#riley keough gif pack

[rampldgifs]

click the source for 1576 gifs of actress RILEY KEOUGH in DAISY JONES & THE SIX (2023). please note that i do not approve of the 5+/- age rule. these were made from scratch and more will be added at my leisure.  so please don’t edit, repost or claim as your own or i will eat you. tag me if you’re posting edited gif icons for public use. give this post a like or reblog if useful. enjoy !

#riley keough #riley keough gif hunt #riley keough gif pack #underused fc #gifsociety #userdevon #rph #gif hunt #mine.

[ssoveiagifs]

by clicking on the SOURCE LINK of this post, you’ll be able to access 215 GIFS of RILEY KEOUGH in DAISY JONES AND THE SIX (1X05). all these gifs are made by me, so please keep in mind the following guidelines when using them: do not edit them by altering the psd, cropping them without my permission first, or in any other manner; do not add them to gif hunts, or use them for crackships; do not claim them as your own; do not use them for taboo themes and hollywood roleplays. if you plan on using these gifs, please consider giving this post a REBLOG as it really makes all the difference. thank you very much.

trigger warnings: drug use, smoking, drinking, eating.

#riley keough #daisy jones #daisy jones and the six #riley keough gif pack #daisy jones gif pack #gifpacknetwork #gifsociety #fcxdirectory #rp resources #resources

[thaywrites]

SPOOKTOBER PACKS: FREE CONTENT—on the SOURCE LINK, you will find #55 gifs of the actress RILEY KEOUGH in THE HOUSE THAT JACK BUILT !! all of these gifs were made by me from scratch so please don’t repost them and claim as your own & make sure to check out my guidelines before using my content. please LIKE/REBLOG if you find this helpful & consider BUYING ME A COFFEE ( THAYWRITES ) linked on my theme or COMMISSIONING A GIF PACK from me. ♡ you can access the full gif pack through the payhip link, along with a rar download file, or through my directory.

TRIGGER WARNINGS: drinking, eating, slightly suggestive scene.

#riley keough #gif pack #gif hunt #gifpacknetwork #dearindies #gifsociety #supportcontentcreators #fcxdirectory #userdevon #usermina #riley keough gif pack #riley keough gif hunt #rph #rpc #gif pack* #mine* #spooktober*

[olliviacooke]

— RILEY KEOUGH IN EARTHQUAKE BIRD

HERE you can find 154 high-quality gifs of Riley Keough in Earthquake Bird as Lily Bridges. All of the gifs were made by me; please respect my rules and do not repost them and/or edit them. Do not use my gifs for taboo themes and hollywood roleplays. Please, like or reblog if you find them helpful or use them. Thank you and enjoy! Trigger Warnings: Flashing lights, alcohol, food.

#riley keough gif pack #riley keough gif hunt #gif pack #thegifpackreblogs #gifpacknetwork #gifsociety #dearindies #userdevon #rph #rpc #*gp #gp: riley keough #creations

[lexiresources]

by CLICKING THE SOURCE LINK of this post, you will be redirected to #603 gifs of RILEY KEOUGH (1989) in the television series, DAISY JONES & THE SIX as daisy jones. these gifs were made entirely made by me from scratch and were made for rp purposes, but you are welcome to use these gifs for however you see fit. if you alter/share them anywhere that aren’t for personal use then please link back to the original post and/or credit me on the post​. ​LIKES and REBLOGS are not required, but encouraged! DO NOT: use my gifs for taboo roleplays, to portray minors, to portray riley herself, racebend, or edit the gifs without crediting me and/or asking permission.

THIS IS AN INCOMPLETE PACK AND WILL BE UPDATED ACCORDINGLY!

#riley keough #riley keough gif hunt #riley keough gif pack #gifsociety #gifhunthub #fcxdirectory #rph #fc: riley keough. #fc: female. #mine: gp

[gifsbyharley]

by clicking the source link, you’ll be redirected to a purchasable gif pack with #200 medium gifs [ 268x170 ] of actress, 𝐫𝐢𝐥𝐞𝐲 𝐤𝐞𝐨𝐮𝐠𝐡, in various interviews & youtube videos. all gifs were made from scratch by me, so please DO NOT redistribute or claim as your own, edit in any way, turn them into gif icons, or use them in other gif hunts! please like/reblog if you found these useful in any way! please follow all the rules i have listed on the purchase link, as well. thank you!

