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thewoodpeckercries · 4 months
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my full spread for @campsapphozine 🏛️🌷🩷
Clarisse and Silena doing the patrochilles 😭 doomed sapphics my beloved
actually I never got over this at 12 yrs old and this was my way to cope 10 years later thank u
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thewoodpeckercries · 4 months
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Usually it’s video games instead of music but this is pretty much accurate hehe
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thewoodpeckercries · 5 months
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thewoodpeckercries · 5 months
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thewoodpeckercries · 6 months
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I can't stop thinking about the news out of Palestine. Israel is sieging al Shifa hospital. Videos of people's limbs being severed off are haunting (graphic video tw). The hospital has ran out of fuel and 39 babies in incubators are fending for their lives by themselves, because Israel has stationed snipers around the hospital and is shooting all medical crew that walks into their sight.
First, the narrative was Israel would never bomb hospitals. Now, the hospitals are Hamas bases. Then, we respect journalists. Now, we have a fucking kill list of journalists because they are Hamas collaborators. First, we are not letting fuel in until the hostages are released. Now, we are not accepting the hostages back because that would stop our ground invasion and let Hamas win. And I could go on about every single lie they're making up. If you look up "Hamas rape" on google, the first link leads to Times of Israel saying Israel has found no forensic evidence of sexual violence, and only one eyewitness testimony out of 3.5k people attending the rave. If you Google "Hamas beheaded babies" the top links say they have no evidence for the claim besides word of mouth from extremist soldiers. Israeli extremists think about the ugliest goriest scene they can make out in their sick heads, tell that to a international journalist and they run away with it like it's gospel.
And children are being killed in the name of these lies. Thousands are being displaced in images that remind me of the pictures of Tantura 75 years ago, with their hands up so the tanks don't shoot them. Amputees are leaving the hospitals in wheelchairs hours after their surgeries because they are being shot at. Elders who survived the Nakba on 48 are having to walk towards Southern Gaza on foot (imagine walking from one end of your city to the other on foot), displaced again. People are cheering for the haunting images of white phosphorus bombs being dropped over Gaza. Gazan workers who were arrested in the West Bank are being thrust back into the bombings wearing numbered labels.
This is not normal. We are seeing the early stages of the settler colonial genocide of an indigenous population. Native leaders who have visited Gaza say its refugee camps look eerily like reservations. We can stop this. For the first time we are able to see wide scale accounts from the hands of the people suffering the genocide, and Israel is so scared of it they have cut all communications in Gaza.
This is our litmus test. I think we have never seen more clearly, with Palestine, Armenia, Congo and Sudan how colonialism has made our world a rotten place to live in.
The South African apartheid collapsed due to boycotts. We have to do everything in our power to stop Israel's hegemony. Even talking to a group of friends about Palestine changes the status quo. There's no world where we can live peacefully if Israel accomplishes their goals.
Keep yourself updated and share Palestinian voices. Muna El-Kurd said every tweet is like a treasure to them, because their voices are repressed on social media and even on this very app. Make it your action item to share something about the Palestinian plight everyday. Here are some resources:
Al Jazeera, Anadolu Agency, Mondoweiss
Boycott Divest Sanction Movement
Palestinian Youth Movement is organizing protests and direct action against weapons factories across the US
Mohammed El-Kurd (twitter / instagram)
Muhammad Shehada (twitter)
Motaz Azaiza (instagram) - reporting directly from Gaza.
Hind Khudary - reporting directly from Gaza. Her husband and daughter moved South to run from the tanks but she stayed behind to record the genocide. The least we can do is not let her calls fall on deaf ears.
You can participate in boycotts wherever you are in the world, through BDS guidelines. Don't be overwhelmed by gigantic boycott lists. BDS explicitly targets only a few brands which have bigger impact. You can stop consuming from as many brands as you want, though, and by all means feel free to give a 1 star review to McDonalds, Papa John, Pizza Hut, Burger King and Starbucks. Right now, they are focusing on boycotting the following:
Carrefour, HP, Puma, Sabra, Sodastream, Ahava cosmetics, Israeli fruits and vegetables
Push for a cultural boycott - pressure your favorite artist to speak out on Palestine and cancel any upcoming performances on occupied territory (Lorde cancelled her gig in Israel because of this. It works.)
If you can, participate in direct action or donate.
Palestine Action works to shut down Israeli weapons factories in the UK and USA, and have successfully shut down one of their firms in London.Some of the activists are going on trial and are calling for mobilizing on court.
Palestinian Youth Movement is organizing direct actions to stop the shipping of wars to Israel. Follow them.
Educate yourself. Read into Palestinian history and the occupation. You can't common sense people out of decades of propaganda. If your arguments crumble when a zionist brings up the "disengagement of Gaza", you have to learn more.
Read Decolonize Palestine. They have 15 minute reads that concisely explain the occupation (and its colonial roots) and debunk popular myths, including pinkwashing.
Read on Palestine. Here's an amazing masterpost.
Verso Book Club is giving out free books on Palestine (I personally downloaded Ten Myths about Israel by Ilan Pappe. If you still believe in the two states solution, this book by an Israeli professor debunks it).
Call your representatives. The Labour Party in the UK had an emergency meeting after several councilors threatened to resign if they didn't condemn Israeli war crimes. Calling to show your complaints works, even more if you live in a country that funds genocide.
FOR PEOPLE IN THE USA: USCPR has developed this toolkit for calls, here's a document that autosends emails to your representatives and here's a toolkit by Ceasefire in Gaza NOW!
FOR PEOPLE IN EUROPE: Here's a toolkit by Voices in Europe for Peace targeting the European Parliament and one specific for almost all countries in Europe, including Germany, Ireland, Poland, Denmark, Sweden, Netherlands, Greece, Norway, Italy, Portugal, Spain, Finland, Austria, Belgium Romania and Ukraine
FOR PEOPLE IN THE UK: Friends of Al-Aqsa UK and Palestine Solidarity UK have made toolkits for calls and emails
FOR PEOPLE IN AUSTRALIA: Here's a toolkit by Stand With Palestine
FOR PEOPLE IN CANADA: Here's a toolkit by Indepent Jewish Voices for Canada
Join a protest. Here's a constantly updating list of protests:
Global calendar
Another global calendar (go to the instragram of the organizers to confirm your protest)
USA calendar
Australia calendar
Feel free to add more.
