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[a-shakespearean-in-paris]

An Interpretation of an Arc

A/N: I am very firm in “while we should be critical of media, sometimes also we should just have fun,” and I do not write this to challenge the common rhetoric I see about a certain someone in Dragon Age. Rather instead, I write this to offer an alternative viewpoint and how I have come to see a certain arc in D/ragon A/ge. I am not going to touch every little thing, but I will give a broad overview. anyway....

Ask me what comes to mind when I think of C/ullen and my mind may drift to the relationship I envision he has with my Inquisitor. I may also think of the wonderful fan art on here, or I may think about how much of a comfort his romance was back in 2016 when I was going through a very rough patch in college. I was so focused in asserting myself in my field that D/ragon A/ge, and by extension, C/ullen’s romance was something I could dive and indulge in, in a sense be my true romantic self. And while perhaps I started writing my longfic originally with an intellectual pursuit, (Can this relationship between a Circle Mage and former templar work?) The bigger truth was that I wanted to be swept away in a grand, emotional romance. In doing so I filled in gaps in canon and better got into C/ullen’s head space, and did some things that perhaps I wanted to see in canon, like an actual confrontation of his past. I wanted him to redeem himself better in my story than what was available in the base game. However, more than a year has passed, and my feelings on his “redemption arc,” have drastically changed. What I thought back then was that the game kind of touched on his redemption arc, but could have done it better. My thoughts now, however, are actually simpler: C/ullen has a recovery arc rather than a redemption arc, and this “essay,” will explain how it functions and why it hits with me more than a flat out redemption arc would have.

For a background, it’s important to mention what C/ullen did in canon that makes him “need” a redemption arc. he said problematic things, but his greatest sin was inaction. (Samson mentions he never played rough with mages if you talk to him in his cell at Skyhold.) We can talk about the evils of inaction all day long and i would probably agree with you, but there is also the added layer of Cullen being a trauma survivor. He had only a quick reprieve from the horrors of Kinloch before he was sent to Meredith, and the woman essentially took advantage of his trauma to fulfill her own ends. I have spoken about Cullen’s trauma before, but that’s not really the focus here. His inaction however, is what is important to bring up, and this will frame the rest of the piece:

So what is redemption anyway?

The dictionary defines redemption as “the action of saving or being saved from sin, error, or evil,” If we go by this definition however, things get dicey. What exactly is needed to be saved? And what does “saved” even mean in our modern, much more secular world? I really dislike this definition when we apply it to redemption arcs, because it implies that there is an endgame in redemption. You screw up, you realize it, (”What have I done?!”)  you do something to make up for it...poof. Done. But I don’t think it’s that simple. Rather instead, redemption does not, and should never, have an endgame. Redemption is always something to work toward. B/lackwall’s arc in Inquisition exemplifies this. (And I will attest he has a better redemption arc than C/ullen.) He knows what he did was wrong, is willing to die for his act, but when the Quiz exonerates him, he strives toward a better future. 

However, T/hom R/ainier ran from his identity and what he did, he did under the guise of B/lackwall, and acted as the man the real B/lackwall thought he was. it was a mask. It is implied he’s only confronting his past just then when he’s in the cell with the Quiz, and that is why emotions are very high in that scene. After his exoneration he continues to help others, even during Tresspasser. He works towards no endgame, he simply knows he must consistently be a better person and not become the man he once was. 

But let’s talk about C/ullen. By the time Inquisition starts, a period of about four years has passed since the battle of Kirkwall. We know from supplemental information he helped rebuild the city. this was how C/assandra spotted him. She recognized his good works and offered him the position of Commander. While the game should do a better job in explaining what exactly he did and how he processed his inaction, if C/ullen helped rebuild, then he did not run from his past. He had to face it head on when he stayed in the city and helped rebuild. There’s arguments to be made that perhaps the Inquisitor should call him out on what he did...or others as well... and sure I might agree, (there’s a scene in my fic where this happens.) but at the end of the day, C/ullen is important to the game, but not really a focus character, and his arc goes elswhere. It’s an unfortunate oversight, but it’s not as though the Inquisitor can’t ever call him out at all. During Perseverance, this is something the Quiz can say: 

Quiz: The man you were. You can’t pretend he never existed. 

Cullen: Not even if I wanted to. But I am here now. I can make that mean something. 