**THIS IS A REPOST FROM MY OTHER RPH GIF BLOG. this was originally a private commission, but the lovely commissioner has allowed me to post these semi-privately! these gifs are mainly to help those struggling in the celeb rpc, but feel free to use them however you wish. all i ask is for you to NOT use them to portray minors, use them in taboo rps, incest rps, to fetishize the LGBTQ+ community, to race bend, etc. commissions and free requests are currently closed, but if you enjoy my work, feel free to leave me a tip on ko-fi!

#hollywood rp #celeb rp #celebrity rp #fame rp #famous rp #hollywood rpg #celeb rp gifs #riley keough #riley keough gif pack #riley keough gif hunt #gif pack #gif hunt #rpc #rph #rpt #gif commissions #gif pack commissions #rp commissions #paid

[rikrgif]

&&& CLICK THE SOURCE LINK to be directed towards 89 gifs of RILEY KEOUGH as criminal mastermind MELLIE LOGAN in LOGAN LUCKY (2017). riley was born in 1989 and is american.

setting: modern west virginia

contains: drinking/eating.

please like and reblog if using.

#riley keough gif pack #riley keough gif hunt #gif pack #gif maker #rph #mygif #female #modern #logan lucky #gifsociety #fcxdirectory

[pochunts]

NABIYAH BE GIF PACK

— ✰ on the page linked below in the SOURCE LINK, you will find ( FOUR HUNDRED AND NINETY- TWO ) hq gifs of NABIYAH BE sourced from her role as SIMONE JACKSON in SEASON ONE of DAISY JONES & THE SIX (2023). nabiyah is 31 but was 30-31 while filming this series and is of brazilian and jamaican heritage, so please cast her accordingly. all gifs were cropped at 245x145 and were made from scratch by feifer for roleplaying purposes only. therefore, i am taking full credit for these.

gifs feature: Riley Keough, Ayesha Harris.

warnings/triggers: Cigarettes, dialogue/conversations surrounding sexual harassment and racial prejudice, flashing lights/neon lights, clubs, kissing, visuals of others kissing, animals (goat), alcohol, secondhand smoking, hospitals, dialogue/conversations about rehabilition.

RULES FOR USAGE:

NOTES:

in the television adaption of daisy jones & the six, simone is queer, please be mindful of this when using these gifs.

this is a brazilian fc, so please name them accordingly, or don’t use my gifs.

DO: LIKE or REBLOG if you found these helpful or have any intention of using these.

DO NOT:

add or compile into other sources ( gif hunts, gif sets ).

edit or claim in any way ( redistribute or resize into smaller forms - gif icons. giftangles, etc ).

use to portray the faceclaim in smut rps or real-life celebrity groups.

use these gifs as imagery/visuals for smut writing.

#nabiyah be gif pack #nabiyah be gifs #gif pack #gifpacknetwork #*gif pack #gifpackshq #gifsociety #gmcentral #gpparadise #gifpacksgalore #thegifpackreblogs #userfyp #gifhunthub #period fc #periodfcnetwork #fcxdirectory #supportcontentcreators #userdevon #dcminions #usermina #brazilianfcs #underused fc #userkel #madebyfeifer #WHY IS SHE SO GORGEOUS?Z! #i tried to fix everything that was wrong with the coloring and lighting #but literally pls lve HER

[jonahdeforest]

Zola: Digital Storytelling and Racial Performance

“Y'all Wanna Hear A Story?...”

Zola is a glittering piece of postmodernism, filtering the infinite jest of touch screen technology through the medium of film. This is appropriate, considering its source material – a 148-Twitter thread from 2015. Narrated with lacerating wit by Aziah “Zola” King, the thread details the Detroit-based waitress’ wayward excursion to Tampa. Packed with suspenseful twists and turns, it's only natural that it eventually became a feature length film. After years of middling in development hell, Zola was eventually released in 2020. Directed with auteur sensibilities by Janicza Bravo, Zola uses a road-trip from hell to interrogate (or subvert) American race-relations, transaction and bodily autonomy. 

The plot unfolds on the heels of a newfound friendship. Zola (the magnetic Taylour Paige) meets Stefani (Riley Keough) at her waitressing job and the two strike up a bond. Both strippers on the side, they appear to be cut from the same cloth – funny, street-smart hustlers and practitioners of a particular brand of femininity. This femininity is one patterned off of Black womanhood and Stefani, who is white, is shameless in her racial posturing. With stray braids, slicked down baby hairs and the unmistakable accent of a white girl imitating Blackness, Stefani represents a post-racial spectacle of appropriation. Keough delivers a comic tour-de-force performance, ringing each AAVE-inflect line with the appropriate amount of misplaced conviction. That Keough is the granddaughter of Elvis is not really relevant, but it does add just a pinch of subversiveness to the proceedings. 

