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yridenergyridenergy · 5 years

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Dir en grey - Otaru GoldStone 09/28/2019 live report

1. Zetsuentai

2. Aka

3. Downfall

4. Devote My Life

5. Rubbish Heap

6. Merciless Cult

7. Keigaku no yoku

8. Celebrate Empty Howls

9. Ningen wo Kaburu

10. Keibetsu to hajimari

11. Values of Madness

12. Ranunculus

13. The World of Mercy

Encore

1. Fukai

2. Followers

3. Gaika, chinmoku ga nemuru koro

4. THE DEEPER VILENESS

5. Utafumi

What a night. Otaru Gold Stone is small, we were around 500 in it but the stage was low, the sound was too loud for some instruments depending on where you were in the venue, and holy hell I thought moshpits were forbidden here in Japan. We kept getting pushed and pushing, and someone we got closer everytime, so apparently people in the centre were getting squashed out toward the sides?!

This live report will be even more Kyo-centric than usual, because I could only crane my neck and stand on my toes among that wall of fans to concentrate on one member. But Toshiya seemed stern at first but as the show progressed, he came foth and enjoyed the crowd, even though he never fully cracked a smile. He encouragedthe audience though and appeared to approve of our reactions in general. He was just as entranced with his bass, turning his head upward during Ranunculus. As for Die, his vest really matches Kaoru's custom guitar. His long hair kept blowing in the wind and he would flip it occasionally. In one of the first few songs, he was staring at his side of the crowd with a grave expression but raised his chin a couple of times as if to say: "Oh yeah? That's it?" Kaoru I think remained very serious the whole time except that, at the end, he stayed the longest and really enjoyed the night. Shinya, all I could notice was that he rumbled away like there was no tomorrow at his heavy drums during The World of Mercy, he was in his own universe.

Kyo has a full pectorals tattoo! I doubt it is completely new, but it was definitely news to me. I have no idea what it is, it looked like the marks on a leopard's fur at first but it looks more complex, almost as if it's supposed to be the shadows of the skeleton inside his chest? And on his right side of his neck, it really looks like the drawing from Junji Ito, with the conjoined heads - the hair of a woman stretching toward something in the back. Just below his chin, it looked like a bunch of vertical lines only. He is going full on yakuza for sure.

He came on stage wearing a matching suit: both top and bottom were black with sparse big white feathers. The vest looked like it had a flap, like a short cape behind the neck, because at some point he crouched to give a growl or something and a piece of fabric came to cover his should, but it could not possible have been the lower ends of the vest itself... The dress shirt he had underneath was classic black, and he had a black tie. After three songs or so, he loosened it and also undid the first couple of buttons at the top. Near the end of the main setlist, more buttons had been undone and that's how we were able to see his chest, wide enough to see his nipples.

His hair! With the stripes of the feathers, the formal clothing, his styled hair and the smudged lipstick, he looked almost nazi-esque. This hairstyle is so close to the Tabula Rasa/In Situ one! I am so glad that I witnessed it in person! I guess, to describe it, it almost looks like Levi's hairstyle from Attack on Titan, but he styled the left side toward the back of his head. After sweating though, it was even more awesome and resembling!

He smoked twice or three times during the show. For the first instance, its scent came to my senses before I could see it, during the pause. He tried to do the iiiiiii high-pitched sound in Downfall (?) while having the cigarette on the corner of his mouth: that failed. Later, he was holding his cigarette with his two middle fingers, giving us the horns/fox sign he is now known for!

Aka was more dramatic than I remember it being. Kyo looped his mic cord around his neck twice and caressed it into a hanging string. I think it was during that song that he was dancing like a maniacal pantomime a lot too.

At the very beginning of Rubbish Heap, Kyo cones to the forefront of the stage next to his stand and he holds his fist up in the air for the first 'Fist!' of the song and he has that very obvious facial expression like "Come on guys, here's what I want you to do! Come on, you can do it, go!" which you would use for a child. And yet, what do the majority of the fans do? Still hands...

I cannot remember which song it was exactly, but Kyo started by hitting his forehead repetitively with the mic, and then the chest/heart, and again with the head. It might have been Ranunculus, because I remember that the sound of the hits came just before the circus-like sound and he was singing about kokoro. Doing it right before those sounds was nice, like a preclude, it made sense altogether.

Ranunculus was at least if not more intense than usual. I think that it was during it that Kyo clawed at his dress shirt's sleeve on his left arm, then brought his wrist to his mouth and actively bit it. Had his teeth been any sharper, he would have undoubtedly drawn blood.

After Ranunculus was The World of Mercy. In the transition between the two, Kyo spoke to himself, asking 'Naze?' (why) often, and he then began The World of Mercy fucking depressed, sad and desperate. The end of the song was very beautiful with the simple idea of blasting white light from behind the stage while he chants 'The World of Mercy', it really looked more angelic.

When singing about the game of life and repeating game ('yuugi'), Kyo kept tracing a large circle with his arm fully extended, strenghtening the never-ending nature of this foolishness/challenge.

