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Not like we're used to it after
TWO
FREAKING
WORLDS.
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THIS MAN IS BUSIER THAN A PRESIDENT IM.
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Why.
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Hello and happy Pride Month everyone ! 🏳️‍🌈
As promised, I am going to talk about an important lesbian in history everyday. And this first post is about one of my favourite :
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Renée Vivien !
I have seen some people talk about her here but she clearly isn’t as famous as she should be, and she deserves way more recognition!
Renée Vivien, whose birth name is Pauline Mary Tam, was a British writer poetess, who wrote her poetry (and most of her works) in french ; born in 1877, she died in 1909, at only 32 years old.
Renée was openly a lesbian, and she never tried to hide it despite the society she lived in being extremely homophobic and considering homosexuality as an illness. In her poetry, she mentions her love for women a lot, and wrote a lot of love poems for several of her lovers. This even earned her the nickname “Sappho 1900”. ("Sappho 1900, Sappho cent pour cent").
Of Sappho, she was by the way a huge fan : in 1903, she published the work "Sappho", in which the poet's Greek texts are followed by a French translation, as well as verses by Renée Vivien, which thus "completes" the remaining fragments of Sappho's writings. This collection greatly helped to anchor Sappho's work and her identity as a lesbian woman in our culture.
Her work consists of :
Twelve collections of poems, totalling more than 500 poems
Several translations of Greek poetesses (including Sappho)
Seven books of prose
Around ten novels (written under various pseudonyms)
A posthumously published collection of short Gothic tales (written in English this time)
A book about Anne Boleyn's life
It is also possible to read her diary and the letters she exchanged with her lovers, friends and other personalities of her time, including Natalie Clifford Barney, Colette, Kérimé Turkhan Pacha and others.
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Pauline studied both in Paris and in London, then decided, once she came of age, to come and settle in Paris. She published her first collection,"Études et Préludes" in 1901, under the pseudonym R.Vivien. This pseudonym later became René Vivien (the male version of Renée) then Renée Vivien, the name under which she will be remembered. We can easily guess that she first chose these neutral then masculine pseudonyms to be able to write and be published despite the misogyny and homophobia of her time, especially given the themes exploited in her writings.
Sadness, death, ancient Greece, love, despair, solitude and love are the most recurrent themes in Renée's poems. There is actually a poetry prize in her name, the Prix Renée Vivien, which rewards poets whose themes and style are close to those of Renée Vivien.
Among Renée's best-known lovers is Natalie Clifford Barney, a famous writer and poet, with whom she had a relationship for several years before leaving her, tired of her infidelities. It is said that Natalie never accepted this breakup and tried until the end to get her back by all means, sending her love letters even years after.
Renée then had a relationship of more than six years with the rich Baroness Hélène de Zuylen, married and mother of two children, with whom she traveled extensively around the world and collaborated on the writing of several works (under the collective pseudonym Paule Riversdale). In a letter to her friend Jean Charles-Brun, Renée admitted that she considered herself married to Hélène.
While still living with the Baroness, she received a letter from a mysterious admirer, Kérimé Turkhan Pacha. What followed was an intense four-year epistolary relationship, interspersed with brief clandestine meetings. In 1908, however, Kérimé, the wife of a Turkish diplomat, put an end to their relationship when she had to follow her husband to St. Petersburg. This break-up probably contributed to Renée's tragic end.
The writer was in deep psychological distress, which only worsened from 1908 onwards. Alcoholic and suicidal, she began refusing to eat properly, and attempted suicide with laudanum. After this failed suicide attempt, she contracted pleurisy, which left her very weak, and then chronic gastritis due to her alcohol abuse. She gradually fell into anorexia, and, with her limbs paralyzed by multiple neuritis, she died on November 18, 1909, aged just 32. Her death was attributed to "pulmonary congestion", probably due to pneumonia complicated by alcohol and anorexia.
After her death, intellectuals, artists and newspapers, out of lesbophobia, tried to make her forgotten by the literary world, describing her as a woman of evil and damnation, perverse and cruel, going so far as to invent for her a life of crime, debauchery, orgies with married women, violence and cocaine consumption.
Today, Renée Vivien's name is no longer known to the general public, and is never mentioned alongside those of great ans famous poets such as Arthur Rimbaud or Charles Baudelaire, despite her gorgeous poetry, her immense talent and fascinating work.
She's personally my favourite, and not only because she was a lesbian. Her poetry is the most beautiful, interesting and deep poetry I have ever seen. She deserves to be as famous as Victor Hugo or Paul Eluard (and even more famous, in my opinion lol).
Here is one of her poems, with its english translation :
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A link to some of her poems (in french but you can use a translator) ;
And two links with some of her poems translated into english : 1 and 2.
You should totally buy and read her books and poems, I have them and they're amazing!!! I'll post more translations of her poems in the future for those interested.
Anyway, thanks for reading and see you tomorrow for the second post!
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O'Connor is criminally underrated. If I could and I do it with every bit of my soul internally I would beg on my hands and knees to the Devs to get a route with him. Please. Give us the malewife vixen. Please.
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I choked so hard when I read this like man if you knew. If you knew.