Shortly after they meet, Stefani invites Zola to strip with her in Tampa. Joining them are Stefani’s misbegotten beau (Nicholas Braun, giving a masterclass in patheticism) and her enigmatic, increasingly shady “roommate” (Colman Domingo). Zola comes to discover that she is in the throes of a trafficking scheme and that Stefani’s intentions may not be as innocent as she proclaims them to be. In her essay “Eating the Other: Desire and Resistance,” author/academic bell hooks writes of cultural appropriation and its manifestation in the media at large. She writes that, “The overriding fear is that cultural, ethnic, and racial differences will be continually commodified and offered up as new dishes to enhance the white palate – that the Other will be eaten, consumed, and forgotten.”

In many ways, Zola functions as a story of otherness – specifically White consumption of the other. Stefani is the walking embodiment of white consumption and continual exploitation/coercion of Zola only emboldens this quality. Zola, on the other hand, is expected to look out for Stefani, opining at one point, “Who’s looking out for me?” This line is indicative of Zola’s compromised safety as a Black woman – a figure who is expected to take care of everyone but herself. When Stefani tells her pimp that, “Zola made me a whole new bitch,” she is literally referring to Zola’s help in increasing her net value in the realm of sex work, but more implicity speaking her debt to Black womanhood as a means of adornment. 

Zola and Stefani are depicted as mirror images of one another, both literally and figuratively. Bravo follows in the footsteps of many a psychodrama in her choice to present the two as spiritual twins. Walking down a hallway in corresponding outfits or gazing upon their reflections, they are both augmentations of one another and so completely diametrically opposed.

Elsewhere in her aforementioned essay, hooks states that, “Cultural appropriation of the Other assuages feelings of deprivation and lack that assault the psyches of radical white youth who choose to be disloyal to western civilization.” This feels like an appropriate diagnosis of Stefani, someone who exists outside of white parameters and thus adopts Blackness in relation to her perceived outsider status. 

Bravo has described her films as existing a step-away from reality. This is fitting for a film like Zola, which renders a stranger-than-fiction story into filmic material. In a profile of Bravo for The New York Times author Jenna Wortham wrote:

Her movies are reminiscent of being on psychedelics — the way even the most mundane interactions become revealing, exquisite and worthy of intense examination, and the way something humorous can seem sinister for a flicker of a second before shifting back into levity. Bravo specializes in exploring the way seeing clearly can happen in an instant and permanently alter your experience of yourself and your life.

Bravo walks a tonal tightrope, but through the imaginative force of her storytelling, manages to pull it off.

Shimmering in neons and buzzing like a smartphone, Zola occupies a distinctive sonic and visual landscape. There are qualities that seem like a callback to old Hollywood: orchestral swells and grandiose title cards. These stylistic nods come across a little cheeky, especially considering the ways in which Zola rejects the Hollywood formula. Aided by playwright provocateur Jeremey O. Harris (who co-wrote the screenplay), Bravo presents a narratively frenetic fever dream that sidesteps convention at every turn. Even though Zola is unequivocally the narrator, the nature of authorial authority is subverted in a sequence where Stefani speaks to the camera, telling her side of the story.   

In the Western sphere, stripping is one of the more fascinating, and literal, representations of our bodies’ entanglement with capitalism. The physicality, the need to appease and titilate, the showering of dollars. All of it seems like a particularly charged ritual of commerce. Zola does not incriminate the profession nor does it glorify it. For the titular character, the act of stripping has an autoerotic verve to it: through it she is able to explore the dimensionality of her selfhood. This is most evident in a sequence in which Zola envisions the different personas she can adopt before a performance. Repeating, “Who you gonna be tonight?,” she appears in multitudes, as if in an elaborate musical number (yet another moment that made me recall the stylistic grandeur of Old Hollywood).  

If this moment is any indication, Zola is a film in which pleasure and pain are offered up with equal aplomb. It is a disorienting and spellbinding exercise in absurdism, confounded by the fact that its story is ripped from the digital headlines.

Work Cited:

bell hooks, “Eating the other: Desire and resistance.” In Black Looks: Race and Representation, pp. 21–39. Boston: South End Press, 1992.

Wortham, Jenna. “How She Transformed a Viral Twitter Thread about Sex Work into a Sinister Comedy.” The New York Times, The New York Times Company, 16 June 2021, www.nytimes.com/2021/06/16/magazine/how-she-transformed-a-viral-twitter-thread-about-sex-work-into-a-sinister-comedy.html.

