phone could be in this town-
“Theo!”
Or maybe he doesn’t need to.
“Theo!”
He turns around to see Robin running down the street, skidding to a half just in front of him. His face is bright red, not from teasing his time, his chest heaves and his hair sticks to his face. They look at each other, breathless, and just as Theo opens his mouth to ask what he’s doing, he holds his hand out.
“My phone!” he squeaks.
“Yeah you… you left it in… with me,” he says between gasps. “I was really hoping I’d be able to catch you before you left.”
“Oh God I’m sorry,” he says, taking another look over Robin. The tattoo parlour is far enough from here, and the streets here twist and turn around as they please. And Robin ran through them. For him. In jeans. “Thank you so much, Robin. I-how did you know it was mine?”
“The picture on the lockscreen,” he explains, pointing vaguely. “It was you.” He pushes his hair away from his face. “And… your boyfriend?”
“My boyfriend?” he asks. For a second his mind goes blank, then he realises and it nearly knocks the wind out of him. “Oh God no, Harvey’s…. he’s just my friend. No, no I…” He rubs the back of his neck, his eyes meeting Robin’s and he can’t work out if the hopeful look on his face is real or his imagination. Either way, he ends up saying “I’m completely single.”
“Oh,” he says, about ten times higher than usual. He clears his throat, his hand sliding into his back pocket. “Uh… me too.”
“Seriously? What the whole jacked as hell, dyed hair tattoo artist thing doesn’t attract anyone?”
“Not around here it doesn’t, apparently,” he says, implying that the reason he’s single is beyond no-one wanting to date a tattoo artist. There’s a pause, a brief moment of silence, and Theo goes to say goodbye, to run before it gets awkward, but Robin holds out a small piece of paper.
“What’s this?” he asks as he takes it. Robin ducks his head, his bangs falling in front of his face.
“I hope it’s not too forward,” he begins. “But it-it’s my number.” He shrugs and pushes his hair back. "Just in case you ever want to call me sometime."
“Oh,” he replies. It’s a short, quick word. It hardly means anything. Certainly doesn’t reflect how his stomach as dropped out from under him, or how his brain is vibrating at an insane frequency, or how the unending cry of ‘HE GAVE ME HIS NUMBER’ blasts around his head like a fire alarm. And all the while he just stands there, the paper in his hand, blinking up at Robin like he hasn’t a care in the world. “Um… thanks.”
“Sorry,” he says immediately, his face scrunched up. “I-it was too forward, I didn’t mean like that.”
“No,” Theo says, just as Robin’s hand twitches. He slides the paper into his back pocket with a shaky hand and gives him a small smile. “It’s not… like that at all.” It’s really not. It’s not… He’s not sure what it is. All he knows is that Robin’s not at fault. “It’s okay, really.”
He turns slightly and sees his dad standing at the truck, pretending to be interested in a receipt he pulled out of his pocket. His dad hasn’t pressed and knowing him, he’s probably fully intending on giving the two of them as long as they need to work out… whatever it is they’re working out. Anxiety clutches his chest and he backs up suddenly, his hand still slid into his pocket. He needs time all right, but not here.
“I should go,” he says. “But I’ll...” His voice trails off, his fingers fidgeting in mid-air. The piece of paper burns like a small star in his pocket. “Thank you. For everything.”
“You’re welcome,” Robin says. He tosses his hair again and damn, he should not find that as cute as it is. “Look us up if you’re ever back in town.”
“I will.” He gives a wave to Robin, who responds with a wave, and Theo responds to that with a small finger gun and screams at himself the minute he turns around. He climbs into the truck beside his dad, who already rolled the windows down. Thank God, Theo thinks, because he feels fit to explode. He leans out as his dad pulls away from the curb, closing his eyes as the air tickles his skin.
“So you made a friend?” his dad asks. He doesn’t need to turn around to see the bemused smile on his face.
“He was the guy who did my tattoo,” is his reply. His dad nods, a soft chuckle escaping him, and goosebumps prickle on his skin.
“He gave you his number,” he points out. “Are you gonna call him?”
Theo sighs, his fingers tracing over the paper in his back pocket.
“I don’t know,” he answers honestly. “Maybe.”
He doesn’t call him. At least, not right away. Who he does call is Harvey, Roz and Sabrina, who all stand around his bed with him, the offending phone number sitting in the centre. He filled them in as best he could, although with all his energy being focussed on the decision, he’s only really been able to give them ‘I met a guy, he gave me his number’. And now they’ve been standing there, minutes passing in silence, while Theo stares at it with enough intensity to light it on fire.
“I think you should call him,” Roz says eventually.
