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michelles-garden-of-evil · 3 years

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Episode 45 Review: Bob Costello’s First Episode

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{ Full Synopses/Recaps: Debby Graham | Bryan Gruszka }

At long last, welcome back to my review series for Strange Paradise, a show increasingly living up to its name. In 1969 PT, the audience for this episode--primarily young people and housewives smitten with Colin Fox--is watching Jacques threaten Alison’s life if Vangie tells anyone about the events on Maljardin after leaving. Meanwhile in our timeline, the story takes a different, more bizarre direction, featuring an allegedly evil rabbit, a bloodied locket that once belonged to Erica Desmond, and an emergency séance that ends in a poisoning.

Now that former Dark Shadows staff member Robert Costello has taken the helm as producer, there will be many changes to the show, including a change in writers. Co-creator and former headwriter Ian Martin is gone now, and in his place we have George Salverson and Ron Chudley. Salverson was a prolific writer for Canadian radio and television, writing (among many other works) a 1949 radio adaptation of Dracula that’s very good and at least four scripts for the 1967 historical comedy TV series Hatch’s Mill[1], which also starred Cosette Lee and Sylvia Feigel and featured Kurt Schiegl as Big Kurt. Chudley was an up-and-coming writer who, like fellow SP writers Ian Martin and Harding Lemay, became better-known for his later work. He is still alive as far as I can tell and works as a novelist and playwright. The resume on his personal website lists a wide variety of works, including a series of mystery novels, one published play (After Abraham), and many scripts for different media, including “over one hundred [TV] scripts, for CBC and independents.” Salverson and Chudley will only write the next five episodes, but one of these (Episode 47) will be among the best of Maljardin.

From now until Episode 149, all episodes will open with new, Dark Shadows-style narrations delivered by cast members. The first, read by Angela Roland (Vangie), is rather vague and--surprisingly--doesn’t recap Holly’s poisoning:

Death lives in this great house on Maljardin, striking as swiftly as a bolt of lightning. Legend says it is caused by the evil of this man [Jacques Eloi des Mondes], three hundred years dead:

But others believe it is something more, like the Reverend Matthew Dawson.

The reason why she mentions Matt of all characters is because he appears first in this episode, lamenting the fact that Alison hasn’t yet verified whether or not his twenty-year-old stalkee Holly survived the poisoning attempt at the end of last episode. “Murder is a three-hundred-year-old tradition here on Maljardin,” he comments, speaking to the portrait which he refuses to believe is animate. “Do traditions ever die?”

“Murder, Reverend Dawson?” Vangie asks, which triggers a discussion of who could have poisoned the wine that Holly drank. Was the culprit her mother who poured it (and whom Vangie and Raxl have identified as a dangerous witch)? Was it Raxl, who filled the decanter? And could Holly have drank the cyanide that Jean Paul took from the lab in Episode 23, which has been missing since? We soon get an answer to the third question, courtesy of Holly’s mother Elizabeth:

Well, that was quick.

“They tried to murder my daughter,” she accuses. “What will they do to the rest of us?”

“They?” Matt asks, confused. “Who?”

“I filled the glass, Raxl filled the decanter, and where was Jean Paul?” She asks about the master of Maljardin with a tone of accusation, evidently suspecting him of playing some role in the attempted murder. This is the first time on this show that one of Colin Fox’s contractually obligated absences has been worked into the plot in a way that makes sense, and I think it’s brilliant. His absence from the second séance provides her with a realistic and believable reason to accuse him of having something to do with the poisoning.

As for what Jean Paul was doing during the events of last episode...

Less realistic or believable, IMO.

He appears to have spent the night rabbit-sitting in his bedroom the whole time while trying unsuccessfully to interrogate it. “What are you?” he asks the Rabbit of Evil, who ignores him because it knows which of them is really in control of the island now. “A creature that cannot exist on this island and yet does exist! My...Erica...”

Raxl cuts him off when she enters the room, bringing tea as a pretext. “The master is not safe with a devil spirit in the room,” she tells him, no doubt wanting the fluffy devil spirit back so she can sacrifice it.

Jean Paul must see through Raxl’s flimsy pretext, given how dramatically he refuses the refreshments she brought. “Leave me, Raxl,” he hisses, mugging for the camera. “I do not want your tea!” Even after she offers to taste it first, he refuses.

Raxl leaves to visit the Great Hall, where she arrives just in time to overhear Elizabeth accusing her of poisoning Holly. After pissing off Elizabeth by giving her the stink-eye, Raxl sends Vangie upstairs to report to Jean Paul with the locket.

