đ bake apple/pear/pumpkin pies, bread, or cookies seasoned with cinnamon
đ besom, wand, garland crafting
đ brew a seasonal alternative of Sun water
đ collect remaining sunflowers
đ create a corn dolly
đ drink apple/pear juice, cider, chamomile tea
đ eat mixed fruit and vegetable salads
đ have a thanksgiving-like feast with your family or friends
đ light red and orange candles before meditation
đ make cornucopias
đ pour candles (preferably warm colors)
đ re-decorate altar with yellow, orange, red, and brown candles, apples, leaves, and herbs
đ ritual bathing
đ scavenge acorns, pinecones
đ take a walk in a park
đ write a summary about the last couple of months
Good points, but the main reason why we, traditional witches dismiss substitutions is because they are useless. Itâs not even about âdifferent pathsâ (that only applies to culture-specific witchcraft, but this is mostly said by New Agers), just use common sense.
We all learned Chemistry and practice cooking. Every material in the world has a specific molecular structure and component, therefore you canât replace/mix whatever you like.Â
Two hydrogen and one oxygen atoms make water. Replace hydrogen with helium and you get heliox, not water.
Pizza is spread with tomato sauce. Replace tomato sauce with ketchup/nutella/etc., or use taco slices instead of pizza dough. The end result is not a (real) pizza.
The same applies to witchcraft. If the recipe needs real chicken bones, you canât use plastic ones or tree branches instead. If it specifically asks for your blood, you canât use saliva, hair, or a completely off-topic ingredient like lavender.
Many ancient recipes require invoking supernatural entities, deities, or using former tools of (deceased) family members.
We also know that timing is crucial in mundane culinary arts and what can the consequences be of a wrong cooking/baking session, such as food poisoning, allergies, bad taste, fire, etc.
Our ancestors used specific ingredients and timing for their craft, they didnât come up with recipes randomly. They experimented a lot, of course, but they didnât reach for the most convenient tools they could find or didnât alter recipes out of laziness. Every stir and ingredient carried a purpose.
So, why is it acceptable to alter/replace ingredients in recipes dealing with the occult? It feels like the majority does not even take it seriously enough.
âI will elaborate on this upon request but itâs gonna be longâ give us the long post, friend. Where is it? /lh
But seriously, would like to hear more of your thoughts abt correspondence charts and stuff because Iâm trying to figure out whatâs important and whatâs not.
-theverwitchproject
Why Correspondence Charts are Bad & What To Do Instead
Disclaimer100% just my opinion here based on my experience doing and writing spells, if your experiences don't match that is fine. Everyone's path is different and maybe many who read this will have a different experience in their research and experimentation. However, someone asked for my take so I'm going to give it.
Charts like the ones I often see online are very simplified and provide no explanation of symbolism or sources. They also normalize the idea that correspondences aren't complex and deeply cultural things. This is bad because it's not going to give you a deep enough of what you're doing, using, and why. The why is always important. You can't have a solid practice you're confident in without understanding the what AND the why. This is also why ideas like "Quartz can be substituted for anything" aren't going to make for good spell work in my experience. If that were true, ingredients wouldn't matter at all. We wouldn't have things that are special and passed down in some traditions. Substitutions can be made, but not for anything, for the most similar thing based on a long list of traits. Correspondences are based on many different things, personal association, tradition, culture. For example I was watching a video not too long ago by a Chinese woman that related to Chinese culture and history. We recognize four elements, air, water, earth and fire. In china they recognize five. That's going to turn any ideas about most witch's understanding of the elements and their correspondences upside down. That is all to say that correspondences are not simple and I hate the idea that they are. You could argue correspondence charts are convenient for a beginner or for substitutions. You'd be right in a way but once again correspondences are complicated and you're better off looking into them deeper. You need to understand the what and the why. That's how you're going to get a solid understanding of what you're doing and spells that actually work. They also are usually formatted by category or specific item online and not by very specific intent so they're not good for substitutions.
Instead of throwing a spell together based on quick and easy correspondences charts I have some suggestions. Trust me, I used to use them and I write my own spells now.
What To Do Instead:
Start Small Find a few spells you have the supplies to do. Experiment with magic and energy safely and get a feel for it. Then find a spell you don't have an ingredient for, and try a substitution. If it doesn't work that's okay. Experimentation is the point. This is a baby step towards deeply researching correspondences and having the ground work to write your own spells.
