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theendofviolet 5 days
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LET'S FUCKING GOOOOOOOOOOOOOOOOOOOO
sampo koski, snake in the grass...?
so, sampo koski is supposed to be a snake/directly associated with snakes, right? if that's a head-scratching statement, i think the implication should be something gathered from that exceptionally weird-looking pauldron he has on his right arm, because its something so blatantly in your face and yet almost TOO obvious. his pauldron, if you squint, and see it from a certain angle, absolutely mimics a snake's head, with fangs outstretched (thank u @ricochetlovebombs for the nice shot of his pauldron as seen on the left!!)
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if that wasn't even enough, there's even more visual clues from the strange knives he wields, which as far as i know, have never been addressed or acknowledged in story. "oh, the guy's got cool knives! they boomerang into his enemies somehow! neat!" and then you look at it and its like "wait a second, they're colored the same shade of purple as the "fangs" on the gauntlet and curved the same way. they ARE his fangs, in weapon form"
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and then last (but not least) is the key art. its absolutely something people have noticed (as well as the strange unknown city backdrop, but that's an exploration for the other time). i've seen more than one hypothesis of it being some kind of grappling hook - but regardless of what it actually is, the fact is that the attachment of it does seem to be from the "head" pauldron itself (as seen on his video game model) which lends the fact that this is maybe the actual "body" of the "snake" in question
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now, as far as what it means? its a bit unclear at the moment. of course "snake in the grass" as a phrase comes to mind - "someone who appears friendly and likable on the surface, but has hidden agendas and will do anything to get what they want" - but this has never been stated about sampo word for word as far as we know! it could also be a hint for his masked fools persona and the aesthetic it possibly takes - could we see a more reptilian/snake-like sampo in some point in the future when he reveals more of the man behind the mask, or the mask behind the man? who knows, but its absolutely something to keep in mind for now
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theendofviolet 30 days
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mutuals, non-mutuals, ops of years old posts, you can all catch these paws
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theendofviolet 1 month
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Fate/Grand Order COMIC 脿 la carte PLUS! SP Showdown!
Ashiya Douman VS Dioscuri
TL & Typeset by yours truly.
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theendofviolet 1 month
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(cagliostro voice) douman, my dear fellow, what is that weird hackerman glove you're putting on
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theendofviolet 1 month
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a very random thing, but it feels like such a Possibly Right Under Your Nose sort of thing that the coat that sampo wears might literally be intentionally modeled after a ringmaster' outfit's coat. you know, the guy who actually runs the circus act. take a gander at how a ringmaster is prescribed - and then think about what sampo's role is throughout the belobog arc!
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(also a bit randomly, but the last part about essentially using hyperbole to "enhance the expectations of the audience" is definitely in line with what sampo does in his grand exaggerations and dramatic turns of phrase - like his line about march 7th comes to mind)
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theendofviolet 2 months
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TODAY IS A GOOD GOOD FUCKING DAY
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theendofviolet 2 months
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you have to understand how unprecedented the journey of ashiya douman fate/grand order has been in the public eye. this character used to be a heavily maligned npc, a viciously hated figure in fandom who barely had any fanart except for a select handful of devout fans wanting to catch glimpses of the true personality behind the circus act. the design for this npc was so stunning, however, that even the overall director and writer of the series, nasu, decided to elevate their status in the story, and even created their own focused storyline that culminated in a whole chapter where they finally got the boss battle of their dreams. and that chapter and their release as a playable character changed everything. practically overnight, the man who was so loathed had people turning out fanart by the gazillions. timelines were filled with nothing but clown. people looked at them with new eyes, passionately making in-depth comics on their intricacies. this horrible evil wizard was more than they seemed. this character had layers. this heroic spirit was tragic, through and through, in a way that resonated like nothing else. the beautiful carnivore, made to be hated, desperate to be loved.
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and if you thought that was it, if you thought it was over in a brief rushed fad, well, that popularity never ended. ashiya douman, the figure that even in history was considered a lowly villain to fight a grand beloved hero, was celebrated time and time again. they got into events, they got a summer costume, they got beautiful illustrations for CEs, they were given merch, they even were selected out of a few servants to have a voiced one-on-one skit that fans could experience at the f/go festival. it's been Literal Years since douman has been released, and the wave of love has never faltered for a second. and now, their writer and artist created a wonderfully crafted one-shot comic for the f/go magazine that was regarded with such high praise and popularity that the artist just announced that they have been greenlit for a semi-regular manga on the living douman's exploits, to continue on from that one-shot, because people want more of this clown
ashiya douman has had a world of adoration that one could've never predicted from their early time. once considered a shallow side villain cackling evilly, now one of the most well-known most beloved characters in the entirety of the fate/ franchise.
