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#this way of tagging is why it's difficult to properly curate one's experience
iwonderwh0 · 4 months
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People who tag as hankcon things that aren't even a little bit implying any romantic undertones or moreover are explicitly father-son-ish confuse the fuck out of me
Like, maybe it's used as a general tag to mark these two within someone's blog, but it feels intentionally inconsiderate and reads as a mockery
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imptwins · 2 months
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ALRIGHT, no more messing around I suppose.
Over the last twelve months my close friend @kimberlyeab and myself have been the targets of sustained harassment by a series of "anti-ship" accounts, that may or may not be the same person, that I am not going to name up here because I do not want to give them any more traffic than necessary. This is over some of the content we make, 18+ fiction revolving around Undertale and Deltarune, and sometimes involving dark kinks. I'm going to ask you to put aside whether you think this is immoral for the moment.
Under the break below is what I wrote a few hours ago. Things have since escalated. Both myself and Kim have been targeted by email bombs on our business emails, services/bots that spam your email address with garbage signups, rendering your email address completely unusable. At worst, this can overwhelm your email service so much that your account is unable to process new emails and is eventually disabled by the provider. I'm still getting bursts of activity after over 200 emails, so I'm not sure if it's dying down, or if it's so backlogged that this is what's happening.
This is literally a crime, by the way. It's classified as cyber abuse.
On top of this, whoever has done this has access to personal information. A full legal name, first and last, was used in several of the signups, so they are either implicitly threatening to doxx us, or simply flexing that they could. Likewise a crime.
Additionally, this seems well coordinated, but there are no suspicious recent results for us in The Usual Places. This makes me believe this person is probably using some foul back-alley site like KF to organize this. I don't think the legal name in question could have been acquired by one person, it's extremely difficult to trace back.
tl;dr: whoever is doing this knows their way around the internet and is actively dangerous, they are severely impeding our lives and have the potential to become incredibly, incredibly dangerous.
Why am I posting this? Not really to get those accounts in trouble (although you should absolutely stay the hell away from them, and severely scrutinize anything they leave a mark on). I don't think they'll be punished, nor would it help since they constantly block evade, and at this point I don't think this recent online abuse crap is actually them, just someone attaching themself to their crusade. Though I'm not sure.
What I want to illustrate is how these kind of callout posts feed into targeted harassment of minorities. This is just another reason why things that make you uncomfortable should be dealt with by curating your experience using tags and blacklists and blocks, rather than trying to assign moral value to what people make. If my content makes you that uncomfortable I *actively encourage* you to block me.
It doesn't matter whether you personally dislike minorities or not, or whether you're subconsciously targeting them, or whatever. Someone else who does will latch on. That person who writes nothing but callout posts, yet they're always for small trans creators who make some 'icky stuff' and never for big-name bigots who parade their bigotry out in the open; is it because they're a sock puppet of an overt reactionary, or just because they want to feel some control over their life so they subconsciously focus on vulnerable people?
Simple: you can't know.
These people are the dangerous ones. Not people who just make content, properly tag it, and mind their own business. But these people, obsessed with ruining other people, with finding 'evil' in the world so that they can purge it? You can find their name below if you really want, and literally their entire blog is just constant callouts, broadcasting people doing callouts, trying to network with other people who do callouts. This is why these people were originally called 'antifans', their entire fandom presence is centered around tearing other people to shreds.
Do your due diligence and fact-check, before you broadcast that someone in your fandom did something awful. Make sure they actually hurt someone. I know mega-bastards will use 'you can't prove it' as an excuse, but actually analyze it a bit. It's almost always painfully obvious, I know, I spent years doing antifascism. And more than anything else, neither entertain, nor broadcast, nor embolden the kind of people who dedicate their entire existences on the internet to lateral abuse. Not just these particular ones, but ANYONE who dedicates their life to this online torch-waving garbage over fictional content. Whether they're a reactionary or just projecting trauma, whether they actually hate x y or z minority or they just happen to always go for the most vulnerable people, whether the person they're targeting makes content that makes you feel very icky and gross or not, these self-ordained Crusaders are consistently, unquestionably, dangerous.
Tumblr media Tumblr media Tumblr media Tumblr media
That's one page out of 4. Also some of them have between 10 and 80 updates in the one email from the same address. There's about 300 emails all up. And there's zero reason they can't do this again.
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Anyway. The accounts in question are @snowcollecter/@brieffamilycat/@krispy-chicken-shipping/@bonniehbunny. First two are definitely them, I highly suspect the latter two are their main, or at the very least someone who constantly signal boosts them. We have endured over 12 months of:
calling for brigades against us, and at least 4 other people
block dodging to constantly screenshot and reference our posts
literal libel by accusing us of grooming a child despite screenshots, as well as both statements and direct requests to stop by both the supposed groomed child and their actual friends who witnessed all interactions we had
spamming anon asks to literally every single person that they can find who we ever interact with
using tiktok cen)sor)ship nonsense to get past peoples' blacklists and force this stuff in front of them
using no less than 3 confirmed alts with about 5 more extremely suspicious accounts in attempts to artificially broadcast themself and again evade blocks (when the original account itself is transparently an alt too)
joining multiple random discords to try to shove this stuff in peoples' faces
now spamming Kim's business email at signup services
probably being behind the attempts to doxx and raid us last year on a certain hate-monger website, since the signup spam demonstrates they're cool with bog standard channer troll tactics
They also pretty tellingly refused to even talk to this minor we supposedly groomed, who attempted to tell them personally that we hadn't done the shit they claim we did. You'd think someone who is this caught up about the safety of minors in fandom spaces would jump at the chance to help this kid, to tell them not to talk to us and get them away from us, to convince them to stay away? No, they said 'I don't talk to minors' (this is demonstrably untrue: their discord accounts are in many all-ages spaces) and immediately blocked them.
