#puzzling him together from the art and snippets of lore you give me

[bookwyrminspiration]

Hello! I have drawn more art that has managed to capture Maui's personality I think! (The oc I was talking about a while ago, I don't expect you to remember)

Also I have decided that he has given his prosthetic arm a skin-like quality withb nano tech or something (Like in detroit become human) but its only because I consistantly forget about the arm and I don't properly know how to draw the arm. I’m very happy with how the most recent one turned out! And have one of my WIPs as a gift :)

-Heathen

(Yes, this submission was intentional <3)

_____________

Heathen! Hello! actually fun story about these art pieces I saw you posted them to your account but didn't realize it was you at first and went "oh wow those look a lot like Maui" and then got whiplash (/hyp) when I realized it was Maui and that you had drawn them. I don't look at urls most of the time but I recognized your art style. Also I remember almost everything about maui!!

I don't know anything about Detroit Become Human, but I will take your word for it and assume it's essentially hyper realistic prosthetics. that reminds me of something but I don't know what.

also these wips??? are absolutely incredible??? (I started rambling so putting this under a cut)

I'm absolutely obsessed with the detail in the tattoos on that Playboy drawing. gotta say I think the crescent moon with flowers in it is probably my favorite as I happen to love drawing crescent moons in artwork (I think I have a few drawings like that I've never shared). also the hands look so nice?? you've somehow made them look super natural while also not needing a lot of specific detail and I think that's very impressive. of course there's also the whole outfit that I can't ignore!! skintight things can be so so annoying because then you actually have to think more specifically about the anatomy of things, and you did that wonderfully!! the highlights on the bodysuit (and him) are so bright and make such a statement in the best way possible. the eyes also look so interesting with the way the green and brown are split. and then the attention to detail with all the advertisement thingies all around? I don't know what to call them but the words. down to the price of the magazine!! this could just be a magazine cover and I'd believe it

and then you turned him into a space person??!! I think. I think that's space. it looks like sci-fi at least, especially with the tentacle person off to the side. tentacles can be so fun to draw. but back to maui. He looks. like chaos incarnate. I do not know what he is planning to do but it just feels like it is going to be mischievous or accidentally mischievous as he concocts a wild plan that leaves the whole crew amazed and horrified at the same time. and that background??? oh my??? like you went all out I am amazed. you've got the walls and the panels and the perspective of a curved room and things on the walls and in the center and people positioned around it. and then the lighting from different glowing things around the room because it's sci-fi and things just glow a lot there. that sounds like so much work just thinking about it and yet you make it look so good??? I hope whatever Maui is doing in this drawing ends well...

a classic mermaid maui!! that feels very you. I have a memory of you expressing and interest in mermaids, and to that I say hell yea. I love love love the fluidity of his tail and how it curls!! I am very picky about flowy lines so a lot of mermaid drawing where it looks like they have knees--while beautiful--can bug me. I also thinks it a very unique design how the colors of the tail come up his body and cover his arms and even parts of his face!! the water looks so pretty as well with the light shining through it and the. I don't know what to call them. the white details up in the top that indicate it's the surface. those are incredible!! i'm curious if there's a reason you made him blue or if that just felt fun when you were drawing it, as sometimes characters have color associations!! also is that stitches on the bag? like on the thing that would hold the strap if there was one. if so wow that is a lot of detail, if not you have given the illusion of detail and that's also cool!!

I also love the last drawing because it gives him in more of a...typical? setting. it's like it's a closer glimpse at him because you're not distracted by the situation or surroundings--the others are also excellent! this one just has a different vibe that I enjoy. he's got spiky teeth and a piercing and honestly that tells me so much about him and the chaos he contains. something about his expression is so smug but also so carefree I don't know how to explain it. also hang on wait a minute. the detail in those straps??? I am in awe??? those legit look realistic your skill is uncanny. same thing with the scarf they both look like real fabric/materials that's so cool. for some reason his hair also stands out to me with how you've highlighted it, and I think it's incredible. the whole piece is! the outfit and the pose and the folds in the clothing!! *chef's kiss*

these are all so cool thank you so much for sharing them with me <33 I got a little rambly there but your art is so colorful and pleasing to look at and I am honored to receive Maui in my inbox!!

#submission #heathen nonsie #other's ocs #other's art #everyday I learn more about maui and it is great #i am slowly piecing him together in my brain #puzzling him together from the art and snippets of lore you give me #he is truly lovely this is wonderful <33

[fipindustries]

list of comics i made so far

i already shared the list of all the novels i tried to write throughout my llife so i see no reason why not to do the same with the comics i tried to work on. no i should clarify, with my lists of novels there was a clear cut distinction between what was a novel and a short story so to parse one from the other was an easy task. it should be known that i wrote hundreds of shorts stories that i havent shared with anyone. now a similar situation occurs with my comics, i have done hundreds upon hundreds of little comics, short jokes, little skits and short lived strips through my life, so in order to give this list some weight and not make it longer than the bible the criteria i used was that it had to be something i did on a regular basis or that tells a self contained story with a beggining middle and end.