Raxl giving Elizabeth the stink-eye.

Elizabeth tries using the look as evidence that Raxl is working against them. Vangie doesn’t buy it.

While ranting to Quito in the crypt, Raxl recaps what she knows about Erica, the locket, and the Rabbit of Evil. She speaks of herself in the third person: “Raxl cannot tell them because they are fools!” This is a new thing, which Ian Martin’s Raxl never did. It’s also the second time this happens in the episode; the first instance occurs in the tea scene. where she asks, “Does the master wish Raxl to taste the tea before he drinks?” I don’t like it. I think referring to herself in the third person makes Raxl sound less intelligent than she’s proven herself to be.

Meanwhile, in Jean Paul’s room, Vangie dangles the sparkling locket like a pendulum before Jean Paul’s eyes:

Vangie: "Jean Paul Desmond…look at the locket…focus on the locket…focus as I swing it back and forth like a pendulum…you are now getting very relaxed…now, Jean Paul Desmond…now you will stop being mean and grumpy as you have been since the capsule malfunctioned…you will go back to being polite and charming like before and stop breaking everybody’s hearts…you will confess your love to Dr. Alison Carr…you will also stop looking constipated…Jean Paul Desmond…Jean Paul Desmond…"

I wish. No, she isn’t actually using it to hypnotize Jean Paul, just showing it to him so that he can inspect it. He verifies that it belonged to her and claims that he “put [it] on Erica’s throat with [his] own hands. I saw it sealed into the capsule with her, with these same eyes that see it now.”

The line above is a retcon. In Episode 4, Erica was not wearing any visible locket when the men from the Cryonics Society insert her body into the cryocapsule. Jean Paul entered the crypt to see her after they had already sealed her in.

“Now, take it, Jean Paul,” Vangie orders. “Feel it. It is real!” She says this as though Jean Paul had just denied it being Erica’s, which is the opposite of his reaction. “I can touch it no more! Take it back!”

She hands it to him and he takes it. Even though he says it’s real and so does she, he still wants confirmation. “Touch it, Vangie!” he begs. “You must! How am I to save my mind? How else am I to know if it is true and real, what I am seeing?”

“Do you doubt your mind, Jean Paul?” Vangie asks, although it’s obvious that’s the only explanation for his command.

“This is the mystery,” he says. “This is the terrible fact I must find out, without this.” It’s not clear what specifically he means by this in either of those sentences. “Vangie, how can you make a contact?”

Not wanting to subject herself to a third dangerous séance on the island, Vangie tells him, “I’m sorry, Jean Paul. The séance is impossible. The angry spirit that came into this house with the locket and the black rabbit is still here, waiting. It can seize any one of us as it seized Holly. I will not do it!”

But Jean Paul insists that she must, or else “how will [he] be able to save [his] mind?”

“How much are you asking?” Vangie demands. “What are you doing to me? What are you doing to all of us?”

Speechless, Jean Paul doesn’t respond. After Vangie leaves the room, he clutches the locket to his chest. “How am I to save myself and my Erica?” he ponders, his eyes wide with terror.

Down in the Great Hall, Vangie vents to Matt and Elizabeth about how she doesn’t want to put them in danger by holding another séance, throwing the box that was on top of the séance table in anger. Elizabeth, remembering that Jean Paul had once seemed “such a reasonable man,” speculates that one of them may be able to reason with him.

Meanwhile, Jean Paul begins to speculate that someone has opened the capsule and continues his attempted interrogation of the very bored-looking rabbit:

Jean Paul: “Who are you? What are you? If I gave you the poisonous leaves here on Maljardin where nothing lives, would you die, or have you lived and dined on this vile island on poison?” Rabbit of Evil: “...”

Jean Paul: *obviously reading Teleprompter* "Or are you innocent? And if you are, then you would die blameless. Or is Raxl right? Was it evil that brought me the locket or good?"

Jean Paul: *unable to suppress a smile at the ridiculous monologue about the cute animal* "And which are you: good or evil?" Rabbit of Evil: *twitches nose cutely*

This scene is the crowning moment of cute on Maljardin, between Colin Fox’s unsuccessfully suppressed smile and the adorable rabbit twitching its nose at him. Eventually giving up on questioning the animal, he sets it back down in the picnic basket and returns to the matter of the locket.

“Yes!” he declares. “I can find these answers if the capsule is opened. And if there’s nothing there or the locket is there,”--he reads the Teleprompter some more--”then this is false!”

