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ladyfloriographist · 3 years

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Descent of Man

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Pairing: Commander Joseph Lawrence (The Handmaid’s Tale (TV)) x femme!Reader

Warnings: SPOILERS, Canon-Divergence, Non-Canon, Post Season 3, Repression, Oppression, Dystopic Future, Dystopian Themes, Older Man/Younger Woman, Mentions of Pregnancy, Mentions of Death, Traditional Gender Roles, Religious Extremism

XXXX

“Straighten your back, dear. Don’t slouch.”

“Yes, Aunt Lydia.”

You tighten your grip on the handle of your red leather suitcase as you walk up the concrete path that leads to Commander Joseph Lawrence’s front door. Nerves in your legs tingle back to life. The drive from the Red Center was long, and Aunt Lydia had counselled you to mind your patience when you’d grown restless. But now, as you make your way to the crescent-shaped steps, you can’t help but hope for even one minute more in the van.

The overcast sky looms grey and ominous overhead.

“Remember, the Commander is a very powerful man.” Aunt Lydia’s cane clacks on the concrete alongside your footsteps. “He is very well respected, Ofjoseph. This is quite the opportunity for you.”

“Yes, Aunt Lydia.”

The old Victorian becomes grander and more imposing with every step you take towards it. Your gaze lifts higher and higher: first floor, second storey, then dormers and a tower that let light into what must be the attic. Stonework and Roman arches over the windows and doors signal the age of the house—it has to be at least one hundred years old.

“He has suffered great losses recently, as you well know.”

“Yes, Aunt Lydia.” She had recited the story over and over—and made sure you could tell it back to her, too. Your and Aunt Lydia’s footsteps fall into stride along the concrete path, fast approaching the stairs up to the house.

“His dear Wife, Mrs Eleanor Lawrence—may God protect and keep her—and then his Handmaid, too.” The Aunt tuts. “Oh, that wretched girl. I’d had such hopes, Ofjoseph—but you won’t disappoint me so, will you, dear?”

“No, Aunt Lydia.” The knot in your gut tightens.

“No, good girl.” Aunt Lydia modestly raises her brown skirts to ascend the concrete steps with grace. “Posture,” she says pointedly, brow arched, looking back at you with an appraising, approving glance before she knocks on the large black front door.

Just before you bow your head to look to the concrete beneath your feet, your eye is caught by something to the right, attached to the burnt-orange bricks that make up the gloriously antiquated home.

It’s a black wooden plaque, with three golden numerals in the centre framed by a golden ovoid ring.

132

You glance down quickly. You should not even be making an attempt to read, whether it be letters or numbers or anything. If Aunt Lydia saw recognition register on your face, she’d march you straight back to the van to return you to the Red Center for the swift removal of one of your fingers.

Leniency, for your first offence.

“The Commander has been very gracious in accepting you, Ofjoseph. You have a privileged place here.”

“Yes, Aunt Lydia. Praise be.”

“Mm,” Aunt Lydia hums in righteous agreement. “Praise be.”

…But still, it strikes you as unusual, as you stare at the grey concrete, that such a plaque should even exist, now. Such decorative tiles are relics from the time before Gilead—forbidden, now, and what’s more, utterly useless. How could such an inscribed plate remain intact when there are no more street signs to direct your way let alone numbered houses?

The front door swings open, shocking you out of your thoughts.

“Blessed day. Come in, Aunt Lydia.”

A female voice. Younger? Deferential.

A Martha: one of the two you’d been told to expect here.

“Blessed day, Sienna, thank you,” Aunt Lydia replies pleasantly. “Come along, Ofjoseph,” she says promptly, without a look back at you as she steps inside.

The interior of the Commander’s house greets you like, once, a warm hug might have done. Off the foyer is two sitting rooms, and they seem dark, but not sinister inside. The walls are papered with cranberry-red brocade and muted-toned, aging florals, or else—painted with rich, deep hues of colour. Dark-stained wood pocket doors with etched glass inserts lead to one sitting room and an archway with a stained-glass transom at the top leads to another. The heavy, patterned curtains inside make the sitting rooms feel cosy and private—even, dare you think, warm. Full and ornate bookshelves, rugs of paisley and Persian patterns, and an abundance of leather seating furnish the cluttered rooms.