Of course. Because this was never about the safety of minors. Flip a coin; if it's heads, they're a far-right sock puppet who just knows they can use the 'think of the children' angle to drive a wedge into queer communities. If it's tails, they're just a routine runt who's projecting their lack of ability to do anything about the ACTUAL assholes of this world onto other queer people, wailing and flailing and doing anything they can to have some influence despite getting 3 notes on almost everything they ever post. Hence the anon asks, and Discord spam, and blacklist/block evading. If they can't have a platform - because anyone who looks at their garbage for more than a month at most sees how absolutely deranged they are - they'll just force people to see it.
Do they ever attack actual transphobes, which this fandom is not at all short on? Well, sort of! They did one or two callout posts about a TERF who used to run in these spaces... But didn't say anything about the TERF shit. Just the porn. The porn constantly put behind age confirmations and thorough tags/content warnings. This person spouted generic 'all-powerful trans lobby' 'social contagion' 'please look at this study about desistance I found on a hard-right website' bullshit, but no, it was them drawing aged-up highschoolers (REMINDER: NOT EVEN CANONICALLY UNDERAGE, JUST VAGUE HIGHSCHOOLERS, *AND* THEY WERE EXPLICITLY OLDER IN THEIR CONTENT!) that was apparently the greater evil.
I'm not even really sharing this to call them specifically out or draw attention to them. Regardless of whether they're a chud in a mask or just someone who severely, *severely* needs psychological help about their obsession, they're not going to stop. They've made that plainly obvious. At this point I've basically just accepted I'm going to have this deranged stalker until I leave the fandom, which I don't plan to do anytime soon so buckle up I guess.
No, I just want people to see what these people are like. How they ignore the people they claim are victims. How they employ the same tactics as doxxing websites and old channer trolls, or even outright enlist them. How they only EVER put sustained effort into taking down queer people with small platforms because going after the in-plain-sight actual bigots and scumbags would just be too much effort, a reflection of how this is about feeling righteous and powerful, not actually making the world better. They create nothing, they contribute nothing, they bring nothing but arguing and drama and isolation to the spaces they inhabit.
These kind of people are blights on the fandoms they cling to. And any time you act like their *miserable* Hays Code, Jack Thompson With A Rainbow Flag, no kink at pride, BDSM is abuse, drag queens are indecent, cover those ankles *garbage* warrants any notice at all, you deal another blow to the fandom you are in, because nobody wants to be around these little goddamn nightmares. edit: I know how red-flag any grooming allegations are, if you want the full story to that I already addressed it here. tl;dr, no, we did not let a child look at our porn let alone show it to them, we in fact stopped them from doing so. We are not in some secret private 18+ server with them, we actively ensured they STOPPED making themself unsafe, and have strained extremely, extremely hard to keep our very limited interactions with them transparent, scrutinizable, and appropriate. The only reason we even stuck around was because it became rapidly apparent they were in an abusive living situation which we occasionally gave them advice to manage, eg helping them look up boarding options, unlike the torch-waving dipshits who did NOTHING to reach out to them or help them in any way. They're doing much better, both in their home life and in terms of not following or privately palling around with 18+ creators anymore, thanks to us, and at the expense of both our mental health and reputations. You're fucken' welcome.
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lavenderek · 3 years
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hi, A/3 volunteer back again! i hope i can answer your questions properly, but i’m on mobile so sorry if i get a bit confused. it’s also going to be quite long but i hope you can figure out which questions i’m replying to. let me know if you need any more clarification!
1 - as tag wranglers, we don’t moderate content via deletion, etc - we just move fics into the correct tags, and it’s typically on a fandom basis (for example, i might solely wrangle for something like the supernatural fandom only). i’ve never come across ‘problematic’ tags since most of the time, it’s just sorting tags into like... more general tags? so example - someone tags a fic with ‘kinda fluffy kinda angsty’. we would then kind of make it so that tag redirects to ‘fluff with angst’, even though it still appears as the original tag on the fic. does that make sense? i’m also a little unsure of the other questions you had here - which is totally my fault, i’m in the middle of writing an essay for uni that needs to be in in like... 12 hours and my brain is frazzled - but if you were asking about a situation where if i was concerned that a single user had a collection of fics that were all entirely based upon something illegal and reported their entire account to mods, would it be deleted - i’m not sure. tag wranglers are kind of like low-level moderators, and we’re not what would typically be thought of as moderators since we simply reorganise content versus actually removing it. since the reporting process is typically through the site itself and is handled by an entirely separate team, i cant speak for how they think or what their process is.
