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#please do not be rude
kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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caffeiiine · 4 months
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kunikidas ideals have the potential to be self destructive and kunikida can be considered passively suicidal, he is also not the polite and respectful man fanon makes him out to be- *gets shot*
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faerygardens · 8 months
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There are more tallulah & tommy fics on ao3 than there are pac & mike fics
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endivinity · 9 months
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not me already having to beat people on twitter away with a stick because they keep! taking! my stuff! for their dumb little dnd campaigns!!!
it's not even that bc I know it all gets taken and reposted and shared around until there's fifty degrees of separation and nobody's going to see my wishes towards how my art gets used unless I paste 'DO NOT USE FOR DND' on it (and even then theyll do it anyway) but like. i don't see that. when someone just looks at my work and says 'wow! i am using this for me now' directly to my face it's extremely demoralizing and makes me just not want to post things if that's all they see it as :/
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clematsea · 3 months
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  # 𝐀𝐒𝐋𝐈𝐇𝐀𝐍   𝐌𝐀𝐋𝐁𝐎𝐑𝐀:         kübra    ,    gif  pack  .
*  𝐩𝐮𝐛𝐥𝐢𝐜     . . .     click  here  or  the  source  to  find  gifs  of  aslıhan  malbora  in  the  netflix  show  kübra.  aslıhan  is  of  turkish  [  yörük  ]  descent,  please  cast  them  accordingly.  all  of  these  gifs  were  made  from  scratch  by  me.  don’t  add  these  to  other  gif  hunts,  redistribute,  or  claim  as  your  own  +  please  like  or  reblog  if  you  plan  to  use  !
please  read  my  rules  before  using.
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tw  :  cigarettes, smoking, food, eating, flashing lights, and crying.
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rapidhighway · 2 months
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we should all just love each other and be nice to each other and live happily together unfortunately I think everyone thinks I'm mean because of my face so I will go live in my burrow you all live together in harmony or something
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springtrappd · 1 year
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You said in one post that the author of Solar Lunacy is ableist. Could you explain how they're being problematic? I know almost nothing about them or the story itself, so I wouldn't know if they've said or done anything sus. Also, thank you for actually criticizing the Daycare Attendant stans, almost nobody in this site does that.
thank you for asking! it's rare to see, you're right, but it's also rare that people are willing to actually engage with that critical posting, so -- again, thank you! as for your question: oh boy, can i!
first: the basics. dissociation is a psychological response to overwhelming stress wherein the brain... disassociates from itself, placing a barrier between itself and the harsh reality. the most famous dissociative disorder is dissociative identity disorder (DID), known formerly as multiple personality disorder (MPD) or split personality. did occurs when someone without a fully-formed identity (read: a child) undergoes such severe stress that the 'brain' dissociates from its identity itself, creating alternate identities (personalities) to deal with the things they can't. these alternate identities work together to form a system. it's way more complicated than that and you can read more on it here and here but that's the bare minimum for the ignorant in the audience. we all caught up? good! moving on.
now, the question of whether or not the daycare attendant is a system is a touchy one. i've seen multiple different stances on the matter, seen a lot of arguments, and typed (and deleted) several hundreds of words about it, and the answer that i've come to is that, for the sake of this argument, whether the dca is a system in canon doesn't matter. what matters is how bamsara treats them. how do they handle the characters, how do they frame the switches in personality, the confusion, all the parallels to real-world symptoms -- how do they expect the viewer to feel, what do they pull from the cultural lexicon, yadda yadda. does bamsara -- regardless of their intentions -- depict the dca as a system, and if so, how do they handle it?
the answer is that they depict the dca as experiencing altered identity states, switching (and even blurring) between identities, and even repeatedly acknowledges them as a plural entity.
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and it is these behaviours, specifically, that are used to make the dca scary. bamsara's daycare attendant is scary because they experience altered identity states. because they blur identities. because they are a plural entity. because they display the textbook symptoms and behaviours of a disorder most commonly caused by childhood sexual abuse. and it is the fear that this is inspires that makes them (but especially moon & eclipse) sexy.