After a brief filler scene between Raxl and Quito--in which she, thankfully, is back to referring to herself in the first person--Matt visits Jean Paul in his room. Attempting to reason with him, the Reverend begs Jean Paul to confess if he is responsible for the things that have happened to Holly, between her being pushed down the stairs, the slashed portrait, and last episode’s poisoning. Jean Paul accuses him of plotting with the others on the island to gaslight him, then describes his new, bizarre theory about Dan removing the locket from the cryocapsule when it allegedly failed and dipping it in blood as part of their plot. But how did Dan get the blood? The only possibility, he believes, is that there was blood on Erica. This provides him with yet another reason to open the capsule: to see where and how Erica was bleeding, which he now claims he remembers happening.

Meanwhile, Raxl and Quito meet in their bedroom to discuss the necessity of finding the conjure doll and the silver pin. And the fact that they’re meeting in their room means...

There he is, again: our mascot!

They leave to search in the Temple of the Serpent shortly after, and we get this well-lit shot of the passageway between the crypt and the temple.

Matt returns to the Great Hall and recaps his conversation with Jean Paul to Vangie, who comes to the conclusion that the situation on Maljardin is hopeless because Jean Paul doesn’t know the truth. At the same time, Raxl prays to the Serpent in the temple to tell her if the “woman-child” Holly should die, to which the answer is “yes.” She then orders Quito to “search” (for the doll and pin) and he screams!

Quito screaming, with the moment’s location in the video of Part 3. Even though it’s not technically a line, I’m going to count this as a line flub because Quito is supposed to be mute.

Later in the Great Hall, Jacques speaks to Jean Paul through the portrait, telling him not to open the capsule. “You will learn nothing,” he argues. “You will finish off Erica for nothing. Don’t you think so? All you can learn is whether that machine works. Is Erica’s body perfectly preserved, or is Erica now something else?”

Obvious foreshadowing is obvious.

Ignoring him, Jean Paul retreats to the crypt, where he grips the capsule and cries, believing he must open it but fearing for Erica’s safety. Raxl finds him there and begs him to open it and let her die naturally, not just so he gets his answers, but also “so that she may have eternal peace with the god that you denied.”

“Are you, too, suggesting that I am mad?” Jean Paul asks.

“Open the capsule, do not open the capsule. If madness is to come, it may come right away," is her cryptic reply.

Jean Paul crying on the capsule from the episode’s final scene.

While not as good as the other Salverson and Chudley episodes to come, Episode 45 shows promise in its focus on Jean Paul’s descent into insanity. Once he realizes that the locket was Erica’s, he constructs a ridiculous conspiracy theory involving his enemy Dan removing it while tampering with the capsule and somehow getting blood on it. He feels tempted to open the capsule despite the danger to her frozen body, and now must choose between risking her permanent death by opening (what Raxl wants) and keeping it shut despite his mounting fears that the uncertainty will drive him mad, so that Jacques can resurrect Erica. The script has its issues and there are some amusing bloopers, but the first episode produced by Robert Costello is engaging and suspenseful, leaving the viewer with questions about what will happen and be revealed in Week 10.

Coming up next: The Bad Subtitle Special for Week 9, followed by two theories about Jean Paul’s new fears regarding Erica and the locket.

{<-- Previous: Episode 44 || Next: Episode 46 -->}

Notes

[1] Hatch’s Mill makes for an interesting footnote in SP history. In addition to sharing one writer and three actors in major roles, Peg McNamara (aka Peg Dixon, the first Ada Thaxton) and Patricia Collins (the first Huaco des Mondes) played minor roles in one episode. A scathing 1968 review by critic Douglas Marshall provides the most detailed description of Hatch’s Mill available for free online.

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michelles-garden-of-evil · 3 years

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Episode 43 Review: Curiouser and Curiouser

{ YouTube: 1 | 2 | 3 }

{ Full Synopses/Recaps: Debby Graham | Bryan Gruszka }

Maljardin, an isle of mystery. Much remains unknown on Jean Paul Desmond’s isolated island, including the locations of the conjure doll, silver pin, and the missing cyanide, the contents of the final week of Dr. Menkin’s missing notes, and the true cause of death of Jean Paul’s beloved wife Erica. Now that a mysterious black rabbit has appeared on the island which has known no wildlife for three hundred years, new mysteries arise, including one that literally surrounds that rabbit’s neck.

In Ian Martin’s original timeline, this would be the point where the Reverend Matt Dawson exorcised Raxl and Quito’s writing box (although whether that would have revealed the Conjure Man’s also mysterious original message is anyone’s guess), but executive meddling required him to negate that timeline and write about the Rabbit of Evil instead. Come, let’s follow the black rabbit into the increasingly bizarre rabbit hole that is mid-Maljardin-era Strange Paradise.