2 - it’s up to our judgement as to if we want to report it, but again, the tags we wrangle are VERY general. tags like ‘dead dove don’t eat’ and stuff that are typically full of polarising content arent something i’ve come across, because i think they make up a minority of most fandoms when put against tags like ‘fluff’ and ‘angst’ and even stuff like ‘chocolate’, lmao. i’m not certain what happens when a report is processed and the fic is found to be removable - what i do know though is that with fics that are seen as breaking specific laws (i.e depictions of CSA, slander, etc) mods are often a lot more hard-handed for several reasons (reputation both within the community and in terms of the fact they could very much get in legal trouble). again though, i’m a low-level moderator and don’t see that side of the process. however, if i report something and it’s not taken down, i’m not implicated in any way. it’s been a while since i’ve been on the site and reported anything so i’m not entirely certain if reporting is 100% anonymous or if you have to supply details like email, but i think if you DO supply things, it’s to ensure you aren’t mass-reporting someone (bc i think that counts as targeted harassment). email is also possible to fake, so i think you can make the process anonymous if you want to. as for how often i personally report fic - not often. i’m a CSA victim (which is why this topic is touchy for me tbh), and i don’t like to go through the process because i find it arduous - you have to give an explanation as to why you’re reporting the fic, and i find it triggering at times. i’ve also never been in a position where i have found a fic while actively volunteering that i feel has been necessary to report, so i can’t speak for that either. all of that being said - i’ve heard of and seen on one occasion fics and entire accounts be deleted for harassment/slander - in particular, i’ve heard multiple times that accounts dedicated to purposely like... making fun of? or like technically harassing? kpop boy group members have been taken down because even though their content is ‘technically’ fanfiction, it’s obviously just there to incite hatred against a specific person. so, imo, if mods are quick on taking down accounts obviously run by 14 year olds in fandom drama writing numerous fics where boyband member A calls boyband member B stupid and tells him nobody likes him, i think they’re very likely just as serious about taking down more serious content. that’s just my opinion and my personal experience though, and it’s distinct from my volunteering.
overall, on the whole topic of CSA on the website - it’s really tough even just as a basic content moderator. there’s lots of reasons as to why people post it, and though people are very obviously welcome and encouraged to think critically about everything, it’s a fact that the topic is really really difficult to manoeuvre (culture, who is posting it, when was it posted, why it’s being posted aka vent fics, etc). as i said, i’m a CSA victim myself, so i understand the frustration, but it’s too nuanced and difficult a topic to be able to say ‘ban it all’. however, i do think the site is doing their best to crack down on stuff that is very obviously on there for one specific reason, and i also think generally, they’re changing things so people are able and sometimes encouraged to anonymise themselves by not giving any profile info and to protect themselves by turning off comments completely, etc. i find that you can make it really easy to curate your posting experience so that essentially, you can post but nobody can really interact.
3 - i like tag wrangling! i got into it because i saw a position on the front page of the site and decided to go for it. it wasn’t very taxing to get into and you don’t have to put much work in - a couple of hours a week is enough, and they’re understanding about work/uni/etc. it’s easy to meet other people through volunteering, and they ensure everyone is over 18. i don’t read through fic myself - just through tags, and then i sort them into their proper places. if something is tagged wrong, we don’t get in touch with the author, we just do our best to reorganise the tag so it redirects into the correct place - again, for instance, if someone writes a fantasy AU that they tag with ‘high fantasy prince/princess AU’ and that tag doesn’t exist, we would sort it into the main tag for a royalty AU or something like that. re: monetisation of fics: technically, monetised content is not allowed on A/3 - if someone is advertising their patreon or kofi in their authors notes or profile, you’re supposed to report it just as a general user. i think it’s because it puts the site at risk of being sued or something? but as a low level mod, i don’t HAVE to report these things unless i see them while i’m tag wrangling (aka i see a tag like ‘my patreon is XYZ!!!!! send me money!!!!!!’) and i personally don’t report monetised fics because ... i don’t find it a prominent issue, lmao. people are also learning to avoid it by being like this is my tumblr or this is my twitter, and when you click on their social media they link their patreon or whatever There instead. also, idk who decided the colour scheme! i think it was just like a generally agreed upon thing with the site designers. i also think there’s been convo for a few years about dark modes and stuff on the site, but i’m pretty sure the site has to get a few more things out of the way before they’ll prioritise that (i know they’re trying to work on a better moderating system for things like spam and harassment atm bc the spam filter absolutely sucks dick lol). i’ll totally drop a mention like WOW, wouldnt it be AMAZING if we could have this SPECIFIC COLOUR SCHEME, tho <3
thank you so much for responding!!! this is really cool to know, i've never even seen a post by an a*3 worker before so you're a total unicorn right now
heh uni-corn because you're in uni. sorry i'm tired too
good luck on your paper!
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annakie · 5 years
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Continued Notes on a Blog Cleanup
I started doing this a couple of weeks ago, I’m still doing it even though I’ve now passed the place I was trying to get to to find a thing awhile ago.  
But now I’m in March of 2013, closing in on two years of blog cleaned up.
I’m on page 1811 of 2968 (working backwards) with 15 posts per page.  My guesstimates are that since I started posting the blog cleanup I’ve generated about 100 posts, that’s probably a little on the low side, but it’s a workable number.  When I started I had 3021 pages of blog, so adding in about 7 more pages worth of blogs since then, that means I’ve deleted about 60 pages worth of my bog, or somewhere around 900 posts.
Sounds about right.
Anyway, here’s a bunch more thoughts on tumblr in general, this blog cleanup, and a Doctor Who Nostalgia Rewatch.