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thewoodpeckercries · 6 months
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Trust me, i’ve dropped people i’ve known for years in the last couple of weeks because they fucking tried me on this. I have zero fucking patience for anything that is not unwavering support for the Palestinian people. There are no two sides to genocide.
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thewoodpeckercries · 6 months
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lmao
every time i am forced to think about acotar against my will i remember when feyre goes to Mind Control Land to spend time with Mr. Evil Mind Control and then when tamlin and lucien are like "maybe you're a little mind controlled :/" she goes freakin ballistic
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thewoodpeckercries · 6 months
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thewoodpeckercries · 11 months
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You Never Forget (4)
The other chapters
Summary: Nesta loses her memory when she falls down the stairs and all that jazz.
~
Nesta isn’t sure when it happens, but a light bulb flickers on. A flash of lightning pierces the room, and suddenly, for a moment, Nesta blinks wide at the brightness of all she can see… and just for a moment, it all seems like a trap. 
For a moment, Velaris feels menacing. 
She can see it outside of her window like a monster hidden in the depths of the  night. She’s tucked beneath covers, in a house so high above, but the lights below flicker in the distance chanting up a summons. 
Keep reading
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thewoodpeckercries · 1 year
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darklina stans are terrifying like how did you see “grooms 17 year old girl, manipulates her, has someone spy on her and block contact with her only friend outside the little palace, ties her to a ship, kills the only parental figure she had and forces her to see the body, threatens her with literal torture” and think 🥰endgame🥰 like no the only thing that’s endgame here is your need for therapy if that’s what you think a healthy relationship looks like💀
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thewoodpeckercries · 1 year
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thewoodpeckercries · 1 year
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the fact that sjm's team vetted the questions sent in for her last interview from fans to ensure she didn't have to explain the horribly abusive relationships in her stories
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thewoodpeckercries · 1 year
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𝐢𝐟 𝐢𝐭 𝐛𝐚𝐫𝐤𝐬 | 𝐞𝐝𝐝𝐢𝐞 𝐦𝐮𝐧𝐬𝐨𝐧
part one | part two | part three 
You don’t mean to make an enemy of Eddie Munson — he’s handsome and talented, but he’s the biggest jerk you’ve ever met. Eddie thinks you’re infuriatingly pretty, emphasis on the infuriating. Eddie goes home, you’re on tour, and the lines between you both continue to blur.
fem!reader, enemies-to-lovers, rival rockstars, mutual pining, kisses! tender neck kisses <3, past miscommunication, angst, hurt-comfort, sexual tension, TW mentioned recreational drug use, drinking, smoking, swearing 
𓆩❤︎𓆪
Hawkins, Indiana, December 1990
Eddie listens to his walkman until it runs out of juice. Through the flight from California to Indianapolis, the hours-long bus ride that stops just short of Hawkins, and the final connecting bus on the outskirts. Some metalheads listen to strictly metal, but Eddie likes variety occasionally. Plus, he doesn’t think it’s possible to have ears and not love The Rolling Stones’ Some Girls. 
He has one girl on his mind the entire journey home. He tries not to think about you. He makes himself sick shoving you down into a crevice of his heart, so he admits defeat. His fingers twitch, eager to write about you. He has some lyrics in mind. Evil wretched girl with wicked sweet hands. Heart eater. Soft around the edges. 
He wants to write about your stupid chubby thighs and how they look in skirts. He wants to write about your wrists, your knees and their ever-present bruises. Metaphors for your sickly sweetness won’t stick; cruel becomes kind. Taunting turns teasing. 
It feels like it’s eating him alive, spine first. You’re gnawing on his ribs as he hikes the half a mile from the bus stop into Forest Hills trailer park. He can feel your thumb rubbing makeup off of his cheek as he drags his suitcase up the metal steps to Wayne’s —Eddie’s— front door. 
“Wayne?” he calls. It’s pitch fucking dark. He’s surprised he got all the way here without falling in some ditch. “Could you let me in? It’s freezing.”
He hears stirring from inside. He calls out again in case his uncle changes his mind. “Wayne, it’s me. I’m sorry it’s late. Please don’t leave me out here.”
He’s joking. Wayne would sooner shoot Eddie dead than put him in harm's way. He’s always been that kind of parent, hiding his deep rooted worry underneath a feigned reluctance. Footsteps shuffle and floorboards creak. The door opens between them, and Eddie shoves his suitcase and backpack inside without properly looking at his old man. 
“Eddie, what the fuck, kid?”
“Sorry,” Eddie says, looking up. Wayne’s squinting at him. He’s wearing jeans with deep creases. He must’ve been sleeping in them. “I timed it all wrong. Started coming home and I didn’t think about it. I walked here, you know that?”
Wayne hugs him. Eddie isn’t expecting it. It’s not like Wayne isn’t affectionate, he doles out shoulder claps and hair ruffles like candy, but their hugs are usually one-armed back-slapping affairs. This is a loose encircling with a scratchy cheek against Eddie’s forehead. 
“I’ve been worrying about you.”
Guilt sinks like a stone to the bottom of his stomach. Eddie kind of feels like he might puke. He wraps his arms around his uncle and breathes in his smell. Diesel and grease, sure, but so much louder than that is his mint and rosemary soap. 
The weight of Wayne’s arms over Eddie’s shoulders is one of his favourite feelings. He hadn’t realised how much he missed it, but then… maybe he had. 
He wants to tell Wayne there’s no need to worry, but he’s never been good at lying to him. “Think I might have fallen off the wagon, Wayne.”
“Well. Happens to all of us.” He pats Eddie’s back and steps away. He doesn’t look any older than the last time Eddie saw him. In fact, he looks good. Puffy-eyed but healthy. “I thought for sure I’d have to come track you down and drag you back for Christmas myself.”
Eddie locks the door and Wayne shuffles into the kitchen promising coffee and cake. He should protest, tell Wayne he can go back to bed and they’ll catch up in the morning, but he missed the small stuff like this, when he’d get home late from band practice or a midnight premiere of a sci-fi flick and his uncle would be sitting up waiting. 