“Why?”
“Because he gave you his number for that very purpose,” she tells him slowly. Theo pulls a face at her, but it only lasts for a second because… she’s right. She has an infuriating habit of being right. If she wasn’t so cute and supportive and lovely he’d have stopped hanging out with her long ago for that very reason.
“So why haven’t you?” Sabrina asks. “Called him. I mean his number’s right there. What’s stopping you?”
“What isn’t stopping me?” he mumbles, just loud enough for them to hear, and the three friends share an understanding nod. His experience with romance is extremely limited-his first and only “relationship” was the Valentine’s card that appeared in his backpack in third grade. He never chased them up, and that was the end of it. All other knowledge either comes from his friends or movies. At this moment, he feels like he’s on the edge of the deep end, nothing to help him, and he’s not sure he won’t drown when he jumps.
“Hey.” Sabrina appears at his side, her shoulder bumping against his. “I still think you should do it.” He raises his eyebrow at her. She simply shrugs in response, her eyes flitting over to Harvey as she speaks. “I mean… I know it’s a cliche, but you’ll never know until you try.”
“Yeah,” Harvey adds. “I mean what’s the worst that could happen?”
“So many things,” Theo sighs, raking a hand through his hair. He’s not blessed with what Harvey and Sabrina have-a sweet little romance that’s been blossoming since childhood-nor does he have his pick of suitors like Roz does. As far as he knows, this Robin’s his one chance. He shakes his head, his fingers drumming on his arm. “Maybe I just shouldn’t.”
“I disagree,” Roz pipes up. “I think very hot boys giving you their numbers doesn’t just happen every day and since the universe has presented you with this opportunity, I for one think you’d be an idiot to pass it up.” She delivers everything so quickly that it takes a few seconds for him to register it, and then she comes round to his side and slings her arm around his shoulders, all warm smiles and warm eyes, and he rests her head on her shoulder. “Besides, I know you’ll regret it if you don’t.”
She’s not wrong. Again. If there’s one idea that scares him more than it not going well, it’s never even happening at all.
“And in the event it goes horribly wrong, we’ll all buy ice cream and we can have a good cry session,” she promises, and the other two nod in agreement. Theo closes his eyes and buries his face in Roz’s shoulder so they won’t see his blush.
God damn it, he loves his friends.
It takes a week for him to call him, even with those assurances. One day he feels braver than usual; he chalks it up to a good day at school and an even better one at practice, and so he sits on his bed and punches Robin’s number into his phone, the note sitting on his pillow. Because yes, he kept the note instead of writing it down. Nothing wrong with that.
“Hello?” Robin picks up too suddenly, and Theo bites back a squeak. He jumps off the bed and pulls on his shirt for some reason.
One chance he reminds himself. One chance.
“Hi, Robin?” he asks. “It’s uh, it’s Theo. Theo from Greenedale? You did my tattoo last week.”
“Oh, Theo, hey,” he replies. “Um, hi. H-how’s it turned out? The tattoo I mean?”
“Perfect,” he confesses. “It’s a hit with the guys on my basketball team. You should be expecting an influx of jocks coming round soon.”
“I’ll let Moth know, we’ll stock up on Gatorade.” Theo chuckles and sits on the edge of his bed, the beating of his heart slowing slightly. Maybe this could work. Maybe, if the stars are right, this won’t fall apart.
“Robin,” he begins quietly. “The reason I called was… em… I wanted to ask you-” The words stick in his throat like grains of sand against rocks. So many questions overlap in his head, each drowning the other out and turning into static. He closes his eyes, takes deep breath in, and back out. No need to overthink it, he tells himself. Just jump.
“Do you have plans on Saturday?” he asks.
“As a matter of fact, I don’t,” he replies. “Why do you ask?”
Theo throws himself on the bed, his legs in the air, and is amazed at just how easy this actually is.
                                                                          *****
They have their first date in Greenedale, seeing a movie at the Paramount, followed by a personalised tour. Robin gives Theo his jacket at some point, the sleeves falling past his hands, and Theo’s heart flutters.
They have their first kiss by the Welcome To Greenedale sign, Robin’s hand caressing his arm, right above where his tattoo is.
A year later, he’s laying in Robin’s bed, his boyfriend’s fingers gently caressing his newest tattoo-free of charge this time around. Theo kisses his bare shoulder before Robin goes to sit up, reminding him that he has to be at work in half an hour. Theo just pouts, grabs his arm, and tries to see if he can get five more minutes out of him.
Yeah, life is good.