now without further ado, lets begin!

spike Vanderville (age 7)

you can tell i was way more into comics than i was into novels from a young age. done with pen and folded paper, it was the story about a young kid called spike, whose design was heavily inspired by bradley from sticking around, who had magical powers which allowed him to manipulate reality. it was a mix of harry potter and a series of illustrates short stories that came in a magazine in argentina. his best friend was a scarecrow with a pumpkin head that he had brought to life, his archnemesis was a fat bully.

curiously enough i was so passionate about this project even though i had no idea what i was doing and no talent that i actually did like three full colored issues of it. my family was really proud of me. sadly those comics are completly lost to time

andrew and the monkey (age 10)

this was the classical story about a boy and his best friend the talking animal. one page comedy strips done in pen and paper. nothing too clever, just a way for me to try lame jokes mostly stolen from spongebob squarepants. not much else to it. i tried to do like a revamp in 2014 but it was short lived, as you can see the jokes didnt get any less lame

FIP industries (age 17)

mostly done in digital. yes as you can see fip is something that has followed me my whole life in quite the variety of mediums. there were as a matter of fact multiple attempts to make this comic a real thing but time and again they would peter off as i saw that my skill was just not up to the task. i think i have talked more than enough about fip industries on this blog, one interesting thing is that if you follow the link you will come across a lot of proto ideas that i had before they cemented and took their definite shape in the novel (and even after the novel i kept retconning and retooling things over and over again, fip industries is an ongoing thing that will probably last my entire lifetime)

Disregarding Reality I (age 20)

the first iteration of disregarding reality, a humorous strip done in pencil and paper, a fairly short lived affair, lasting no more than 3 months. the entire premise of the comic was an MRA activist and a feminist live together, they are friends, they argue a lot. remember 2013 guys? back when this whole politics bullshit truly kicked off online? this was before gamer gate, mind you. but by that point i had seen more than enough of it on tumblr and i was like “someone should do some scathing commentary with wit and penache” and that someone had to be me. mainly inspired by commics like f@nboys and el goonish hive and a thousand billion others that were so popular back in those halcyon days.

i got bored of it pretty quickly and it wouldnt be until three years later than i would finally decide to re-start the project but until then...

Strangers in the forest (age 21)

here comes a rather productive era in my ouvre, ink and paper, based on a short story i wrote, its about an eldritch monster pretending to be human and a ghost girl, killed by her father. they have a dispute because the monster wants to eat the corpse of the girl but the ghost doesnt want to give up her bones because its the one thing that tethers her to the mortal plane. they eventually resolve their dispute. by this point i was actually, unironically trying my best to do comics which i felt looked professional.

Song of a nightmare (age 21)

another one based on a short story i wrote. ink and paper, a private detective wakes up in the middle of the night and sees a mermaid lying in bed next to him. he spends most of the comic trying to figure out how the hell is this possible. still one of my favourite ones and certainly one of my family’s and friends favourites as well. a rather poetic tale, strongly inspired by argentinian fiction and their propensity towards magical realism, i was reading a lot of cortazar back then.

Aika (age 21)

as you can tell i was on a fucking roll that year. ink and paper, this was a story based upon a simple and basic idea that i had in my mind for years and years. i always liked the concept behind the movie “the kid” where bruce willis mysteriously comes across himself as a kid. so of course one day i came up with the idea, what if you recieved a visit from your future self... but she was a woman?

this is probably the most aggresively trans story i ever wrote in my life, it is literally about a guy realizing they are trans and breaking down over it. here is the giant kicker, i did not realize at all what i was doing. i was completly unaware of what was going on here, i was still deep deep in the closet and not even realizing i was there. it really is astounding the honesty and the rawness with which i wrote this comic and it went all over my head. a perfect example of “im such a great ally lol”

oh also there is time travel i guess. my main impetus (beyond whatever my subconcious was forcing me to do) was my desire to make a complete clusterfuck of a story, i was a huge fan of homestuck, i had read fleek and demon, i wanted to do my own take on a hypercomplicated time travel puzzle plot. other things came out on top of it but i didnt noticed them. fucking hilarious

Hello Agatha (age 21)

a comedic strip about a wacky pixie dream girl having wacky adventures with her wacky friends, one of which is a man with a toilet for a head. what a gut buster, what a knee slapper!

there is not much to say about this one, wacky surreal comedy was always my favourite and so time and again i would try my hand at it but it is surprisingly hard to do!

The /co/ ventures! (age 20 - age25)

an ongoing project done in multiple mediums. i think i said more than enough about this in here and here. it was me practiscing comics, practiscing my humor and adding my tiny grain of sand to the 4chan culture. i am proud to say these comics were actually very well liked there and that i would be recognized without a name or signature of any kind, just on the strength of my style.

the vest kind of madness (age 22)

probably one of the projects in which i put the biggest amount of effort to make it look professional. traditional inks and digital colors. a crossover that i cant believe never happened in comics considering how obvious it is. Rac Shade, the changing man and delirium of the endless, the two flagship vertigo characters associated with madness. clearly a match made in heaven.

to this day im flabbergasted i seem to be the only one to think of this.

