So I’m sure no one cares but
I’ve recently discovered genderbent Frozen covers and animatics and honestly I love these? Like, a lot?
(Rambly thoughts under the cut, because I got invested in talking about Disney movies and ways they write characters and generalizing stuff, despite writing this all on a whim and doing not much research but hey, that’s what this blog is for. Random thoughts about movies and stories and Youtube comments)
I mean, I’ll admit that I’ve never been a big fan of Frozen - nothing against the story (cause it is good and for all I will criticize Disney for not generally being particularly uh...keen on taking any risks, I do appreciate the way they do break the mold here) or the music (it sounds like a Broadway musical, hell yeah) - but tbh Let it Go far overstayed its welcome and yes, I’m glad kids enjoyed the movie, but we heard it nonstop for way longer than we should have. The song honestly never felt like it went away for, what like, 2 years? I can listen to songs on endless loops, and this was still too much for me. Granted, I never hated it (my brother did, possibly still does, so I didn’t mind listening to it for the sole purpose of tormenting him) but still. It sorta turned me off from the franchise. I didn’t need to hear it every time I walked into a store.
And I’ll also admit to never being big on genderbending. Nothing against people who enjoy it, but it’s never been my thing, and the few fics I’ve read with it never felt like it used the swap for any sort of message or to explore anything particularly interesting. Which I would’ve preferred, because otherwise, I didn’t see the reason for the swap, personally. (and to be fair, I turned off of this pretty quickly, so I’m sure there are good ones out there, but it’s really just never been something I’m big on)
But like...okay. There is this animatic for Show Yourself, but with the audio dropped into the male vocal range and I love it so much. It’s wonderful and adorable (and the song is legitimately very good, so I’ve seen that part, despite never having actually watched Frozen 2). And also a handful of actual covers, which are absolutely amazing. And now I’ve found the same sort of thing with Let it Go (which I’m now okay with - I guess it just takes 7 years for me to get over the oversaturation of that song in society) and like holy shit, friends. Big fan.
Scrolling through the comments also gets all the “can we please get a Disney Prince movie” thoughts and hey, I’m so on board with this. I know, there are movies with princes (Aladdin, Hercules, Lion King, etc), but it’s less that plain fact of having a prince, and more of the arc for the character? Basically, I wanna destroy the trend of having male-oriented movies be more action-adventure-y. Let boys be soft and have feelings, that’s all I ask. Make that the character arc, have your main character be male and need to discover himself, all of the fears and insecurities included, I am begging you.
(Sidenote because I did see some other interesting mentions: I haven’t seen Hunchback, back from what I’m aware of with that movie, that one probably fits closer to what I’m talking about. Also Treasure Planet, because honestly, that really is exactly the kind of arc that I’m talking about, and there’s a reason I love that movie with all my heart, it’s amazing, and go watch it if you haven’t. But like, it’s a coming of age story with some good ol’ found family and no romance! And while Jim is really smart and has some bad-ass moments, I love when we get insight into his emotional state. But I could gush about this movie forever, moving on. The one thing about these is not the lack of royalty (for me), but just...box office? I don’t know the circumstances for Hunchback, except that the numbers apparently aren’t great, and to my knowledge, someone over at Disney just didn’t want Treasure Planet to do great, and this goes to show what marketing does. Apparently, they did the same to Emperor’s New Groove, which isn’t entirely relevant, but my point is, whoever did this to these movies, screw you, they’re wonderful)
(Apologies for the tangent)
Anyway, I’m not saying remake Frozen, but doing the genderbend works really well here, I think? Obviously, I love that Elsa’s arc is entirely her own, and stories about opening up to family and accepting yourself have messages that everyone needs to hear, regardless of any barrier. So this isn’t a criticism, just a thought. Because (granted, I’m not doing research to write this, and I’m admittedly not 100% caught up on Disney movies) it feels to me like female characters do tend to have the more emotional arcs. Talking Disney Renaissance, this feels true in the female-lead movies, especially if you compare to the respective princes. In male-lead movies, it’s not entirely true, and I’m not calling the characters flat or emotionless, but that’s not the main thing going on in the movie. (ie, Simba has his reservations about returning and so he talks to Mufasa, and that’s a big scene and its important, but it feels more like it’s just a step to ultimately taking down Scar - tbh, compare the screentimes there). Again, the Renaissance movies are fantastic and I love them, but I just want to make some comparisons. And I don’t want to delve too deep into the more recent ones, because I haven’t seen them all, but the focus seems much more on the strong, independent female-lead (again, not a criticism because we can always do with more strong ladies who don’t need no man - I am just saying).
But anyway. Frozen. I like the idea of keeping Anna as herself, because the Hans twist and more slow-burn-y development with Kristoff is good - that accomplishes the idea of breaking down tropes. But Elsa as a male character is really interesting to me? Having an arc that centers on fear that’s born of isolation, and ends with self-acceptance and familial love, is something that I don’t recall seeing in male characters very often (not never, but not often)? But I can think of tons of male characters who appear confident and charismatic, even if that’s in their own way, and then even if we do peel back to find trauma and pain, I can think of more instances of it presenting as bitterness or anger rather than genuine fear (or at the very least, we as the audience don’t quite see that fear). I want to see a male character who was forced to repress who they are and has real fear as to who their true self is. I want this character to discover who that is and have a hard time coming to grips with it, and all that stuff because I honestly just really like writing a lot of self-deprecation. Won’t deny that. And then pairing that with magic is also just interesting IMO. I don’t know how magic tends to fall with regard to this sort of thing, but just the fact that it’s inborn and different (akin to D&D sorcery), rather than learned and understood (like D&D wizardry, or even HP wizards), is an interesting thought to me? Maybe because the “strange and different” type of magic reminds me more of the general conception of witches (or...the Salem Witch Trials) which is also more female-leaning, but I won’t stand by that super strongly, because it’s not something I’ve looked into all that much. But it means, to me, that it would be an interesting way to sorta...turn the tables in the way magic gets used.
Point being: I just think this would be a really solid message. That bravery doesn’t have to be saving the world or killing the dragon or even the self-sacrifice story that’s become more prominent in stories now. It can also come from battling your own demons and opening up to people to ask for help. Which is obviously something everyone needs to learn, but if we’re gonna fight the submissive female character trope with some badass heroines, then I say we also do the same thing in reverse for our male characters. Just a thought
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