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mittensmorgul · 5 years

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The End

Yes, we have 5.04, the episode titled The End, with the whole end!verse, but every time this phrase pops up in the show since then, I think this is the first thought a lot of people have. And I think it’s... wildly misleading. I mean, since we haven’t actually had a return to this specific “end.” And I don’t think we ever will. As everyone will recall, the show did not actually end after 5.04.

So to that end (pffft), I wanted to cobble together a history of the phrase as it’s been used throughout canon. Just for my own reference purposes. Here’s the big ones, though:

5.22 Swan Song:

CHUCK types "THE END" and takes a drink. CHUCK: No doubt – endings are hard. But then again... nothing ever really ends, does it?

(spoiler alert: fuck you, Chuck)

11.22: We Happy Few:

AMARA: My brother will dim and fade away into nothing. (Outside, ROWENA staggers to her feet. The sunlight is no longer just rosy, tinting the sky purple.) AMARA: But not until he sees what comes next. Not until he watches this world, everything he created, everything he loves turn to ash. (Outside, ROWENA turns, lifting a hand to shield her eyes.) AMARA: Welcome to the end. (She disappears.)

(lol, bzzzt, wrong, try again)

13.23 Let The Good Times Roll:

CASTIEL (to Michael): How do we stop him? MICHAEL: You don't. After consuming the Nephilim's grace, Lucifer's juiced up. He's super-charged. He'll kill the boy, your brother. Hell, he could end the whole universe if he put his mind to it. And you thought I was bad. DEAN: No. No, you beat him. I saw you. MICHAEL: When he was weaker, and I was stronger. Believe me, I'd love to rip my brother apart. But now in this banged up meatsuit... not happening. This is the end, of everything.

(way to horrifically manipulate the situation!)

14.20 Moriah:

CHUCK: (angrily): Fine! That's the way you want it? Story's over. Welcome to The End.

(cue things happening for another 20 episodes... he’s 20 episodes too soon)

and since there were *a LOT* of results:

yes each one of those open tabs is a reference page I’m pulling quotes from, and yes there are so many open tabs they’ve blurred together. one big drawback about watching a show that has apocalypses every now and again. i’m omitting references that aren’t directly about narrative ends, too (like casual “at the end of the day” references and the like). this is gonna be long so it’s going under a cut:

2.22 All Hell Breaks Loose: Part Two:

YED Oh, Jake. It's got to be you. I've been waiting for you for a very long time. You're my leader. You open that crypt, and you will have your army. JAKE You're talking about the end of the world. YED No, not the end— the beginning... a better world, where your family will be protected. More than that. They'll be royalty. Buddy boy, you have the chance to get in on the ground floor of a thrilling opportunity. Whaddya say? It's your call.

(spoiler alert: pffft... the whole “Demon Army” thing was always a sham, I think pulled ON Azazel by Lilith, even if that was only retconned in later in canon. but also, endings are beginnings, the spiral loops ever onward, and it’s laughable now eleventynine loops of the spiral down the way from this moment, isn’t it? Jake who? Azazel the fanatic who wasn’t even trustworthy enough to be let in on Lilith’s real plans? Incredible)

4.05 Monster Movie:

DEAN: You think "elegance" is really the word for what you did to Marissa, or Rick Deacon, or any of the others?! DRACULA: But of course. It is a monster movie, after all. DEAN: You do realize what happens at the end of every monster movie? DRACULA: Ah, but this movie is mine. And in it, the monster wins. The monster gets the girl. And the hero, he’s... electrocuted. And tonight, Jonathan Harker, you will be my hero.

(spoiler alert: the monster does not win)

4.06 Yellow Fever:

Sam: So uh...so, what did you see? Near the end, I mean. Dean: Oh, besides a cop beating my ass? Sam: Seriously. Dean: Howler monkeys. Whole roomful of them. Those things creep the hell out of me. Sam: Right. Dean: No, just the usual stuff, Sammy. Nothing I can’t handle.

(spoiler alert: it was definitely not anything Dean could handle)

4.09 I Know What You Did Last Summer:

ANNA: Look... I get it. You think I'm nuts. If I were you, I'd think I was nuts. But it's all true. PSYCHOLOGIST: It's okay. You can tell me. I'm here to listen. ANNA: The end... is coming. The apocalypse. PSYCHOLOGIST: The apocalypse. Like in the Bible? ANNA: Kind of. I mean, same bottom line. This demon, Lilith, is trying to break the 66 seals to free Lucifer from Hell. Lucifer... Will bring the apocalypse. So... Smoke 'em if you got 'em.

(spoiler alert:... we know how this turned out)

4.15 Death Takes a Holiday:

DEAN: You know what I mean. We're talking the end of the world here, okay? No more tasseled leather pants, no more Ramones CDs, no more nothing.

(spoiler alert: Pamela’s cool with that since she’ll get an endless show at the Meadowlands in her personal heaven)

4.22 Lucifer Rising:

DEAN: But me and Sam, we can stop... (he cuts off, having an epiphany) You don't want to stop it, do you? ZACHARIAH: Nope. Never did. The end is nigh. The apocalypse is coming, kiddo, to a theater near you.

(spoiler alert... it bombed at the box office)

5.02: Good God, Y’all:

Dean: Listen, Chuckles, even if there is a God, he is either dead—and that's the generous theory— Castiel: He is out there, Dean. Dean: Or he's up and kicking and doesn't give a rat's ass about any of us. I mean, look around you, man. The world is in the toilet. We are literally at the end of days here, and he's off somewhere drinking booze out of a coconut. All right?

(spoiler alert: i mean he really wasn’t far off the mark was he...)

5.03 Free To Be You And Me:

REPORTER: —the town of Tully? tonight, John. Locals say that what started as a torrential hailstorm late this afternoon suddenly turned to massive lightning strikes that triggered the fires now consuming more than twenty acres here along the Route 17 corridor. County officials are advising all Tully residents to prepare for what could become mandatory evacuations. The BARTENDER shuts the TV off. BARTENDER: Damn. Is it me or does it seem like it's the end of the world? SAM looks away.

(spoiler alert: that was an observant bartender)

5.07 The Curious Case of Dean Winchester:

A WOMAN, MRS. XAVIER, is reading the Weekly World News, headline: "LEADING PSYCHICS AGREE: THE APOCALYPSE IS HERE! Experts confirm the end is upon us!" She chuckles. The door opens.

(spoiler alert: that time the Weekly World News was actually right)

5.08 Changing Channels:

Dean: Hey there, Sam. What's happening? Sam: Oh, nothing. Um. Just the end of the world.