The Emperor in the manga :
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MC everytime someone mentions strange objects or ruins from unknown past civilizations that may come from aliens knowing it's her mom's legacy :
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Finished Clarence's awakening route. I'm in utter shambles.
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alien stage au.. as if they havent suffered wnough already
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I think god is trying to pass on a message to me
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This is the money Marge. Reblog for good fortune
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Alkaid I love you but if I had to choose between you and your mother I would pick the elegant beautiful jaw dropping mystical otherworldly beauty gorgeous stunning magnificent lady without a second thought
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sir…
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May I present you
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Lovebrush Chronicles is so underrated, I....
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¡Spoilers for Clarence's Godheim route!
"You are a beautiful tragedy," Cael whispers, brushing the bangs away from her face, "Ready to unfold."
She stares at him with a mixture of fear and fury. They are alone in a void of white. Nobody can help her, and she doesn't attempt to escape.
His silver hair sways with the wind.
It hurts. His gentle indifference hurts.
His immaculate armor is unstained with the deaths of Godheim, yet she knows their despair is embedded in its gleam.
She thinks she might hate him.
(She thinks she does not.)
The cold is burning her face, shattering any semblance of familiarity in this scene.
She wishes his eyes would show any trace of remorse or pain for his actions. Any guilt at the misery he brought in this land.
Cael pretends he wants to get her back home safely, but she remembers how many times she lost herself in the freezing tundra, meeting her demise at the kisses of the Glacial butterflies.
What a liar.
His deep, infinite abyss eyes look at her shaking form, unwavering.
"I know it is unfair," he continues, as if he could read her mind, "The point of life is to grow through this unjust world. You may accuse and resent me, but you are making your own choices at the end of the day. Free."
"I am choosing my own Hell," she barks bitterly.
Cael shakes his head. His eyes seem to glitter.
"You are leading yourself through Hell to reach Paradise." he corrects.
"And yet you try to stop me."
Something flashes in his gaze.
She recalls thinking Cael is akin to a porcelain doll. Perfect in and out. Never too much, never too less. Emotions locked away to never affect his mission.
But this is somehow wrong, isn't it ? If he doesn't care, then why did he come to her ? Why is he allowing her to live and love and lose and disrupt his plan and always keep watching gently over her ? Why are his eyes, those profound amethysts that never seem to start and never to end, flickering like the moon's reflection on raging waters ?
Perhaps she's as much a liar as he is. Because the man standing before her, never getting mad, ready to accept every inch of her wrath, is anything but indifferent.
"Fate is cruel," she whispers.
Cael smiles. It feels like praise. It feels a little bit like himself.
"This is why humans are the most magnificent beings to dare to defy it with their inextinguishable hearts."
She breathes in deeply. Cael's hand leaves her hair. His armor becomes one with the snow. He looks like a ghost, a fantastical creature from another realm. He takes a step backward, gaze holding hers, yet inexorably disappearing.
"You are a beautiful tragedy," he repeats, "I can only hope your genre changes before it is too late."
She watches him blend with the scenery. He is like rain, she thinks, whenever you believe to reach it it fades in your grasp. She wonders if she will ever understand Cael.
She is rightfully bitter at him.
Somehow, she finds she does not blame him.
✧✧✧✧✧✧✧✧✧✧✧
"You are a beautiful tragedy," she whispers, holding Clarence's face in her hands with the gentleness of one carrying a unique treasure, "Who has unfolded all of its pages."
The Archmage blinks slowly, like a cat. Resting against the maple tree, he is barely awake. Even as she kneels, cradling his jaw, his sapphire eyes droop and fight against sleep. She is losing him. She can see the end of their journey coming near.
She refuses it. The stars may have repeatedly told her the truth, she prays until the end. She knows it will never come close to being enough. Thoughts don't change the world. Only actions can.
All they can do is travel the universe to the twilight of their story.
All they can do is bathe in each other's warmth and speak fragments of their beings. She longs for those memories to fill his dreams the day Clarence falls asleep forever.
With another slow blink, he raises his hand. Carefully, he picks a stray maple leaf from her hair. She almost cries at the gesture.
"Know," she continues, voice breaking, "That the stars are testimonies to your epilogue."
Clarence hums. He lets her speak her part. When silence stretches on, he breathes softly.
"I do not care for the stars," he says, putting the leaf on her knee, "I survived because of you. I fought for you. Truly, your gaze upon my story is enough. I do not need more."
And isn't it the worst thing in the world ? For the man she cares for in more ways than one, for whom she unknowingly traveled in time again and again and again and again for until she found him at last. The truth. The cold, soul-wrenching truth.
"You are a beautiful tragedy," she says, tears dripping down her chin, "And those never have happy endings."
His eyes are soft. Understanding. He isn't pleading for hope nor salvation, because he is aware he can never obtain neither. Her fingertips tremble. Her guts hold the guilt of sharing a piece of herself like never before, shaping one of the most precious bond of her existence, with the one she cannot save.
"I'm sorry," she chokes.
"I think," he starts, a small smile on his lips - so wise and so old and so lonely already - "It is time for the fairytale to go home."
And today, tragedy wears blue.
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Is that a
Is that a
IS THAT A
PERCY JACKSON REFERENCE ??????????
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clarence route moodboard! 🩵
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