What’s crazy is that about 1/3rd of my entire blog was done in the first 18 months of its creation.  It’s now over 8 years old, but I hit the 2000th page back around November 2012, when the blog was made in May, 2011.  
I’m just now getting to the point in the blog where I kept a pretty full and steady queue in the first few months of 2013, so things move faster now instead of like 100 posts per day untagged like the early days.  And I didn’t post at all for most of the last couple of months of 2017 and early 2018 so, there’s a few-months gap there, eventually. But I figure... why stop the nostalgia tour now.  Mostly because I’m finding things I want to organize better.  I’m also finding a lot of  edits or personal posts I made and didn’t tag properly in the time period I’m covering right now. 
When all this is done, I’ll probably do a mass blog export again, now that I’m happier with the contents.  Tumblr ain’t gonna be around forever, y’all.
Still, deleting a lot of stuff.  Posts are being deleted for
Being out of date, like “Hey this game is on sale, go buy it!” or “SIGN THIS PETITION AGAINST CISPA!” or “The new season of Parks and Rec starts September 23rd" (of 2013 or whatever).  
Sometimes for being a reblog of a thing that I only marginally ever cared about and no longer do at all.  
Things that have now been proven false, or false alarms, or things we no longer have to worry about for whatever reason.  
“Hoooo boy it’s 2019 and now THAT sure turned out to be a bad take!” (”Guys, this new show called House of Cards is on!  It stars the AMAZING KEVIN SPACEY, I LOVE HIM!”  OK that wasn’t verbatim but close, and Yikes.)
Still, the cringiest of the cringe.  But there’s a lot less of that now, which is nice.  I at some point over the beginning of 2013 started doing a lot more tagging of my own posts so the tags are a much nicer place to look than some of the terrible other-people’s tags.  Although I’m still only tagging at like 60 - 70% of the time.
Observations:
What takes the longest is adding tags to posts.  So for the most part tags are only getting added to things I made.  About 45% of which are personal posts, and about 45% of which are mass effect creations posts, so far.  About 10% are things I think I may want to find again someday, though a lot of those things are being put in the “reblogging really old stuff” queue.
The blog is like, 30% Doctor Who, 40% Mass Effect and 30% Psych/Elementary/Leverage/Misc now.  It’s better.
I JUST started getting really to the part where I contributed a little more to the ME/DW fandoms besides yelling at hate-taggers.  Still.  Mid-2013 me is still doing that on occasion.  Although now it’s sometimes about Kaidan Alenko instead of just Martha Jones.  I’m still kind of torn about how I feel about all that now.  I’d say that it’s funny how there doesn’t seem to be a lot of it on tumblr these days.  Now it feels like we all have more important things to fight about.  Also, tumblr is, you know, on life support.
It feels like my blog liked and watched Supernatural longer than I did in reality?  It felt like a short flirtation to me, there continues to be supernatural content on my blog for over a year now.  Pretty sure I stopped watching mid-season 9 so maybe that’ll stop soon.  Still, way less than the general population of tumblr it felt like at the time.
People with names like 221BTardisImpala really were the worst about tagging their hate and other stupid stuff.
I’d somehow forgotten about that terrible, gross post twisting Kaidan into an “abuser” for stupid stuff like “He brought a bottle of alcohol (you know, the one Shepard bought him?) to Shepard’s quarters!” and “He did a bad thing at 17!” (and clearly the person we are at 17 is the same person he was at 34.) and and just the most asinine reasoning applied, and tagged.   The whole “I gotta tear down characters other people like to make my fave the REAL WINNER” is just... ugh.  I got back to that post and honestly, am still thinking I should have deleted the whole thing.
I’ve picked another few tags on controversial characters that I love like Jacob Taylor and scrolled through, and like I posted earlier about Martha Jones, hate tagging in general seems to just... not happen that much anymore, even after scrolling back a year or two in those tags.  That makes tumblr a nicer place to be. I know we still see the occasional like, shitty shakarian shipper in the Kaidan Alenko tag (and again, that is a very small % of overall shakarian shippers) but it’s nothing like what it used to be.
It won’t be long until the WTNV explosion happens on tumblr, or maybe it had already started at this point.  It took me a few months to catch on.  And then I’m gonna listen to it and love it, and ask for rec’s for more podcasts, then I’m gonna get into Thrilling Adventure Hour and the blog is gonna become a much more positive place.  Looking forward to getting to all that.
Does anyone know if there’s a theme or script that lets you add tags from your dash or main blog page without editing a post?  I’d go back and do this again to tag some more good reblogged posts, I think.  I’d probably have also deleted more stuff if I could have done it from my blog without going into editing. :p
Seriously though, tumblr feels like such a different place now.  It’s... quieter.  It feels almost like empty nest syndrome around here.  Or maybe I’m just curating my own experience so much better.  But again, when I do go look at other people’s blogs from posts I’ve reblogged, like almost none of them are still active.  Although it’s also surprising the number that died just like, in the last year.
Another interesting thing has been... watching the rise and fall of a personal friendship through the first few years of the blog.  Back then there were a few people who I was really close to, mostly online.  I can feel the main friendship I had with that person slipping away as their life changed significantly starting the previous few months from where I am in that blog.  And honestly, I did my own part of leaving them behind when I gained a whole new group of close friends from TAH.  We’re still like, facebook friends, but it’s a reminder of how fluid online friendships can be.  