“This way, please,” offers the Martha named Sienna, gesturing through the open pocket doors.

You follow Aunt Lydia, your eyes struggling to adequately absorb every detail of the room. Lamps on side tables, artworks from many different Schools arranged effortlessly on the walls, chests, sculptures, a chandelier, a fireplace.

Cushions and blankets strewn over the leather couches. Stacks of books lazing on armchairs.

An old, freestanding record player in one corner.

Knowledge, art, and music all reside here.

The house is lived in. Still. Even now.

“Can I getcha a tea, some coffee, Aunt Lydia?” comes a man’s voice from the far end of the room.

Before you can think better of it, your gaze snaps to the sound of his voice—relaxed, even casual in tone. He stands just inside another arched opening, hands tucked into the pockets of his trousers. A generous head of ghost-white hair tops his head. He has thick grey brows and a white beard peppered with silver and grey. Thin-framed glasses rest on the bridge of his nose. He wears a waistcoat, and a buttoned vest with a scarf tied like a cravat, in an ascot knot.

It’s the first you’ve seen a man of Gilead not dressed in a black suit and black tie.

“Commander Lawrence,” Aunt Lydia smiles, with only a slight waver in her voice. “Blessed day, Sir.” Your raised wings catch in her periphery and she glances at you with beady eyes.

You drop your head immediately, quickly and quietly pretending like you’d been studying the many colours in the Persian rug beneath your brown boots.

The Commander’s gaze flicks to you—not that you see it—before he looks back at the Aunt. “Hi, yeah,” he says, “blessed, good morning.” He calls down the hallway, “Sienna?”

You shift on your feet, tightening your grip on your own gloved hands where they rest in front of you. The Commander’s casual, informal, incorrect greeting stirs a sense of unease in your stomach. Was he merely distracted or… wilfully disrespectful? Could you even think such a thing, about a man like him?

Beside you, Aunt Lydia bristles, drawing in a sharp, quiet gasp. But she settles herself quickly.

“Sienna!?” calls the Commander again, louder this time before turning back to his guests.

Well, his one guest, who brought with her the newest member of his household.

“’d you say coffee, Aunt Lydia? I think Beth made scones.”

“Ah…” the Aunt hesitates, gathering herself in a way you’ve rarely seen her need to do. “Oh my. Tea would be a delight, Commander,” she recovers. “No need to waste your delicacies on me!”

“Hm,” Commander Lawrence huffs a mirthless laugh in response to Aunt Lydia’s self-deprecating smile, and the resulting silence is broken by a set of hurried footsteps that quickly enter the room.

“You called for me, Commander?”

The young Martha, her rich brown eyes wide, a sheen of sweat making her warm-brown skin glow, her voice slightly breathless.

“Auhm, yeah,” says Commander Lawrence, swivelling to address her. “Tea, please, Sienna—and bring three cups, would ya? Some of Beth’s scones, too.”

“Yes, Sir.”

Three cups?

“Thanks.”

“Three?”

Aunt Lydia’s incredulous voice cuts through the room like a warm knife in soft butter. It’s so abrupt, so much shriller than you are used to that your gaze flicks upwards.

The Aunt’s round, wrinkled face is dropped in an expression of pure shock. The room is silent, even Sienna’s retreating footsteps have ceased, as the three of you look between each other—stunned in the face of this blatant and brazen flouting of Gilead-sanctioned decorum.

It seems, as tested as Aunt Lydia has been since arriving at the Commander’s house, that this act of hospitality extended to you, a Handmaid, is the extent of what she can handle.

For the first time since meeting him, you spot a hint of a smile flicker across Commander Lawrence’s face, as elusive as the passing of a shadow, or a ghost. “Three, Lydia,” he says quietly, with a self-assured confidence that dares her to question him further—especially since he refused to use her title.

The air is thick with tension. You hold your breath.

Aunt Lydia’s lower lip quivers as she searches for words. Her brow creases, her small eyes flitting between his as she holds the Commander’s gaze.

You hear her suck in a breath before she speaks again.