(spoiler alert: lol)

5.09 The Real Ghostbusters:

CHUCK: Ok, Ok, just..okay, it's okay. so, next question. (hands shoot up) Yeah, you. FAN: Yeah, at the end of the last book, Dean goes to hell. So, what happens next?

(spoiler alert: how do you feel about angels? Yeah, because let me tell you, they're not nearly as lame as you think.)

5.11 Sam Interrupted:

Dean: It's the end of the world, okay? I mean, it's a damn Biblical Apocalypse, and if I don't stop it and save everyone, then no one will, and we all die. Dr. Cartwright: That's horrible. Dean: Yeah, tell me about it. Dr. Cartwright: I mean, Apocalypse or no Apocalypse... monsters or no monsters, that's a crushing weight to have on your shoulders. To feel like six billion lives depend on you...God...how do you get up in the morning? Dean: That's a good question.

(spoiler alert: this is actually Dean talking to himself)

5.17 99 Problems:

SAM : Busy night? PAUL: I’m telling you, since The End started, it’s been like one long last call. That round’s on me.

(spoiler alert: welcome to the apocalypse, pull up a bar stool)

DEAN: We’re all gonna die, Sam. In like a month—maybe two. I mean it. This is the end of the world, but these people aren’t freaking out. In fact they’re running to the exit in an orderly fashion. I don’t know that that’s such a bad thing. SAM: Who says they’re all gonna die? What ever happened to us saving them?

(spoiler alert: hey remember that other time Dean went all nihilistic about the end of the world? yeah good times)

DEAN: So the demons smoking out—that’s just a con? Why? What’s the endgame? CASTIEL: What you just saw—innocent blood spilled in God’s name. SAM: You heard all that heaven talk. She manipulates people. DEAN: To slaughter and kill and sing preppy little hymns. Awesome. CASTIEL: Her goal is to condemn as many souls to hell as possible. And it’s…just beginning. She’s well on her way to dragging this whole town into the pit.

(remember the whore of babylon’s MO? manipulating people into doing stuff they never would’ve out of fear? yeah)

LEAH: This is why my team’s gonna win. You’re the great vessel? You’re pathetic, self-hating, and faithless. It’s the end of the world. And you’re just gonna sit back and watch it happen. DEAN grabs the stake, punches LEAH, and stakes her. DEAN : Don’t be so sure, whore.

(remember that time the whore of babylon taunted Dean about rejecting his destiny as the vessel of Michael, basically trying to manipulate him into doing the thing? And then he tried to go out and do the thing in the next episode but Cas stopped him? yeah good times)

5.18 Point Of No Return:

PREACHER : The end is nigh! The apocalypse is upon us! The angels talk to me, and they asked me to talk to you! The apocalypse— DEAN: Hey! I’m Dean Winchester. Do you know who I am? PREACHER: Dear God. DEAN: I’ll take that as a yes. Listen, I need you to pray to your angel buddies and let them know that I’m here.

(spoiler alert: good thing that guy prayed too loud)

5.20 The Devil You Know:

CROWLEY Now...For the record, I'm against this. Negotiating a high-level defection -- It's very delicate business. SAM What are you talking about? CROWLEY I begged Dean not to come back. We should be miles away...from you. He replied with a colorful rejoinder about my "corn chute." SAM (scoffs) CROWLEY So, go ahead. Go --ruin our last best hope. It's only the end of the world.

(spoiler alert: considering this entire thing was a demonstration of Crowley’s ability to manipulate things to his favor... nice tug on the ol’ apocalypse card to get your way)

5.21 Two Minutes To Midnight:

Pestilence: Hmm. You boys don't look well. It might be the, uh, Scarlet fever. Or, uh, the meningitis. Oh! Or the syphilis. That's no fun. However you feel right now? It's gonna get so very, very much worse. Questions? Disease gets a bad rap, don't you think? For being filthy. Chaotic. Uh, but, really, t-that just describes people who get sick. Disease itself... very... pure... single-minded. Bacteria have one purpose -- divide and conquer. That's why, in the end... it always wins. So, you've got to wonder why God pours all his love into something so messy! And weak! It's ridiculous. All I can do is show him he's wrong, one epidemic at a time. Now... On a scale of 1 to 10, how's your pain?

(spoiler alert: blowing up the bacteria actually kills them)

Bonus:

Death: As old as God. Maybe older. Neither of us can remember anymore. Life, death, chicken, egg. Regardless -- at the end, I'll reap him, too. Dean: God? You'll reap God? Death: Oh, yes. God will die, too, Dean. Dean: Well, this is way above my pay grade. Death: Just a bit.

(spoiler alert: *taps watch and raises eyebrow at Billie*)

5.22 Swan Song:

CHUCK (VOICEOVER): Any chapped-ass monkey with a keyboard can poop out a beginning, but endings are impossible. You try to tie up every loose end, but you never can. The fans are always gonna bitch. There's always gonna be holes. And since it's the ending, it's all supposed to add up to something. I'm telling you, they're a raging pain in the ass.

(spoiler alert: with the context that this is God speaking, RUDE)

6.15 The French Mistake:

BALTHAZAR Hello, boys. You've seen "the Godfather," right? DEAN Balthazar... BALTHAZAR You know, the end, where Michael Corleone sends his men to kill his enemies in one big, bloody swoop? (Balthazar finds a container of salt and pours it into a bowl on Bobby's desk) DEAN Hey! BALTHAZAR "Dead Sea brine." Good, good, good. You know, Moe Greene gets it in the eye, and Don Cuneo gets it in the revolving door? DEAN I said "hey." BALTHAZAR You did. Twice. Good for you. Blood of lamb. Blood of lamb. (looking through Bobby's fridge contents) Beer, cold pizza. Blood of lamb. Yes! Blood of lamb! SAM Why are you talking about "the Godfather"? BALTHAZAR Because we're in it – right now, tonight. And in the role of Michael Corleone – The archangel Raphael.

(spoiler alert: Raphael was playing at being a Michael wasn’t he...)

6.20 The Man Who Would Be King:

CASTIEL You want to make a deal? With me? I'm an Angel, you ass. I don't have a soul to sell. CROWLEY But that's it, isn't it? It's all of it. It's the souls. It all comes down to the souls in the end, doesn't it? CASTIEL What in the hell are you talking about? CROWLEY I'm talking about Raphael's head on a pike. I'm talking about happy endings for all of us, with all possible entendres intended. Come on. Just a chat.