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mariuspunsmercy · 3 years
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woodvale: the 3-act musical anthology
So I've been doing a lot of listening to both folklore and evermore and my theatre-junkie brain has crafted 3 different storylines composed of the songs from each album that all overlap in one big story - Woodvale: The 3-Act Musical Anthology. It tells the story of various heartbreaks and healings in a small town - 'cause to me, that's what these albums boil down to.
A few other things:
Though each story seems self contained, I picture the characters from different stories to be somewhat linked, by blood, acquaintance (i.e Dorothea, Inez, James are siblings, Betty is Ada's daughter, etc.)
The acts don't necessarily happen in a consecutive linear fashion (i.e there singular Coney Island trip where everything from each act unfolds)
Though each story seems self contained, I picture the characters from different stories to be somewhat linked, by blood, acquaintance (i.e Dorothea, Inez, James are siblings, Betty is Ada's daughter, etc.)
The acts don't necessarily happen in a consecutive linear fashion (i.e there singular Coney Island trip where everything from each act unfolds)
I've linked the playlists for each to the act title! I'd love to hear feedback, criticism, interpretations and thoughts - I plan to flesh out characters, plot, and maybe dialogue as much as possible, and even hope to get to thinking of staging.
ACT I: that's the thing about illicit affairs
the last great american dynasty - Abigail Lark, the bold and free-spirited 30 year old granddaughter of local historical celebrity Rebecca Lark, introduces the tiny town of Woodvale and Rebekah's legacy there.
cowboy like me - After getting caught in the storm on the way from buying her long term husband, Henry, a birthday present, Ada Lawrence runs into the down-to-earth Monroe Jacob at the neighborhood tennis court and the two... Share A Moment.
tolerate it - Ada finally arrives home and, like usual, is not greeted by the absent-minded Henry -she contemplates how much she is truly being valued in this relationship.
ivy - Weeks pass and Monroe shows up to the Lawrence household ... because he's the gardener Henry hired to fix their backyard for the next few weeks, and while Henry is preoccupied, Ada accompanies him out to the woods and they find themselves entangled with each other, more or less.
the lakes - Monroe and Ada have been secretly seeing each other for quite a while now, and tell each other how much they want to run away from their unhappy marriages together.
hoax - Este, Monroe's wife of 3 years, wonders why her husband has not been as physically or emotionally present in her life as of lately, and begins to come to a heartbreaking conclusion.
invisible string - Some time passes, and Ada and Monroe's affair continues, and they are incredibly happy together. Ada especially is putting all her faith in this man and is willing to risk it all for him.
no body, no crime - Este tells her best friend Abigail about how she thinks Monroe is cheating on her. After Este mysteriously disappears and a mistress begins visiting Monroe's house more frequently, Abigail takes it upon herself to avenge Este's heartbreak and death.
epiphany - Ada mourns the unexpected loss of Monroe along with all the others she had suddenly lost in the past - it doesn't get any easier.
mad woman - Abigail reflects on the gravity and consequences of her unhinged crime, but tells herself that this type of strength and vengeance is what her "take-no-shit" grandmother Rebecca would have wanted.
illicit affairs - While they're both at Monroe's grave, Ada finally comes clean to Henry about the affair, coping with the anger, memories, loss, and questions of morality - while Henry is just shocked.
coney island - Months later. Henry and Ada take a trip to Coney Island, separately - it's a nostalgic place for the both of them. They contemplate the apologies they would've said to each other if given the chance, while Monroe and Este's ghost linger in the air between them.
ACT II: what a shame she's fucked in the head
dorothea - After seeing her face on a movie poster around town, Sylvia thinks about how much she misses her longtime childhood friend and on-again off-again-lover Dorothea, who moved out of Woodvale to pursue acting after they both graduated.
seven - Weeks later, it's a bright summer day on Coney Island and Sylvia and Dorothea both run into each other. Sylvia asks Dorothea to hang out with her and calls upon all the fond memories they once had together, and it's clear that she still has some feelings for her - but Dorothea does not seem to want a relationship at the moment.