@theuncannyprofessoro

#oxyfilmidentity #identityfilmanalysis

[survibers]

riley keough, bisexual, cisfemale + she/her ― hey look, it’s reagan tucker! they’re thirty four years old, they’ve lived in shrike heights for five years, and they’re currently working at showtime and stitch by stitch. i heard they’re pretty reckless, but i think they’re so fun at the same time. 

addiction & alcoholism tw pregnancy & abortion tw (very brief mention) 

number eight! number eight! okay whew this is a reboot of an old chara of mine so let’s have some fun! As always this is just a base point and a mix of her old story with some newness. more about reagan below

About Reagan:

Born and raised in Boston, Massachusetts. An only child to two parents who should’ve never been together in the first place but are still together to this day. 

If Avery is a well put together mess, Reagan is the most obvious mess in the world but she’s one talented bitch. 

Growing up Reagan had a reputation in high school for getting around and partying because well, she did. She and her best friend (her only friend really) were a solid unit. Always cutting out of school early, sneaking into locker rooms, sleeping with someone’s partner and getting high as much as possible. It’s hard to pinpoint where it call began but Reagan just never felt like she was wanted. Loved even. Her parents made her feel like a nuisance and even in the good moments they had, she was reminded of how much happier they would be without her. And life has just cemented that every step of the way. 

So she treats her life like it’s nothing because she feels like nothing. So might as well have fun, right? 

(pregnancy and abortion mention in this bullet point) Despite her recklessness she still managed to go to college and graduate with a degree in business, mostly focused on her love for clothes and styling other people. Sure she partied most of college but she got a lot out of it including a boyfriend with whom she experienced falling in love with for the very first time. They dated for almost a year until Reagan found out she was pregnant and they broke up when she decided not to go through with it. 

That moment shifted something in Reagan and cemented the self-loathing that had started in her childhood. Not feeling good enough was an understatement but it didn’t mean Reagan didn’t have dreams. One of them being to work in fashion one day in one way or another. But ideally to be a stylist. To the stars even, the allure of Hollywood always calling her name. So after she graduated college she made her way out west with her shitty car and all of her belongings packed in her suitcase. 

And it worked for a little while. She found a small apartment, some waitress gigs and odd jobs. She partied hard, barely slept and continued to develop the addictive habits that stick with her today. But she still worked her ass of, even if she wasn’t always on time or had a long list of excuses. When she’d get fired from one job she’d just find another, always talking her way into some club or making out with someone just to get into a gig. 

Eventually she caught a break when someone who came into one of her restaurants she was a hostess had complimented her dress and she explained that she had altered and kind of created it herself. Sure there had been an original dress but Reagan had made it her own. And thus began her whirlwind career as a private stylist for a wealthy women from Beverly hills. It was everything she could of have ever wanted and despite being in away over her head, she delivered. Until she met the woman’s very gorgeous wife and had a sordid affair with the woman and eventually got run out of California by her boss. 

With no options left, she hopped back into her same shitty car and started driving again, until she made a stop in Colorado. After a very interesting run in with some folks from the commune which included some of the best weed she had ever had, she booked a motel room in Shrike Heights and five years later still hasn’t left. 

The job at Stitch by Stitch came first. It was easy to show off her skills to get the job and it’s been the closest she’s come to having her dream. It’s a pitiful excuse buts he gets by and if forced to admit it, she would say she enjoys it. Especially when she gets a big challenge. The job at Showtime came mostly from wanting discounts on rentals and also to help cover her rent so she could eventually move out of the motel and into her own apartment that wouldn’t be totally terrible. 

In her five years in Shrike, Reagan has carried her usual reputation just with a little less publicity. She still wakes up in a different bed each night and always with a raging headache that she follows back with a little hair of the dog. With the few friends she does have she is fiercely loyal. Always late but always a good time. 

The killers scare her of course but she’s so detached from her own mortality and morality that she’s kind of just like “fuck it when they find me they find me” and kind of enjoys the twisted anxiety it all induces in the town. Sure as hell a lot more interesting than Beverly Hills. 

But of course, like anyone, she still deeply craves love. Craves the feeling of being seen and known and loved for exactly who she is instead of trying to be changed. Deep down she’s aware she can’t live like this forever. That she should get clean and start anew but it’s buried so deep it doesn’t ever actually register as a thought. 

Until then she’s just moving through life one late night at a time. 