When doing the return after the break in The World of Mercy, since there are no instruments at first, he yells the 'Jou ni-' with his mic near his hip.

People don't understand the intensity of tge part after 'sekai de' yet.

By the way, the stage just has a large poster of the The Insulated World cover, with fingers on each side. No movies at all this time.

In Keigaku no yoku, Kyo definitely changed that last sentence to 'ore-', but the part he adds after sounded more like 'watashi...'. He also changed or added an 'omae no' something to one of the songs, but it wasn't to make a compliment...

In the encore, Kyo came back wearing black jeans with ripped knees and a D.E.G. shirt without sleeves. The image was identical to the sticker they are currently selling in the goods, so perhaps this design will be used for the T-shirt sold in the USA, Mexico and Europe?

Kyo is such an amazing rocker. I believe that it was during Gaika chinmoku that he did that headbang, where he needs to lean his left hand on his thigh because of how heavy it gets, you know? Ugh. Really the total opposite of sukekiyo's feminine songs. He's so good all around.

As always I am probably forgetting stuff. I will try to draw some of my memories though.

#Dir en grey #live report #Otaru #This Way to Self-Destruction #tour 2019 This Way to Self-Destruction #live #Kyo #tattoos #京 #Sapporo

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sambart93 · 5 years

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2018.11.28 BACK COAT〜裏裁判 UraSaiban / Backdoor Trial [Review]

Official Site here Official Twitter here Press Coverage 1, 2

Synopsis: After investigation, witnesses to a murder decide that the perpetrator is Innocent. Because of this, the witnesses are left once again to go back and recount their version of what happened and what of the victim. There are only 3 rules in this scenario: The real perpetrator is within their group; you must choose Guilty or Innocent; you must decide there and then even if it’s not the real perp. What happens next?

CAST and CHARACTERS

Kuranuki Masahiro as Utsunomiya Saku Domoto Shouhei as Tominaga Tatsuya Terumi as Nakano Shouta Arima Ayaka as Hanamura Kasumi Kuramichi Sena as Utsunomiya Ruin Yashima Yakuma as Nikaido Kouki Haneshima Shouta as Ketsushiro Toshiya Hatsuki Nozomi as Endo Kiriko Okabe Naoya as Ichijyo Hikari Nakajima Kazuhiro as Kisu Makoto Chatani Yuho as Terajima Kae Nakagawa Emi as Enjyouji Aya Saikatsu as Koinuma Shun

* Non-Spoiler Overall: This was great! It’s the style and theme of story and stage that I love. I absolutely love; people forced in a room that they can’t escape and they suspect each other and there’s no trust and there’s underlying secrets and motives and people turn on each other and people die - everything I love in my dark, messy stories! And they executed it so well! I enjoyed it so much! I loved the story, the mystery, the twist parts, the punch ending. It was all so good! And at the peak / climax of the play, the acting from all of them was phenomenal. It was so well done. The only thing that stopped me from being so invested and so emotionally into it was the fact that the guy next to me was snorting and sniffing up his snot every 10 seconds throughout the entire play and drove me absolutely mental. Rating: 7/10. If that dick hadn’t been there to ruin my experience, this could’ve easily been a 8 - 9 rating I think.

Spoiler Review

Main Plot - 12 people (9 witnesses, 1 accused and 2 court staff) have been gathered to decide whether the accused, Enjyouji Aya, should be found guilty or innocent of killing Saku’s sister Ruin. However, when the final judgement is made, only 7 people find her guilty, while the actual brother and his childhood friend Tatsuya rule her innocent. Saku pleads for them all to go back to the beginning and to recount everything they witnessed. Because there is non consensus the court staff lock them inside the room and have to start all over again. No one can leave until everyone agrees on one judgement. And there are three guidelines to the lock down which are:

1. The perpetrator IS within their group. 2. You must choose (one) Guilty or Innocent. 3. You must decide there and then even if it’s not the real perp.