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now, one can argue that this is simply in line with existing horror media, and they would be correct: most pop culture depictions of dissociative disorders are extremely ableist, and have real-world consequences! but what makes it really, really shitty is that... i don't want to think about this stuff. i don't come to fandom to be reminded that people are terrified of what they don't understand, and that that very very often includes the mentally ill. i don't want to be reminded that there are people who don't believe dissociative disorders exist at all. i don't want to reminded that they -- the sick, the survivors, the unlucky 140 million -- are spoken of in the same way as monsters. i don't come here for harsh realities. but solar lunacy is the most kudos'd fnaf fic on ao3, and we all have to live with that.
if you liked solar lunacy or bamsara's content or... whatever, i don't particularly care. i'm not mad about people thinking evil alters are sexy, or engaging with horror content that says shitty things about systems -- it's your life, live it how you please (and i've got a vanny icon so who am i to judge lmao). sometimes the things that make us happy are kinda shitty, and that's okay! our views are shaped by the society we live in, and there is no society on earth that is kind to the mentally ill -- there's no way to undo that, to stop that from influencing you in some capacity. but... all i ask is for you to think about this stuff, and try to educate yourself on the topic. there's nothing wrong with making a mistake, or having flaws -- but there's something wrong with making a space that feels unsafe, that reflects some of the more uncomfortable aspects of our society, that unintentionally hurts people. it's just up to you if that something is something you care about.
i hope that answers your question, anon (and anyone else who's curious). take care, mate!
(edit 13/01/2023: due to some technical difficulties on tumblr's end, the notes aren't quite showing up properly, so here's the link to bamsara's reblog chain if you can't find it.)
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draconicdeityarts · 3 months
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Look at my Husk redesign boy
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suits · 10 months
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help a black woman in need
tldr; beat homelessness just in time to have my car repossessed.
hi ive been putting this off as long as i can because idk how to ask for help but i really need it rn. some of you might know, i was homeless since oct 2022. we found a place and have moved in at the start of this month (july). unfortunately this morning i was on my way out to work only to find that my car had been repossessed due to me falling behind on the payments (see: being homeless). i had to call off today but i need my car to get to work the rest of the week. im not asking for a specific amount because i need a lot and this will most likely be ongoing.but ANYTHING helps. please share even if you can't help out financially. words of encouragement/advice also appreciated. thank you 🙏🏾🫶🏾 pypl: @mkwats cshpp: $mkawatson vnmo: mk-watson
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while I'm online, I want to ask that yall be mindful in what you tag us in. tagging us on potential heritage posts is fine, and so is recommending the blog! but do keep in mind that we see everything we're tagged in, and that discussions involving other types of slurs, especially uncensored racial slurs, can be pretty upsetting for us. this blog is run by a person of color, and getting notifs with the hard r n word uncensored can be very unsettling. we appreciate that you want to mention us in these discussions, but getting tagged on posts including things like uncensored lists of racial slurs is not fun! if all else fails, ask first.
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atthebell · 6 months
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also i know this is probably by nature of how much i block people and again the fact that i don't open the main tag but i have not personally seen a single instance of toxicity from red team fans on here
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Concerning Snippets from PJO Chalice of the Gods
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Annabeth didn't give Percy any warning. Didn't talk to him. Didn't tell him what she was thinking and just pushed him off the edge, not even knowing if this water was breathable to Percy, AND since he wasn't even prepared he could have easy lost his hold on this important staff.
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Now he's fighting this unknown god, Elisson, who guess what wants to cause Percy pain.
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Yeah, Annabeth, what did you think was going to happen? Oh, wise one *sarcastic*. At least Percy thinks of more than himself and wants to keep his partner safe.
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Here Percy's been through the ringer, forced into this situation BY ANNABETH, and Annabeth, who is safe up on the cliff, is just tapping her wrist like it's a watch because she's impatient for her boyfriend to hurry up. Like girl, this god could kill Percy and has already hurt him, and this is how you react.