A minute and a half in, and Cosette Lee is already in top form. Chew that scenery, Cosy!

We open with a recap of the séance from a week and a half ago, courtesy of Raxl and Jean Paul. Raxl gives us the great line above comparing the falling chandelier to “a fist of the devil,” which she delivers beautifully. She connects the falling chandelier to the rabbit who just appeared--or, as she calls it, "this THING that mocks the problem!"

This is Jean Paul’s concerned face.

When she reminds him that the black rabbit appeared out of nowhere on the island which previously harbored no wild animals, he looks increasingly concerned. Whereas in yesterday's episode, he dismissed her claims as superstition and the rabbit as a harmless animal that probably came over on the boat, now he appears willing to think them over. At least that’s how it appears in this part of the scene, although it’s also possible that he’s just worried about Raxl’s sanity. Raxl may be melodramatic and she may sometimes go to extremes in her efforts to protect her home from THE DEVIL JACQUES ELOI DES MONDES, but she is arguably saner than you are, Jean Paul.

"Oh, master, believe me!" she begs. "This…thing, this…thing in the form of an animal is a manifestation of evil!"

“Evil, in your eyes, Raxl,” corrects Jean Paul, or so he thinks.

“Not only mine. Look at Quito. He has eyes, too. He knows. Oh, master, believe me! This black rabbit is an emissary of DEATH!”

Jean Paul continues his mansplaining.

Oh, Jean Paul! To think, I had so much hope for you! I guess that, even after repeated possessions, Dr. Menkin's mysterious death, a leaking capsule, a falling chandelier, and all the things that have happened to Holly, you still refuse to believe in "superstition." You know that, down in Hell, Jacques is kicking back in his peacock chair, gloating about this again:

Jacques: “Jean Paul, what was that again about your IQ of 187?” *evil laugh*

"Then how could it be on Maljardin?" she asks.

"The supply boat, perhaps," he repeats from last episode. "Holly Marshall had no trouble in hiding herself in order to get over here. Surely a small animal like this would be even less likely to be noticed." It sounds plausible, but it’s still doubtful that the rabbit would have lasted so long after the supply boat returned to Maljardin without eating some poisonous plant and dying. I doubt that Quito leaves fresh produce just lying around on the boat.

"If you want to, believe that," replies Raxl, "but I believe it is possessed by EVIL!"

"Raxl, it seems that you are the one who is possessed by fear.”

"It seems the Devil is possessing us all, quietly, cunningly, and each day just a little more," she says, before leaving for the crypt. Quito follows behind, carrying the rabbit, who is just as enthusiastic as it was last episode about being part of one of Canada's first domestically-produced soaps. The way it squirms trying to escape from Quito’s arms in the crypt scene is priceless:

ROFLMAO

Meanwhile, Jean Paul argues with Jacques about the rabbit. Jacques agrees with Raxl on the rabbit's supernatural origins, which further angers Jean Paul. He asks him why he wants to convince him of that, and Jacques gives this cryptic reply: "Big beings have little beings on their backs to spite them, and little beings have smaller beings, and so on, ad infinitum."

"Now, perhaps Raxl is right," Jean Paul muses. "Now just what is in your mind?"

"Perhaps you'll find out at the séance," Jacques teases. He goes on to suggest to him that perhaps Erica did not want to be frozen in the "ridiculous" cryonics capsule. Jean Paul gets all defensive in response and accuses him of trying to break their pact. "Isn't it about time that you delivered her back to me?" he demands.

"We'll find out at the next séance," says Jacques, and Jean Paul demands that he not attend. Jacques implies that there may not be another séance (but why not?), and Jean Paul flips out on him:

FEAR the finger of DOOM!

The acting from both Colin and Cosette in this episode is so over-the-top that it’s somewhere in outer space.

And then...

The Reverend Matt Dawson walks in on him arguing with Jacques and thinks that he was talking to himself.

How does Jean Paul respond? Why, by gaslighting him, of course! “It’s hard to imagine that a man of the cloth would lose control so easily,” he says as though Matt were the one with a screw loose. Now, isn’t that charming?

Matt warns Jean Paul that the people on Maljardin--himself included--are looking for an escape. "We are not children, and we are not completely powerless," he tells Jean Paul. "We will find a way to cut the knots that bind us here."

He also says that his faith, which was challenged when he arrived on the island, is returning. Jean Paul uses this as another opportunity to gaslight him: “You are not regaining your faith. You are merely losing your faculties.” One would think that was a Jacques line, but it’s not. There’s neither a shot of the portrait disappearing, nor any Jean Paul headache faces followed by Jacques’ beringed hand grabbing his face, nor is Fox-C grinning psychotically like Jacques would probably do while saying that. It’s Jean Paul at his most unpleasant.