'tis the damn season - MONTHS later, over winter break, Dorothea finds herself back home at Woodvale to visit her family, and decides to message Sylvia to finally meet up - things escalate from there, and Dorothea decides to give her and Sylvia a chance.
peace - Dorothea finds herself unexpectedly falling deeper in love with Sylvia, but warns her that she has struggled with self-worth and mental health in the past, and that it may be difficult for them to have a "normal" relationship, and Sylvia understands and accepts this.
champagne problems - Some more time passes and Sylvia finally decides to propose to Dorothea - but she isn't ready - rejecting Sylvia in front of all her family, friends, and hometown.
my tears ricochet - Sylvia tries to cope with the immediate anger from the rejection from someone she had always loved, and Dorothea tries to cope with the anger towards herself for not being able to commit to a good relationship.
marjorie - Dorothea is overwhelmed, lacking support from her hometown, friends, siblings, and father (who had never really supported her love life anyway). She tries to find solace in what her late mother and best friend, Marjorie would think.
the 1 - A few weeks after the breakup, Sylvia is still trying to process her emotions and move on - why didn't it work out between them?
this is me trying - Dorothea takes the train back to Woodvale to apologize to Sylvia - ever since the fallout her mental health had declined, she stopped acting, and she moved farther away. She puts her honest self out to Sylvia, who's astounded and speechless - who acknowledges this apology while accepting that it wasn't the best for them to be together.
happiness - Dorothea and Sylvia separately reflect on their failed relationship, but somehow both know that they will heal individually over time.
ACT III: back when i was living for the hope of it all
long story short - Woodvale High school junior Betty has an unfortunate reputation of failed relationships and "sleeping around", but despite her bad luck with guys, she has finally found the handsome, popular James, who's she's been dating for a while and is incredibly happy with.
gold rush - High school senior Augustine runs into her schoolmate James, who she hadn't seen in forever, at the class Coney Island trip over the summer, and doesn't remember him looking that beautiful last time they talked...
mirrorball - Though Betty is thrilled to be in a new relationship, she is afraid that she'll mess this one up. She opens up to James about her complex worries, and James is reassuring but is secretly unsure about how to deal with this pressure.
willow - James begins seeing Augustine on the side, while still remaining in this relationship with Betty - juggling the two girls back and forth, unknowingly to the both of them, as they become further involved with him.
august - Augustine acknowledges her hopeless romantic attitude and how it's both helped her and hurt her in her relationship with James - then she finds out the truth about him and Betty.
betty - News of James cheating spreads around the school like wildfire, and James contemplates his mistakes, planning to go to Betty's seventeenth birthday party to try to apologize.
cardigan - After denying James' apology, Betty reflects on how used she felt upon hearing the news, and how she has been hurt once again by someone she trusted.
exile - It's been months now - at the winter formal, Augustine sees James, James sees Betty, and Betty sees but refuses to acknowledge James - but they are all hurting.
closure - Augustine receives a text from James, officially apologizing for what he did and checking in on how she is. She is reminded about how wrong she felt about being the person someone cheated on someone with.
evermore - It's December 31st, and James and Betty are in their respective homes, hyperaware of the lack of each other's presence to ring in the New Year together. Because they both acknowledge why the relationship failed, they can take this experience as a lesson to move forward and mature.
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cantquitu · 3 years
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What anon said there is interesting I’m a very new swifie although I’ve been a fan on and off since around 2008. I am also a harrie and I have noticed the differences. I think some of the theorising around Taylor are related to when she’s going to realise music and when we’re going to get the re-recordings etc. Also some of those theories are pretty amusing. I’m not sure if you know about the woodvale thing but it was pretty funny.
I love swifties, not all of them of course and there is for sure a tinhatting problem with kaylors and the haylor tinhats (not the shippers who like 1989). However there are swifies who call out tinhats and point out how disrespectful they are. I am still pretty new to it all but that’s my general impression of the fandom. I also love the harrie fandom,I was a 1D fan (I still enjoy the music) and then I became a harrie he was almost always a fave though. I quite enjoy seeing differences in fandoms, it’s interesting. There are some toxic Harry fans and stuff but fortunately I have managed to find very lovely kind harries like you that know how to behave properly.
A final thing, thank you for answering all of these asks from ex-larries. I was one of them (the one mentioning how long I’ve respected you). It means a lot to me and I’m sure to the others as well. It’s nice to have our experiences shared even though it’s anonymous and if it helps anyway that would be a bonus. That is my hope.
Thank you ❤️
You're very welcome! I also hope that the messages from you and other ex Larries help someone who may be on the verge of stepping away from tinhatting and who needs that extra push...or just the reassurance that it will be alright. Thanks for sharing x
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I knew she was going to have a video coming out soon since in her E weekly interview she mentioned getting the election news while filming, but I never imagined it would be for a whole new song off a whole new album. Wow!
and this still doesn’t explain the word on Folklore Hide and Seek album  about “Woodvale” since that’s not a song on it. unless people are correct and it’s the name of the town where all the songs take place.
I just hope this album doesn’t have alternate covers. I spent enough on folklore merch, and it took me forever to decide which album cover I liked the best. 