Eddie loves being home. There’s something to be said about living like the rich —he loves all the high ceilings and endless cushy carpeting— but nothing feels as good as coming home. His room is exactly how he left it minus a few ashtrays and his super unsecret pot stash. The poster wallpaper and the cheap paint. His raggedy bedspread and the corners tucked in haphazardly by tired hands. Eddie resists the want to dive under the covers and slide into the dip in his mattress. He knows every box spring in that fucker, and he missed it. 
Eddie drops his bags at the end of the bed. All the clothes in his suitcase smell like Coors Light, so he changes into rags he left behind, a too-big pair of plaid pyjamas that slip down his hips and a sleeveless Motörhead shirt. Maybe. The emblem is worn to nothing but black lines. 
He follows the smell of coffee through the hallway and into the Munson kitchen, tightening the drawstrings of his pants as he goes, chin tucked to his chest. “I’m losing weight, Wayne, I’m like a fucking twig.”
“Don’t tell me that shit. God knows I taught you how to take care of yourself.”
“I’m stupid. I’m really stupid, actually.”
Wayne whacks the coffee maker. It whirs. “Pick a mug, son.”
“You been cleaning? I don’t wanna look down and see a spider in my cup.”
“Have you been cleaning?” Wayne asks. 
“It’s insane how much I haven’t been cleaning.”
“Some things don’t change.”
“You fucker,” Eddie says, laughing up a storm as he picks out his favourite mug, the Garfield one with a big scratch down the left side. 
“You fucker,” Wayne snaps back. “I should send you packing for the bad language alone.”
“They don’t make you clean your hotel rooms, Wayne, that’s the point of them.”
“I raised you better than that.”
“You did. I keep it classy, I swear, I just,” —Eddie sits down in his chair, watching Wayne stir in milk and sugar just the way he likes it, and feels more than sees as a familiar contentedness like a Gaussian film settles over their easy conversation— “don’t clean up after Gareth. He’s a monster.”
“Do me a favour, Eds. Try and be the best you can be, alright?”
He swallows. He purses his lips. A peculiar lump grows in his throat, but he bites it back and squares himself up. “Yeah. I will.” He thinks about all the parties and powders and girls. He’s never done any cruel shit to anybody and he’s a sweetheart with the ladies, but  there are times when he’d known he was lying before he even said he’d call. He thinks about some of the shit he’s said to you and has to wipe his sweaty palms off on his shirt. 
“I know we didn’t have shit when you were growing up,” Wayne says, not tearful or resentful, just honest as he passes Eddie his mug of coffee and sits down. “And all that money must feel good–”
“It’s not like that,” Eddie says.
“When I see my nephew on TV smashing up equipment worth more than his house–”
“I already told you on the phone it was an accident. And it wouldn’t be worth more than this if you actually cashed the cheques I send you. I know they aren’t bouncing.”
“I don’t want your money, Eddie,” Wayne says gently. It’s odd but not uncommon to hear him speak in such dulcet tones. “That’s not what I raised you for.”
“I know, you–” He cuts his insult off at the stem and scratches his head instead.
Eddie isn’t hankering for a tongue lashing tonight and his scalp is too itchy to focus. He hasn’t washed his hair in a week. It’s obvious just looking at him, curls weighed down and straightened out from the sheer grossness of it. “Shit, I’m disgusting,” he says. 
“You’re gross,” Wayne agrees. “I’ll cash a cheque when the bank opens and get you a bottle of degreaser.”
Eddie hides his smile with a long sip of coffee. It’s hot and awful, ‘cause no matter how much love Wayne puts into it, dollar store coffee tastes like burnt grounds from the get go. Eddie missed it more than anything. Sometimes he’s in the back of the queasy tour bus or lying on the floor in his hotel room coming down off of something risky and all he can think about is Wayne’s coffee.
Wayne has a hard and fast rule about drugs: if it isn’t green, I don’t want you touching it. Eddie still remembers the gasket he blew when he found that little baggy of red and white pills shoved inside an altoids tin. He can’t imagine telling his uncle what he really meant when he said he fell off the wagon. 
Hey, Uncle Wayne, I have this weird love-hate relationship with a girl I don’t really know, and I got caught up doing party drugs (unrelated to our relationship) until I got so high I blacked out, and when I woke up she was there and she was looking at me like you look at a bird with a broken wing, you know? Anyway, the memory of her face won’t leave me alone. It makes me feel like crying. So I haven’t touched anything in two weeks and I thought coming home for Christmas would make up for all the secrets I’m keeping, but now—
Now Eddie doesn’t know what he was thinking. He can’t tell Wayne any of that shit. He wouldn’t even know where to start. 
Wayne would ask something like, It took a girl for you to realise drugs are bad news? And Eddie would say back, No, that’s not it, it wasn’t just her. 
“I’m sooooo fucked,” Eddie says slowly, mildly, scrubbing his eyes with the tips of his fingers. He drags his hands down his face and blinks against the burning he’s left in his wake. 
“You’re not fucked, kid. Lemme cut you a slice of cake.”
Wayne cuts him a slice of cranberry coffee cake and Eddie eats it in two bites. Wayne makes him a burger after that. He doesn’t know what time it is, if it’s closer to night or morning, but Wayne doesn’t mention it until the burger’s gone and an alarm clock is ringing. Eddie watches his uncle truck into the living room and feels crestfallen though he doesn’t deserve to. Eddie hasn’t been home in months. He imagines Wayne alone at the kitchen table with an empty greasy plate waiting on him and wants to cry again. 
Wayne returns in coveralls. He gets a good look at Eddie’s face and sighs, dropping a heavy hand into Eddie’s dark hair. 
“It’ll be fine,” Wayne says. 
I’m sorry, Eddie thinks. For being a bad kid. 
He’d said that once. Wayne was sweeping up a smashed plate after a long shift and Eddie, thirteen and defeated with an ache where his mom should’ve been, had been trying to apologise. It had felt so crushing, that broken plate. The last straw. He’d had tears running down his pale cheeks, his hands in his hoodie pocket desperately grabbing at one another. 