Doctor Who Rewatch Thoughts:
I am going to catch up on my blog before I run out of Doctor Who to watch, I think.  Considering things are starting to take a lot less “grooming” now on the cleanup.
I’m now about to embark on Silence in the Library.  Am I ready to see River Song die again?  No.  I am not.  This will be the first time I watch these episodes in years, probably since Matt Smith was around?  Definitely since The Husbands of River Song.  This... will be difficult.
Hoo boy Voyage of the Damned was bad, I’d forgotten how bad.  Not Fear Her bad but, pretty bad. Though I was amused that there was a character named Foon.  For some reason that word had always triggered something in my mind when they called the world that on Hello From the Magic Tavern and now I know why.
Martha Jones, still awesome in Season 4.  Donna Noble shines brightly.  Although I’d forgotten how much weaker the first half of her season is than the very good second half.
That was the first time I’d watched The Fires of Pompeii since Capaldi took over.  Funnily, I felt like his character got more Twelve-Like as the episode went on somehow.  The long scene between just Ten and Capladi’s character was neat to watch in retrospective.
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jessicakmatt · 4 years
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Sampling Music: The Complete Guide
Sampling Music: The Complete Guide: via LANDR Blog
Sampling music is fun, useful, and inspiring. 
You hear samples used in almost every genre on the radio. 
Making music with samples is an important skill that every producer should master.
With modern sampler plugins, DAW software, and impressive libraries of royalty-free samples it’s easier than ever to use samples in your tracks. 
But where do you start?
Knowing where to find samples and how to use them without legal issues is intimidating.
In this guide you’ll learn where to find the best samples, how to use them to make tracks and how to avoid some common mistakes when using samples.
What can I sample legally?
Where to find your samples
How to use samples in your track
How to sample in your DAW
What is sampling?
Sampling is a music production technique where artists take a section of existing audio and repurpose it into a new creation. Artists will use a hardware sampler such as an Akai MPC, a sampler plugin or their DAW to create a sample. These song snippets are usually looped and modified, sometimes beyond recognition. 
Sampling originated in 80s and 90s hip-hop and dance music. But today it’s used in everything from rap, R&B, rock, country, and even modern classical music.
And although some critics have questioned the legitimacy of sampling–the Grammys only recently allowed songs with samples to be eligible for song of the year– so many producers use the technique it would be challenging to find a genre of music that doesn’t use it.
Whether you’re paying homage to the legends of the past or you want to create something unrecognizable and new, sampling is definitely a technique you want in your toolbox.
What can I sample legally?
Before we talk about how you can use samples in your music, let’s talk about sampling music legally.
Getting sample clearance is a big topic.
If you don’t clear your samples you won’t be able to digitally distribute your track on streaming platforms like Spotify and Apple Music.
You could even face legal action for using uncleared samples in your tracks.
And even if you do manage to get sample clearance, you’ll still have to give away a percentage of revenue in royalties.
Fortunately, there are plenty of curated libraries with royalty-free samples that you can use in your track.
Separating fact from fiction
There’s plenty of misinformation out there around sampling.
Here’s some copyright facts you need to know to sample smart:
Sampling any part of a song without clearance is illegal no matter how long the sample is.
You can’t sample someone’s work even if it was never registered with the copyright bureau.
Even if you don’t plan on profiting from your music uncleared samples are still off-limits.
Copyrights expire 70 years after the last surviving author or co-author of the work dies.
You can’t quote lyrics from another artist in a recording of your own voice.
What are the creative commons?
Creative Commons is an organization that makes it possible for content creators to offer levels of access to use and distribute their work through a variety of licenses.
There are several different licenses in the creative commons. Each of them provide a specific level of access to use, modify and remix content.
You’ll need to pay attention to what Creative Commons license was applied to the work you are using in order to comply with the law.
There are some creative commons licenses that allow anyone to use, modify, and distribute a particular work.
How Sample Clearance Works: The Business of Borrowing Sound
How to Copyright Music: What is Music Copyright and Why it Matters
How to Use Samples in Your Tracks Without Getting Sued
Back to top ⟰
Where to find your samples
With copyright law out of the way let’s take a look at a few places to find samples.
Free sample packs and websites
There are plenty of websites where you can find free sounds that are in the creative commons.
You also might find samples you like in a free sample pack.
Here’s a few free sample packs you’ll find interesting:
Emotive Trap and Hip Hop
50 Best Free Synth Samples
40 Best Free Piano Samples
50 Best Free Guitar Samples
  Use a curated, royalty-free sample library
Free and copyright cleared samples are great. Wasting studio time wading through thousands of samples isn’t.
No one wants to spend hours going through 300 kick drums. And let’s face it— free samples aren’t always the best.
Using samples is only fun if you can actually find what you need to make your track.
Luckily there are some great options for getting awesome samples at a very low cost. 
Curated sample libraries are the best way to find good samples because they are home to packs of samples that complement one another.
LANDR Samples
LANDR Samples is a great resource with millions of curated samples.
When you find a sample you like, hit the Selector option and LANDR will offer AI curated recommendations for what goes best with that sample.
Selector makes it possible to quickly identify and match samples from LANDR’s extensive sample library.
LANDR also is home to artist-curated sample packs that make it easy to start a song with a sample.