Disregarding Reality II (age 23)

another work where i have already spilled rivers of bytes explaining my thought process behind it. after having a no good, terrible, very bad day, finding my self aimless and without purpose, deep in denial and depression, i decided to give my self a big project to have something to get me out of bed every day. these three guys came from the depths of my mind to save me.

this time leaning a lot more on silly humor and surrealism than political commentary, still insanely proud of how much i managed to make this last, almost three years, well over 200 pages! and in here i found the inspiration and the creative energy to tackle all sorts of diverse projects of which we are about to see all about.

Mama Bird (age 24)

my masterpiece.

by far the best comic i ever did. a kid with a bird for a mom. hilarious, touching, heartbreaking. it was a concept that i had come up with when i was 21. back then it was supposed to be exclusively a humorous comic strip but then i found a dramatic angle for the story and that was when everything clicked into place. that was when i realized this was a comic i had to do. and i did it. it took me five months but it was well worth it. still insanely proud of this one

Soft boys (age 25)

a weird experimental little story where i decided to sit down and deconstruct one of the most popular superpowers. super elasticity. more akin to me just mashing my toys against each other than me trying to tell a serious story. i am actually really happy with some of the art here and some of the sequences presented. particularly the final one where a brick joke twenty pages in the making finally pays off.

Hexen Snatch (age 25)

a semi spinoff to my novel FIP industries, we focus on a side character that managed to survive after the events of the novel and how they’ll manage to survive further beyond that. insanely soaked by the magical world of pact by widbow i wanted desperatly to share my own take on magic, every page is accompanied by a little text where i expand upon the lore and the way magic is supposed to work on this world. i really like the prose on those snippets and the ideas they work almost more that the comic itself with which i was not happy at all when i was working on it. i didnt like the character design, i didnt like how the art in general was coming out, i didnt like the pacing of the story or how superficially we were getting to expore this world in the comic proper. i had to take a very long hiatus just to accumulate the will to finish the comic and once i did i feel it really petered off without much of a satisfying payoff.

on some level i blame the exhaustion and frustration that i came out of this comic with for the fact that i ended up quitting disregarding reality soon afterwards.

Maxplosive (age 26)

another project that has followed me across multiple mediums. came up with an idea for a videogame back in 2015. saved it on the back pocket for a while, used it as a story within a story on my novel fan.tastic, practisced a couple of animations with the characters and eventually decided that, if my skills at videogame making were not enough, i had at least more than poven myself as a comic artist so maybe that was the definitive medium in which this idea would have to exist.

the original idea was to tell the story in two parts, the first half would introduce the character and the videogame as if the comic was a playthrough of the game. all fun and childlike and innocent. then the second half was meant to explore the life of the main character as an adult, how being “a videogame protagonist” had ruined her body, her mental health and her life. i tried all sorts of weird stuff with the format here, using reciclable assets, static camera angles and generally presenting the whole thing as if it was a videogame.

sadly the project got too big for my breaches, i was fucking exhausted back then, swamped with a bunch of other projects, my job, other responsabilities, unsatisfied with the story and with no idea where to take it. eventually i got tired, decided to skip a day, then the day became a week and then the week became a month and by then i had to face the facts, i was just no longer able to continue the comic. and so i quit not only maxplosive but disregarding reality all together.

i still did the occasional comic here and then but it wouldnt be until the very end of 20-fucking-20 that i was finally inspired to tackle a new project, my newest one, my last one....

Lapsarian (age 27)

an interesting experiment, i decided to do the whole comic in one sit and then post it chapter by chapter on a weekly basis. a surprising result of this was that i managed to do in one month the same amoung of pages that would have taken me 5 months back when i started disregarding reality, is good to see that after al this time i still got it.

took me a while to get the hang of it again and find my own style once more but once i armed up it was smooth sailing for 40 pages all the way to the end. but what is this comic even about?

its... weird, with full disclosure and no shame, it is mostly a fetish story about big lizard creatures commiting vore. the milkman had already shown me that i could do those types of stories and no lighting would come from the heavens to strike me down so i said, why not as a comic? i like to think that beyond the fetish content it is still a decent story in its own right, an interesting feedback that i got from this is that people are suprised how earnest it is, one saying something like “this is the best pitch for a fetish that i was never interested in”

Conclussion:

looking back on this im surprised, turns out i was a lot more prolific and working a lot more regularly than i expected, in here are documented ten years of creative output that never seems to wane. it was fun to do the roundabout trip and see how my style, my technice and generally my work ethic evolved through the years. another nice thing to see is the multiple formats, the multiple tools and mediums i experimented with, i find myself constantly trying new things, new methods, new angles, new interesting ideas for how to make a comic (without even getting into what to make a comic about).

something i always knew about myself was that drawing is a fundamental part of who i am, it is something that just cant be taken away from me and that will always be a part of my life one way or the other, is good to see it so plainly, in black and white, on this list. here goes for what i might be able to do in the future

#art #writing #fip living life