And when he’d said it, Wayne had just looked at him. On his knees with a brush, glass shards shining on the linoleum between them. 
You think you’re a bad kid?
Wayne isn’t old and he definitely hadn’t been back then. Thirty something with a crying teenager and what felt like all the world's self-loathing crammed into a tiny kitchen. Eddie’s older now, and he knows how much Wayne gave up for him. Not just his bedroom, which had been relinquished with little more than a shoulder squeeze and five dollars for posters, but a life. Wayne could’ve done anything. Could’ve been a rockstar. 
I ruin everything, he’d said. Teenage angst, maybe, but Eddie felt it in his bones. 
You ain’t ruined anything. 
He hadn’t known what to say so he’d cried, waiting for that nice heavy hand that tussles his hair and pats his back to finally strike out. 
Eds, you’re not a bad kid. Said so quietly. With a steadiness that meant truth. You’re my kid. Could I make a bad kid?
And yeah, there had been a threshold of sincerity and they were passing it. It was the late 70’s. Boys really didn’t cry. At least, not in public. So Eddie wiped his snotty nose in his sleeve and laughed, and then he got on his knees to clean up. 
“Try and sleep,” Wayne says now, older but unchanged otherwise. Still ridiculously forgiving of his not-so-young sprog. He looks at Eddie with his lips pressed together. Eddie wonders if he’s going to hug him again, but Wayne shakes his head. “Shower, you animal. I’ll be back early.”
Eddie sleeps. He showers. He washes his hair three times and doesn’t use conditioner so his curls don’t really curl but it’s fine. It doesn’t matter. He had a moment in the shower where he swore he remembered something you said to him when he was blackout on sniff cut with procaine and booze. Your voice tentative, the heat of your hand on his cheek. “Are you okay?”
He moans into his damp hands, limp hair hanging either side of his head and dripping into his pyjama pants. He can’t forgive his younger self for all the sleeveless shirts, not when Hawkins feels colder than the arctic circle and the window seal in the kitchen has been leaky for the last five years.
He thinks about going shopping, because no matter what Wayne says about degreaser, Eddie’s starting to realise that his uncle won’t be cashing any of the cheques he sent home, and if he wants Wayne taken care of he’s gonna have to do this shit himself, but he doesn’t know where his key is. 
“I’m a fuck up,” he says, catching his eye in the mirror as he straightens out. 
His reflection frowns at him. 
He did manage to get Wayne some shit from California before he came home; a real brown leather jacket from the 60s with minimal wear, though if Wayne wears it is another thing entirely; a Roy Orbinson record that’s miraculously unwarped despite Eddie’s poor packing; more sweatshirts than his uncle could ever wear through. Eddie knows he’ll try. 
There’s some other stuff. CD’s and a nice edition of War of the World’s. Whatever he could stuff in his backpack. 
“Are you going home for Christmas?” you’d asked him. 
He sat on the bottom step of a huge staircase and you the one above him. People walked around you without notice. Two rocks in a stream bed.
“Maybe.”
“Maybe? You aren’t sure?”
He’d got stuck looking at your cheek, the soft curve of it and the highest point, where light like a small star had kissed you and turned his stomach, that’s how sick with envy he was. 
“I get it,” you’d said, “things at home aren’t always easy.”
“Not that. My Uncle Wayne is my hero.”
“And you still don’t wanna go home?” you’d asked gently. 
“It’s not about what I want.” He remembers this part in detail. He’d stopped looking at you, laying back against the stairs, each step digging into his back. The ceiling had been far away. 
You’d inched into his frame of view, looking down at him with an expression unreadable to his mixed up head. You weren't quite smiling. He still isn’t sure what it meant. 
“It is. That’s the whole point,” you’d said. 
Eddie’s all memory this morning. The ones with Wayne had felt less memory and more story, because memory is unfaithful, and over time we start to break down on the details, putting want in place of fact. But your face hovering above his as the soft strands of your hair ghost against his jaw, all your glitters and the shiny pink sheen on your lips, that’s closer. He remembers how you smelled, and how your tongue peeked out to wet your lips uselessly between words. 
Jet lag and the general feeling of you keeps him lethargic, but he cleans the house (and he’s always said house, even if some people don’t agree, it houses him, fuck you Jenny P from eighth grade grade) and makes dinner ready for Wayne when he gets home. He puts the radio on and tunes into Roller FM. When one of Godless’ songs comes on, he’s not surprised. He listens with his head lolled against the kitchen wall, eyes closed, and tries not to think about your fingers choking the neck of your bass guitar. 
Indy Rock Centre, Indianapolis, January 1991
Whoever arranged the tour is a sadist. You can’t believe that a team of professionals sat around a long glossy table with their coffee cups and finger foods and thought, yeah, that will work. You feel like you’re being fucking yo-yo’d between states. 
When you’d joined godless as a stand in for Millyanna, your dates had been plentiful but never as disorganised. Nothing compares to this shit. You wonder if going crazy is a sign of making it big, or if maybe you’re not cut out for all of this after all. 
Jan 22, Kalamazoo, Missouri. Jan 23, Toledo, Ohio. Jan 25, Los Angeles, California. Jan 26, Philadelphia; Jan 28, Indiana, Jan 29, Wisconsin. February? Back in Missouri, back in Ohio, a couple more state dates and then bam — Canada. Don’t worry though, after a week in Canada, you’ll never guess where you’re playing. 
Fucking Florida. 
At least you aren’t alone in your torture. For starters, there’s Morgan, your singer, and Ananya, your drummer, who will also endure and suffer. Then there’s the roadies, the techies and the groupies. The opening acts. The managers, the assistants, the personal assistants, the boyfriends and girlfriends and wives and mistresses. 
And what’s more, you're one of the hundreds of bands touring in North America this year. Maybe thousands. You certainly aren’t the first musician to have to suck it up and tough it out. 
Still, you like to complain. 