“On Maljardin, only I speak,” he continues. “Others listen.” It’s like he’s determined to be as much of an asshole as possible in this episode. Bless his heart.

But all the despotic orders in the world won’t shut the Reverend up. “Now I know why I came to Maljardin,” he replies, and it’s not to stalk a twenty-year-old teenager. “It was my destiny to be a force of good among all the evil here.”

“A savior?” Jean Paul asks.

“Perhaps,” he replies. “Is there one here who needs saving from himself?”

Sometimes I wonder if Reverend Dawson was intended to be the real hero of SP.

Raxl and Quito enter the Not-So-Hidden Temple of the Serpent with the rabbit. She pleads and begs for the Serpent to give her answers about the Rabbit of Evil, calling the adorable animal a “monster.” This scene is classic Raxl and belongs on any list of Raxl’s best scenes. Here are my two favorite lines from it:

Raxl: "Speak to me, Great One, for the sake of my master and his beloved visitors and for all the spirits in this house who are roasting on the spit of the fire of evil. OPEN YOUR SPEECH TO MY UNDERSTANDING!"

"Quito, TAKE THIS EVIL THING! Its foulness has stilled temporarily the voice of the Great Serpent!"

But it doesn’t stilt the Serpent for long. The mysterious locket at the beginning of this review appears around its neck, where it wasn’t before. When Raxl touches it, it stains her hand with blood.

Meanwhile, in Jean Paul’s hidden monitor room...

Jean Paul: "Erica, my darling, I wonder how you will find me when at last we are together again? I fear the strain of all this has made me hard and cynical. The Reverend is good, twice the man he was when he first arrived. If only he could see the rightness of my cause, he would make such an ally for my purposes." [You’re deluding yourself, Jean Paul. You have zero chance of convincing Matt that your cryonics scheme is anything but blasphemy.]

"Some serve me, to their honor and reward. Some cross me--to their death!"

*reading Teleprompter* "No one understands. There is an inner circle, my love, and it is big enough for just the two of us."

Jean Paul: "My darling, the second séance is very close at hand. The Conjure Woman recovers and this time nothing will stop us!"

*more obvious Teleprompter reading* "You will come, you will speak, and at last for the first time, for just a little while, you and I will be together."

He’s so cute! <3

Like the previous episode, it’s obvious that they rushed this one even in comparison to the others, because of how often Fox-C reads the Teleprompter. I’ve noticed that he does so more often starting during this week of the show and increasingly until Cornelius Crane takes over writing the show--which won’t be for another two weeks--before slowly petering out until Desmond Hall. I see this as a measure of how hastily an episode was slapped together, although I could be making assumptions.

Anyway, Raxl asks Quito if he noticed the bloody locket before, and he shakes his head. “I am right!” exclaims Raxl about her belief that the rabbit was a demon. She follows this up by asking the Serpent, “Where did it come from?” and we cut to the camera panning over the cryonics capsule:

Obvious foreshadowing is obvious.

Quito leaves the temple to find Matt and Holly sneaking into the crypt, and chases them back up to the Great Hall. Holly demands to know where the rabbit is and Raxl (who enters just then) announces that it ran away!

“Discovered something, didn’t you?” Matt asks Raxl. He asks if she found the doll and pin or the week of missing notes, to which she answers no and no. “For Heaven’s sake, what? Another demon?”

Just as baffled as I am that a Christian minister like him doesn’t believe in demons, she accuses him of mocking her. He accuses her of turning irrational, which means that Jean Paul’s “everyone is irrational but me” delusion must be rubbing off on him. Holly accuses Raxl of having already killed the rabbit.

“Foolishness! Madness!” Raxl shouts. “I tell you that-”

Matt interrupts to point to the rabbit, who, despite its tall ears, is somehow able to sleep through this argument. Must have selective hearing.

Holly grabs the rabbit and Raxl starts screaming for her to hand it over. “IT IS EVIL! IT MUST BE KILLED!” she cries as Matt restrains her. “IT MUST BE DESTROYED BEFORE IT IS TOO LATE!” Fortunately for Holly (but unfortunately for Raxl), Jean Paul hears the commotion and comes downstairs to take the rabbit from them.

When he does, we hear the sound of a small object dropping. He leans over to pick it up and reveals the strangest detail so far in this mystery:

Jean Paul: "This locket…" Raxl: "Yes, master, I-" Jean Paul: *more pained* "This locket…was…Erica's!"