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mrulster · 4 years
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Without frontiers: A kiss of life
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Eileen Weir of the Greater North Belfast Women’s Network made a telling observation when I met her at the Shankill Women’s Centre. She said, “The sectarian divide only exists for men.” In her 20 years of experience organising cross-community women’s groups in Tiger’s Bay, the New Lodge, Rathcoole, and at the Barron Hall in Newtonabbey, she’s discovered that working-class women are enable to cross sectarian frontiers and engage with each other in a way that’s inconceivable for their male peers for whom tribal allegiance weighs heavier. Next year, Eileen says, will be a particularly important time for community relations in Belfast, with the two centenary commemorations of the Somme and Easter 1916, which have the potential to drive wedges of suspicion and recrimination between communities.
Eileen thinks 2016 will be a real opportunity for the communities to reach a deeper understanding of each other’s cultures and traditions. She’s helping to collate a book where the women of New Lodge and Tiger’s Bay share their stories of positive collaboration and friendship in the face of fear and intimidation, entitled, Women’s Voices from behind the Barricades. Eileen, like all other social networks in Belfast, is getting her funding where she can at the moment. Community relations are taking place in a cashflow hiatus, just when community building has reached another critical juncture.
Chris O’Halloran, who took over the directorship of Forthspring Intercommunity Group in January, also presents me with a recent publication, Talking about the Troubles: an anthology of vivid anecdotes and vignettes collated by community co-ordinator Johnston Price and his team under the aegises of Forthspring’s “5 Decades Project”, which is determined to be a cross-community trove of testimony. Organised chronologically, it leads the reader through the decades of the Troubles to the Good Friday Agreement. Its coda of “we’re a bit happier”, while according well with the modest, bittersweet tone of the book, perhaps is still too optimistic.
Chris expressed his view that since the Good Friday Agreement, “community relations have been mainly stagnant,” but the fact that there was no major rioting at the Workman Avenue peace wall, next door to Forthspring on the Springfield Road, was seen as a minor mercy, given the large scale disturbances not far away in Woodvale. Chris may be realistic about the sectarian background, but he is not pessimistic. Forthspring runs three youth projects with half a million pounds worth of help from the Lottery Fund. There’s one inter-community youth group and one each for the Protestant and Catholic community, for kids who don’t feel ready to meet kids from ‘the other side’.
Truly transformative community relationships that can interfuse and remake each other require curiosity, courage and creativity. That’s why Chris is so full of praise for his artist in residence Fiona Lovely’s use of art, to help both kids and adults reimagine their environments beyond stereotypes and the toxic gestalt of the past. In particular, she likes to get people to make weird fashion, like the national dress of some brighter planet where people have never feared what others’ think, and flaunt themselves, wearing their hearts on their sleeves and sporting their memories in all their raggle-taggle splendour, patchworked into garments that are really mind goggling.
Deirdre Mackel, the arts manager at the Springfield Development Trust, is also keen to use art to explore memory and identity. She recently showed her own delicately crafted dresses, light as gossamer, snagged on barbed wire, fraught with childhood anxieties, at the Gerard Dillon Gallery at Cultúrlann. Deirdre expects artists to push boundaries in their own experience and take risks. This means that she’s extremely active in the community, facilitating art projects such as Labyrinth where kids from Whiterock, the Westrock Residents Association, and the Matt Talbot and Newhill Youth Clubs produced an alternative tourist guide to the Upper Springfield, chock-a-block with the secret knowledge of local kids and their worm’s eye view of their world.
Artists Charlotte Bosanquet, Deborah Malcomson and writer Brenda Murphy delivered the project. Bosanquet produced a book that is a witty reimagining of the communities, so should you want to wander the Shepherd’s Path, shake a leg in the Windy Gap or play with the Giant’s Foot, then Labyrinth is essential reading. Another project, Haiku, installed poems on billboards in prominent locations in West Belfast as well as in the markets, Lower Ormeau and Millfield.
In her most recent artistic collaboration, Deirdre facilitated a guerilla gardening project, where young and older people reclaimed an interface, anti-social hotspot and installed a pop-up garden, where ideas, passions and hopes come together for a moment, then are dismantled again. Deirde is enabling “creative conversations about heart-felt things”. She is “really optimistic about the power of art to create social change, both as a platform to address pressing social issues and to enhance how we see the world as an audience”.
Eileen, Chris, Fiona and Deirder work where the sectarian interface looms largest, but in the way they are transforming these spaces through art, community action and creative conversations, they are giving a kiss of life to the future. So while community relations may seem stuck in an impasse, bubbles of infections wit, joy and laughter are seething thick and fast through the old pot.
By Graham Higgin.
Originally published by CultureHUB, October 2015.
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