Focus on Correspondences for Items You Can Get It's easy to get overwhelmed. Focus on items you can actually get a hold of or even find outside. Focus on correspondences for types of magic you like doing. This will narrow it down greatly and make it easier to really dig deep into the what AND the why.
Ask Yourself Why Back around to that why. When you're researching, ask yourself why. This is a great tip for your mindset with any research but especially this. It's so easy to just take the information and not get caught up in the why.
More Than WitchcraftWitchcraft books are great but what about others things? What can you study about this plant for example? What's its color and texture? Where does it grow? Can you eat it? What does this plant or stone mean in history, stories and art? What does it mean in your culture? Or other cultures? What is its chemical composition? What do books on herbalism and foraging say about it? These answers will help you better understand what you're actively working with, and often give you a deeper understanding of the why in witchcraft books too.Experiment Maybe your research gets confusing or you're not sure or resources say conflicting things. Maybe your gut just says throw this in. If there's not a lot of risk, try it. This rant/guide is about understanding what you're doing and getting your results so by all means try it.
You can believe what you want about an item's use. it needs a why though, an explanation even if it's "It feels right and I tried it and it works." So many witches seem to struggle with results and I think it's often due to ideas I see spread online that just aren't conducive to results in spell casting. That's all I'm trying to avoid here. If quartz for everything as a substitution yields you results, go for it.
Do not use salt for your outdoor magic if you're sprinkling, circling, leaving it there!
Salt is harmful to most soils. Your normal ass forest or meadow cannot handle it. It displaces other minerals in the soil Maki g it harder for animals to use the soils for natural mineral licks and for plants to not die.
If you have a regular outdoor ritual space don't use salt.
Alternatives that are good for the soil:
đĽCrushed or powdered egg shells (purity, protection, drawing shapes)
đAshes from your altar, fire place or pit (protection, purifying, drawing shapes)
đ°Seeds you've gathered from your more immediate area (protection, newness, drawing shapes)
đŹGranulated sugar (drawing shapes, good vibes)
đŻ Honey (drawing shapes, good vibes, healing/protection)
There are too many good alternatives to keep using salt. If you really need it as an offering consider using a small salt/mineral lick.
Brienne of Tarth? She could easily be a good representation of a sex goddess imo.
Enough of the thin, conventionally attractive sex goddesses. Enough. Stop reducing multifaceted goddesses to sex alone. Stop reducing them to beauty. To homemaking. To some appeal to the pathetic, predatory tastes of men.
I want to see sex goddesses who are powerful and brawny, strong of arm and broad of shoulder. I want to see goddesses of beauty who are round like the moon, goddesses of beauty with short hair and a square jaw and scars. If she is a goddess of war, why do you depict her as frail and thin, unable to defend herself? She may have power beyond the physical, but why do you assume she would stoop so low as to allow herself to wither away to the skeletal thinness men find so attractive? (Hint: it's only attractive to them because it makes her helpless, easier to control.) Why do you dress her in lace and lingerie? If she is a goddess of beauty, of desire, she has no need to strip herself of her clothing to draw the eye. Put clothes on her, treat her with respect, don't degrade her to some sex object for the male gaze. Why put her in heels? Why cake her glorious countenance in filthy makeup? She has no need of such contraptions, and neither do you.
I want to see goddesses that do not appeal to the eyes of men, goddesses who do not bow to their whims and desires, goddesses who are strong like an oak and tall and powerful, goddesses who are dressed practically.
If you choose only to depict these goddesses as weak and delicate things, you choose to invite her wrath, for you are denigrating her.
Although your religion and mine are similar in some things (you have the Norns, we have the Moirai), we have noticable differences in our practice, and that includes the âmagic in everyoneâ.
To clarify: the occult/divine forces recognize the ancient bloodlines better because of the former devotional acts generations ago, hence long-lines of hereditary witches get more magical help (more âpowerâ), but theyâre also obligated to share their knowledge to those who donât have such gift.