(spoiler alert... it all comes down to the souls in the end, happy endings for all of us, or we can hope)

Bonus, for the sake of hilarity, because of the implication that Hell is a spiral narrative that begins at the ending, All Along The Watchtower style:

CROWLEY Yeah. See, problem with the old place was most of the inmates were masochists already. A lot of "thank you, sir. Can I have another hot spike up the jacksie?" But just look at them. No one likes waiting in line. CASTIEL And what happens when they reach the front? CROWLEY Nothing. They go right back to the end again. That's efficiency.

(spoiler alert: THAT’S EFFICIENCY!)

Double bonus, because I said so:

CASTIEL If you touch the Winchesters... CROWLEY Please. I heard you the first time. I promise -- nary a hair on their artfully tousled heads. Besides, I think they've proven my point for me. It's always your friends, isn't it, in the end? We try to change. We try to improve ourselves. It's always our friends who got to claw into our sides and hold us back. But you know what I see here? The new God (pointing at Castiel) and the new Devil, working together.

(no spoilers, this is just Cas giving everything, selling himself out, for his loved ones again)

6.21 Let It Bleed:

March 15, 1937 Providence, Rhode Island

(A man, H.P. Lovecraft, is typing on a typewriter. He drinks and continues typing. He types "THE END" then places the final paper on top of the others. His door creaks open, seemingly by itself. At the same time, there is a crack of thunder and the lights flicker. He looks up, afraid

(spoiler alert: guess what happened next? *screams and blood splatter* *title card*)

bonus:

CASTIEL: It's a means to an end. Balthazar, you understand that. BALTHAZAR: Oh, absolutely. But what's the end here exactly? You know, raid Purgatory, snatch up all the souls? CASTIEL: Win the war.

(spoiler alert: or option B, exploding and taking half the planet with him... always an option, apparently, and the one that kinda happened...)

7.20 The Girl With The Dungeons And Dragons Tattoo:

CHARLIE: So what's the end game – steal our resources, make us some slaves? DEAN: Planet-wide value meal. We're the meat.

(spoiler alert: sorry they weren’t kidding, Charlie. the Leviathan’s end game was pretty miserable)

7.21 Reading Is Fundamental:

DEAN picks up a “Sorry!” card. CASTIEL: You know, we weren't sure at first which monkeys were gonna make it. No offense, but I [DEAN moves a marker on the board] was backing the Neanderthals because their poetry was... just amazing. It's in perfect tune [CASTIEL picks up a card] with the spheres. But in the end, it was you – the [CASTIEL moves a marker] homo sapiens sapiens. You guys ate the apple, invented pants. DEAN: Cas, where can we find this, uh, Metatron? Is he still alive? CASTIEL: I'm sorry. I – I think you have to go back to start. DEAN moves a marker. DEAN: This is important. CASTIEL motions for DEAN to pick up another card. DEAN does and moves another marker. DEAN: I think Metatron could stop a lot of bad. You understand that? CASTIEL picks up another card. CASTIEL: We live in a "sorry" universe. It's engineered to create conflict. I mean, why should I prosper from... your misfortune? [CASTIEL puts down a marker and moves DEAN’s marker back to the start.] But these are the rules. I didn't make them. DEAN: You made some of them. When you tried to become God, when you cut that hole into that wall. CASTIEL: Dean... it's your move. DEAN pounds a fist on the table and swipes the board to the floor. DEAN: Forget the damn game! Forget the game, Cas.

(spoiler alert: In the end, it was you... I mean humanity won the evolutionary lottery and ended up being able to make the rules for ourselves. All through this, Dean’s looking for other potential avenues toward saving the world from being devoured by Leviathan. Remember when Metatron might be able to do a lot of good? while Cas dodges the actual subject and plays a game that literally continually sends Dean “back to the start” to make the same moves again, maybe slightly differently this time, different strategy, as he repeatedly tries to get Cas to answer HIS question about the actual world-ending game they’re playing against the Leviathan? THIS IS THE SPIRAL NARRATIVE IN ACTION IN ONE SCENE. “WE LIVE IN A SORRY UNIVERSE ENGINEERED TO CREATE CONFLICT” “BUT THESE ARE THE RULES” And when Dean is tired of trying to work within the rules? *game goes flying* *smashes God’s guitar* heck this is a perfect scene... have I mentioned that I love Ben Edlund lately?)

8.01 We Need To Talk About Kevin:

DEAN: Yeah, Cas didn't make it. SAM: What exactly does that mean? DEAN: Something happened to him down there. Things got pretty hairy towards the end, and he... just let go.

(spoiler alert: Dean’s already rewriting this ending in his head because he can’t accept the truth of it. Endings suck, and this one would not stand.)

8.12 As Time Goes By:

HENRY : John was a legacy. I was supposed to teach him the ways of the Letters. DEAN : Well, he learned things a little differently. HENRY : How? DEAN : The hard way. Surviving a lonely childhood, a stinking war... only to get married and have his wife taken by a demon... and later killed by one himself. That man got a bum rap around every turn. But you know what? He kept going. And in the end, he did a hell of a lot more good than he did bad.

(spoiler alert: see, Dean’s already made a hell of a lot of peace with John even way back then)

8.14 Trial and Error:

DEAN: I'm a grunt, Sam. You're not. You've always been the brains of this operation. SAM: Dean— DEAN: And you told me yourself that you see a way out. You see a light at the end of this ugly-ass tunnel. I don't. But I tell you what I do know – it's that I'm gonna die with a gun in my hand. 'Cause that's what I have waiting for me – that's all I have waiting for me. I want you to get out. I want you to have a life – become a man of Letters, whatever. You, with a wife and kids and – and – and grandkids, living till you're fat and bald and chugging Viagra – that is my perfect ending, and it's the only one that I'm gonna get. So I'm gonna do these trials. I'm gonna do them alone – end of story. You're staying here. I'm going out there. If landshark comes knocking, you call me. If you try to follow me, I'm gonna put a bullet in your damn leg.

(spoiler alert: just look at the title of this episode to see how this all turned out. It ain’t called “Trial and Major Win”)

Bonus:

SAM: I want to slam hell shut, too, okay? But I want to survive it. I want to live, and so should you. You have friends up here, family. I mean, hell, you even got your own room now. You were right, okay? I see light at the end of this tunnel. And I'm sorry you don't – I am. But it's there. And if you come with me, I can take you to it. DEAN: Sam, be smart. SAM: I AM smart, and so are you. You're not a grunt, Dean. You're a genius – when it comes to lore, to – you're the best damn hunter I have ever seen – better than me, better than dad. I believe in you, Dean. So, please – please believe in me, too.