Everyone’s jaw drops--which we see in a series of close-ups of all five human actors in this episode--and the music swells. After commercial, Raxl tearfully reveals that Jean Paul gave Erica the locket on her birthday, and tells Jean Paul and the others that she knows that the locket was not around the rabbit’s neck until after she called upon the Serpent. Holly accuses her of being superstitious, and they get into a fight where Raxl tells Holly that she and her fellow Christians don’t understand the spirit world and Holly calls Raxl’s beliefs “mumbo-jumbo.” Matt also accuses Raxl of lying about how the locket appeared “so that we would believe in spirits and demons.” I know that not all Christian denominations believe in the literal existence of spirits and demons, but it’s still odd hearing the Reverend deny their existence.

Raxl calls him a fool, too, and says once again that the rabbit must be killed. She and Holly are about to go back to arguing when Jean Paul cries out, “YOU ARE ALL WRONG!” And then we have yet another shocking revelation: Erica was wearing the locket upon her death, and still when she was entombed in the cryonics capsule!

Somehow he’s able to get the rabbit to hold still for a few minutes, even with all the shouting in the final scene.

In case anyone’s wondering why this entry took so long, it’s because I’ve also been working on a couple posts reviewing Ian Martin’s entire period headwriting this show. That’s what I plan to do at the end of each arc or at the end of each writer’s stint on the show (with the exception of those writers who only wrote a few episodes, like James Elward, Joe Caldwell, and the team of Ron Chudley and George Salverson). You can expect my two-part review of Ian Martin’s SP shortly after my review of Episode 44, which may also be slightly delayed because of it.

Coming up next: Ian Martin’s final episode, the much-anticipated second séance and its shocking conclusion.

{<- Previous: Episode 42 || Next: Episode 44 ->}

#strange paradise #review #maljardin arc #ian martin #week 9 #episode 43 #the bloodied locket #jean paul's monitor room #foreshadowing #great serpent #lost episode summaries #the not so hidden temple #passive aggressive jean paul #rabbit of evil #scenery chewing #times infinity #sp and religion #tape recorder journal #teleprompteritis

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michelles-garden-of-evil · 3 years

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Episode 40 Review: In Which Matt Calls Out Jean Paul (Redux)

{ YouTube: 1 | 2 | 3 }

{ Full Synopses/Recaps: Debby Graham | Bryan Gruszka }

Welcome back to my Garden of Evil, the blog where I review and affectionately snark on Canada’s own all-American TV series, Strange Paradise. To my shock, Danny Horn of Dark Shadows Every Day (who introduced me to this delightfully crazy soap with his far more critical reviews) is back to posting more frequently than I do, which isn’t really relevant to this post save that I would not have expected it a year ago. (But then, there are many, many things that happened over this past year that I did not expect.) I would have posted this one sooner, but some urgent matters came up last week and I had to postpone.

Four episodes have passed since eccentric billionaire Jean Paul Desmond’s disastrous failed séance to contact his beloved late wife Erica. Medium and Conjure Woman Vangie Abbott has recovered from her injury, she and Raxl have tried (unsuccessfully) to decode the message in the sand writing box, and now Jean Paul insists on holding another séance! The other characters are trying to figure out how and why the ceremony was disrupted: most accuse Jean Paul of trying to murder them with the falling chandelier, while Vangie announces during the opening recap that she suspects the Reverend Matt Dawson of being a disruptive influence because of his disbelief in voodoo. Now sparks fly once again as another argument erupts between the Reverend and Jean Paul at an emergency meeting in the Great Hall.

Now, let’s begin.

We open with Jean Paul’s first tape recorder journal entry in a while, which is an exposition device that I had been missing mostly because I like mooning over Colin Fox while listening to his gorgeous voice:

Jean Paul: "Erica, my sweet wife, until the day comes when science can restore you to me, can release you from the cryonic suspension colder than ice, as cold as my empty life, I will continue trying to contact you through a séance. You must know the great effort I am making to protect you! But was the evil of Jacques Eloi des Mondes enough to prevent us from making contact at the séance that failed? Erica, believe me! I fought him with all my strength! I held him at bay, but he could not have got through unaided! These people in this house, Erica, I have been thinking about them: are they in consort with the Devil? Which one prevented me from hearing your sweet voice again, my Erica? Which one? If I knew-"

Caught him reading the Teleprompter! (That happens a lot in this episode, by the way.) Also, have I ever mentioned how much I love the lighting in his monitor room?