It’s your right, for dealing with Morgan. And also— you aren’t getting paid for the tour until after the tour is over, so really complaining is the wealth of the soul. You do get a weekly allowance, which is awesome and not something you were getting beforehand, working instead on an invoice. You’d play a show, you’d get paid for the show. This time you’re getting a flat rate at the end of the tour that’s been contractually agreed upon. It’s more money than you’ll ever know what to do with. One of the more shameful ways you waste time in your little bus bunk is trying to figure out where to put it.
I want a house, you think. A mortgage on a small, pretty house where the weather isn't too hot or too cold. And a puppy. Probably. Maybe a fish tank. I want a bed that spans from one wall to another and… 
You wince. For a moment, you’d seen something stupid, a pale face hidden in the pillow across the way. 
Two puppies, you think forcefully. 
You’ve played four shows already this week. You have one tonight in Indy Rock Centre, and another tomorrow in Wisconsin. You got to stay in the warm, non-vibrating luxury of a hotel room last night, but tonight you have to play the show and get straight back on the bus. 
“You’re gonna glare holes in her. What did she do?”
You stop your mindless staring and come back down to earth. Ananya’s smiling at you, thick eyebrows lifted in wait for your answering gossip. You’d been staring at Morgan where she’s sitting across the room in a plush armchair, cucumbers over her eyes and swarmed by makeup artists and hairstylists with a pedicurist at her feet. 
Ananya does all her make up herself. You want to ask her to do yours, but you worry her messy sweetness won’t suit you. She overlines her already big lips with a sticky red-pink, giving her an effect of having just been kissed (a lot), and rings brown eyes with a slick black kohl. 
“She hasn’t done anything. Yet. Today.”
“She has been a monster, hasn’t she?” she asks, sinking down into the couch with a sigh. She flicks her hair over her shoulder. Her curls are so healthy they bounce.
You hum your agreement and slide down with her. Touring again, Ananya has remembered how much it sucks to be alone without allies. Morgan gets especially volatile from the stress and close quarters. She’s nicer when you’re alone. 
She’ll still ditch you at a moment's notice, but you get it. It’s like high school. 
You miss Dornie. 
It’s cruel to make a friend and suddenly lose them. You can’t help thinking he won’t want to be your friend again the next time you see him. It had been so nice… so peaceful, to know there was someone in your corner. Dornie doesn’t care how famous you are or how much money you’re making. He just wanted to make sure you got home safe and talk about old movies. 
“I’m gonna go find something to drink,” you say. 
Ananya nods. “Bring me back a coke?”
“Yeah.”
Morgan stops you on your way out with a foot in front of your legs. “Hey, killer, I gave one of your passes to a fan earlier. Is that cool?”
“Morgan, when have you ever cared about my opinion?”
“Ooh, meow,” she croons, taking a cucumber from her eye to squint at you. “What’s the matter, baby? I figured you weren’t using them.”
You smile at her. You can’t help yourself. She stopped hurting your feelings a long time ago. “You want a drink from the machine?”
“Sparkling water, serf.”
If you smudge her nail polish on the way past it isn’t your fault. It isn’t cool with you that she’s given away one of your passes, even though you ask your general manager Angel to give them out at the beginning of the show every night. It’s presumptuous! Normal people don’t do stuff like that without asking.
Serf…
Your nose wrinkles. The dressing room door closes at your back and you take a moment to recall where you’d seen the bank of vending machines in the maze of white hallways. Indy Rock Centre is one of the biggest venues in Indianapolis, and you’ve been here before countless times on the other side to see Black Sabbath, Metallica, The Stacey’s, Doorway to Cooperstown. It’s where all the biggest and best get to play. You wish they’d given you a map. 
You can still walk around without getting recognised. You’re not a superstar, just a guitarist. You smile at people who smile at you and avoid the rest, dodging past black polo shorts wheeling equipment and busybody higher ups barking orders. Someone stands in a corner talking on a brick of a handheld phone. You stare at him for a bit. You’ll never get used to it, phones without wires. Next there’ll be TVs without satellites and electric guitars without amps. 
The vending machine shines like a red beacon at the end of the hallway. You hurry to it, feeding the machine your crumpled per diem one dollar at a time. You get a coke for Ananya, sparkling water for Morgan. When it gets to your own drink, the machine starts to revolt. It spits your dollar out unsympathetically. You pull it from the mouth and flatten it against your thigh.
It doesn’t work again. You nibble your bottom lip. Dollar pulled taut between your two hands, you lift your knee and rub it against your stockings. 
“Fucking fuck,” you whisper, watching in mild horror as the machine accepts and then rejects your dollar for a third time. 
You tuck it back into your purse, a pretty leather thing that clasps shut and fits perfectly in the small pocket of your jacket. It’s your luck, but whatever. They’ll probably bring a couple of bottles of water to the dressing room in a bit. Maybe even a cocktail bar. 
“Hey.”
Your internal monologue chokes. You question your senses for the split second it takes you to meet his eyes — baby browns, soft and flush with gorgeously long lashes. If there’s one thing about Eddie Munson, it’s that he has very sweet eyes. Not the kind you can replicate in daydreams. 
He’s dressed like a bitch. You’re so sick of him. He has his jacket tied around his waist and his shirt has no sleeves, the alarmingly shapely stretch of his arms on full display. Black ink climbs the hills and ridges of his stark veins, his herd of bats jumping as he offers you a dollar. 
You take it. You aren’t sure what to say, so you bask in the almost-silence, every nerve aflame as you feed the vending machine and click the button for your drink. Equipment cages rattle. Radios chirp. Your drink thinks from behind the red Coca Cola panel down into the bottom of the machine for collection. 
“What’re you doing here?” you ask finally, squatting to grab your drink. 
You stand, train your eyes on the floor, shove your drink under your arm, and crack open your purse to give him your defective dollar in exchange. He takes it without fanfare. 
“Are you busy?” he asks. 
Regrettably, no. The majority of soundcheck is done, and the show doesn’t start for hours. He gestures to the left and you follow, stupidly, with no idea where he’s leading you to and not a clue what he wants, leaving Morgan and Ananya’s drinks for whoever finds them. Eddie’s jeans aren’t as loose on his hips as they were the last time you saw him. His distracting arms are bigger, biceps like a taunt as he holds a door open for you. You take a breath as you pass him, but he doesn’t smell like anything. No sweat or cologne, no cigarette smoke. 