(spoiler alert: hell if this doesn’t sound like the speech Sam gave Dean in 14.12, but like way less frustrated, angry, and afraid)

8.17 Goodbye Stranger:

Meg: You ever miss the Apocalypse? Castiel: No. Why would I miss the end of times? Meg: I miss the simplicity. I was bad. You were good. Life was easier. Now it's all so messy. I'm kind of good, which sucks. And you're kind of bad -- which is actually all manner of hot. We survive this... I'm gonna order some pizza and we're gonna move some furniture around. You understand?

(spoiler alert: Cas doesn’t miss the end of times. And the only reason he was “kind of bad” here was because he was being mind-controlled by Naomi so... Meg will be dead by the end of the episode, and Cas will be freed from Heaven’s control. Good times. Better than the apocalypse anyway)

8.19 Taxi Driver:

BOBBY: Yeah. Yeah, well... You know, I always figured that'd be the end of it... You know, just a Hunter's funeral. Zip. Nothing. And I was okay with that. Imagine my surprise. SAM: Well, I guess if there has to be an eternity, I'd pick Heaven over Hell. BOBBY: Yeah. 'Cause there's nothing screwy going on up there. SAM: I wish I made the rules. BOBBY: Well... I'll, uh, do my part, get to the end of this, but... I ain't exactly the retiring type, so, you idjits figure out a way to spring me...

(spoiler alert: apparently what’s burned doesn’t stay dead, s8 version? Also Sam wishes he made the rules... I love all these mentions of “the rules”)

8.21 The Great Escapist:

DEAN: We got the other half of the tablet. KEVIN: What? DEAN: It's the light at the end of your tunnel, kid. Don't say we never got you nothing.

(tfw the light at the end of the tunnel is actually a locomotive)

Dean: Cure a demon. Okay, ignoring the fact that I have no idea what that actually means, if we — if we do this, you get better, right? I mean, you stop trying to cough up a lung, and, and, and bumping into furniture? Sam: I feel better, yeah, um, just having a direction to move in. Dean: Well, good, cause where we're headed doesn't sound like a picnic. Sam: But we're heading somewhere. The end.

(spoiler alert: LOLOLOL thing again bub.)

9.20 Bloodlines:

ENNIS: Look, I don't need no apology from you. DAVID: I lost someone, too, okay?! But I'm trying here. ENNIS: I'm sorry about your brother. He spoke about you at the end. He said, "David, I'm sorry. I didn't have a choice."

(I wasn’t gonna include this, because it’s purely conversational on top of being from this episode which doesn’t really count but... when they’ve both lost people in a sacrifice play, and one is mistaken for the other and his dying words for his brother are “I didn’t have a choice?” um... that just felt relevant)

9.23 Do You Believe in Miracles?

Gadreel: I sat in this hole for thousands of years thinking of nothing but redemption, of reclaiming my good name. I thought of nobody, no cause other than my own. Castiel: You've been redeemed my friend. Gadreel: The only thing that matters in the end is the mission: protecting those who would not and cannot protect themselves. The humans. None of us is bigger than that, we will not let our fears, our self absorption prevent us from seeing it through. Not anymore. Castiel: No, no of course not. Gadreel: Move to the other side of your cell Castiel, and keep your head down. When they say my name, perhaps I won't just be the one who let the Serpent in, perhaps I will be known as one of the many that gave Heaven a second chance. Run sister.

(spoiler alert: redemption, selfless sacrifice, Gadreel meets his end to prove Metatron’s manipulative duplicity and reveal his real motive... that was just another game in a different loop of the spiral. In the end, it’s the only thing that matters)

10.20 Angel Heart:

CASTIEL: So do you think she's better off on her own? SAM: Cas, she just turned 18. CASTIEL: You were alone when you left for college at that age, weren't you? SAM: Yeah, but that's different. CASTIEL: How, Sam? SAM: Here's all I know ... going it alone, that's no way to live. You being there for her, even if she thinks she doesn't want you to be there for her, that's good for both of you. CASTIEL: Maybe, in the end. SAM: In the end.

(spoiler alert: things don’t just get better right away, and they’re hard but family sticks together, loved ones stick together, even when they say they don’t want to... it might not be easy now, but in the end...)

11.02 Form and Void:

SAM: I was infected last night. You? RABID MAN: This morning. SAM: Wait a second. Then why -- RABID MAN: . . . am I further along? Don't know. This thing, it ain't math. I seen some people change fast, some change slow. But in the end . . . We all end up the same. We go psycho. And then we go boom. SAM: Well, that's not -- I'm gonna fix this. RABID MAN: LIAR! You and me, we're dead. We're just taking our sweet time about it. So if you were smart, you'd put a bullet in me . . . and then eat one yourself.

(Sam wasn’t lying, Rabid Man. You just didn’t make it. And Sam was smart not to put a bullet in either of you.)

Bonus, for extra manipulation:

HANNAH: Where is it? CASTIEL: I don't know. HANNAH: Then who would? The Winchesters? Castiel, if this is true, it's the end for all of us. Sam and Dean -- where are they? CASTIEL: I don't know. HANNAH: Then think harder! CASTIEL: How did you find me?

(because that’s the thing, Cas realized Hannah wasn’t there to help, not there to heal him, and that she’d been in charge of all of this all along. She could’ve helped Cas like he’d asked and earned his trust and he probably would’ve shared what he knew of the Darkness with her, but she resorted to the old Heaven Way Of Doing Things instead... and he saw through the manipulation)

11.09 O Brother Where Art Thou?

Man: Repress your sins. Beg for his divine mercy. When the end comes – and come it will – only the forgiven will ascend to holy grace.

and

Amara raises both her arms skyward, compelling lightning bolts. One by one the members of the crowd are struck down; with the final lightning bolt hitting the man who had been preaching. They are all dead, completely scorched. The blood on the fountain turns back to water. The thunderstorm ends. Amara surveys her work, her gaze resting on one body, still holding a sign that says: THE END IS NEAR!

(gotta love those wackadoo religious nuts in this universe, right?)

Dean: What is it exactly that you want? When you make the world of bliss and peace, what’s in it for you? Amara: What I deserve. Dean: Which is? Amara: Everything. Dean: Everything? Amara: I was the beginning and I will be the end. I will be all that there is. Dean: So, you’re it. [Dean turns away from Amara]. That would make you God. Amara: No, God was the Light. I’m the Dark.

(So Amara was the beginning and will be the ending, all that there is... kinda... sounds a bit like... the empty?)