Sample yourself and the world around you
Creating your own samples is just as fun as using the ones from libraries and sample packs.
Grab your field recorder and snag some ambient samples from a nature walk!
Or jam with yourself on your instrument, record the whole session and take the juiciest bits. 
Self-sampling is a good way to get around clearance issues since you can modify anyone’s work by creating a personal rendition.
Some of the coolest instrumental hip-hop today comes from self sampled work. 
Remember that chord progressions cannot be copyrighted, so inspire yourself with a cool chord progression for your sample!
How to Use Selector to Find the Right Sample Faster
Field Recording: 10 Ways to Use Found Sound in Your Production
10 Emotional Chord Progressions Every Producer Should Know
Back to top ⟰
How to use samples in your track
Having access to a library of royalty free samples opens up creative opportunities to experiment with interesting textures and flavours.
An instrumental track might benefit from a chopped and screwed vocal take.
If your drum track sounds thin, sample replacement can help to fatten up your drum loop.
Finding that perfect kick sample can really make your track thump.
Sometimes a track needs an ambient SFX sample floating in the back ground to add a extra layer of depth.
Listen to your arrangement and try to hear what the track is missing. Be creative!
And to get away from sounding like everyone else listen to what your track needs and blend the samples in properly. 
Follow the key signature
Always try to match the key of the sample to the key of the track you are working on. 
To make it easy sample libraries often tag the key in the name of the sample and there are key finding tools that can help too.
Having a little bit of ear training practice under your belt can help you know how to transpose the sample.
Pay attention to the mix
You’ve found the sample that your track needs and you’re comfortable with how it fits into the arrangement.
Now it’s time to fit the sample nicely into your mix.
Make sure your samples are prepared properly to make your mix process easier.
If you’re stuck there are a few sample processing techniques that can help if something in your mix isn’t working.
How to Creatively Use Sample Packs Without Sounding Like Everyone Else
How to Choose the Perfect Kick Sample for Your Track
Ear Training: Theory Tips for Using Samples Better
7 Unique Ways to Process Samples for a Better Mix
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How to sample in your DAW
Now that you’ve found a sample and you’re 100% sure you have the right to legally use it, it’s time to get into your DAW.
You may be wondering how to create a sample in your DAW.
In general sampling workflows are usually the same between DAWs.
Often it’s as easy as dragging and dropping the snippet of audio into your track timeline.
With a little bit of cutting and chopping you can make your sample work in your track.
Most DAWs come stock with a sampling tool. But if you don’t like the one your DAW came with there are plenty of great sampler VST plugins that you can try.
The most difficult part is making sure the key and tempo of your sample matches your track and fits nicely. It takes time and practice to get good at this.
To get you started, here’s a few tips on getting started sampling in some popular DAWs.
How to Sample in Ableton
Ableton’s entire workflow is based on sampling. Any audio clip you use in Ableton can be treated like a sample with its Warp feature.
Ableton makes it possible to adjust the timing of a track with warp markers that you can click into a track and slice it up.
Once your warp markers are set, all you have to do is right-click on the track you tagged and slice the track into a new MIDI track. 
You can also use Ableton’s dedicated sampler plugins to do your sampling. 
Simpler is Live’s most straightforward sampling tool. It only loads a single sample at a time, but don’t let that fool you. It’s a super creative tool for slicing and playing back samples. 
Sampler is Ableton’s full featured sampler plugin. Sampler is suitable for everything from basic sampling tasks to realistically simulating acoustic instruments
However you prefer to work, Ableton Live has powerful workflows to integrate samples.
How to Sample in FL Studio
To sample in FL Studio, start by dropping the song you want to sample straight into a track. 
Find the section of the song you want to sample and open up the Edison tool under your first empty FX slot.  
Hit the record button and roughly record the sample into Edison. Once you have the sample recorded you can edit and trim down the clip into to the exact sample you need.
Click the drag icon and drag the sample to where it needs to go. 
Compatible locations to drop a sample include any track channels, Fruity Slicer, DirectWave, or the Playlist.
You may also want to adjust the EQ, speed, and pitch of the sample according to the context of the track after dropping it into the track.
How to Sample in Logic
The most common way to start sampling in Logic is by chopping up your samples and using them directly in your DAW timeline.
But if you want to map your samples to a MIDI controller or keyboard you’ll get more control by importing your samples into Alchemy or EXS 24.
Right-click the track you want to sample, select Slice at Transient Markers, and Logic will automatically cut up the track.
Highlight the chopped samples you want to play and select Convert to New Audio Files and save the samples to a new audio file.
Once you’ve created the audio file open Alchemy, select the advanced tab, click on Source A and select import audio.
If you want to play one sample pitched up and down on a MIDI keyboard, select the sample you like from that folder and click import with the mapping set to “pitch”.
If you prefer to play a group of samples mapped to a MIDI controller select the samples you want and import them with the mapping set to “drums”.
Alternatively, you can right click on a sliced track and select convert to new sampler to import directly into EXS24.
How to Sample in Cubase Elements
Sampling in Cubase is best done within its Sampler Control track.
The Sample Control track comes with it’s own sample library known as Kaleidoscope, but you can also use any audio file from your hard drive.
Just drag and drop any sample from the sample library into the sampler control track and Cubase will automatically map the sample to your MIDI keyboard.
