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hopevalley · 5 years

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WCTH Write-Ups: 1.5, “The Dance”

Good morning, and welcome to another episode write-up! Two in a row! I feel like I’m on a roll, here!

In the last episode, we saw answers to a lot of questions, mostly in regards to the church fire. Cat was innocent, the fire was an accident, and Mr. Spurlock framed Cat out of bitter spite because she told him she wasn’t interested in him.

In this episode, the town finally gets some new miners!

12 of them, to be exact. This doesn’t even come close to replacing the 47 who died, but I guess it’s a start? Anyway, they’re not too happy about walking into the saloon only to find it’s inhabited by a whole classroom.

“We’ve spent six days crossing this cursed country. We came a long way to work in this mine. Least we can get is a drink.” Six days? That’s it? I mean, that’s nothing compared to how most of these people got out here. They were probably able to take a train and then get wagons instead of having to cross it all by horse, so... I don’t know. Six days is nothing. Try six months of travel and then I’d feel like you deserved a drink.

“Company’s just hiring single men.” Gee I wonder why. Maybe that has something to do with it being cheaper and easier, and they can house ‘em in the saloon rooms in smallish groups. I mean, there can only be so many rooms up there... Maybe 3? That puts four men to a room up there...

Anyway, I love Emily Dickinson so much, and for an episode to start with one of her poems is lovely. Billy Hamilton might be scummy, but Andrew Walker, his actor, does a beautiful delivery of the first stanza.

“Hope” is the thing with feathers - That perches in the soul - And sings the tune without the words - And never stops - at all -

First of all, this poem is a delightful addition to the series, but I don’t think that its theme should be overlooked. This is a poem about hope, but the series itself isn’t just about the general concept of hope, it’s about...the kind of hope that you feel through the worst times in your life, that protects you, that gets you through the storm; it’s about...hope everlasting. So it’s really fitting that it’s here, but I think with all of the other things that go on, it’s easily passed over.

Also, Billy is a smoooooth criminal... Calling her professor... That’d make me feel special, too. ;)

Anyway, Abigail returns for this episode, and we see a bunch of town women coming together to unravel sweaters to repurpose for baby blankets and clothes for Carla, a very pregnant lady.

Also present are Florence, Elizabeth, Cat, Mary, and someone I don’t know.

“My husband wasn’t a chivalrous man, but he provided just fine for Caleb and me.”

I just want to say that I enjoy Mary’s character a lot. We don’t really see anyone else like her for the rest of the series, so it’s sad for me that after her little plotline wrapped up, she left the series.

Most of these women are able to admit to their husbands’ faults in, perhaps, more private company, but I think Mary’s admission is realistic and to-the-point. Her husband wasn’t much of a romantic, or maybe even a good lover, but he did all right as a provider and that was good enough. These days we might find it really sad to think about—I know I do—but in 1910 things would have been a lot different for these women. A reasonably good provider was about as good as it got, sometimes.

And Abigail echoes Mary’s point:

“You’re right, Mary. We all know how hard it is to find a good man.”

And then Carla: “Or a good father for our children.”

That they have to sometimes choose whether he’s a good husband, good lover, good provider, or good father is just awful. But that’s that on that, I guess. 1910, everybody!

Carla’s definitely at that late part of pregnancy where everything hurts and nothing is comfortable and sleeping is basically impossible. Doubly so for her because she has a little boy to take care of already, so it’s not as if she can take a nap whenever the mood strikes!

“Mounties and marriage: two subjects that don’t go together. At the academy they told us, if the Mounties wanted you to have a wife, we would have issued you one.”

Watching Jack put his foot into his mouth at the speed of light should be a little fun, and I know when I first saw this episode I was amused, but this is my fourth or fifth time watching this episode... Now I can’t help but think that this kind of...set up is actually an ongoing problem in the series. That is to say, Jack didn’t actually say anything bad? Anything unreasonable? Elizabeth literally just twisted his words to make what he said sound worse. I mean, women aren’t delicate, but he can’t exactly come out and say, “If a woman wants to pee she has to sit down or squat, and out in the wilderness with other men/soldiers around, it’s not exactly conducive to cultivating a full and loving marriage.” Or, “Imagine being pregnant out there with no help for miles if something goes wrong, or when you need to deliver.”