So in the story we go through every person’s account and experience that they had with Rui. At first everyone is very positive saying how much they enjoyed her company and how much of a joy she was to be around. But then they get to Aya and she breaks it down. She turns around to Saku in a half-evil-cackle and says ‘do you really think they’re telling the truth? Do you really think this is what they think of your sister? She was evil. She was horrid!’ and she cracks through the rest of the characters’ true personalities. It soon comes to light that she was physically and mentally abusive to everyone around her, and they say the only way she was acting such a way was because Saku himself was being to harsh on her. Apparently he was strict in that: she must go to school, she must eat properly, she mustn’t go and stay out late, she mustn’t have a boyfriend, and she felt that all her freedom had been taken away, and in turn that led her to take her anger out on the neighbours and everyone who cared for her. ‘And that’s why,’ Aya begins, ‘when she asked me to help her fake her suicide so she could shock and knock some sense into you (Saku), I just.... let her die.’ Saku begins to break down; he knows he was strict on her but that was because he didn’t want her to get hurt again, he wanted her to be safe so she didn’t end dying like their parents did. But obviously he was too strict and it made her go strange and mentally unwell. But towards the end of the stage, Ichijo Hikari speaks up ‘it was you that drove her to her death. She was being manipulated. I saw her... I saw her and Tatsuya talking,’ which brings Saku’s childhood friend underfire. Here, Tatsuya goes into manic laughter and completely cracks, he says he wanted to ruin what was left of Saku’s family because he was sick of seeing them (Saku & Rui) making fun of him (Tatsuya) and his situation (his family abandoned him and when he finally refound them, they acted like they didn’t know who he was). He said ‘I know you were laughing at me. Pitying me. There’s no way you were really being kind.’ When Tatsuya was left alone, Saku became his friend and he brought him home and let them have dinner together and everything. But Tatsuya, being hurt too much and too deeply, always thought Saku was just being malicious (which is completely wrong), so he wanted to get revenge: that was manipulating Rui and giving her the idea of ‘pretend to kill yourself. It’ll be the biggest surprise to Saku and it’ll make him stop being so strict on you’ so silly Rui goes through with it and that’s what led to her death. By this point, everyone is crying and emotionally ruined, and the staff of the court ask them to decide who should be held accountable for the death of Rui. Saku puts his hand up. Everyone protests that he’s innocent but he says ‘I found a letter from her. It came through the mail a year after her death. I did her wrong. I just want to go and see my sister.’ so he begs everyone to judge him ‘guilty’ so he can get the death penalty and join his sister. Of course, everyone doesn’t want to do this but it’s either this or they have to choose another among them to be found Guilty. And the stage ends with them judging him ‘guilty’, he gets on a wooden crate, puts the noose rope around his neck and lights out.

I am not giving the story justice. The intricacies and seeing them break down one by one, and seeing the scenes with Rui and the others. It was just phenomenal acting and the way things came to light and revealed were so well done and so great! I really wish I had been able to see this one or two more times. Because I was so invested and I found everyone’s acting to be top notch! There are some specific scenes and things I would like to talk about though:

☆ Domoto Shohei’s acting when he goes from ‘normal childhood friend’ to ‘batshit crazy’ to ‘realising what he’s done and just breaking down completely’ was so amazing to witness. He flowed so effortlessly between these stages and emotions! I was SO impressed! This was definitely his best acting I’ve seen of him so far! I cannot give enough praise to how well he did. I felt so sorry for him too! You should HATE HIM. You should HATE how he manipulated Saku’s sister, but then you learn that he just wasn’t loved and he was abandoned and his parents are more to blame for his messed-up-ness than him. And you pity him for assuming Saku’s actions were through malice rather than Saku genuinely wanted to look after him. And this huge misunderstanding led to him doing something so unforgivable. Yes you should hate him but the character’s story and Domoto’s acting just... you can’t hate him at all!

☆ I really enjoyed Arima Ayaka’s acting too. I love how Kasumi went from ‘oh yeah she was a darling and I loved spending time with her’ to (when everything gets revealed) ‘she was abusive! She found out that me and Toshiya were dating and she threatened to leak the information. She also hit my all the time! She fucking sucked!’ which was great acting. The scene where Rui is hitting Kasumi had some really good acting. The actors themselves would push each other and a lot of parts were physically real so I was impressed with the trust between the actors and such for those moments.

☆ Sena did a great job as the sister. She had very few scenes because she was only really in the flashbacks but she did a great job! She could switch her feelings and emotions very well which was great! I love how her outfit is a white dress which could mean so many things: innocent, death, ghost, haunting etc. Good choice in clothing!

☆ I was super surprised to see Yashima Yakuma in this! I didn’t know he was in the cast! I am bias. I really like his face and his acting and this role of ‘serious’ and part of the court team was great!

☆ I really liked Hikari as a character. At first he just seems like a hungover, irresponsible guy, but then we learn that he’s got the key information to unlocking the mystery of ‘what happened to Rui’. He’s a sweet guy the entire time. He tries to calm people down and tries to stay level-headed and he really is the only character out of them who’s guilty of NOTHING. Also I loved his hair, but that’s irrelevant to the story.

☆ Kudos to Emi who did this dramatic reveal right at the beginning. She’s the one that’s like ‘oh quit the act everyone! We all hated her! Admit it!!’ and her craziness lasts the entire performance. She really does not give a shit and she just lets all the secrets out! I really love how when she’s telling her stories of Rui, she did things like get on the table and prance around and such.

Like I said, I am not doing this story justice and I wish I’d seen it a few more times so I could get more information and find more scenes to love. And as mentioned above, I had the biggest sniffler and snorter next to me the entire time which that took me out of the story SO much. I literally had to watch the stage with one finger in my right ear so I could somewhat block out the idiot’s noises. But alas, I hope this short, short review will suffice.

And that’s all! I have a SHIT TON (I’m not joking) of reviews and reports I am behind on, dating back to like June I think which is BAD. I need to get this shit done asap seriously. I must! xD

#kuranuki masahiro #domoto shohei #terumi #arima ayaka #kuramichi sena #yashima yakuma #haneshima shouta #hatsuki nozomi #okabe naoya #nakajima kazuhiro #chatani yuho #nakagawa emi #saikatsu #review #stage #stage play

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