11.10 The Devil In The Details:

Lucifer: Okay, you don't like me. I get it... I get it; sometimes I don't like me either. But Gabriel and Raphael are dead. God went out for a pack of smokes and never came back... and Michael... well, let's just say prison life hasn't really agreed with Michael. These days he's usually sitting in a corner singing show tunes and touching himself. Sam: So you're it. Lucifer [laughing]: I'm it! And hey, I'm not the good guy, we both know I'm not, but the Darkness, she's the end of everything. Lucifer crouches down so he is face to face with Sam, imploring with him. Lucifer: But I can beat her. We can beat her. You and me, together. So come on, Sam. Make the right choice, the big sacrifice one more time, man. Sam, it's time to save the world, man.

(hooooly shit there’s a lot of lying and manipulating happening here... and the Darkness? even she wasn’t the end of everything)

11.16 Safe House:

(mostly included for flashback-to-the-apocalypse lolz)

BOBBY: The apocalypse is on the horizon, and you wanna hunt a damn ghost! RUFUS: Well unless you found a way to stop the end of the world during your little siesta, we got jack all on any of that business. Now I knew you were in the area, heard about this possible little gig, I thought a win would be nice.

(because it’s the end of the world and weird random “wins” help. Plus things that exist outside of time and space in convenient pocket dimensions for easy storage outside of God’s lil creation)

11.17 Red Meat:

Michelle: I... I just wanted to see how you were doing. And to tell you th... [Her voice shakes with emotion and she pauses.] I'm sorry. You saved our lives and... [another pause] well, my mom used to say, um... I didn't believe her then, but I... I think I do now. She used to say... death... it's not the end.

(lololololololllllllllll)

Dean’s spirit: You know, the Darkness is out there... and the world is gonna burn. And once she gets started, that's the end of everything, including you. Now, Sam's the only one who can stop it. Billie: Hmm. How's that? Dean is lost for words. Billie: That's what I thought. It's cute, though. You pretending you're trying to save Sam for the greater good, when we both know you're doing it for you. You can't lose him. But even if Sammy could win the title bout... the answer would still be “no.” The answer will always be “no.” Game's over, Dean. No more second chances. No more extra lives. Time to say bye-bye to Luigi, Mario. Dean’s spirit [sadness and desperation in his eyes]: I'm asking you... I'm begging you, please. Bring him back. Bring him back and take me instead. Billie: I'm not here to bargain with you, kid. I'm here to reap you. And the kicker is... Sam's not dead. [Dean looks stunned] But you are. Or will be, soon enough.

(DOUBLE LOLLLOLOLOLOLLOLLOLLLL)

11.21 All in The Family:

Dean: You're right. I am drawn to you. And it bothers the hell out of me, 'cause I can't control it. Amara: Then why fight it? What you're feeling is that I am the end of your struggle. Something stops you. Keeps you from having it all.

(lol Amara REALLY wants to be the end doesn’t she... poor thing gonna get stuck with Mr. Infinite Loop Chuck... no wonder that’s like her worst nightmare. Heck, being locked up in nothingness sounds better, since that IS her deal... she’s not just the “end” though... she’s also the beginning...Alpha and Omega... Chuck is all the middle bits)

11.22 We Happy Few:

CHUCK: I can’t say I’m sorry if I’m not. (He places plates of pancakes in front of SAM and DEAN.) What he wants an apology for, I did it for humanity. For the world. Look, Lucifer wants what everybody wants: Amara gone. ‘kay? Let’s just give him a little time to cool off. (CHUCK sips from a mug labeled WORLD’S GREATEST DAD.) DEAN: Okay, well, I don’t know if you’ve noticed, but a little time is not something that we have. The end is frickin’ nigh.

(omfg it’s all the Dabb era themes... god Chuck has always been a dick)

Bonus:

CLEA: End times shouldn’t bother you though, Ro, you a rat. Find your way off any sinkin’ ship. ROWENA: Damn right. The spell I’m working on is Book of the Damned magic, and it can get us back. We can buy ourselves a few more centuries of life. Turn back the clock for us before the world inevitably goes (sing-song) ‘bye-bye.’ CLEA: You scared. ROWENA: Aye. I came face-to-face with the Darkness. The Apocalypse bell’s been rung a few times in our day, but when I looked inside her, I saw it. Not just the end of the world, Heaven and Hell. The end of magic.

11.23 Alpha And Omega:

CAS: The angels are—Heaven won't help. DEAN: They know that this is the end, right? Of everything. CAS: Yes. SAM: And they don't care? CAS: No, it's not that. It's... They know—They know God is dying and they don't think we can win this. Souls or no souls. They're sealing Heaven, and they're "dying with dignity".

(spoiler alert: it’s like they keep trying to do this all through Dabb era... even after the Shadow throws open every gate. They’re still dying. Kinda makes me think it’s Chuck’s doing... literally... all of it, since it was Humanity’s Plan in this episode that CHANGED things from Chuck’s plan to just... wait for the inevitable blast wave ending)

[Sam, Cas, Crowley and Rowena, and Chuck pull up in the Impala to ‘The The Lazy Shag’ bar/restaurant which has a ‘Closed’ sign on the door. A man walks by with a sign that says ‘The End Is Near’.]

(and a bit later Cas comments that Chuck looks terrible >.>)

12.12 Stuck In The Middle (With You):

[organ music plays, Castiel is sitting in his truck listening to the radio] RADIO: Each of us has a time the physical body dies. We all face God’s judgment in the end. There’s not one of us alive walking on this earthly plane that will not pay the consequence for their actions. [the Impala pulls into the parking lot, distracting Cas from the radio] RADIO: The Lord will hold us in the palm of his hand, and he’ll weigh our souls. Brothers and sisters, are you worthy? [Cas turns off the radio]

(lol, THE WOUNDED ANGEL)

RAMIEL: Allies. Is that what you call three humans with one good liver between them and a busted up angel? CROWLEY: I admit they don’t sound like much. But every Armageddon, every bloody, “this is the end of all things,” a Winchester stopped it. Like it or not, they’re an asset we can’t afford to lose.

(Crowley being sensible, there’s something much bigger than Ramiel’s surface-level read at stake here)

12.20 Twigs And Twine And Tasha Banes:

KETCH: It's the end for the American Hunters. Their time has passed.

(BWAHAHAHAHAHAHAHAHAA)

WOMAN: I'm reaching the end of my very long life, and it's a problem. Max and Dean are also in pain. Another image of Tasha in the cellar bleeding profusely from her stomach area flashes. WOMAN: 'cause I sold my soul for power. So when I pass, my soul goes to Hell. Unless I can find someone to take the burden, to take my magic.