I never felt offended by this. The so-called witches never pretended to be âprophetsâ or âpopesâ like the frontmen in cults do, and they didnât look down on others. Covens are hierarchical based on power and knowledge where I live.Â
You assumed I was placing myself above others, but thatâs a rude accusation. Thereâs a difference between putting yourself on a pedestal and being aware of your skills and deficiencies.Â
Norse paganism has dĂsir and birth runes, we have the Greco-Roman gods as patrons. As far as I know, you guys have freedom in devotion, while weâre told which deity we should respect the most because of the circumstances of our birth. But you can have divine patrons even if youâre not a witch, and thereâre witches without patrons. If you successfully use your higher self or the Universe instead, thatâs fine; I just prefer the trad method because thatâs statistically more accurate for us.
Everyone can learn witchcraft as a choice, but some born with magical advantages. Should I be jealous of my father because heâs more powerful curse-wise than me? No, I shouldnât. I could ask for his help if needed because weâre better together. My issue with the original narrative is that it doesnât acknowledge limitations. We just cannot be equals because all of us born with or without certain magical talents. If you donât have a good natural singing voice, years of practice *may* change it a bit, but youâll never be Celine Dion 2.0. Saying âyes, I can do it, I can be on her level someday! â is just toxic positivity.
As appealing as the âyou have always been a witchâ narrative is, I think it does us all a little bit of a disservice. Yes, I think having an active imagination and being attached to spooky things made me witchcraft-inclined, but my choice to become a witch was just that: a choice. I made myself into a witch. I studied. I practiced. I made mistakes. I tried again. I think that the autonomy of claiming the work you put in is so much more to be proud of than the âpotionsâ you made from mud in your backyard.
You are a witch because you made yourself into one. Isnât that amazing? Arenât you proud of the work youâve done?
Iâm a traditional witch and a Greco-Roman pagan. Youâre literally insulting my religion just because you find our practices odd. You donât know anything about it, yet you claim itâs âharmfulâ. Do you realize how disrespectful and ignorant your comment was?
Many people like me traditionally believe that some of us have divine patrons (âparentsâ) since birth. We call upon them during divinations. Itâs a centuries old tradition; some random person on the internet canât devalue this. Thatâs not our fault that our practices don't match the "sunshine-happy" optimistic and "lavender-and-quartz-solves-everything" witchcraft advertised on websites.
New Agers like to promote âeveryone is natural-bornâ, but that was never the case. Some have more affinity to witchcraft because of their witch ancestors, some donât. Some are gifted from the start, but some has to choose and learn this path. And? Thereâs nothing wrong with that, self-taught witches are also welcome, but those who born into active witch families will always be the most powerful ones. Like it or not.
As appealing as the âyou have always been a witchâ narrative is, I think it does us all a little bit of a disservice. Yes, I think having an active imagination and being attached to spooky things made me witchcraft-inclined, but my choice to become a witch was just that: a choice. I made myself into a witch. I studied. I practiced. I made mistakes. I tried again. I think that the autonomy of claiming the work you put in is so much more to be proud of than the âpotionsâ you made from mud in your backyard.
You are a witch because you made yourself into one. Isnât that amazing? Arenât you proud of the work youâve done?
This is not true. OP is a heuta, someone who chose this path and relied on self-teaching, but many of us out there are natural-borns. We have the family background. The confirmatory natal charts. The psychic gifts. The divine parentship in most cases. The paranormal experiences since childhood.
See? Thatâs why we need to distinguish ourselves. Some people were meant to learn witchcraft at some point in their lives, but some were born for it. The latter are (or should be) the knowledge source for the former.Â
As appealing as the âyou have always been a witchâ narrative is, I think it does us all a little bit of a disservice. Yes, I think having an active imagination and being attached to spooky things made me witchcraft-inclined, but my choice to become a witch was just that: a choice. I made myself into a witch. I studied. I practiced. I made mistakes. I tried again. I think that the autonomy of claiming the work you put in is so much more to be proud of than the âpotionsâ you made from mud in your backyard.
You are a witch because you made yourself into one. Isnât that amazing? Arenât you proud of the work youâve done?
I calculated your planet dominions. Itâs a tie between Moon, Sun, and Neptune. I guess you already know thatâs called lukewarm; three dominant planets mean the lack of divine parentship, but the potential of being a balanced person. Good luck on your journey!
Your chartâs energy is also ambiguous: mutable-fixed and fire-water (no signature sign). The latter is probably very obvious to you since having both fire and water as dominant elements results in a hectic, passionate personality. Iâd not be surprised if others said you were intense.