“Th-hank you, Commander Lawrence.” Aunt Lydia swallows. “Praise be, you are most generous, Sir.”

Everything breathes again. Footsteps recede down the hall once more, the walls themselves sigh with relief. For a moment you almost think you hear birdsong outside—but that’s next to impossible, over all the radio chatter.

“Welcome,” the Commander replies, lazily omitting words in his speech once more. His tone is breezily self-assured once again, but his dark eyes have hardened into a cold stare. He turns his gaze on you. “Sit.”

You look to the floor so quickly there’s a twinge in your neck, and you drop into the nearest seat. “Yes, Sir. Thank you, Sir. Under His Eye, Sir.”

“Alright,” the Commander cringes at your nervous rambling. “No problem, just, yeah. Siddown.”

You clasp your gloved hands together in your lap, your eyes fixed on the tiny balls of lint that have gathered near the seams. Everything about this man, from his clothes, to his manner, to his home, is contrary to what you’d been told to expect.

“Please,” says the Commander to Aunt Lydia, gesturing and offering for her to take a seat also. He walks around one of the armchairs, picks up a stack of three books and unceremoniously drops them on top of the existing stack on a nearby side table so he can sit down, too.

Aunt Lydia, frazzled and just barely recovering from the disrespect afforded her by the Commander, uneasily sits down on one of the brown leather couches. She sits like she’s perching on it, not quite setting down all her weight, on an angle to take up only the smallest possible amount of space.

She clears her throat. “Commander,” she forces a smile, shifting to face him, “it is my great hope that Ofjoseph will bring some,” she pauses, anxiously looking around at the many artworks and stacks of books that decorate the room, “stability, to your household, Sir. By His Hand.”

“Thanks,” says Commander Lawrence. “’ppreciate it.”

“I…” Aunt Lydia stammers again, stumbling over the Commander’s audacious disregard for social custom. It’s unorthodox—or rather, much worse—it’s a deliberate, transparent, shameless violation of his role as a Commander in the Republic of Gilead.

Lost for words, Aunt Lydia merely nods her head in deference. Her fingers flex around the gilded handle of her cane.

The Commander hums to clear his throat as Sienna brings a laden tray into the room. One teapot, three teacups, a plate of scones, and one small ramekin of butter.

The Martha sets it all down on the coffee table and the porcelain rattles softly in the stifling silence.

“Thanks, Sienna,” says Commander Lawrence, leaning forward to pour himself a cup of tea as the younger Martha leaves the room. “Hey, uh,” he sits back in his armchair, cup and saucer in hand, “you.”

You feel his eyes on you. This is how he chooses to address you? To draw your attention to him? ‘You’?

The stillness in the room is expectant, now. You tell yourself to lift your head.

“Ofjoseph?” Aunt Lydia prompts you.

Commander Lawrence speaks over the top of her. “Look at me.”

You lift your gaze to meet his. There’s nothing hard or soft in his stare, nothing warm or cold in the way he regards you. He merely sees you—his eyes observing, his lips in a line that neither smiles nor frowns.

He’s a wall, but built to defend or protect, you can’t read right now.

“My last Handmaid was a bit of a rabble-rouser,” he says easily, his voice nonchalant, “so I'm gonna say to you the same thing I said to her, ‘kay?”

You swallow, absorbing his candour. Aunt Lydia had told you never to speak of the last Ofjoseph, even if it was asked of you. But this particular question posed by the Commander requires more than a passive response. You get the sense that a number of conversations with him will be like this, and so you steel yourself to speak with a clear voice. “Yes, Commander.”

He keeps his gaze locked with yours, and brings his steaming teacup to his lips. He takes a slow sip, eyes trained on yours, and you resist the urge to shrink and shrivel into yourself.

The Commander swallows and sets his cup onto the saucer. It clinks, and after letting the small sound land for beat he says lowly, “You’re not gonna be any trouble, are you?”

Your breath catches, your voice stalling in your throat. Staring at him heats your blood, makes your palms perspire in your gloves. The man is dignified; he holds himself almost regally wherever he sits or stands. Is it the power he holds that makes him handsome, or is innate attraction purling in the pit of your gut?