“Is it mean if I say you look good with clean hair?” you ask, squinting in the sudden brightness. 
He’s led you outside to the back of the venue. Your tour bus stands imposing at the end of the lot, surrounded by Godless branded vans and fancy cars. A truck beeps as it loads into the receiving area backward. 
“Probably.”
“You do, though. Look good.”
“So people tell me.”
Fuck, you think. Fuck it. If he’s gonna be weird about it then you’re pulling the olive branch back in and snapping it in half. 
The sky is white as snow. It hurts to look at, the sun like a steaming egg yolk covered in its own whites, thick clouds shielding her warmth. You pull the sides of your jacket together and button up, uninterested in catching a cold when the next six months of your life are planned down to the hour. Eddie puts his jacket on and zips it tight. 
“Wanna go for a walk?” he asks. 
“Why?”
He pushes his hands into his pockets. If you didn’t know better, you’d think he felt self conscious. “Why not?” he asks. 
You nod. You and Eddie aren’t friends, but you aren’t not friends, either. You’re being cold because you’re seized with embarrassment, not because he deserves it. You have memories of his hand on your cheek, and a cherry stem between his teeth, and you don’t know what you said exactly but you know it hadn’t been amicable small talk. You hate him for knowing stuff about you that you’d wanted to keep secret, and you hate yourself more for telling him in the first place. 
“I came home for Christmas. I’m back in Los Angeles tomorrow night.”
“That’s convenient,” you say. 
“Just had to see you before I went,” he agrees. Deadpan humour is terrifying on him. 
He ducks under a low tree branch and holds it away from your face. Together, you begin to walk down the street and into the city, over patched sidewalks and past brand new stores. The mom and pop shops of your childhood are mostly gone. 
Conversations between you two have this odd oscillation between over familiarity and stilted nothings. You like over familiarity better, when you’re both prone to misunderstandings. You’d take snipping at one another over this strange quiet.  
“Is it nice? Being home?” he asks finally. 
“Shouldn’t I be asking you that? You’ve been here for what, a month now? I just got here, and it wasn’t to see the ‘rents.”
Eddie lifts his chin to the sky a touch. Molasses of sunlight seep through the clouds now, racing to caress his waved hair and high cheekbones. “It’s been awesome,” he says, his eyes closed. His voice like tree bark, uneven but tough. “Makes me wonder what I liked about L.A. so much.”
“All the free stuff,” you offer. “And free girls.”
“The girls aren’t free,” he protests.
“You aren’t getting free girls?” you ask. 
“Are you?”
“Would that bother you?”
Close-lipped, his tongue pokes the skin under his bottom lip.
“You think stuff like that bothers me?” he asks. 
“It bothers some people.”
Eddie isn’t meeting your eyes consistently, but you don’t think he’s lying when he says, “No, it wouldn’t bother me. But my Uncle Wayne would fucking kill me if he heard me agree that the women are free.”
“How progressive.”
He visually bites back a laugh. He looks up from his shoes and sees you smiling and it breaks him, his laugh sputtering out in bits and pieces. “Shit, I’m just trying to be an okay person.”
You concede, “Fine, the girls aren’t free. They’re just very happy to sleep with you for very little reward.”
“Some might say the reward was, you know, pleasure–”
“Ew–”
“Don’t be childish. What did you want me to say? The reward is a long night of rough and tumble fucking–”
“I liked pleasure better,” you interject. You dance around a huge crack in the sidewalk and pause as you and Eddie reach a crossing. “All night? Really?”
“Want me to prove it?”
“I don’t think you could, Munson.”
“I could…” He rests his hand between your shoulder blades. “But I don’t think we’re there yet.”
He encourages you to cross the street, weaving and winding between parked cars, moving cyclists, and a small family bulldozing passers-bys with a twin stroller. When you’ve crossed to the other side uninjured, his hand falls away. The heat of his palm lingers.
“Good observation.”
“You’re sarcastic today. Or is being on the road making you cranky?”
“Being on the road is definitely making me cranky. It fucking sucks, I forgot how badly it sucks, and I don’t get paid day to day like I used to.”
“Oh, you’re getting a flat rate now? Go you, superstar.” Your walk is more of a crawl, the two of you turned to the left side of the street where children shriek and giggle in the outdoor seating of a restaurant. Eddie stops. “How’s the allowance?”
“You get one of those too?”
Eddie bumps his elbow into yours. “We’re kids. They know it. It’s pretty shitty considering how much money they make off of us in the end, but that’s an asshole thing to say, right? We’re lucky.”
You roll your shoulders. He’s more than right. Coming from nothing, a small town, with no college degree and no rich parents to float you, Eddie’s right. You might have talent and you might work hard but so do a lot of other people, and you’re here, and they’re working for minimum wage back home still hoping. 
You wish every kid like you could get to where you are, but they won’t. You’re more than lucky. You should buy a scratcher. 
“We’re fucking lucky,” Eddie says slowly. “And it’s awful anyways.” He grins. “Come to dinner with me?”
You blink. “What?”
“Dinner? I’ve been there before,” —he points to the restaurant you’d stopped across from— “and it’s nice.”
You’re insane and you agree. It’s not too fancy to feel like you’re on a date from the outside, and once you’re indoors you feel relaxed. With a glass of cider in your hands you feel positively giddy.
Eddie slouches back into a velvet booth seat that might’ve once been red. He keeps the jacket on and you’re grateful for it, lest you see his stupid nice arms and turn ditzy. His nose twitches as looks out over the restaurant floor toward the kitchen visible through a long window. It’s warm but not stuffy in here, the air fragrant with browning butter and minced garlic. 
The menus are sticky. You pretend to pour over one, not knowing what to say to break the silence. 
“I know I said you were being sarcastic,” Eddie says, “but I think I meant quiet. Even when you sound annoyed, I can barely hear you.”
“That’s dramatic,” you murmur, proving his point. 
“Are you feeling okay?”
“Well, in what way?”
“What way feels wrong to you?” he asks. 