(spoiler alert: that’s YOUR problem, lady)

12.22 Who We Are:

SAM: Is this how you pictured it? The end? DEAN: Oh, you know it's not. I always thought we'd go out like... Butch and Sundance style. (Sam chuckles) SAM: Yeah. Blaze of glory. DEAN: Blaze of glory. (Dean smirks) Son of a bitch.

(spoiler alert: the grenadebaiting payoff. Gonna die anyway? May as well get the big boom.)

13.02 The Rising Son:

SAM: These yellow-eyed things just keep on comin’, huh? DEAN: Mm—hmm. And hopefully this fourth Prince of Hell is the last Kardashian in the family. SAM: According to this, if that was Asmodeus, it’s the end of the line.

(hey, for once, reaching the end of the line is a relief)

13.16 Scoobynatural:

SAM: Dude, what's wrong with you? DEAN: They don't know that they're in a...a C-word. And we're not gonna tell 'em about anything. Not where we're from, not about monsters. Nothing. Capiche? (Dean looks over to the Scooby Gang, standing across the room) DEAN: They are pure and innocent and good, and we're gonna keep it that way. SAM: Look, if you've seen this episode, why-why can't we just skip to the end? DEAN: Well, 'cause sometimes it's about the journey and not the destination.

(we can’t “skip to the end” because it’s about the JOURNEY, which is still ONGOING, and therefore NOT THE END)

Bonus:

Sam: Ha! Velma was right. It was a shady real estate developer after all. Jay: It's not fair. I would've gotten away with it if it wasn't for those meddling kids. Dean: He said it! He said the line! Scooby Dooby Do! Sam: What are you doing? Dean: Well, I mean at the end of every mystery, Scooby looks at the camera and he says-- Castiel: Dean, you're not a talking dog. Dean: I know that. I... Sam: Yeah. Dean: No, but come on, I-I do look cool with the ascot, right? No? Guys? Come on, guys. Look, red is my color!

(lol!)

13.20 Unfinished Business:

KEVIN: I didn't have a choice! I… Y-you don't understand. I… I… I never used to believe in anything. Well, ex-except science-- quantum mechanical unpredictably. But then the end of the world happened, and everyone around me-- my friends, and my… my mom-- they all started to die. But God chose me? What… What does that even mean?! Michael said he wanted to save the world, not kill it. But he… he hurt so many people. When I couldn't perfect the spell, Michael, he got mad and threw me in the dungeon. And I was so scared, but I fixed it. B-but I… I couldn't do it anymore.

(aah, the poor Worst Version of Kevin, no choice, thought he was doing the right thing, manipulated by circumstance and empty promises...)

GABRIEL: I had it made-- all the booze I could drink, all the, uh, entertainment I could handle. [Sam interrupts and Dean looks disappointed, but the action returns to the motel room] SAM: Okay! Why don't we just skip to the end? [Gabriel sighs and skips to the end of the story, asleep in bed with the two women, when Sleipnir, Narfi, and Fenrir bound him with a sigil and kidnapped him from his bed] GABRIEL: So this is how it ended. By the time I came to, they had sold me to Asmodeus. SAM: Why would they do that? GABRIEL: Hello? Lucifer? In case you don't remember, there was an apocalypse brewing at the time.

(LOL Sam asked Gabriel to skip to the end of the story, and unlike Dean in 13.16, Gabriel did... no wonder Dean was disappointed, he was enjoying the journey even if most of Gabriel’s story was embellished beyond recognition)

LOKI: You think you're some… poor, innocent victim? [he strolls over and punches Gabriel again] Gabriel, with his deadbeat daddy and his mean older brothers. [he stomps on Gabriel] “Who will help me?” “Who will save me?” [he picks Gabriel up and pins him to the wall by his neck] I did! But you… you couldn't keep one promise. And then you had the audacity to ask me to help you again?! [he throws Gabriel down the hall, where Sam and Dean have arrived in a doorway behind him] You think I deserve to die for your spinelessness?! That my sons deserved to die?! [the fight continues, as Dean slides Loki’s sword to Gabriel and Gabriel finally gets Loki pinned to the wall at the tip of the blade] LOKI: Of course, of course you would need someone to swoop in and save your pitiful ass. GABRIEL: Shut up! LOKI: Face it, old friend, you're a joke. You're a failure. You live for pleasure. You stand for nothing. And in the end, that's exactly what you'll die for.

(heck... I mean, Loki dies here, because that “promise?” Gabriel didn’t break it. Loki just wouldn’t listen to facts or accept the reality of what happened. Gabriel had been trying to SAVE his father in 5.19, but THEY also wouldn’t listen... so... poor Gabriel was just stuck in the middle again, and he was imprisoned and tortured for it. Heck he better still be alive and that was another projection that died in 13.22)

14.03 The Scar:

Dean: You were right. I just didn’t want to look at it, what Michael used me for. I just wanted to race ahead. You know, skip to the end of the story the part where I get the weapon and I take out the bad guy. The part where I kill Michael. Sam: Yeah, I know. Dean: You know I said yes to him because I thought: it was stupid. I was stupid. Sam: Dean, you did what you had to do.

(ugh there’s that awful “you did what you had to do.” there was NO CHOICE. NONE. and Dean just wanted revenge at any cost for having been used like that... not even just by Michael, but in the Grander Scheme he has context for after 14.20)

14.07 Unhuman Nature:

Rowena: It's as I suspected. A Nephilim, for all its power, is an unnatural presence. Part human, part angel… It -- It doesn't quite fit. It's delicate. Its grace is what holds it in balance, and when Jack's grace was taken from him, his being fell into chaos. The -- The cells are gobbling each other up. Castiel: Well, if it's grace he needs, he can have mine. Rowena: No, dear, it won't do. Jack is part archangel. He needs a much stronger force and probably some kind of magic, and he needs it quick. Dean: How quick? Rowena: I don't...I don't exactly know, but he's enterin' a critical phase. Sometimes he'll look just fine, but then his body will give way and...it'll be the end of him.

(interesting phrasing...)

14.10 Nihilism:

Mainly, I wanted to make note of the song choice that plays in Rocky’s Bar, “Searchin’ for a Rainbow” by the Marshall Tucker Band. Because the lyrics repeat on a loop about looking for the end of the rainbow

14.11 Damaged Goods:

SAM: Mom, we don’t hug. I mean, w-we do, but only if it’s literally the end of the world, you know?