He stops recording when he sees Holly on the monitor, searching once again for that sweet secret passage in the crypt that she overheard the Reverend mention several episodes ago. Freaking out again over the possibility of danger to Erica’s cryonics capsule, he rushes down to the Great Hall and declares an emergency meeting:

Jean Paul shouting at his detained guests.

"Reverend Dawson, Mr. Stanton, I'm beginning to realize that you have not fully grasped my ruling!" Jean Paul shouts in his most pompous tone. "Now, to each and every one of you, this is most important, and how important it is you will all find out!"

Matt having a scared. I don’t usually find Dan MacDonald cute, but I think he is in this shot.

Quito guarding Holly as she hides in the crypt.

"EVERYBODY!” the Master of Maljardin shouts. “EVERYONE WITHIN THE SOUND OF MY VOICE!" [Line flub? His wording is odd.] "EVERYONE! COME TO THE GREAT HALL! DO YOU HEAR ME? EVERYONE IN THIS HOUSE! THIS IS JEAN PAUL DESMOND CALLING! COME TO THE GREAT HALL AT ONCE! YOU TOO, HOLLY MARSHALL! NOW, ONCE AND FOR ALL, YOU WILL ALL GET THE MESSAGE!"

Jean Paul’s crazy eyes in this scene indicate that he means business.

Everyone gathers in the Great Hall, save Holly and Quito (who are hiding in the basement), Dan Forrest (who is probably in the tub), and Raxl (who isn’t there because Cosette Lee had the day off). Dr. Alison Carr is particularly annoyed, because she could be spending this time researching how to resurrect Erica, but instead is stuck listening to her brother-in-law’s latest hissy fit. Oddly enough, even though Jean Paul acts like a complete ass in this episode, Fox-C looks even more stunning than usual. I can’t explain why, but to me he looks especially handsome during Weeks 8 through 11 of the show. That certain je ne sais quoi of his just comes out particularly strongly during this period.

Jean Paul is so angry that you can see his jaw tensing.

Of all the detained guests in the room, he chooses to pick a fight with Matt, because that worked out so well for him five episodes ago. Elizabeth finds this highly amusing and comments with one of her best lines:

Elizabeth: "It seems to be your opportunity to entertain, Reverend. May I suggest Song of Solomon?"

Jean Paul doesn’t laugh, despite it being arguably the funniest joke anyone other than Jacques has made so far. I, too, want to hear Matt read from the Song of Solomon. Perhaps he has recorded a sermon about it for his album:

Matt’s album, You Can’t Fake Fruit, featuring his sermon “Wherever God Builds a House of Prayer, the Devil Builds a Chapel There” and selections from the Song of Solomon.

I’m not going to recap or quote their entire fight blow by blow, because I just don’t feel like it--and besides, these kinds of overly dramatic yelling matches are more fun to watch for yourself. However, I will note some highlights:

Matt suspects Jean Paul of murdering Dr. Menkin because of how soon he died after Erica. “Who can say how he died?” he asks as a rhetorical question before proclaiming overconfidently, “There, your control over this island begins to disintegrate!”

He also continues to oppose the notion that the Devil caused any of the events on the island, including the chandelier falling: “The chandelier falls, and it’s blamed on the Devil. And you accept these...superstitious reactions of a few, which are driving all of us beyond the bounds of reason!”

There’s a lot of focus on Holly, as you might expect, given that she‘s been searching in the crypt and also given Matt’s obsession with her. I’m glad he’s trying to protect her from Jean Paul now, even though I will always ship him with his right hand.

Alison stands up to Jean Paul and leaves in the middle of the argument. Good for her! Of course, after she leaves, Jean Paul has to passive-aggressively announce to everyone else that she will regret it.

Vangie tells Jean Paul and Matt that “when a devil works through a man, what he does is not an accident,” referring to the time that Dan allegedly damaged the cryocapsule. Jean Paul latches onto this idea, which Matt objects to because he believes it’s a ploy to turn everyone on the island against each other. So Jean Paul accuses Matt next of evil, which is not a question that most people will answer honestly. Ask Jacques if he’s evil and he will openly admit to it; ask someone like Elizabeth, on the other hand, and she will deny it.

Matt being what the kids today would call “a mood.”

Vangie on Matt: “Because he is a man of the cloth--a religious man--he made the contact [with Erica], but because of his disbelief in the spirits, the chain was weakened, the contact breaks. I would say that whenever the Devil is loose, anything or anyone can be his tool.”

I would say that Jean Paul in this episode is a tool, albeit a very handsome one.

Even his anger can’t disguise his cuteness.

