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the-empress-shark · 7 years
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From some time I began my manga on Bleach after the defeat of Aizen in the fake karakura, I didn’t like what happened after that part so I just thought: let me realize how I imagine the story after that! Of course I’m not a mangaka and I don’t know the basics of making a manga but I want to make it anyway >//<. Really hope you’ll like it, tomorrow I’ll upload my second chapter!
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unfug-bilder · 4 years
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(C) Ian Bremmer
https://twitter.com/ianbremmer
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opera-ghosts · 4 years
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Ada Sari (29 June 1886 – 12 July 1968) was a Polish opera singer, actress, and educator. One of the leading coloratura sopranos of her generation, she possessed a large, resonant voice with a clear timbre. Her career took her to the stages of the best opera houses and concert halls in Europe during the first half of the 20th century. Her signature roles included Gilda in Rigoletto, Mimi in La bohème, Rosina in The Barber of Seville, Violetta in La traviata, and the title roles in Lakmé and Lucia di Lammermoor. Sari enjoyed a great deal of popularity among audiences and critics and she was dubbed "The Queen of Coloratura" and the "New Patti" by the Italian press. During her career she appeared opposite many famous singers, including Mattia Battistini, Beniamino Gigli, Aureliano Pertile, Titta Ruffo and Tito Schipa to name a just a few. She collaborated with many well known conductors like Sergei Koussevitzky, Tullio Serafin, and Arturo Toscanini. She also appeared in concert with many well-known performers, such as Fritz Kreisler, Wilhelm Backhaus, and Pablo Casals. Born with the name Jadwiga Szayer in Wadowice.Sari made her professional opera debut in 1909 as Marguerite in Charles Gounod's Faust at the Teatro Nazionale in Rome. She spent the next three years appearing at major opera houses in Italy like La Scala, the Teatro Comunale di Bologna, La Fenice and the Teatro della Pergola. Between 1912 and 1914 she had major successes at the Teatro Lirico Giuseppe Verdi, the Teatro Donizetti di Bergamo, the Teatro Dal Verme, the Teatro Regio di Parma, the Teatro del Giglio, the opera house in Brescia and the Teatro di San Carlo. At the later house she was a much admired Berthe in Giacomo Meyerbeer's Le prophète and Arsena in The Gypsy Baron. She also sang Santuzza in Mascagni's Cavalleria rusticana and Nedda in Leoncavallo's Pagliacci under the batons of their respective composers in Alexandria. In early 1914 Sari gave a highly lauded portrayal of the title heroine in Jules Massenet's Thaïs at the Great Theatre, Warsaw. She also appeared at that house as Tamara in Anton Rubinstein's The Demon with Mattia Battistini in the title role. In the spring of 1914 Sari embarked on a lengthy concert tour of Russia with a group of Italian singers which included extended stays in Moscow and Saint Petersburg for opera performances at the Mariinsky and Bolshoi Theatres. The tour, which originated in Warsaw, also stopped for performances in Lemberg, Kiev, and Kraków. After World War I ended, Sari performed a lot in South America, especially since 1918 at the Teatro Colón in Buenos Aires. In 1921 she undertook a concert tour throughout North America, which included appearances at Carnegie Hall in New York and the Auditorium Building of Roosevelt University in Chicago. Toscanini invited her to portray the Queen of the Night in The Magic Flute for the opening of La Scala's 1923–1924 season.
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keresztyandras · 2 years
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Első kommentárok: Plank Alexandra
Első kommentárok: Plank Alexandra
Gratulálok a győzteseknek! Sajnálom, hogy hiába hittük azt, hogy végre a normálitás győzhet, úgy tűnik az már ebben az országban kisebbségbe került. Ezt be kell látnunk. Gratulálok a Szayer, Bayer, Kaleta cselekedeteit, a homofóbiát, a tanárok lenézését, a lopást, gyermekeink külföldre menekülését, a korrupciót Putyin, a háború és kelet irányába tartását elfogadó Fideszes szavazóknak.…
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unfug-bilder · 4 years
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