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this evil wizard jester is more Loved than you can even imagine
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theendofviolet 2 months
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panels from the new ashiya douman manga by hasendow sensei that i am DEEPLY obsessed with
NOT comprehensive. i love all of these so much.
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theendofviolet 2 months
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THE CREATOR OF ASHIYA DOUMAN GETTING THE GREENLIGHT FOR A WHOLE SEMI-REGULAR ASHIYA DOUMAN MANGA SERIES BY FATE/GO BECAUSE OF HOW POWERFUL AND WELL-RECEIVED THE ONE-SHOT LAST YEAR WAS IS THE BEST NEWS I WILL GET ALL YEAR LET'S GO CLOWN POWERRRRRRR
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theendofviolet 2 months
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spoilers for penacony completely out of context but please for the love of god listen to how this line is said because i almost choked with how fed UP he is
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theendofviolet 2 months
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it's Happening.jpg
feeling nuts. feeling bonkers. might actually write a self-indulgent fic of sampo koski developing a one-sided monika ddlc-esque relationship with the player behind the screen. make it meta. lean on the tragedy and horror of it all. i'll do it for Me
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theendofviolet 2 months
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feeling nuts. feeling bonkers. might actually write a self-indulgent fic of sampo koski developing a one-sided monika ddlc-esque relationship with the player behind the screen. make it meta. lean on the tragedy and horror of it all. i'll do it for Me
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theendofviolet 3 months
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sampo koski is implied to walk on water as he doesn't produce any splashes when going through it unlike every other character you play.jpg
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theendofviolet 3 months
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much to think about.jpg
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theendofviolet 4 months
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this is such an important and very correct point about The Boy and The Heron that deserves more chewing on. what's EXTREMELY evident is the repetition of "malice" and the very concept and idea of mahito calling the great uncle's offered blocks "gravestones". how everything is foreshadowed in the beginning when the old ladies are talking about how the great uncle made workers build his mansion for him and some literally died - for his vision! for his world! and he still made them do it regardless of the consequences! he populated his own world with birds and still imposed resource scarcity and power struggles on them, forcing them into these horrific conflicts, and in the case of the pelicans, having to eat the equivalent of children/the unborn to survive. it's a world based on the one he knew, and it's a world of "malice" no matter how hard he tries to make it idyllic.
it's a beautiful world, but in the end, it's still a world of the dead, after all
While I recognise that the boy and the heron is making deeply nuanced and complex statements I personally refuse to be sympathetic towards the greatuncle because he did that to the pelicans and I am on the side of the pelicans.
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theendofviolet 4 months
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(me shaking my partner in bed) WAKE UP DEAR THEY RELEASED A PICTURE OF SAMPO FUCKING KOSKI IN A MASK AND SUIT IT'S SO OVER (POSITIVE)
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theendofviolet 5 months
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hey, isn't there something OFF about sampo's appearance in the stellar shadowseeker event?
as our lovable trailblazer runs around taking pictures to help march 7th out, they come across familiar characters that they chat with. as the scenes go, there's nothing special about them, focusing on both characters standing across from each other discussing the photos
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so why, exactly, is trailblazer's sudden encounter with sampo in first-person perspective?
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aside from the occasional event, the typical way scenes play out in honkai star rail is as shown above, with the camera playing a third person perspective to the mc and any character(s) they talk to. sampo's sudden perspective change isn't some gameplay/logistical location issue with the video game camera, either, since third person perspective plays out just fine in the same area with other characters
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so, why the sudden camera shift? of course, it could be a whole lot of nothingburgers and the game just wanted you to have a nice one-to-one chat with everyone's favorite scamlord. but at the same time, this is a character who has already faced the camera once before in such a way - the infamous fourth wall breaking scene from the end of belobog, of course - so now the deliberate nature of suddenly having sampo face you - maybe not just the trailblazer, you behind the screen - and teasing about being caught on camera when he's "working" might take on an intentional extra layer of metaphysical meaning
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the debate about how far the fourth wall break goes is something that might likely not be resolved anytime soon. is sampo simply aware of being dreamt of by the trailblazer, but has no understanding of being in a game? or is he actually fully aware he's an npc in a video game, and is directly looking at the player and wanting to talk to them, form a relationship with them, directly joking with them? is him teasing about taking photos a way to refer to how players will take photos of their favorite characters in a video game with them 100% unaware of it, as they're nothing but lifeless code?
who knows! either way....sampo koski, what's your DEAL
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