Jean Paul ends the argument by threatening to punish Holly for invading the crypt. “Now you will see what happens to those who intrude on Erica’s resting place,” he tells the others and Elizabeth responds with this interesting, cryptic line:

So she approves of Jean Paul’s anger at her “impossible” daughter, but she doesn’t want him to punish her? Also note that she is eerily calm when she delivers this line.

In the next scene, Jean Paul gives Holly some serious mixed messages along the lines of the time my grandfather (with whom I used to live) told me “don’t worry about it” when he noticed my cat scratching at my bedroom door, then threw a fit over the (barely) damaged carpet a few hours later. I moved out of his house two and a half years ago but, up until recently, I got nervous any time anyone told me not to worry about something, because he’d often say things like “don’t worry about it” and “take it easy” shortly before he lost his temper over the very same things he told me not to worry about. In a similar vein, Jean Paul first tells Holly to “go ahead” into the crypt, only to then start ranting about how he thinks that some people on the island want the cryocapsule to break down and want to tell the authorities about what he’s doing on Maljardin.

“Now, what were you looking for, Miss Marshall?” he asks her menacingly after his rant.

“I wouldn’t touch that!” she replies, referring to the capsule. “I want you to bring your wife back to life!”

“Then what were you here for!”

“Looking for a way out!” She turns away from him, clutching her head. “Trying to get away from all this. I can’t stand it anymore!”

“I am going to have to make an example of you,” Jean Paul threatens.

“I was only looking for a secret door,” she protests, then explains how he (actually Jacques) led her down there to show him where she thought the secret passage was three episodes ago.

Before he can respond to her, Alison comes rushing down to the crypt to tell him about the notes of Dr. Menkin’s that Jacques left in her lab in Episode 38, which cover part of the previously missing six-week period of his experiments:

Sure, Jacques *might* answer, but only if he feels like it.

Jean Paul tells Alison, “guard these [notes] with your life,” and the episode ends, which means it’s time to discuss the Lost Episode summary. Normally, I do so in either the introduction or at a point in the episode where a plot point was changed, but here the events of the original episode differed so much from those of the final aired version that I decided to discuss them after my recap.

The Lost Episode 40

To begin, here is the summary for the original Episode 40:

Source: The Plain Dealer (November 7, 1969), p. 72.

So the second séance originally took place in this episode and involved a conflict between two spirits. But who? We know for certain the identity of one of these spirits, courtesy of these summaries for Episodes 41 and 42, respectively:

Source: Ibid, p. 84.

Source: Ibid., p. 88.

A slightly longer version of the latter summary from The Fitchburg Sentinel names this priestess Tarasca, the same figure who appeared in a puff of smoke in the original Episode 35 and whose existence apparently threatens Alison’s life. While most summaries of the original Episode 44 (including the one in The Plain Dealer) mention hallucinations, this one from The Minneapolis Star (November 13, 1969) specifically mentions that the hallucination took place at the séance:

Holly searches for the secret passageway when her sleeping mother re-lives the happenings at the séance.

So we know the identity of one of the fighting spirits from the second séance, but who is the other? This summary for Episode 38 states that Jacques promised Vangie that he wouldn’t interfere a second time, but can we really rely on him to keep his promises? (I believe that he most likely summoned Tarasca to mess with the second séance on his behalf while technically not getting involved in it himself.) Still, even considering Jacques’ lack of trustworthiness, it would make more sense for the other spirit to be Erica, given that the whole purpose of both séances is to contact her.

Curiously, another thing we know about the second séance is that Matt took part in it, because Vangie told him that Holly would be in danger if he refused. I know I called the summary for last episode boring, but hearing the way Vangie talks about him in this episode has made me rethink my previous dismissal of its importance. If Vangie demanded that Matt attend the second séance, that means that she must not have considered Matt a disruptive influence in the original, or at least not enough to exclude him.

Who else attended the séance? At the very least, Vangie, Matt, Jean Paul and Elizabeth, but logically Raxl and Quito as well because of their involvement in the Conjure Faith. Alison may also have attended, but I doubt it because (1) Vangie prefers séances with either five or seven participants including the spirit and (2) Alison is getting increasingly fed up with Jean Paul and may have refused to take part.

The mention of Holly being in danger also raises an additional question: which spirit was threatening her, Erica or Tarasca? For my attempt to answer that question--which would contain some spoilers if I included it here--you will have to wait for a future analysis.

Coming up next: The Bad Subtitle Special for Week 8, followed by a very special essay comparing Strange Paradise to the H. P. Lovecraft novella The Case of Charles Dexter Ward and its 1963 film adaptation The Haunted Palace. After that, a review of Episode 41.

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