Trapped. You sip your cold cider. He raps his knuckles against the table. “Come on, what have you got to lose? What did you say to me before?” His eyes soften. “Nobody would believe me if I told them.”
You tap your glass with your thumbnail. 
“I’m okay,” you say honestly. “Most of the time, I feel fine. Or, I forget what’s wrong.”
Eddie flicks his own glass. “Is this about feeling like nothing?”
“I don’t know why I told you that.”
“I have one of those faces.”
“And you were feeding me booze.”
“Don’t say that. You make it sound so shitty.”
“It wasn’t shitty,” you say. “Free drinks, right? What’s shitty about letting a pretty guy pay for you?”
“You think I’m pretty?” he asks.
You kick him under the table. You don’t know what comes over you, shy at your own honesty and irritated with his ridiculousness. I let you kiss me, you want to say. I’d let you do worse. Of course I think you’re pretty. You aren’t cruel — it’s more of a shove with the toe of your shoe. Eddie laughs through a gasp and kicks you back, heel of his converse flat to your calf. 
“You fucking–”
“Sweetheart?” he finishes. 
“No, fuck you. You string me around with your hot and cold act and now you’re coming to my shows taking me to dinner,” —your voice stiffens, thickens, as you glare at him from across the table— “asking me how I’m doing? And I’m the one who has to explain themselves? You tell me, Munson. Do I think that you’re pretty?”
Eddie’s sort of frozen, like a laugh got stuck in his throat and he really is surprised by your sudden anger. You might feel surprised yourself if you had the wherewithal. As it stands, your irritation and your want for an answer is too much.
He hits the toe of his shoe into yours. “Hey,” he says. “Sorry. I’m not… trying to string you around.” 
He doesn’t say anything else. You deflate, ashamed of your sudden outburst. Tired of all the games. 
“I think you’re pretty,” he says. 
“That’s not what I asked.”
“It’s what I’ve been trying to say.”
The food arrives and saves him. You want him to explain —you want him to expand, needily, on what he means and how much he means it— and he clearly doesn’t. He grabs his fork and starts shovelling pasta into his mouth like it’ll magically turn the conversation to something more palatable for him. 
“I’d like to change my answer,” you say.
Eddie swallows harshly. “Can’t. All compliments have been locked in. Maybe at our next cat fight.”
Eddie’s heart isn’t pounding like he worried it might when he asked you to follow him into the bathroom. He pictured sweaty, shaking palms, his hands hesitant, a reminiscent picture of a past self who didn’t know how to make girls make noise. He thought the next time he was alone with you, it would be the tragic scene from the movies where the boy bears his heart and the girl can’t accept it. He’s not expecting you to understand. It’s getting to the point where the mean shit he said to you isn’t made up of words anymore but the image of you in the Prover Theatre with your sparkling dress and your dull eyes. He hates that he made you feel that way, and he should say sorry. He feels fucking sorry. 
“Don’t cut me,” you say, quiet so you won’t be caught together. 
“I won’t.”
“When was the last time you did this?” 
“It’s like riding a bike,” he insists. “I haven’t forgotten.”
You simper. Propped up on the sink’s counter, your skirt hiking up your thighs (imagine him covering his face with his hands, rocking his head from side to side, you’re wearing garters) and your jacket falling into the basin. You’ve turned one arm toward him trustingly, but apprehension plays clear as day over your mouth. He wants to remark that your mouth is pretty, but it’s not the right word. Perfect feels closer, but again, it’s not what he wants. He has a fascination with how you talk and when you don’t, how your lips have a mind of their own sometimes, nibbled and popped and pouting. 
“It’s easier if you take your shirt off.”
“How many girls believed that one?” you ask happily. He’s ecstatic. Dinner perked you up and now you’re all smiles and warm laughs. He doesn’t know why you’d been angry with him (he does) because you started it (not really), but you got something off your chest at least. 
“None,” he says. “I’m serious that it’s easier. But you really don’t have to take it off for me to make it look good.”
Eddie wields his small pen knife toward your arm. 
“I like my sleeves,” you say as he takes the hem of one such sleeve into his free hand. 
“Don’t be a baby.” He pulls it taut from your skin. You’re both smiling. Carbs are good like that.
“I have fat arms,” you try. 
He’s out of his mind. Eddie leans down and kisses the top of your arm quickly. “Shut up,” he says.
He doesn’t have time to think about what he’s done. It’ll torture him tonight when all he has for distraction are hotel sheets, and then tomorrow on the red eye back to L.A. He honestly doesn’t wanna look at you because if your nose is even slightly wrinkled he’ll have to turn to the gross toilet in the corner and chuck up, but he also doesn't want to freak you out. He looks up at you from under his lashes. 
You look flustered. 
Not disgusted. 
“I’m doing it,” he warns. 
“Yeah,” you say, nearly normal. “Fine. Make me look cool.”
“You admit that I look cool.”
“No.”
Eddie digs the tip of his pen knife into your sleeve and starts pulling. The fabric tears away in a jagged-lined but even circle around your arm, broadening a tantalising stretch. His stomach hurts a bit. To reach your second arm, the one furthest from him, he has to take up station between your spread legs. Or maybe he doesn’t have to, but he does, your thighs like two warm spots either side of him as he leans in close. 
“And this is what’s gonna make them all like me, right? This is the cement of my street cred?”
“Your street cred? No. And I don’t think anything you do could make them like you.” You lean back at his words. He pulls you back in, fingers braceleting your arm as he fakes taking a measurement. “If they don’t like you already, they won’t. Not your fault, not your problem. Who says you even like them?”
“I do, though. That’s my problem. I even like Little Miss Fleetwood,” you grumble. 
He raises his eyebrows to show he’s listening, stabbing at your sleeve and tearing slow. “She still tripping you up?”
“No. I’m just trying to make you laugh.”
He laughs under his breath. “Mission accomplished, baby,” he murmurs. 
Both sleeves sliced, Eddie steps away from you, ignoring the heat in his stomach to take you in. People who don’t know where they stand shouldn’t be so close to one another, he decides, ‘cause wishful thinking has him marking your hands as wanting. Your fingers move slowly as if through water, tip of your index on the left hand stroking down the back of your right marriage. Eddie pins salaciousness on everybody he meets —coke is falling out of fashion fast but sex is always in— but he can’t get a faithful read on you now. He wants you to want to be kissed. Doesn’t trust that you do. 