Look, I don't care if anyone likes Annabeth or not, but this kind of behavior, not to mention so many more things, is just so concerning to me. Percabeth is not a healthy relationship, and it never has been.
It's just so concerning that this is what been taught to as early as elementary school kids about what is a "healthy" relationship. Not to mention how many times Annabeth has elbowed Percy, kicked his shins, and calls him stupid. Let's not forget the judoflip in HOO either, where Annabeth puts her knee on Percy's chest and presses her forearm against his throat and tells him not to leave her, LIKE HE CHOSE TO BE KIDNAPPED. Instead of ya know, hugging him and telling him she loves him.
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ssaalexblake · 4 months
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13 looking at yaz when the fire works go off and her breath catching for a moment when she looks at her stabs me in the chest every time bc she only gets that moment of awe for a second before she remembers everything else and i am in paaaaiiinnnnn
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lucabyte · 7 days
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i am looking at nohats au 👀 please share more
So! NoHats! I'm going to grab you and use this to ramble. A Lot.
The NoHats AU is @samhainian's it's just that I'm the strange little freak who takes the words said unto me and executes on them. But I can still do a little explainer on what our overall thoughts and vibes are. (And, that we are in fact propping up a little box with some cheese under it here. 🪤 Please (PLEASE) feel free to pick up what we're putting down.)
We're far from the only ones exploring a "what if siffrin fucking died" AU, though the main difference with NoHats is the placement of the death in the timeline. Instead of being 'Mal Du Pays Wins' or 'Act 6 encounter goes horribly wrong', the death is… Just after the (literal) falling action.
(This placement is because Sam is a comic book fan who thus has become used to characters being ripped away at the cruelest times by shitty writers. THANK FUCKING GOD adrienne is not that and isat is delightful yippieee, but, back on topic.)
Giving the party the full understanding of What Happened that you get by putting the death after black hole siffrin, but before the A6 encounter leaves an interesting gap to be filled. See, making Siffrin's death very much not Loop's fault means that… this once again reads (when not read as simply a tragedy...) as the universe doing what it sees fit to fulfull Loop's wish… Thus making Siffrin's death Loop's fault again, but only in their eyes. And only in a way they could express if they were honest about who they were…
And this is where having had excuse to waffle about my general Postcanon Loop thoughts the other day comes in handy, because Sam and I have that as our canon-compliant reading to begin with, NoHats plays off of a lot of the same readings of Loop's character. Namely: Uh Oh Somebody's Lying By Fucking Omission Again. (BECAUSE TO BE FAIR THIS TIME… HOW THE FUCK WOULD YOU HANDLE THAT?)
Now, neither Sam nor I are fanfic writers, so this has been a little bit trapped in our heads and DMs (and my unfinished art but,)
But our thoughts on how NoHats like… Goes.
Siffrin's death is peaceful, but that does not mean the aftermath of it is. I can't imagine the party takes it well, especially after understanding the circumstances of the Loops. (And, of note, in A5 where nobody had the discussion on what to do with each other's bodies should something happen…) But I'd imagine it traumabonds them somewhat (understatement of the century) and now knowing how the rest of the party feels, they resolve to travel together for the forseeable future.
The party track down Loop to deliver the terrible news, since they were clearly Siffrin's friend too, and invite Loop along to travel at least long enough to (let them grieve) get the burial over with. Loop, here, can be helpful in knowing what Siffrin would've wanted where the party would be at a loss. Loop, I think, takes a bit of a lead on the funerary aspects of it all, because, um. (Performing rites on your own body, huh?)
Then, as things are after a death, life just… Kind of has to continue on as normal. The party travel, pick up Nille, and get to know Loop as this mysterious new person. Maybe in this situation they might stay in Bambouche for a while to give Bonnie more stability since. They are probably taking it the worst. It would've come out of absolutely nowhere for everyone in the party obviously but god, for a kid? For A Kid?