Jack is being perfectly reasonable and he’s saying it in a way that gives the audience the idea that he was hoping to make Elizabeth laugh. But she doesn’t laugh, and the narrative, since it mostly follows her around (even the music does this), suggests that he’s some kind of vaguely misogynistic guy who underestimates women’s skill and ability or even their perseverance.

Sound familiar?

Yeah, it sounds like s4 and s5 Bill Avery, right? Consistently painted as unreasonable for overestimating women. Even though nothing about Bill’s personality in the early seasons would suggest he is that type of person at all.

Well, I guess they had to pass Forced Foot in Mouth Syndrome onto someone. (And the really nasty part of me can’t help but think that Jack is kind of a victim of this literal writing disease for quite some time... I wonder if or how much this played into Dan’s choice to leave the series, in the end?)

But that’s just speculation.

Anyway, that whole scene can be summed up as “Elizabeth fishes for a date and pulls out the wrong fish. Maybe. Flings it back into the sea.”

Listen, we’ve all been Mary at some point; we’ve all done something completely embarrassing in a store and wanted the ground to swallow us up. Luckily for her, a reasonable looking man helps her pick up the mess and introduces himself as Dewitt Graves.

This scene is actually like, several levels of good, because even the music changes to accommodate a feeling, in this case, Mary at the counter being told her tab is full. Nobody gets mad at Ned over this, but I wish they did; heck, I honestly wish he had his own plotline. But the way the camera pans to Florence while the piano plays is just so...awful. I mean, sure, we know Florence is going to gossip about this incident, but in this particular moment what’s highlighted by the narrative presentation is Mary’s situation. We’ve probably all been there, too: had a card declined, or a card reader couldn’t read it at least. It’s awful, and it’s much worse for Mary. How’s she going to pay that tab off? (I also noticed the yarn in her basket... I wonder if it was to make something for Carla’s baby...)

It’s Mr. Graves to the rescue! Thank goodness. Even that scene is awkward and embarrassing...but at least she didn’t have to put everything back.

*Ned is the company store owner, so seeing him transition to a regular mercantile would be super, super cool. Plus he wouldn’t be a very popular person in town since he has to balance store credit and can’t do much more than the company policy allows him to, so that would have been a really fun plot to have.

Albert and Caleb interacting is another good scene, because Caleb gets to complain a bit about his family’s situation, and Albert gets to be understanding (and actually in more than just the episode he was introduced in, which sounds goofy but we need to be thankful for the little things).

We also find out that Mary’s a pretty good cook.

After a couple of episodes without Abigail, it’s nice to see her back, and her patience is literally unmatched. I howled with laughter when a coworker told me he wanted to plant pickles in his garden; he had no idea that pickles came from cucumbers!! Literally no idea. NONE. I could not contain my amusement. But Abigail is kind to Elizabeth and instead of mocking her ignorance, she makes each new thing into a learning experience. And Elizabeth takes it in stride and even mocks her own ignorance a little bit.

“At home they were just in the serving dish... magically.” A shared joke; this was honestly and truly pretty cute.

Florence just barging into Abigail’s place out of nowhere was hilariously in character, but hey, she’s come with that hot goss so I guess that’s almost like she’s got a key. ;)

I love how Abigail doesn’t rise to the lure of gossip, though, and is just...practical about the situation? Mary’s had it harder than most, so it was nice of that man to buy her groceries.

“I don’t think we can judge each other’s circumstances, Florence.”

“Are you ready to forget your Noah?”

“I will never forget my Noah, but at some point life goes on. For all of us. For you, too.”

And then Carla falls in the front door crying out for Abigail, kind of ruining this scene, or shunting it into the background.

Honestly, and again, this is the Abigail I loved as a character. She was good, but she wasn’t perfect, and her advice was always pretty gentle. I think she could have delivered it a little better, but she’s not wrong. Life does go on. But it made me think of Florence in s5, when Laura and Bill returned the note from the coat pocket to her. We learn about Florence so slowly that it’s wild to think at this point in the story we don’t really know her. She was madly in love with her Paul, and we know he adored her, too.

