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#ohhh ive also thought quite a bit about transmasc ariel. but anyways :)
genderkoolaid · 2 years
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omg i really love your transmasc retellings of Beauty and The Beast!! silglskglks can you do Cinderella some other time? if you have the spoons?? hehehe
this is actually very fortuitous b/c I actually had a post talking about transmasc Cinderella a while ago!! I’ve thought about writing a short story about this actually, so I am quite prepared.
So Cinderella, despite being ostensibly a wealthy woman, is constantly dressed in rags and dirty. Her sisters take to femininity freely and gladly, but she is always a failure at it. They view her as ugly and pitiful. Her life is dominated by her female relatives who exert total control over her body and her actions; like many transmascs, she’s resigned to the role of silent, disgusting servant, kept with the rats. Even her name isn’t her own, it was something cruelly forced upon her by her abusive family. 
His Fairy Godmother appears and gives him the appearance of his dreams through transformation. I’m picturing a dope baby blue outfit with gold and rapier at his side, because y’know. Homoerotic swordfighting is a must when it comes to princes. It could be argued this transition changes his physical appearance and not just his clothes, and this is why the prince could not recognize him through sight alone. He transitions when nobody else is home, wearing clothes that his family would never let him wear, in order to sneak away to a ball and dance with a prince (a future… king?). It’s a night where he is finally free of her abusive family and is able to express himself however she wants. He doesn’t even have to tell the prince the name she was forced to use.
But then it’s midnight, and she has to get home– the need to get back in the closet before your family can notice is a struggle many closeted trans people can relate to. She has to run away and leaves behind the classic shoe.
I’ve imagined the shoe-putting-on scene, reworked for a transmasc Cinderella, to function like this: The prince is looking for a man, but the shoe is too small for every man he finds. When he comes to Cinderella’s house, her stepmother tells him there are no men in the house, but invites him in anyways so her daughters can flirt with him.
And while he’s there, he sees Cinderella. And even without the magic he recognizes the man he met. And he speaks to him in private and gives him the shoe, and allows him to choose to put it on and prove he is the man he’s been trying to find.
And then they go get get gaymarried (knighting ceremony) and birds still pluck out the eyes of the stepsisters. Because what’s a trans fairytale without a little grim(m) violence towards transphobes, hmm?
Specifically in the short story I mentioned, I’ve played around with the idea of using Cinderella to emphasize the experience of being too masculine to be a girl, and not being allowed to partake in activities that cis women would. The stepmother encouraging her daughters to be independent and educated, for example, but banning those things for Cinderella. Or, Cinderella being told not to cut her hair because it’s “her one good (feminine) feature.” Also, Cinderella sneaking into her father’s room to “clean” and trying on his suits in private. I think there’s also something to be said, when transmasculinizing Disney stories, for how many princesses have dead mothers, and the idea that trans men transition because they didn’t have a proper ~female~ influence. 
I just think transmascs deserve a story where a trans man gets to escape his abusive mother and sisters and get to magically transition and get a cool sword and a cool romance and be happy and safe, y’know?
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