Your Leo ASC trines your Pluto. Apollo and Pluto admire each other which should manifest on your appearence. Are you dressed in some sort of shocking or dramatic way...? I get a feeling that you like to be feared and admired at the same time when it comes to your looks.
My Natal Chart
Iâve been studying astrology for only a couple months and Iâm still learning so much.
I would like to see what the rest of the astrology community has to say, specifically @reaperofsassgard whom Iâm a little obsessed with since Servant Of The Fates deleted her blog.
So here I am, exposing myself.
Looking at my natal chart it doesnât seem to have any natural-born witch or healer placements, itâs not all that exciting in general, but itâs mine.
My Sun is Cancer, my Moon is Pisces, and my Ascendant is Leo.
Those are not the scariest parts of his chart, but rather that heâs a natural-born witch based on the placements of his Uranus, Neptune, and Pluto COMBINED. They also sextile each other (+ one conjuction), which is a strengthening influence.Â
Iâm not saying he would be powerful if he studied occultism, but thatâs exactly what Iâm saying.
btw heâs a Mercury-dominant.
baekhyunâs birth chart
kpop astro lovers listen up oh my fucking god
today baekhyun gave us his time of birth (6:40). we can calculate his natal chart iâm losing it, look at that:
- moon in gemini
- ascendant in gemini as well đąđ it all makes sense now
- sun in the 12th (!) house, taurus ruler (venus) as well
Youâre supposed to use the same spiritual source for all of your divinations: your higher self, the Universe, or divine patrons. âI couldnât connect with itâ literally means you were unable to connect with yourself or with your deities via that particular deck but were able to do so with the others. Thatâs nonsense. Do you drive a red car better than a silver one? Or, itâs like saying the water is tastier from the left tap than from the right, while both of them are connected to the same well.
That being said, the number one reason I stop watching a Tarotuber is: the cause of misconnection is deck mistreatment. Mistreated decks wonât be precise, can lie too, and contradictions are more common, but itâs never the decksâ fault.
How could I trust a readerâs predictions if she (most cartomancers are women) mistreats her decks? If thereâs one mistreated deck, chances are the others are not treated well either.
2) âI havenât used this deck.â
*looking around in a John Travolta way* What are you waiting for? How connecting with your deck is not the very first thing you do? Itâd take 3-5 mins at max to introduce yourself and browse all the cards.Â
I canât imagine what kind of professional / full-time cartomancer someone is if she doesnât have as much free time for a new deck as a coffee break.
3)Â âI donât know the meaning of XY, but...â
Said mostly in the case of Oracle cards. If a cartomancer doesnât bother to study the most important bit of cards (that is symbolism), how could she be legitimate?
I donât want to hear someone just bullshiting around or someone who only relies on her intuition - then Iâd seek a clairvoyant, not a cartomancer.
I get triggered whenever cartomancers purchase deity-themed decks, but they canât pronounce the godsâ names - blasphemy -, let alone knowing what forces they rule over. Sis, donât use such cards if a Percy Jackson fan knows more about deities than you.
4)Â âI love this deck so muchâ &Â âThese are my least favorites...â
First of all, you must love all of your decks. Equally. ((The first deck is an exception, again.)) All of the decks draw power from the same source; distinguishing them doesnât make any sense. Or is it the design that you appreciate more? What if your parents loved your sister more because she was prettier?Â
Second of all, donât impulsively buy something. Read the reviews. Look up the card designs and themes on Google, Youtube, or the website that sells them.
As for me, I donât like anything that has to do with crystals. Then I donât buy decks with crystal imagery on them.
I donât like toxic positivity. Then I donât buy decks that elaborate as deep messages as a fortune cookie.Â
Iâm not an encyclopedia. Then I donât buy decks whose theme is unfamiliar to me.
Iâm a Venusian; everything needs to be aesthetically pleasing for me, so I carefully examine the design of the available/uploaded pictures of some cards of the desired decks. Donât like the drawing style? Then I donât buy it, hence thereâs no disappointment when I get them.
But if the disliked decks of yours were gifts... maybe tell people to not buy anything for you unless theyâre certain of your taste because cartomancy decks are not one-size-fits-all.