I never got the feeling that Abigail felt that way about Noah, but something I’m more than willing to praise this show for is its diverse showcasing of relationships. Not every marriage was one of love at this time, and not every marriage that started out with love stayed that way. That’s still true today, though, isn’t it?

Anyway, these women oftentimes couldn’t support themselves, so relationships were their best bet. And I love that Abigail takes Mary’s side; it’s not fair to judge. As we see later in this episode, Mary’s position is difficult.

But back to this scene: when Carla needs help, even Florence rushes to help her and reassure her.

This is the good stuff, you know what I mean? Abigail offering to let Carla move in for a while, Florence reassuring her that someone will look after her older boy, Elizabeth touched and moved by how these women step up and help one another.

“They go through life with such grace under fire. It makes me realize just how little I actually know about the real world. These women are teaching me by their example that when each of us offers a small kindness to a neighbor, it can become a very large blessing to the whole community.”

Like, Elizabeth isn’t stupid. She might be ignorant about how much work goes into making pickles, but she’s observant and willing to learn. In Elizabeth’s former life, she had no reason to think about these sorts of things; what ‘small kindness’ would she have offered her Hamilton neighbors? What kind of ‘community’ was she a part of there? It was a very different place and a different way of living. Here, in Coal Valley, small kindnesses oftentimes go a long way. People don’t have much; sometimes small kindnesses are all they have to give.

I really loved the touch of Mr. Backus showing the guys around a bit...recommending they all become a teetotaler (sober) like him. It’s not a long scene for him, but he’s clear-headed and obviously making an effort to improve himself...and he’s happy with that decision. It’s also kind of cool that he goes over to hang with Jack a bit afterward and have a drink of coffee.

Anyway, Billy puts on those smooth moves again with Elizabeth, and of course they work. He keeps it pretty low-key, though. And he doesn’t finish the poem. :(

Jack’s suspicion of him is kind of...eh. The guy hones in on Elizabeth but like, she’s the only really young woman in town that we’ve seen. Mary might be the next oldest? It’s hard to say.

Anyway, any sane young miner would have the hots for Elizabeth... Just sayin’.

The real question is: who is that curly haired guy and why didn’t he stick around?

I still really enjoyed Sam (the miner that Jack locked up) telling him that night in the jail was actually “kind of peaceful.” I’m pretty sure this is when Jack decides to move into the jail.

James, the former school bully, asks Caleb about his mom’s attempt to get a new husband, which of course Caleb denies.

I had to look James up to see if he was supposed to be the son of a character we know, and...I don’t think he is. His last name is Fermont. Maybe he’s the son of the unknown dark-haired woman who was at Abigail’s house for the sewing circle?

Anyway, there’s something to be said, again, about Ned.

He handles all telegrams so he knows everyone’s business. Even police business. It’s wild that he doesn’t have a larger role in the story at any point, and has never had his own arc.

“No one’s ever called me Mr. Graves.”

He’s charming. You know, he’s not the most attractive guy ever, but he’s a good person and he’s got a nice sense of humor and he’s humble. I liked Dewitt a lot from the start. And y’know what else I like? That he looks a mess after a day in the mine. You know this guy works hard and he’s tired as heck and all the lines in his face took 10x worse with the coal dust, and... Just... He could be a real person.

And he clearly thinks Mary is cute and sweet as heck. I love her hesitation, though; she’s not sure what she should do, but she invites him to dinner because it’s what’s best for everybody.

“I know it’s making me a better person.” Elizabeth wanting to be a better person is great, too.

Jack’s intrusion and comments are so pointed though. “All you need is good aim.” I mean, also, I don’t know that he ever is shown going hunting again? Huh.

Anyway, Billy starts pushing a little more seriously; and Elizabeth doesn’t quite accept the bait. She admits she has dreams but says, “Dreams are like birthday wishes. Say them aloud and they might not come true.”

And then we get the part of the season that drives me bonkers: the poem that Billy gives to Elizabeth and claims as his own.

I wrote an entire post about how this drove me nuts, so I won’t repeat too much of it here, but c’mon. This is a famous ballad that Elizabeth probably grew up playing on the piano, or at least singing ‘round the piano. I find it really hard to believe she wouldn’t immediately know that he didn’t write it.