(yet... Dean awkwardly hugged him... sign of the apocalypse)

14.12 Prophet and Loss:

DEAN: Hey. Man, I-I just want to make sure that you’re still with me on this thing. You’re gonna see it through to the end. SAM: Well, I gave you my word, didn’t I? DEAN: Okay, alright. Just, you know, after what you said last night, I-I-I don’t need you and Mom coming up with some way to stop me. SAM: You know, Mom hates this. I hate this. DEAN: I know. SAM: And Cas and Jack, you haven’t even told them. DEAN: Okay, well, yeah, that’s because I’m not good with the whole big goodbyes, alright? I-I-I don’t need to get shaky on this thing. SAM: Wouldn’t be the worst thing. DEAN: You know what Michael wants to do, you know that this will stop it, and you know that there’s no other way. So, just put the end of this trip outta your head, okay?

(spoiler alert: oh look it’s nihilistic Dean from back in 5.18 come for a brief visit. good thing he got clocked on the noggin instead of doing this dumb thing)

Bonus that’s not really a bonus, because boy’s obsessed and it’s just not healthy:

DEAN: I believe in all of us. And I’ll keep believing until I can’t. Until there’s absolutely no other way. But when that day comes – if that day comes… Sam, you have to take it for what it is – the end. And you have to promise me that you’ll do then what you can’t do now, and that’s let me go. And put me in that box.

#it's spirals all the way down #spn 5.04 #is notably absent from this list...#spn masterlist masterlist pffft #this is just for my own personal musing purposes #the end

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mittensmorgul · 6 years

Text

Things that look like other things

There’s two ways to look at this theme (lol, appropriate) in s13, and I wanted to list them out for my own reference purposes. I thought others might find this interesting too.

Pretending to be something they’re not:

13.01: the “Fries Girl,” who pretends to be a drunk but later we learn she was actually an angel who was specifically targeting the Winchesters.

13.02: Jack “learning to human” by mimicking Dean.

13.03: Patience (because of her father) denying that she’s psychic, even to the point of absurdity.

13.03: the MotW is a wraith who feeds off psychics’ powers, which gives him the ability to “read” their visions too. He forces his victims to perceive

13.04: Sam, Dean, and Jack “pretending” to be grieving their mother (I mean, technically they are) to visit Mia.

13.06: the ghoul pretends to be a normal guy with his girlfriend Athena

13.07: Ketch pretends he’s actually his “good” twin brother, but it’s just Arthur resurrected from the dead and looking for Rowena to “redo” his resurrection spell

13.08: Barthamus pretends to be hiring Sam and Dean to help with a problem-- offering half of a spell to track a nephilim as bait-- but is only using them to seek revenge on a human who escaped his demon deal through a loophole and his motives are entirely selfish

Sam pretends to be selling a family heirloom to gain access to Shrike’s estate (the demon knife)

Dean is used as a “human compass,” his blood leading them to Shrike’s hidden vault

They’d actually retrieved Bart’s bones, which Alice burns to free herself from servitude to the demon (but also accidentally burns the other half of the spell they needed

13.10: Claire pretends to be a delivery driver, kills two werewolves and saves a little girl

13.12: Two witches use love spells to get men to do their bidding, only to kill them when they have what they want, They use the spell on Dean to get him to bring them the Black Grimoire because they need to resurrect their dead mother

Lucifer asks Cas for some of his grace to boost his own waning power, and cuts Cas’s stomach to take it.... but Cas refuses and stabs him

Rowena performs the spell, cuts open her own throat, and unbinds all of her powers, revealing glowing purple eyes

13.13: “Sister Jo” is an angel pretending to be a human faith healer.

Lucifer is struggling with his own humanity, and is slaughtering angels to steal their grace to try and power up, while also trying to play human to survive, but Jo barters with Lucifer and voluntarily gives him bits of her grace

Lucifer attains the throne of heaven with false promises that he can repair their wings and make more angels

Mary risks telling AU Bobby that Jack is actually a nephilim after previously claiming him as family, and it gets them kicked out of his camp

13.16: In order to restore the Scooby Gang’s innocence, the ghost boy agrees to pretend to be the crooked lawyer wearing a rubber mask so to them the episode ended the way it was always supposed to.

13.17: Yokoth the tentacle monster pretends to be Sandy

Ketch gets to decide who he really wants to be, and abducts Gabriel, his grace, and the archangel blade and brings them to Sam and Dean at the bunker.

13.18: Lucifer attempts to play God, sitting on Heaven’s throne. He attempts to do a little PR to improve his image, and shows up at an exorcism, tells the demon to leave, and then fails to even remotely make a good impression on the priests before killing them both in frustration. He eventually confesses to Jo that he can’t actually fix the angels.

Asmodeus threatens Sam, if he doesn’t hand over Gabriel, Asmo will reduce the bunker to ashes (it’s a bluff, he can’t, and is reduced to ashes himself)

Making an ASS out of U and ME (assume something that’s proven false, specifically re: identity):

13.01: Fries Angel talking about Becky (meaning Dean), talking about herself (as a human not an angel)

but also Sam’s assumption that the “Father” Jack was seeking was Lucifer-- not Castiel.

13.03: Sam’s “training sessions” for Jack’s powers

but also Patience’s father adamantly denying that Missouri’s powers had been real, because he’d been hurt by her belief that his wife wasn’t going to die (but she did), leading to him cutting Missouri out of his and Patience’s lives and denying the supernatural to try and protect Patience

13.04: What’s burned stays dead. Which is proven wrong when Cas comes back.

13.05: They thought Billie was dead... but nope she just got promoted to Death. And she had some serious words about Dean, fate, and the multiverse.

also Sam does a LOT of assuming about Dean... most of which just makes things worse (if Dean can’t just “be okay” then what good is he to Sam? At least that’s Dean’s thinking)

13.06: Jack assumes he didn’t resurrect Cas (and nobody has a good answer for how Cas is back. Cue the dramatic irony.)

Jack guessing the identity of their monster wrong based on his limited pool of info (shapeshifter or zombie). When informed it’s a ghoul, he seems pleased that it’s actually a “shapeshifter zombie.”