Alternatively, quiz can say that C/ullen can put the past behind him. He says to that: “I can’t forget what happened., but it led me here. I can make that mean something.” So while yes, I think B/lackwall has a better redemption arc overall, simply because we actually see the full arc, there are a couple things in regards to C/ullen. One: because Inquisition begins a good time after K/irkwall, we don’t see C/ullen’s “oh my god, what have I done moment,” and sometimes fandom assumes he didn’t have one. (which dialogue above indicates to me he did.) Two: He still says some kind of problematic things, but is it realistic for him to do a one eighty...even after so long a time has passed and mental health programs don’t exist in Thedas? In my opinion it’s realistic, and to be honest I get his grievances with going after the rebel mages, because it’s not so much that they’re mages, but that they don’t know the status of the mage rebellion, and then when they find out, they find out they’ve aligned with a dangerous foreign power. (this though is a whole other spiel.) Three: he’s not a focus character. Sure this is probably a really shitty lack of foresight on the developer’s parts, but let me point out that V/arric, the only other person besides H/awke who would probably have some issues with C/ullen...doesn’t at all. In fact they seem pretty friendly during Wicked Grace. Four though, and most important, C/ullen has no clear endgame. Even moreso than J/osie or L/eliana, C/ullen pours himself into his work. It’s even joked that he needs a hobby. He acts, when before, his sin was inaction. In a way, this is a form of redemption: acting now when he didn’t before. 

But hey! You said in the beginning that this was a recovery arc! What gives?

While I argue that the overall “theme” of C/ullen’s story is recovery, I would also attest that recovery in itself is a form of redemption, and this all depends on whether or not you as the Inquisitor keep him on lyrium or not. Your choices depending, C/ullen recovers or he spirals and ends up a lot worse. So let’s dive into this now, shall we?

The Blue Vial and it’s Symbolism. 

We learn early on that C/ullen did something very very dangerous and unprecedented months before the Inquisition formally began: quit lyrium. he did something too that could very well kill him. Putting him back on it nets this dialogue: 

I thought if I removed the part that kept me chained I would find my own purpose again.

C/ullen wanted to be a templar to protect people, something he says. Hell, C/ole even says C/ullen is a “good” one, when asking about the templars because he wants to protect. After the Blight he “served out of fear,” and he was “compelled,” as he said, but as mentioned previously he didn’t receive proper help before he was sent to the queen of insanity. However, he ultimately came to the realization that M/eredith did not represent what the order was supposed to stand for. Too little too late? If you believe that I will not argue with you, but the point is, he came to a realization by himself that many would not have. And to seal the deal, he removes himself from the lyrium, removes the chains to “find my own purpose again.” He stopped the lyrium to remember that when he was a boy, it wasn’t about fear. It was protection. Stopping the lyrium is breaking the last hold the order and his past has over him, and his way of going back to protecting people. it is his recovery. Finding a path again, after treading the wrong one. Putting him back on lyrium is forcing him back into his old viewpoints,not allowing him to fully break the chain. If you do this, he does not recover. The chantry scene exemplifies this: either he’s more hopeful, saying a prayer and having a moment of reflection, or he remains bound to the order. Keeping C/ullen off of lyrium allows him to find a life after. 

There’s a poem Tennyson wrote called “Ulysses.” It’s a dramatic monologue delivered by Odyssues (or Ulysses as Tennyson uses his Roman name) sometime after the Odyssey where the man delivers this long epic speech about how bored he is after the Trojan War and his grand adventure, and wants to go out exploring again. to be honest the poem depresses me, because it’s the narrative I see often, even in my own family. It’s the narrative of the soldier who could not adjust to civilian life after the fighting was done. But C/ullen? romanced or not, he does find a life after. he succeeds, and that to me is very hopeful. perhaps it’s not outright said, but the ending slides, romanced or not, certainly indicate he found a life after the fighting. he recovered, and as the slides say he continues to help people and do good work. He continues to work toward a redemption. this is his arc. It is nuanced, symbolic, and while I have some issues, I think it is not only realistic, but effective, and hopeful. He is like many of us, many of us who did wrong. He doesn’t wallow in the past but he doesn’t forget, and he looks forward. that, to me, is very, very important.

Conclusion and Disclaimer 

I’m not going to pretend like I don’t understand why people have grievances with his arc, but I want to stress that this is my interpretation. I kind of didn’t want to publish this but I spent a huge chunk of time writing, so what the hell. All I ask is please, please, pleeeaaasssssssseeeeee do not be rude or vitriolic. I have thought this for a long time, and I finally wished to share. Now I need a nap.

#not sure if this should be reblogged? #???? #please do not be rude #that is all I ask #ah well #worst comes to worst I have a block buttomn #*button #ehhh maybe I should delete #ah whatever go ahead and reblog #i have a block button