I mean, she does say, “It’s very familiar... I can’t place the poet, though.” But the fact that she doesn’t remain suspicious about that is wild.

On the plus side, Andrew Walker has such a blessed ability for reciting poetry. I wouldn’t have minded hearing him recite more. He’s good.

I think with a little tweaking, I could have found this whole thing a bit more believable; maybe a different poem, one that she probably wouldn’t have had such an exposure to. Something more...obscure that she probably did read in the last few years, but which might have been easily forgotten in her studies. Not something she probably grew up singing? I don’t know.

I guess I just gotta give the writers credit for the way Billy tries to push off her feeling that it’s familiar with humor/romance and she just goes with it.

Listen, Dewitt is a good man. He doesn’t push Mary’s boundaries, he apologizes easily, he shows an understanding of Caleb’s situation, he waits for Mary to be seated before he sits, he’s genuinely sorry about taking the wrong hook on the wall...

I was frustrated with Caleb watching it, but I totally got it.

I think my favorite thing about this scene is that when Dewitt asks Mary to the dance (in this roundabout awkward kind of adorable way), she says she honored but asks to have time to think about it, and he’s fine with that.

“That’s all a man can ask for, is a little bit of hope.”

It’s sweet, but it’s not over the top.

Mary’s conversation with Caleb is a little sad...but I feel like he’s just too young to really understand what it is she’s saying when she tells him: “Things don’t always turn out the way we want them to. Now, I’m your mama, and I’m going to do what I have to do for our family.” And then, a little bit later, “I need to look out for our future now. It’s what I’m doing as your mom. And you need to understand that.”

Clearly she’s trying to say, “I can’t provide for us by myself. I need a man and it’s not what I want to have to resort to, but that’s just how it is. It sucks but you need to understand that I don’t have a choice.”

I mean, we’ve seen her situation: the tab is full at the company store, she’s relying on Caleb to catch fish just to have something to eat that isn’t potato soup, and without store credit even potato soup is off the menu. How are they going to last the winter?

In its own way, the whole situation is tragic. Even if Mary wasn’t madly in love with her husband, that doesn’t mean she doesn’t want the time to grieve properly. Unfortunately her feelings aren’t allowed to matter; she can’t let them. She has to do what she can to ensure that her son has a future.

Something I don’t like about this episode is the suggestion that the town had a midwife “for years” who “left after the mining accident.” It’s one of those situations that might have been best left alone. I would have preferred that Abigail be an unofficial midwife or something, or even a short discussion about how their supposed midwife was just a woman who had birthed six children or eight children in her younger years and had experience and was better than no one at all.

The only reason I can think of that a midwife would leave town would be if she was afraid the town’s infrastructure would collapse and it would die. But eh. I think the worldbuilding around this midwife is extremely fragile and not very well-done. At least it was mentioned? I don’t know.

The Elizabeth/Jack conversation about Billy is kind of painful...and again we have Jack flinging his foot down his own windpipe... Sigh. The more it happens the less I like it.

That’s all I can really say right now.

Elizabeth’s conversation with Mary is... I don’t know. It’s heavy. Not gonna lie, I wanted to see Mary all done up. That said, it’s probably for the best that Elizabeth brought up Caleb and ruined the moment.

Mary tries to be frank with Elizabeth about her situation:

Mr. Graves is a good man

I think he may care for me

I didn’t think another man would ever pay attention to me again

I’m not willing to waste another minute frittering away my son’s future when this could be a chance for us.

Elizabeth says she “understands” to which Mary says, “I don’t think you do understand. You were raised with all of the options in the world available to you, and I have next to nothing.”

Mary isn’t wrong, and this is something I like about the early episodes; Elizabeth has GOOD INTENTIONS by saying she “understands” but there’s no way she fully can. She can’t really grasp what Mary is going through, not fully. It’s a shame because Elizabeth really didn’t mean any harm by it; she also really did want Mary to wear a pretty dress! But Elizabeth’s worry about Caleb came at the expense of her worry for Mary, and what that did was alienate Mary from feeling like she could rely on Elizabeth.

This is the kind of “miscommunication” that is believable and real, and that I wish the show had continued to utilize where it matters.