The Sampler Control track offers many options for adding effects and modifying any sample you use.
  The 10 Best Sampler VSTs for Music Producers
The 10 Best DAW Apps in the World Today
How to Build a Beat From Scratch In Your DAW
Back to top ⟰
Get inspired and start your sampling journey
Sampling is one of the most exciting parts of music production today. It changes the way you listen to music and can expand your musical taste.
Who doesn’t love the idea of finding a gem and making it into something special and new.
There are so many ways to learn and get inspired. Check out Rhythm Roulette on Mass Appeal if you want to see the masters at work or LANDR’s Sample and Hold series.
Now that you know where to find good samples and use them in your DAW the only way to get better is to practice using them in your own tracks.
So get out there, good luck, and don’t break the law!
The post Sampling Music: The Complete Guide appeared first on LANDR Blog.
from LANDR Blog https://blog.landr.com/sampling-music-the-complete-guide/ via https://www.youtube.com/user/corporatethief/playlists from Steve Hart https://stevehartcom.tumblr.com/post/188909765434
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mikeyd1986 · 6 years
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MIKEY’S PERSONAL BLOG 116, August 2018
Last Saturday afternoon, I decided to spend my day off work by visiting the Mornington Peninsula Regional Gallery for the National Works on Paper 2018 exhibition. It’s not very often that I have a day to myself to not worry about the many commitments in my life. Being on open area at Dunns Road Reserve, there was absolutely no protection from the strong gusty winds blowing over the peninsula. As it turns out, today they had some artist talks on that afternoon and I figured that I might as well stick around for at least one of them.
The first talk was by Cameron Robbins who produces “wind drawings” using a wind machine which features many turbines, pulleys, wires, a rotating drawing board, a weather vane and a black fineline pen. Along with the MPRG curator Danny Lacy, Cameron discussed how variables such as the wind speed, wind direction, rain and sunlight impacts on what the drawing produced will look like. He also brought up concepts like Chaos Theory and Fractal Design as inspirations for his work as an artist.
The artist talks drew quite a large crowd today of around 50-60 members which was very unexpected. I had a brief wander around the exhibition and was very impressed by the high quality of the artwork. Lots of hours and so much detail went into these pieces which covers everything from paintings and drawings to sculptures, collages and mixed media works. Whilst I’ve pretty much gone on hiatus as an artist myself, I will always have a huge appreciation for art and fellow artists in the community. https://mprg.mornpen.vic.gov.au/Exhibitions/Current-exhibitions/2018-National-Works-on-Paper
On Monday night, I had my second session with the Men of Doveton health and fitness program at Doveton College. This week we started the session downstairs in the gym where we did some footy training lead by Mitch from the Casey Demons. It’s actually been about 16 years since I last did anything football related and re-learning the sport tonight brought up some emotional issues in me from high school. Part of it is that fact that I’m not the biggest fan of footy and never really got into it. http://www.melbournefc.com.au/casey-demons
Playing any kind of team sport during my P.E. classes was something that I really didn’t enjoy whatsoever. I had fears around being hit in the face by the ball, being tackled by other students, doing something dumb if I was in possession of the ball and been made fun off because I was really terrible at footy. It was a huge weakness of mine both ball-handling skills and getting involved during a game.
Thankfully tonight, all of those hurts from the past have been laid to rest. All the guys in the Men of Doveton program are starting at ground zero and this is very much a supportive and encouraging environment. The aim is to basically just have a go and participate as much as possible. We started by doing some hand balling at a distance of 5 meters then doing some kick-to-kick at 10 and 15 meters.
Of course the footballs were flying in all directions but it was honestly fine. It was all about having fun and not taking things too seriously. I did well to not let that 16 year old version of Michael Dixon out. He would have been off the footy field trying everything possible to avoid the ball. Next we did a few games and drills, learning how to bounce the ball properly, aiming and kicking at goals and avoid being tagged by other players.
Lastly, we got divided into two teams: the plains and the whites and played a game of basic footy with just hand balling and no contact. This was another thing I used to struggle with back in high school is that nobody ever passed the ball to me because they knew I was a weak player and would end up making the team lose. But again that stuff was a long time ago and I did my best to get involved by passing the ball around and being distracting to the opposite team. It actually felt good participating in a sport I haven’t played in a very long time.
The second half of the session focused on mental health issues. After catching our breaths (Seriously so not used to running up and down a basketball court), we returned to the theatre and Mo gave everyone a journal for us to keep and write down any positive thoughts, things that we’re grateful for, reflections etc in. Writing is a huge part of me and probably the area I have the least amount of difficulty in. However, I do sometimes get forgetful and need to remember to actually do it.