Jack assumes he can confidently use his powers to defeat the ghoul, and accidentally kills an innocent human in the process

13.07: Everyone assumed Ketch was dead (Sam buys his “twin” story for a while but Dean doesn’t)

Everyone also assumed Rowena was dead, but Ketch knows she’s alive

also everyone assumed Lucifer was trapped in the AU, but he finds Cas and saves him from being captured or killed by angels with a (false) display of power sending the attacking angels fleeing

we also learn that Ketch is working as a mercenary for Asmodeus

13.08: Shrike (because he was warned by Asmodeus’s minion that Barthamus was coming for him) believes Sam is a demon

Sam stabs Shrike with Ruby’s knife, but Shrike reveals as long as he’s on his property, he’s effectively immortal (he knocks Sam out and goes after Dean)

13.09: Everyone assumes Jack had something to do with Derek’s death

The angels use Kaia as bait to lure Jack to them with the intent to capture him to use his powers for their own benefit

13.10: Patience had a vision of Claire dying in the Bad Place (but it ends up being Kaia who dies there)

13.11: They assumed the man from the diner was a man... but he turns out to be a vampire in league with the killer, who turns Doug into a vampire (but Doug is saved, though learning the truth about Donna’s monster hunting, he breaks up with her)

Buying into Clegg’s story that he’s investigating the case, he gets the upper hand on Sam and tries to auction him off to monsters-- starting with his heart

13.12: the girls resurrect their mother but bungle the spell. she’s essentially a revenant who is impervious to magic (yet is vulnerable to mundane weapons)

13.13: Sam and Dean learn how they’ve been deceived by Asmodeus pretending to be Cas

Ketch offers to team up with the Winchesters, but Cas boops him unconscious and they stuff him in the trunk.

Sister Jo tells the Winchesters that Lucifer kidnapped her, and they offer to “save” her from him. She leads them into a trap, and they’re rescued by a timely distraction from Ketch.

Donatello begins work on the Demon Tablet-- and Asmodeus appears to him in the guise of Castiel in order to get informationn from him

We learn that Asmo has had Gabriel prisoner all this time (and we later get confirmation that Gabriel’s grace has been the source of Asmo’s unexpected powers

13.14: Donatello (in his soulless state) is corrupted by the demon tablet. He attempts to kill Dean and Cas by proxy via Gog and Magog, he lies and says they need their hearts for the spell, but they’re made of sand and have no hearts

Mary helps Jack find a weak spot in the warding... the loophope in the words as it were, that they can break free through

Because Sam refuses to let Cas kill Donatello, Cas resigns himself to their only other option-- stripping Donatello of his memories of the tablet and rendering him brain dead

like... just all of 13.15. all of it.

13.17: Sam and Dean are deceived by Yokoth the tentacle monster and believe she’s Sandy, an innocent girl held captive by rogue MoL

in trying to protect Sandy, they allow Yokoth to feed on a bunch of innocents, and capture Dean to attempt to force him to be host to her mate Glythur the tentacle monster. She’s pulled back through the rift to her own dimension instead.

The “rogue MoL’ people turn out to be standing guard over Yokoth because of a horrifying mistake their ancestor made, but now that Yokoth is gone (after cleaning up all the misunderstandings that led to her being freed again), they’re free of that duty.

13.18: Naomi is alive, and one of less than a dozen angels left in Heaven

Sam and Dean discover they’ve been followed around by one of Billie’s reapers for months

Rowena was killing reapers trying to get Billie’s attetnion because she wanted her to bring back Crowley. Billie refused, and Rowena not only accepted it but agreed to help Sam and Dean with Lucifer-- confident that SAM would be the one to end her life and not Lucifer

13.20: We learn AU Kevin’s fate, how he was manipulated into doing Michael’s bidding, but in the end he sacrificed himself in defiance of Michael’s orders

Like, literally all the rest of this entire episode

Literally assuming someone else’s identity, i.e. true Doppelgangers:

13.02: Asmodeus impersonating the bartender he murdered to get information from Dean (which didn’t really work)

then appearing as Donatello to get info from Sam (which actually works)

and then impersonating Donatello in order to manipulate Jack. The real Donatello helped unmask the fake.

Also, we meet AU Michael, a double from another universe who succeeded in killing “his Lucifer” during the apocalypse

13.04: The MotW is a shapeshifter who maliciously assumes the identities of dead loved ones in order to torment and murder their grieving relatives.

oh and it used Dean’s own face to take him off guard and knock him out

But also, there’s a “good” side to that horrible coin, with a grief counselor shapeshifter who assumes the identities of dead loved ones to help grieving relatives let go and say goodbye so they can move on.

Also, the Empty Entity who modeled itself to look like Cas in order to torment him with his own guilt.

13.05: Billie has become Death. or maybe Death has become Billie...

13.06: The MotW is a ghoul with an affinity for assuming the identity of a long-dead cowboy outlaw

13.07: The AU Kevin Tran

Asmodeus impersonates Cas on the phone when Dean calls

13.08: Barthamus has ascended to the position of “King of the Crossroads” and does his best to fill Crowley’s shoes

13.09: In a “reverse doppelganger” situation, we learn Kaia suffers physical injuries during her “mental” dreamwalks to the Bad Place (I wasn’t sure how to classify this, because it’s not technically a doppelganger situation-- yet-- but her wounds in THIS world weren’t caused physically and that seems significant)

13.10: Tangential to Kaia’s wounds following her from the bad place, now monsters are following her too

and the previous two bullet points feel important to me because the hooded figure from the Bad Place looks exactly like Kaia and comes through a rift to our world

13.11: similar to Ketch posing as his own twin in 13.07, an FBI agent is also the serial killer he’s spent his entire career supposedly tracking

The agent’s accomplice in the leather mask is never unmasked. He essentially has no identity.

13.14: AU Zachariah forces Jack to experience visions that he can’t save Sam and Dean from a fire in the bunker, and when that fails he forces Jack to think he’s talking to Castiel (but Jack doesn’t buy that either)

13.16: the ghost of a small boy is trapped in a pocket knife and used by an evil man for personal gain. I know this isn’t strictly “things that look like other things” here, but the ghost’s methods of doing his “master’s” bidding are possessing a stuffed dinosaur and sucking the Winchesters into an episode of Scooby Doo and attempting to kill them

13.17: We learn that Asmodeus has been getting his shapeshifting powers by injecting himself with Gabriel’s grace

13.18: Dean finds AU Charlie and saves her from the angels

13.20: Gabriel bargained with the real Loki to secure his “secret identity” as the Trickster.

there’s just a heck of a lot of trickster-ing going on

Possession by a foreign entity:

13.05: Technically this was ghost possession similar to that in 11.07, via the plague masks... but there was more to it than that.

13.13: Sister Jo bartered for her vessel with a woman who prayed for her to save her husband

13.17: Tentacle monsters from another dimension

#things that look like other things #spn s13 #spn masterlist masterlist pffft #meta masterpost #not that this is meta... this is just a list of interesting info for reference purposes

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