And here we’ve got it... Florence busts into the jail where Jack is and tells him that someone stole her late husband’s gold watch.

“Someone broke into your house?”

“Right in the middle of the night with my child slumbering nearby!”

Missing is: gold watch, cufflinks. Both out of her top dresser drawer.

Well, Florence has a child. Apparently. I don’t think we ever find out who the child is, let alone see them. I’m pretty sure this ends up retconned by the end of the first season/at the beginning of the second. Unless Florence’s “child” is a cat.

Anyway, something I do appreciate? That Florence is asked to keep quiet about this (so that the thief doesn’t get nervous and skip town) and...she actually...does so.

I find it hard to believe that the entire class would panic over a snake, but okay.

Caleb’s talk with Elizabeth is nice. She’s not always very good at talking to other adults about their pain, but I think she’s pretty good with the kids. Adults can’t help but see hidden meanings and nuance in everything; kids tend to just hear the words that are said.

Anyway, Caleb’s struggle with the memories, with the idea that maybe for his mom memories are painful, but for him they’re all good... That gets me a little in the feelings. And how Elizabeth just jumps in to let Caleb talk about his dad by asking what he was like... Man, she really is pretty good with the children. They need to grieve too, and oftentimes it’s in a way that’s different to how we as adults get through it. Her place as a bit of an outsider lets her ask these questions without any issue.

And Caleb doesn’t say anything, you know, revolutionary about his pa. He just says that he was tall and strong and funny, he liked to sing and whistle and fish, and they cooked fish together on the riverbank after they caught ‘em. “Nobody can replace him... Nobody.”

Abigail goes to the dance with Carla’s instructions to dance a waltz for her (which Abigail does, with Mr. Backus) and a promise to return soon.

Last year I made a post about how this dance is a great example of the magic of season one and I don’t want to repeat it too much here, but in the first few seconds you get an idea of how well off people are financially just based on what they wear; you see Cat and Ned as part of the musical trio who is playing. You see the younger women with their hair down or partially down and all the older women with their hair up and you see Abigail take charge to get the party started (this would be more or less her job as the highest ranked mine employee’s wife).

Even cooler, some kids did come to the party. The dances are short. The second the waltz comes on Abigail gets the dance she told Carla she’d get, and Elizabeth comes into the room with Billy Hamilton.

And then Caleb shows up in his dad’s coat.

Which gets me right in the feelings every time, but the best part about it is that, at first nobody even really notices he’s there; the other kids don’t mock him or anything. Everyone is just...touched when he cuts in on his mom’s dance with Dewitt.

And Dewitt bows out gracefully--and a few people seem touched by it but most people are wrapped up in their own dance and a big deal isn’t made of it. It’s just a nice, short, surprisingly touching scene.

The episode ends with Carla in labor, Billy being sweet on Elizabeth, and Jack getting a telegram that says the company Billy claims to have worked for...has never heard of him.

DUN DUN DUN...

Overall Thoughts:

The plot in this episode is a lot calmer than before. We have small things going on, but the big plot was definitely the concept of ‘moving on’ and of, I guess, doing what needs to be done—or at least respecting other people’s decision to do so.

I don’t actually have a lot of thoughts? I guess I sat around going, “Wow there are a lot of people named William in this series who go by something else I guess.”

But other than that, I was pretty much satisfied with this plot. Very little about it annoyed me or made me want to do editing. I really enjoy Mary as a character, too; her motivations are unique to her in this show and I wish they had been a little more thoroughly explored overall, but we get a decent amount of attention on her for a background character! (Still, her story alone could be almost its own novel.)

To end, how about the entirety of that Dickinson poem, hm?

“Hope” is the thing with feathers - That perches in the soul - And sings the tune without the words - And never stops - at all - And sweetest - in the Gale - is heard - And sore must be the storm - That could abash the little Bird That kept so many warm - I’ve heard it in the chillest land - And on the strangest Sea - Yet - never - in Extremity, It asked a crumb - of me.

(314) Emily Dickinson

See you all again next episode!

#when calls the heart #season 1 #abigail stanton #mary dunbar #dewitt graves #caleb dunbar #elizabeth thatcher #jack thornton #billy hamilton #analysis and meta discussion #character studies and information

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