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ginnymoonbeam · 1 year

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A couple months ago I decided to watch the whole HIStory series. I had already seen Trapped (more than once) and I watched Love in the Future as it aired, so I picked up the rest in order from series 1-4. Here's my teeny tiny review of each one, in order of least favorite to favorite.

A note: overall this series is drastically unconcerned with whether its relationships are "healthy" or "unproblematic." I'm not bothered by that, and in fact some of my favorites are... well, you'll see. Definitely recommend looking for content warnings before starting any of these - I'm also happy to answer questions about content as long as they're not "how could you enjoy media that features XYZ".

Onto the reviews! There will be a few spoilers, but only things I think viewers are genuinely better off knowing before they start.

HIStory 1: Stay Away From Me

Brief premise: after their parents' marriage, Feng He gets a new roommate in his stepbrother Cheng Qing, who's a big star. It's all too much for Feng He's fujoshi best friend to handle. I quite enjoy a good stepbrothers setup, but this one fell pretty flat, and I hated the fujoshi friend situation. Shipper characters are on thin ice for me in general, and this one was so intrusive that it ruined the other things I might have enjoyed. I did like the leads pretty well - I have a soft spot for bratty characters who are secretly under a lot of strain - but the relationship development was just so-so.

HIStory 5: Love in the Future

There were parts of this I really liked, mostly the side couple, but it was sooo tedious. It's this low on the list because the ratio of "minutes I enjoyed" to "minutes I resent giving away" is so abysmal... at least the H1 installments come in at barely over an hour each, so I don't feel like I wasted so much time on the ones I didn't like. This show is trying to do at least three different genres and doing none of them well. I don't even know how to sum up the premise... there's a guy who's gotten zapped 20 years into the future by mistake, but more of the show deals with business drama and eventual corporate espionage at the department store where the other main characters are centered. There's so much going on and none of it quite coheres. I'm too bored and annoyed to talk about it any more.

HIStory 1: Obsessed

This gets top out of the three I really didn't like, because it had the most id candy. And, again, because it's short. The setup is neat: a guy who's just gotten his heart broken gets zapped back into his younger self and tries, unsuccessfully, not to get with the same guy again. The love interest is just incredibly pushy and aggressive, sometimes in a way that's bad!hot and sometimes in a way that's just bad. I also hated the reveal at the end - there was no reason for him not to explain himself immediately instead of watching his lover's heart break, and I have no patience for that kind of thing.

Those were the three I didn't really like. Now we're going from liked to loved.

HIStory 1: My Hero

This one was a big surprise to me... I would have skipped it entirely if I wasn't on a completionist project, because the premise "girl dies, gets put into a boy's body, and has to try and win over her boyfriend" is incredibly unappealing to me. But they took it in a direction I wasn't expecting and I found myself having a great time. It couldn't have sustained itself for any longer, but with an under-90-minute runtime it's a fun little story.

HIStory 2: Right or Wrong

Enjoyed this one a lot - I love a nanny romance in theory, but I'm picky about kids in media. This kid is both charming and realistically childlike, and one of the leads does plenty of yelling about the kid's initial bad home situation, so I don't have to. The basic setup is that Fei Shengzhe discovers that his professor's 8 year old daughter is being neglected, gets hired to take care of her, shakes his professor/boss into being responsible, and of course eventually falls in love.

I liked most of the relationship dynamics - when there's a big structural power differential, I like to see it balanced in-story by their personalities or other factors, and this show did that well, but there were still moments where I wanted to yell not at school! or transfer out of his class ftlog! Overall, still positive, and I'll probably rewatch it when I'm in the mood for some nicely layered domestic romance.

HIStory 2: Crossing the Line

I am not a sports person but I loved these sports boys very much. A new transfer student gets strong-armed into joining the school's volleyball team, ends up pursuing the team's previous ace, who's permanently unable to play due to an injury.

Xia Yuhao thinks he's sooo bad until he discovers a burning need to be bossed around and I love that in a man. Qiu Zixuan won my heart immediately and kept it - he's so sensible and focused and stoic, and the moments where he struggles against the reality of his injury hit so hard in contrast. This one had me hooked from beginning to end. And the side couple is exactly what I mean when I say I enjoy a good stepbrothers setup - the established intimacy and tenderness juxtaposed with confusion and guilt makes a tasty tasty emotional cocktail.

The final three shows are why this post has been sitting in drafts for a couple weeks. I've been undecided on how to rank them, and I've been processing a ton of thoughts about the two new-to-me ones. I'll try to stay brief here, and keep my longer thoughts for possible future posts.

As for ranking - I simply can't. I love all three very much, so let's just say they sit together at the top spot.