5) Hoarding - and most decks are rarely or never used
Although you need a source to communicate with the decks, they have their own identities. Theyâre not mundane items like shoes, designer bags, makeup palettes, or comic books. So, for a collection of over 10-30 decks, Iâd make sure I used different ones every single day, taking care of them equally. None of them would be forgotten.
I donât see the reasoning behind purchasing new pricey decks if they get âthrown into a cornerâ as dust catchers. Because yes, this reckless habit plays a role in deck mistreatment. Donât be surprised that a deck is disconnected from you if itâs been treated like a Walmart coupon.
6) Mess - untidy room, improper storage
Guess I donât need to discuss it much... I keep my decks in their original boxes on a special place dedicated to them, and a clean cloth is placed under them. Before I offered them to my deities, I promised them tidiness and protection; they thank me with accurate readings in return.
Not surprisingly, I get a headache when someone else reads on filthy surfaces, among book piles, gadget cables are everywhere, or the decks are âbareâ on a shelf and their cards slide side to side. Cartomancy decks are occult tools; treat them as such.
7) Cards kept reversed in their storage
I was taught that let the higher powers decide the positions of my cards. Indeed, I got more inaccurate interpretations when I kept reversed cards from the previous readings, and my former shuffling technique didnât allow the cards to freely turn sides either.Â
We need a fresh start for every reading. Even if someone uses the âwashing machineâ technique (placing the cards on a table and mix them around freely), they should collect the cards upright after the session.
Of course, it doesnât apply for cartomancy types like Lenormand and Kipper where thereâs no reversed meaning because they were meant to be used upright anyway.
A list of the rules I learned from traditional witches because thereâre so many misconceptions about grimoires among New Agers that I feel they need correction.
A grimoire...
is NOT a journal but a masterpiece of a witch.
Thatâs not a place for theories or random notes here and there. Write and frame it with the highest respect, even more so than your university thesis.
must start with a curse on the very first page.
Itâs essential for closeted withes or anyone who would be ridiculed/humiliated for their path. Witches centuries ago sealed their grimoires with curses in order to revenge readers who wanted to abuse the knowledge without their consent. These curses only get activated once the grimoire is read by someone with malicious intents, but theyâre very powerful because they usually mention the divine patrons of the witch (if thereâs any), and include parts like âIn the name of XY god/entity...â
must only contain tried out and working spells.
If youâre uncertain that a protection spell or curse worked on your target, donât include it. If you copy-paste a spell from a website without actually trying it out, donât include it unless youâre sure that various witches (even generations back) used it with success. Keep one or several notebooks dedicated to your craft, but only the best of the best should be added to the grimoire.
must be encrypted*.
Either with runes, individually invented ABC, code names, symbols, allegories, or omitting vowels so that outsiders canât understand the ingredients or the preparation processes. The best is if you use foreign writing systems (like hangul, cyrillic script, Greek alphabet, etc.) to mask your used language. Iâll combine different methods, and my descendants who inherit my grimoire will be taught to decypher it.
must be written in your mother tongue.
Youâre the most powerful when you speak the languages of your ancestors. If youâre bilingual or multilingual, use your parentsâ language or the first language you learned as a kid. For instance, if you live in an English-speaking environment, but your mother tongue is German, use it instead of English, and then encrypt the German words to make everything harder for unwanted readers.
must be/is preferably handwritten at 3 AM.
Ancestors for many of us were only allowed to practice their craft or work with their deities at dawn. This intergenerational custom endowed the 3 o'clock in the morning with a speciality, so itâs worthwhile for today's witches to write their lifeâs work at this time as well. But even if you canât stay up late for whatever reason, the paper-format is more than required.
must not be a copy of another witchâs work.
Just like thereâs a difference between your motherâs cookbook with her own recipes and a dossier with printed out recipes in it from online...
must not be written as a beginner.
Like I said, the grimoire is the compilation of a witchâs most useful and most powerful spells that summarizes an entire spiritual and occult path. You will notice that dozens if not hundreds of spells online do not work at all for you, or not the same way as expected. So, adding a spell to your grimoire before realizing that the spell is utterly rubbish is quite a bad idea, especially if you canât delete or remove that spell from the book...
must not be published online.
As grimoires should hold private arcane knowledge, sharing their content publicly for any preying eyes to see is not just dangerous in many ways but disrespectful for the grimoire itself. It loses its essence and purpose when shared with a huge - and stranger - audience where pretenders and mundanes cannot be filtered out. Imagine if you had a Burn Book like in the movie Mean Girls... if you didnât want its contents to leak, you wouldnât want the same for a spell book with occult wisdom.