“You look edgy.”
“In a good way or a bad way?” you ask.
“An awful way.”
You go quiet, your hands go still. You raise your head until it’s too much, and he realises he’s been moving back in. He drops the penknife in the sink on top of your jacket, putting his hand on your freshly bared arm and bunching the sleeve up as much as he can without it pulling at you. He’s greedy and he wants to palm at your skin like an asshole, that’s not your problem. 
“That bad?” you ask. 
He angles his face over yours. He needs two inches maybe three, and you’d be kissing. His hand falls down your arm to your elbow, clasping weakly over your skin. 
“No,” he says. He can barely hear himself. 
Greedy. His second hand comes up to your face, waiting, and when you lift your jaw just so he slots his hand under it and holds you. 
“What are we doing?” you whisper. 
What are ‘we’ doing? 
“Nothing you don’t want to do.” He widens the gap between you. 
“I know– I know that.” Your arm ventured forward, fingers twisting around the hem of his shirt. You tug it gently, pulling him forward again. “I just don’t understand it. You. I don’t get what’s happening, Eddie.”
“Well… I was going to kiss you.” Eddie fights to sound the way he feels, out of his element but so earnest his chest aches. “I really, really… want to kiss you.”
It doesn’t feel like admitting defeat, as he’d initially thought it might. Neither does it feel confessional. You can’t confess to a secret already known. 
He kisses you just once. A light brush of his lips against yours. Anymore than that and he knows he’ll start making promises like someone who has room for them. His eyes scrunch closed hard and he struggles not to squeeze your poor cheek as the pressure of your lips builds, as they part, as he pulls back and you chase him. He can’t kiss your mouth anymore than that, but your hands are grabbing at him, pleading and twitching and cold against the searing skin of his abdomen as they search underneath his shirt. Eddie feels the soft curve of your hip under his hand, knowing he can’t fuck you here, and undecided on whether that’ll be his ruin or his saviour. 
You shudder as he kisses down. His hands are hungry but his mouth is sweet, gentle like you deserve as he noses down the column of your throat. 
“I don’t get you,” you say, your fingertips sewn into his hair, scratching over his scalp lightly. Your breath catches as he parts his lips. His teeth scratch over the damp crescents of previous kisses. 
He loses himself in the ticklish feeling of your hand and the heat of your skin. “Hm?” he hums. 
“I understood you better when I thought you didn’t like me.”
He kisses up to the soft crook of your jaw before edging you away, just enough to see the sad set of your eyes. 
“Hey,” he says, utters, like you’re trading secrets. His thumb rubs your cheek, a rough touch. He’s never been much good at aligning his words with actions; his heart and his hands. 
He doesn’t know what to do to fix your sad frown. He kisses you again in case that’s what you wanted but couldn’t say, and it works for a handful of blessed, wretched seconds. You kiss back hard. Eddie has to break it to take a breath. 
You rest your forehead against his. It slides slowly to his nose, and eventually you’ve bowed your head, your hands slipping down to his elbows. 
“I feel sick all the time,” you say. Your hands flex against his skin. “The only time I feel alright is when I’m playing– when I’m making something.” You press your head to his chest. “Or when I’m with you.”
Eddie thinks of all the shitty decisions he’s made. His restlessness, his bad attitude. His propensity to assume the worst. How he’d taken your thumb rubbing a smudge off of his cheek in the Prover Theatre as a jab, rather than a helping hand. 
He wraps his arms around you. 
Your head fits under his rather well. 
“I know what you mean,” he says. And out of everything he’s told you today, that’s the hardest to say aloud. 
Eddie hugs you in the dim light of that dingy bathroom knowing he’s running on borrowed time. All too soon, you’re pulling apart and he’s helping you off of the counter unnecessarily. You don’t hold hands on the way back to Wings Stadium. He thought you might. You’re quiet. He tries to cheer you up, feeling more and more like he’s done something wrong the closer you get to the venue.
He doesn’t have anything to offer. You’re both on tour now. He doesn’t have a clue when he’ll see you next, or what he’ll say when he does. 
Miraculously, he gets you back to your dressing room. He gives your cheek a quick squeeze. 
“Play well tonight,” he says. 
“I always play well.”
You do. He watches you from the VIP section a couple of hours later, impressed. Mildly nauseous. His thumb worries the edge of the pass until it splits in his hand, paper coming apart from cardboard. Your singer might be a handful, but she knows when to be discreet. He slinks out before your set finishes through a side entrance, and his head races with your image. If it weren’t for your cut sleeves and the flank of your upper arm glowing under the stage lights, he’d put his kisses down to surreal delusion. 
Eddie doesn’t notice the lone photographer hiding in the eaves. 
The photographer notices him. 
𓆩❤︎𓆪
!!! thank you for reading! i hope you enjoyed! if you did, please consider reblogging, it helps so much! Let me know what you thought, what bits you liked and what you want to see next
can you feel another spat coming along 0.0 I honestly had so much fun writing this one especially the scene with Wayne and then the end scene in the bathroom <3 it’s always crazy to see hours and hours condensed into chapters like this but idc I’m having the time of my life and hope u guys r too! the word count is now at a solid 26k I believe though so it does feel rewarding in that way
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thewoodpeckercries · 1 year
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rhysand is brooklyn beckham and lucien is robert irwin
Rhysand is a nepo baby loser, pass it on
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thewoodpeckercries · 1 year
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nesta × eris × azriel is the Thurple we DESERVE but sjm is a coward who could never
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thewoodpeckercries · 1 year
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THE WITCH AND THE MONSTER
When a monster begins slaughtering the village of Wittsturm, a maiden is selected as a sacrifice to be sent into Glotterwal Forest to appease the beast. When Cora Tahar takes her cousin's place as the sacrifice, she journeys through the ancient wood then takes refuge in a witch's cabin. When she meets the monster, he's not at all what she was expecting.
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thewoodpeckercries · 1 year
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Personally, I had the absolute BEST time watching shadow & bone season 2.
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