You know me, I’m open to all the plots! And everything is adjustable <3 

#shrikeintro #reagan intro #about reagan #addiction tw #alcoholism tw #pregnancy tw #abortion tw

[rampldgifs]

click the source for 508 gifs of actress RILEY KEOUGH in an assortment of interviews. please note that i do not approve of the 5+/- age rule. these were made from scratch and more will be added at my leisure.  so please don’t edit, repost or claim as your own or i will eat you. tag me if you’re posting edited gif icons for public use. give this post a like or reblog if useful. enjoy !

#riley keough #riley keough gif hunt #riley keough gif pack #rph #fcxdirectory #underused fc #userdevon #gifsociety #gif hunt #mine.

[ssoveiagifs]

by clicking on the SOURCE LINK of this post, you’ll be able to access 234 GIFS of RILEY KEOUGH in DAISY JONES AND THE SIX (1X04). all these gifs are made by me, so please keep in mind the following guidelines when using them: do not edit them by altering the psd, cropping them without my permission first, or in any other manner; do not add them to gif hunts, or use them for crackships; do not claim them as your own; do not use them for taboo themes and hollywood roleplays. if you plan on using these gifs, please consider giving this post a REBLOG as it really makes all the difference. thank you very much.

trigger warnings: drug use, smoking, drinking, blood.

#riley keough #daisy jones #daisy jones and the six #riley keough gif pack #daisy jones gif pack #gifpacknetwork #gifsociety #fcxdirectory #rp resources #resources

[ssoveiagifs]

by clicking on the SOURCE LINK of this post, you’ll be able to access 140 GIFS of RILEY KEOUGH in DAISY JONES AND THE SIX (1X01). all these gifs are made by me, so please keep in mind the following guidelines when using them: do not edit them by altering the psd, cropping them without my permission first, or in any other manner; do not add them to gif hunts, or use them for crackships; do not claim them as your own; do not use them for taboo themes and hollywood roleplays. if you plan on using these gifs, please consider giving this post a REBLOG as it really makes all the difference. thank you very much.

trigger warnings: drug use, smoking, drinking.

#riley keough #daisy jones #daisy jones and the six #riley keough gif pack #daisy jones gif pack #gifpacknetwork #gifsociety #fcxdirectory #rp resources #resources

[ssoveiagifs]

by clicking on the SOURCE LINK of this post, you’ll be able to access 137 GIFS of RILEY KEOUGH in DAISY JONES AND THE SIX (1X03). all these gifs are made by me, so please keep in mind the following guidelines when using them: do not edit them by altering the psd, cropping them without my permission first, or in any other manner; do not add them to gif hunts, or use them for crackships; do not claim them as your own; do not use them for taboo themes and hollywood roleplays. if you plan on using these gifs, please consider giving this post a REBLOG as it really makes all the difference. thank you very much.

trigger warnings: drug use, smoking, drinking.

#riley keough #daisy jones #daisy jones and the six #riley keough gif pack #daisy jones gif pack #gifpacknetwork #gifsociety #fcxdirectory #rp resources #resources

[ssoveiagifs]

by clicking on the SOURCE LINK of this post, you’ll be able to access 85 GIFS of RILEY KEOUGH in DAISY JONES AND THE SIX (1X02). all these gifs are made by me, so please keep in mind the following guidelines when using them: do not edit them by altering the psd, cropping them without my permission first, or in any other manner; do not add them to gif hunts, or use them for crackships; do not claim them as your own; do not use them for taboo themes and hollywood roleplays. if you plan on using these gifs, please consider giving this post a REBLOG as it really makes all the difference. thank you very much.

trigger warnings: drug use, smoking, drinking.

#riley keough #daisy jones #daisy jones and the six #riley keough gif pack #daisy jones gif pack #gifpacknetwork #gifsociety #fcxdirectory #rp resources #resources

[lexiresources]

𝐃𝐀𝐈𝐒𝐘 𝐉𝐎𝐍𝐄𝐒 & 𝐓𝐇𝐄 𝐒𝐈𝐗 𝐄𝐏𝐈𝐒𝐎𝐃𝐄 𝐅𝐎𝐔𝐑 𝐇𝐀𝐒 𝐁𝐄𝐄𝐍 𝐔𝐏𝐃𝐀𝐓𝐄𝐃!

+247 gifs have been added to riley keough’s gif pack !

+114 gifs have been added to camila morrone’s gif pack !

+90 gifs have been added to suki waterhouse’s gif pack !

#riley keough #camila morrone #suki waterhouse #rph #update.