Either way, writing a grimoire is a commitment, more than keeping a dairy for years. If you really desire to compile your extensive knowledge that further generations can rely on, but you donât have the time or energy to do it properly, postpone the goal until a time when youâre ready.
So, when youâre on your dying bed or your biological clock is ticking, you can gift it to a younger family member with confidence and pride.:)
*due to the tradition of encrypting grimoires, I belong to those who think that the Voynich Manuscript was also meant to be a grimoire, and its writer was so good in cryptography and mastered precautions that mundane scientists think âit doesnât make sense anywayâ.
Trad witch here who also learned New Age. Sigils were meant to awake supernatural entities (mostly demons), and activating them usually involved blood magick. They were obtained via divination in sĂŠances, mediumship, or psychography. Thatâs why trad sigils will always be more powerful than modern ones and should be used for rare, serious occasions only.
The original concept and purpose of sigils got twisted by modern occultists, and most online âsigilsâ are not even used the same way as mentioned by the inventors of chaos magic.
So how are emojis similar to sigils? Theyâre literally colored pixels made by mundane programmers, hence they canât be good magickal conduits.
Itâs not about different techniques, witchcraft was never about âcharging any mundane item you can find makes you a witchâ.
Hohoho~~~ I can answer this:
fallenangelontheceiling
Iâve only been at this a week (literally) but arenât emojis a hell of a lot like sigils? no?
@fallenangelontheceiling
Okay so basically letâs back it up a bit and discuss some stuff, because generally yes that is the right direction but letâs just talk about spellwork which includes iconography (icons / visual imagery / emojis if you will) and symbols.
So a lot of the peopleâs general problems with âemoji spellsâ is that they are âtoo simpleâ and not grimdark I mean, not ritualized. So what I mean by not ritualized is that itâs very easy to build them by stringing icons (emojis) together, and then pressing a button right? Thatâs all you need to do itâs an emoji spell.Â
So itâs looked on like itâs lazy. But thereâs plenty of other forms of iconographic / visual arts that are like sigils, but even weirder.
https://en.wikipedia.org/wiki/Sator_Square
Like the Sator Square. Which is a stylized magical -thing-, a spell, a sigil, and itâs easy to make. You make it and thatâs it, youâre good. (Unless you want something a bit more involved).Â
Writing and Art in spellwork has a long history, in fact, the method (ie the way youâre writing it, as in the directionals just like the sator square here has up down and across), or in the shape of how you write it (think writing words hooked together into the shape of a circle with something in the middle). The color of the ink that you write it with, and even the paper and utensil you use can also play key aspects to this kind of spellwork.Â
So for instance, if people have enchanted the shit out of their phone (which.. is a thing⌠I donât haveâŚ. on my phoneâŚ. maybe), itâs entirely possible that they can use it as a utensil for carrying out magical arrangements and spellwork. And thus âthe easeâ would be kinda moot because they are already using something thatâs been enchanted in some way for that purpose.Â
Then you have some historical examples of carved spells where water is meant to roll over the carving and youâre supposed to drink the water or use the water in some way. Thatâs the method for enchanting it. Because the water takes the shape of the words / carving and gets enchanted. And you can just⌠keep using that same stone over and over or potato (if your potato doesnât get bad) or something else.
So then you ask yourself, what about STAMPS? Could I make a stamp? And make it magical, yes you can.Â
So then you have sigils. Now there are two kinds of sigils generally the ones that live OUT THERE *gestures* in the world, like a branding, a stamp, a visual, itâs attached, activated out there in the world. And then the kind that are INSIDE specifically living and activated permanently in your brain, because your brain absorbs it and it actively lives on the tissue in your brain.Â
Itâs like a tattooed magical work, except generally not seen by the public. Or not accessible by someone else because itâs hidden inside your mind - literally.Â
Letâs not get into all the ways to make a sigil, but generally anything can BECOME a sigil as long as itâs been made and activated to be that way.Â
So then we have what is an emoji spell, which lives OUTSIDE and is branded and is attached to a specific card / plate here on tumblr or in text or on an image or whatever. So what if someone attaches to the âphysicalâ card and input text an enchantment as they type out the emojis.
