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#or maybe the collector put Eda and king in the role of “monsters needing to be slayed
cathchicken · 1 year
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Haven’t seen someone say this yet but KING IS CRYING IN THIS SCENE WHAT HAPPENS???
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raineydaywhispers · 1 year
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I want to write an essay about Raine's (short, but sweet) arc in The Owl House now that the show is officially over, but for now I just want to put my thoughts somewhere about their arc in the final episode, as to not lose them. Thoughts under the cut!:
I am glad that Raine had an active role in defeating Philip, and had their own symbolic break away from the covens when they broke their violin.
I also loved the return to the bard magic they invented- the whistle-during both the struggle to cast Belos out of their body, but in the last fight as well. It was a part of their return to self agency, a nod to a time before the coven system where they were allowed to be free and explore magic on their own terms.
It's interesting to me that Philip calls them "annoyingly powerful," and it makes me believe honestly that their ascension to being a coven head was, while based on skill, also based on the fact that he knew they were. Belos always wanted to take advantage of that power, and control it. We see this with Lilith, and Eda as well. I believe it stands as a further explanation for the brain washing and the only time we see a sigil used against somebody.
Raine is one of the most powerful witches on the Boiling Isles, even with the constraints of their coven sigil. They not only broke out of the collector's puppet spell as a show of that true power, but would break from being possessed by Philip as well multiple times- and they almost stopped him on their own.
But Raine failing to stop Philip on their own is also significant. Raine needed help to do that- and Eda being the person to put their glasses on them, pull them from Philip's corruption of the isles, and show them that they're safe was the final crossing of the threshold for Raine. It's another return to a time before they lost their agency, but in a way that shows both themself and Eda have changed.
If they're going to defeat Belos and share the new future free from constraints with somebody, why not Eda their childhood friend, and her adopted children Luz the human and King the Titan. Why not end it all by quite literally stomping out the coloniser monster that caused them so much pain and heartbreak?
I'm also okay with them not returning to being a bard in the epilogue. I wish we would've been able to explore why exactly, and I'd like to think that their arc that was scrapped due to cancellation would've. But I think their separation from that part of themself makes sense no matter the reason. It's part of an old, long lasting traumatic experience. Maybe they did return to it and we just sadly don't get to see it. Or, maybe they'll return to bard magic on their own terms. Maybe they won't. I guess I'm going to have to fill those gaps in on my own time through writing and fan content.
But in summary, I guess, I'm glad that they finally had a way to regain agency over themself. I'm glad they got an ending where their skills as a leader are respected and put to use. I'm glad the show continued this notion of trust with Raine working with the old Hexsquad and new Hexsquad members to rebuild. And I'm glad they get to share a community with Eda that they can both flourish in, with each other. Even if we didn't get a Raeda kiss.
I'm going to be mourning the loss of a character that as an nb transmasc person, is the first time I've really felt represented on screen. I'm so thankful to Avi Roque, Dana Terrace, and the entire crew of the show for bringing to life such a good, kind character. Eda's Requiem aired during a time where I was questioning what my gender meant to me, and was struggling to find the light in my life as a trans person. I will always be grateful.
Though I'm not optimistic that we'll get extra content in the future, I hope we do. I want to explore the Boiling Isles again, this time as it heals, and I want to do it with Raine, Eda, Luz, King, Lilith, and all the other characters that made this show so special to me.
But for now, I'm content I got to experience The Owl House. It was such a weird, proudly neurodivergent and queer show. Though I would've preferred a full third season I'm glad the ending was a sound, well written send off. Until we see more (if we ever do) I'm going to be watching and dreaming for the future, thanks to them.
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