It should be stated NoHats is not intended to be grimdark, just y'know. An exploration of grief. This is also why it's got a bit of a lopsided focus on Bonnie vs the rest of the party because hhrrhghghhghghhhghhghhh <- incoherent
Now, a crossroads.
How does the party discover Loop to be Siffrin? How long does it take. How much have the party embraced them as part of the family (especially with something as intense to bond over as this)?
There's the Odile option. Have her put it together and have to bring it up somehow. This could also be done by Isabeau, perhaps. He's smart. (which. God. If anything's the real Isabeau Torment Nexus it's this)
Then there's the other option batted around by Sam and I. The: The Universe Dislikes Duplicates option.
The items in the house that fzzt away when inspected. The Universe doesn't like there to be two of something, at least not when they're acknowledged. But one of something is just fine…?
Which is to say. I'm not a personal proponent of 'Loop getting their body back'. EXCEPT …… except this one time.
There's only one Siffrin now, so they don't need to be obfuscated to exist.
Consider, if you will. Loop swallowing their guilt for long enough to be comfortable. Falling back into old habits. Without another Siffrin around to compete for the niche of, they actually begin to act like Siffrin again. Not intentionally, it's just… The party is as welcoming as they've always been. And the party swears they keep catching glimpses of a face under all the light.
Then, one day, while still not fully human again, the resemblence becomes undeniable. Loop having not even noticed until everyone looks at them like they've seen a ghost.
Has it been months? How long have they kept up this lie? Is it even a lie, to them? They're Loop. But they were, once, Siffrin.
Even after explaining it, does that make it better or worse?
Bonnie cuts through the betrayed, struck-nerve reactions with a sobering "I missed you."
… Anyway !
Yeah so that's the vibe for NoHats. As for LoopLoops? That's more nebulous. I think it can go anywhere really in the NoHats timeline. I err personally toward the "Loop continuously replays the last 10 minutes before Siffrin's death almost immediately after they find out and have to parkour their ass up the House in the most distressing situation possible to try and get them to hold on, just please hold on." (Remember! Siffrin can remember the contents of Loop's loop backs in the A6 fight!)
But there is the possibility that this happens months, or worse years down the road. One last Loop back. Throw it all away for the chance to just get that one thing you didn't know you even wanted but now know you NEED.
Misc:
Okay miscellaneous time.
This is where I admit that I have a bunch of unfinished NoHats art that I haven't gotten around to yet because I feel like a right tool being so obviously Loop-Centric with my fancontent (I AM . . I REALISE I AM NOT DOING MUCH TO BEAT THE ALLEGATIONS.) So like if people want to see that please say because euaghghghhfh <- the nervous.
this is like the most fucked up place to do isaloop fr. anyway.
one of Sam's mid-game observations that I'm just going to share for no particular reason is that Bonnie's hair shares a bunch of shapes with Siffrin's. The flick up at the top, the 3 pronged shape of the fringe… just something to think about.
Without 2 Siffrins around to compare each other to it'd likely be a lot harder to notice Loop's similarities. Doesn't mean that those similarities don't sting more in this context though.
If you do NoHats without LoopLoops. The concept of this all fading into memory years down the line while they just have slightly-glowy but otherwise regular Siffrin hanging out is fucked up to think about. Just like real grief. Augh
6. a peek into the original dms as a treat from us
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scrappy-possum · 9 days
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(good grief it been a while......)
anyway hi im not dead
heard it was a special bee's birthday (@realizinau )
so i opened ms paint and doodled this real fast
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he put his knitting skillz to use and made a cute sweater :)
the next challange however is giving it to Bailee
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cj-kenobi · 1 year
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🌙I wanna do what lovers do with you🌙
🌼I wanna walk the edge of the Earth with you 🌼
🌻I wanna say to you the minute we feel the heat🌻
☀️Would you be, my lover?☀️
M'lover - Kishi Bashi
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