HIStory 4: Close to You

I'm fascinated by stories that take some basic messy yaoi tropes and peel them back, really dig into the layers of what's going on and how they affect people, all while keeping it fun and horny. Love in the Air does that with consent (masterfully, as I will argue until I'm blue in the face), and Close to You does it with the boundaries of intimacy, the extent to which we're required to draw rigid lines around types of intimacy and what happens when those lines get smudged.

I do understand why a lot of people simply do not fuck with this show. There very much are multiple sexual assaults, including between one of the main pairs. And while the other stepbrother romances in this series do what they can to lean away from the incest angle, this one leans hard into it. A lot of the show operates on the level of farce - it's doing absolutely outrageous things with a straight face. If you can have a sense of humor about the things it's playing with, there are some sublimely funny moments. But I don't fault anyone for saying "nope, that's not for me."

Teng Muren and Xiao Licheng, the best-friends-to-lovers, are one of my favorite couples from the whole HIStory franchise, and the only thing better than their intricate and frenetic dance around each other was Ye Xingsi watching with his fond, weary, experienced-gay gaze. Also I am obsessed with the way people just come out and say shit in this story. Nobody keeps a secret for more than half an episode, even when they really probably should. Plots are so often driven by people not telling each other everything, and watching this one run instead on everyone telling each other way too much was fascinating.

HIStory 3: Trapped

I can't possibly rank this one in relation to the others because I watched it long ago and I've seen it several times. It's been high on my list of beloved BLs since I first watched. Meng Shaofei is one of my all-time favorites, he's so stubborn and loving and honest. I love how hard he and Tang Yi fight for each other once they get together. I love when guys get lost in the woods handcuffed together, I love Tang Yi's sexy bffs and weaponized makeouts, I love the angst and hurt/comfort and yelling crying fights between two people who love each other. I don't feel the need to say much more: it's the most popular of the series, and rightly so.

HIStory 3: Make Our Days Count

I think I watched MODC in the best possible way: knowing the ending, and in 2023 when there are so many good happy-ending BLs I can't possibly watch them all. Had I watched it when it aired and been hit with the ending out of the blue, I think I'd have been as devastated and lastingly bitter as a lot of people who did.

I really do think viewers are better going into this one spoiled, so in case you don't know: one of the leads dies abruptly at the end of the penultimate episode (not onscreen), and the final episode is the surviving partner processing grief many years later.

The presence of grief - past, future, or potential - grounds a love story for me like nothing else quite does. Without the ending, I would like MODC very very much but I wouldn't love it quite as fervently as I do. The final episode is complicated and difficult - we see Xiang Haoting at a moment when his grief over Yu Xigu is rearing up due to a time of transition in his life. We see him let go of some of the ways he's been coping in the past, we see him fall into a dangerously low state and then come back out of it, but we don't see him get over it and move on. That's because you don't get over some losses, you don't move on - they sit beside you for the rest of your life, and you learn how to be happy but never entirely how to not be sad.

The other thing I love most about MODC is how extremely Boys the boys are. The leads don't look the age they're supposed to be, but they act it. No other BL I've seen has done so well at capturing this type of teenage boy, bursting at the seams with hormones and the fiery need to DO things. They lose control and do the dumbest shit even though they know better, and they're also overwhelmingly thoughtful and caring just when you least expect it. The way Xiang Haoting sometimes just moves because his body can't be still; the way the whole friend group teases and derides but also rallies around each other with fierce devotion. Haoting's reaction when his friend comes out to him is perfect - a minute of teasing and incredulity, then an immediate pivot to "I've got your back."

The contrast between youthful, hopeful energy and adult experiences of pain and loss makes the key axis the whole show rotates around. The side couple has a big age gap, with high schooler Sun Boxiang pursuing Liu Zhigang, a wounded and weary gym hottie of about 30. Yu Xigu is the same age as Boxiang and Haoting, but he already knows grief. Haoting and Boxiang with their fearless optimism beat like waves against the walls of these sadder, warier love interests until they each decide to dare to try for happiness. In the one story, Haoting ends up inheriting his lover's sorrow, and it will take some other, future connection to get him to try for happiness again. In the other, Boxiang's persistence not only brings romantic happiness to Zhigang, but eventually heals another loss that Zhigang had given up on ever seeing restored.

There's a moment during his pursuit of Zhigang when Boxiang swears he'll love him forever, and Zhigang says no, you can't promise that, no one can. Which is always what I want to say to the BL schoolboys, because I too am older, wounded and weary. You can't promise forever, no matter how badly you want to. All you can do is love each other well for as long as you can, and know that life is long, and joy follows sorrow follows joy.

#history series #taiwanese bl #history 4: close to you #history 3: modc #bl drama

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