Lastly we had a guest speaker named Greg from Beyond Blue talking about his personal experiences with Bipolar disorder. Being an Irishman, we was very animated and funny but also understandably nervous about sharing his story. I could very much relate to his degree of denial and assuming that “I’m fine” after one or two counselling sessions. There are always underlying issues to be found and back when I was originally diagnosed with depression and anxiety over 10 years ago, I wasn’t ready to open up or unpack my baggage. https://www.beyondblue.org.au/get-support/get-immediate-support
The most important things I learned from Greg’s talk is the importance of finding the right counsellor or therapist for you, having lots of support and people you can trust in, not being afraid to speak up about mental health issues, accepting that it’s okay to not be okay as well as express normal human emotions. I really didn’t feel comfortable enough to speak up about my own issues in this large group setting but it’s something that I’m working towards. https://www.caseystadium.ymca.org.au/whats-on/upcoming-events/event/men-of-doveton-free-health-program-2
On Tuesday night, I attended the first of four NDIS workshops hosted by AMAZE (Formerly Autism Victoria) at Bunjil Place in Narre Warren. I haven’t fully processed the fact that my access request was successful and that I’m now officially an NDIS participant so now I have a reason to attend these workshops beyond just gaining knowledge and information. A lady named Pamela Gatos, who presented at the info night a few months back, has returned to run this workshops designed to better prepare NDIS participants for the journey ahead. http://www.amaze.org.au/2018/04/amaze-announces-ndis-information-sessions-and-workshops-sign-up-now/
There were about 20 other parents, carers and people with autism in the same meeting room as I was. The silence was very uncomfortable for me but I was 100% determined to push through it. I did find that Pam could come across as blunt, intimidating and snarky at times, often making very sarcastic comments about the NDIS and all the negative stories she’s heard about it.
To be fair, her opinions can be justified as I myself has found the NDIS to be a very daunting, overwhelming and confusing system to wrap my head around. She also has a lot of experience working with current participants and families with autistic kids and adults so she knows what she’s talking about.
Tonight’s workshop focused on the topics of: The 3 types of management for the funding of supports (Self Management, Plan Management and Agency Management), the NDIS Pricing Guide July 2018, how to access the NDIS portal via the mygov website, the 3 types of Supports (Core, Capital and Capacity Building) and the 15 support categories. https://www.ndis.gov.au/participants/reasonable-and-necessary-supports
It was a lot of information to process but it did get me thinking about which supports I should be asking for in my plan. The ones I could identify for myself include: Improved living Arrangements, Increased Social and Community Participation, Finding and Keeping a Job, Improved Health and Wellbeing, Improved Life Choices and Improved Daily Living Skills. https://abilityoptions.org.au/ndis/ndis-supports-categories
The challenge now is to find arguments to justify why these supports are reasonable and necessary. It’s probably the most difficult part of the whole process as it’s an important part of the planning meeting and developing my first plan. It’s going to take many baby steps but I know I’ll get there. Still I really wasn’t a fan of Pamela’s attitude and personality. She came off as a judgemental bitch and wasn’t very constructive.
Being the odd-one-out (an adult diagnosed with Autistic Spectrum Disorder rather than a child), I didn’t feel supported or accepted in that meeting room. I walked out of this first workshop feeling very conflicted and confused as I really didn’t like Pamela’s views or approach to NDIS preparation. So I think that I’m going to look elsewhere. https://www.ndis.gov.au/operational-guideline/planning/participant-statement-goals
On Friday afternoon, I saw my counsellor Ruth at Piece Together Counselling in Narre Warren. The high velocity winds outside and poor quality of sleep have really impacted on my moods and emotions this week. I’ve found myself taking a lot of things personally including my opinions about the UNIFY 2019 lineup and my decision not to go next year, the pressures placed upon me by others including customers and members of the general public. It all got a bit much for me this week and now I’m feeling drained and exhausted.
Ruth reminded me of the importance of using Cognitive Behavoural Therapy and not allowing myself to fall into the trap of maladaptive thinking. It’s the reason why I often take things so personally. To essentially consider alternative explanations for the way other people react to situations and not believe that I’m the sole cause of it. She also pointed out that using my journal more regularly is vital to focus more on the positive aspects in my life. https://www.succeedsocially.com/challengethoughts
On Friday night, I went to my Strength and Circuit small group training session at CinFull Fitness. I was honestly feeling like shit after some posts on social media was dragging me down inside plus I was mentally drained from how busy my week has been. Tonight I was training with a couple of other clients. We did some warm-up drills with the dead balls doing overhead squats and ball slams plus walking lunges with dumb bells, kettle bell swings and push-ups.
Next we did a series of exercises to work and tone the biceps and triceps including rows, kick-backs and curls, tricep push-ups and lifts. Lastly we did some core training using the med balls including overhead situps, pull ups with leg extensions and Russian twists. It was very difficult for me to keep up as I was fatiguing and feeling out of breath a lot quicker than the others and Cinamon noticed straight away. Plus lots of sweat but that’s nothing new for me.
I guess I want to do the best that I can but also have to be aware and mindful about my physical limitations. I have to keep reminding myself that there’s no shame in needing to stop and rest, that nobody is going to judge me for not being as physically fit as they are. Doing strenuous exercise is still a struggle for me but I’m determined to keep plugging away at it, no matter how long it takes me. I want to continue to lose weight and improve my fitness as I need to make classes like these a regular part of my routine. https://www.facebook.com/CinFullFitness/
“I watched them go 'round and 'round. My blouse wrapping itself in your trousers. Oh the waves are going out. My skirt floating up around my waist. As I wade out into the surf. Oh and the waves are coming in. Oh and the waves are going out. Washing Machine.” Kate Bush - Mrs. Bartolozzi (2005)
“There were hundreds of people living here. Sails at the windows. And the planes came crashing down. And many a pilot drowned. And the speed boats flying above. Put your hand over the side of the boat. And what do you feel?”  Kate Bush - A Coral Room (2005)
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rowikoxo-blog · 6 years
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