…What will the Ceremony be like with him?

“No, Sir,” you say, your voice so soft it cracks. You gulp and collect yourself. Timidity does not seem to be a quality Commander Lawrence respects—another lesson you’d ardently learned only to be proven useless in his house. With more confidence, but not too much, particularly for Aunt Lydia’s benefit, you say, “Praise be to you, Commander, and may He make me truly worthy.”

You can feel Aunt Lydia’s presence lift with pride. You can see the smile spread across her face without needing to look at her, and can hear her words in your head without her needing to speak them.

‘Very good, dear,’ comes the Aunt’s voice in your mind.

The Commander looks you over, stoic as ever. “Ya,” is all he says in reply.

“Ofjoseph is one of our most promising Handmaids, Commander, allow me to assure you,” Aunt Lydia chimes in, now, finally, feeling on equal footing again. “Since the horrendous tragedies that your household has withstood, we thought it right and just that you be unburdened in at least this regard, Sir.”

“Unburdened?” the Commander replies flatly, his stalwart gaze now fixed on the Aunt.

You’re not sure whether you can look away from him. Does he wish for your eyes to remain on him? Does he expect you to look at him and from him at your own discretion? Would he like you to use your own judgement?

Regardless, it is clear that the decision of the Red Center Aunts to provide a pious, docile new Handmaid as consolation for his wife’s death is—at the very best—unappreciated by the Commander.

But whether or not Commander Lawrence appreciates the gesture and the gift that the Aunts have made you into is, ultimately, not your concern. Your first and last and only priority is that you fall pregnant with Commander Lawrence’s child as soon as humanly possible—or it’s the Colonies for you.

However, you being his sixth Handmaid, the Commander needs you to fall pregnant with his child just as quickly—given, especially, the sudden exodus of most of Gilead’s children seemingly overnight.

“Forgive me, Commander,” Aunt Lydia frowns, her eyes softening apologetically. “I only meant—”

“’s fine,” he interrupts, setting his cup and saucer back on the tray. “Tea’s gone cold, anyway,” the Commander stands from his seat and straightens his waistcoat, clearing his throat. “You can find your way out, Aunt Lydia?”

“Certainly, Sir,” Aunt Lydia assures him, mirroring his movement and standing from the sofa, somewhat uneasily on her injured leg. On instinct, you rise to your feet too.

“Til next time,” the Commander says, his voice laced with sarcastic fondness, as he strolls from the room and into what must be his private study. He doesn’t spare you a single backwards glance as he pulls another set of pocket doors closed behind him.

Silence settles over the sitting room like night.

Just like that, the visit concludes, and the realisation washes over you.

You’re not leaving with Aunt Lydia, when she goes, which she’s sure to do in just a moment.

This is it. The transaction is complete.

Your place is here. This house is now your home.

“I’ll be back the day after the Ceremony, dear,” Aunt Lydia says, leaning on her cane to stand. “In about, oh!” she pauses, looks at you with bright eyes, “seven days! Oh, sacred number. Blessings, Ofjoseph. May God bring forth His miracle.”

You muster a smile for her. Despite how this woman screamed at you, berated you, withheld your food and your sleep and denigrated your sense of self until you believed you were worth nothing more than being impregnated and delivering a healthy baby, her absence from your daily routine will be an adjustment.

You say, “Under His Eye, Aunt Lydia.”

She cups your cheek. “Under His Eye, dear.”

The Aunt makes her way to the door, met by Sienna and the second Martha, Beth, who stand in the foyer to see her off. The front door closes behind Aunt Lydia, and as soon as the latch locks it’s as if a dark, heavy storm cloud lifts from the house.

The Marthas sigh and relax, chattering eagerly and bickering animatedly about tonight’s dinner and even complaining about the Commander’s fussiness as they strut down the hallway to the kitchen. From the other side of the house, you hear a flare of music go up: some kind of Big Band era song, with trumpets and tubas and horns playing vivace—lively and fast.

The sun peeks out from behind the shroud of overcast sky, lighting up the sitting rooms with the glow of mid-afternoon.

You take a breath.

This old house feels alive.

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