will-come-a-poet

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yeah so Tim why do you just have zip ties

#magnuspod #tma #jmart #good shit

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Toh's fandom be like:

#the owl house

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Undertale but the meta narrative is a democracy

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My free Cloud Brush Pack is available now for Procreate, Photoshop, or Clip Studio Paint!

Link to download: CLICK Type "0" into the payment field to download for free (tips are welcome too!) Also includes free video tutorials: one, two, and three

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By Wealthy Loser on Instagram

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on identity, healing the inner child, fursonas, and cringe culture

#live your truth

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#useful

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See this, this is what I like about TikTok. Little moments like this

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there are some internet friends where eventually you start calling them by their real name and then there’s times where its like nah son your name is crispy forever

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reblog for sample size !!

#I put tuxedo

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last year i was eating in a fancy, large restaurant when i began to hear a rumble and the distant sound of people chanting ‘potassium, potassium’ and suddenly hundreds of people dressed as bananas flood this restaurant chanting potassium over and over and we were trapped there for a very long time because the bananas would not leave and they were everywhere

i wasn’t joking

#spironolactone when it reaches the kidneys

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He’s just like me for real

#tmagp #tma #the most audience stand in ever

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I had a very interesting discussion about theater and film the other day. My parents and I were talking about Little Shop of Horrors and, specifically, about the ending of the musical versus the ending of the (1986) movie. In the musical, the story ends with the main characters getting eaten by the plant and everybody dying. The movie was originally going to end the same way, but audience reactions were so negative that they were forced to shoot a happy ending where the plant is destroyed and the main characters survive. Frank Oz, who directed the movie, later said something I think is very interesting:

I learned a lesson: in a stage play, you kill the leads and they come out for a bow — in a movie, they don’t come out for a bow, they’re dead. They’re gone and so the audience lost the people they loved, as opposed to the theater audience where they knew the two people who played Audrey and Seymour were still alive. They loved those people, and they hated us for it.

That’s a real gem of a thought in and of itself, a really interesting consequence of the fact that theater is alive in a way that film isn’t. A stage play always ends with a tangible reminder that it’s all just fiction, just a performance, and this serves to gently return the audience to the real world. Movies don’t have that, which really changes the way you’re affected by the story’s conclusion. Neat!

But here’s what’s really cool: I asked my dad (who is a dramaturge) what he had to say about it, and he pointed out that there is actually an equivalent technique in film: the blooper reel. When a movie plays bloopers while the credits are rolling, it’s accomplishing the exact same thing: it reminds you that the characters are actually just played by actors, who are alive and well and probably having a lot of fun, even if the fictional characters suffered. How cool is that!?

Now I’m really fascinated by the possibility of using bloopers to lessen the impact of a tragic ending in a tragicomedy…