People over here bitching about how we donât talk about loaded fingers, but yet ignore the fingers typing them emojis out right? (Loaded fingers is a thing)
So itâs entirely possible that an emoji leans on not just some of the things that the sigils leans on, especially the outward ones, but historically almost all over the visual art spellwork. Like emojis just get more eyes on them. And interactions than what a normal visual art spellwork that sits on a painting in someoneâs house may get.Â
(because you can do that to⌠not.. that i have⌠done⌠such a thing⌠before).Â
(:))
But literally, thereâs so much visual spells that you could lean into and link directly as a correlation to emojis.
Yall all about the Eggplant?
How about the Pepper ?
https://en.wikipedia.org/wiki/Cornicello
Itâs a charm!
Canât make this shit up!
People use to wear flying dick charms too!
So if you think about it, could emoji spells be the equivalent of charms especially warding charms or luck charms. In some sense because of their visual representational ability and the fact that they are strung together or arranged together in a specific way.
Like emoji spells have a long, long, long historical backing if we connect some dots and think about it more deeply than I did for the last 5 minutes.
But âitâs too easyâ and therefore considered fake. And a lot of traditional folk charms? They get the fake labeling too.Â
Thereâs a lot that can be said about your chart, but let me share the first thing I usually do: calculating dominions with the simpler semi-trad way. (I had to check your ASC.)
Your dominant planet is Neptune (ruler of Pisces), dominant element is Air, and the chart has an Aquarius signature that may has an inner clash with your Taurus sun.Â
Uranus in the 1st house might bestow upon you the ability of entering the spirit realm, used for mediumship. (Favorable placement for natural-born witches.)
Dear astrology community, roast me.
Be brutally honest, and also I might need some brief explanations as Iâm not that good at astrology quite yet.
Lovely, itâs my time to shine. Iâll cover two topics within my reply: the signs and habits.
SIGNS THAT YOU ARE A WITCH
1) itâs engraved in your bloodline. Parents, grandparents, great-grandparents, cousins, aunts and uncles... If many (or some) of them practised witchcraft or were interested in/open to it regardless of their religious beliefs, thatâs a great omen. In other words, everyone can learn witchcraft, but not everyone is destined to wield it well. Hence the term natural-borns.
(Self-taught witches without such ancestors, and who choose this path are exceptions whom I call heutas from the word heutagogy.)
2) youâre an empath. Yes, every witch is an empath (despite what you can read online), but not every empath is a witch.
3) you possess or show signs of psychic gifts (aka ESPs), the Clairs: clairsentience, claircognizance, clairvoyance, clairaudience, clairgustance, clairalience. Theyâre individualistic, but you must have at least one of these gifts, and theyâre usually hereditary.
4) youâve been drawn to the occult since childhood. And not after watching/reading edgy or cool cartoons, books; itâs just an interest you always had.
5) you have regular premonitory feelings and dreams. Again, everyone experience them one way or another in their lifetime, but for natural-borns, theyâre more common and intense.
6) your aura stands out. Doesnât matter how you look or what you do, you canât and will never be able to blend in the crowd. Like a walking magnet, you either pull people towards you or repell them because your charisma daunts them.
7) divination techniques work for you. It doesnât mean acquiring knowledge without studying, but you can grab the concepts behind divination forms faster than a mundane. Cards, runes, charms, etc. are honest with you, even if you misinterpret them at first (thatâs why keeping a divination journal is a must have).Â
Like, the day before yesterday, Iâve found a long lost wind chime with my Lenormand cards. It spook everyone out, including the skeptics in my vicinity.
8) you can naturally curse and hex others without rituals. Thatâs the indication of equally strong healing capabilities because traditional witchcraft is a gray area, not âblackâ or âwhiteâ. Sometimes complex rituals are required, but in my family, we never made taglocks or collected herbs for curses.
If people did us dirty or took advantage of us, the power of our words and emotions were enough, resulting in countless accidents, illnesses, and deaths.Â
9) your natal chart says so. Trans-Saturnian planets lie in your 8th/12th/1st houses, they trine or sextile each other, your dominant planet is in favorable positions, etc. Certain positions grant you abilities, and tarot can confirm this like it did in my case.
10) you excel in working with one element. Aside of the 5th element (aether/spirit), witches usually deal with one tangible element (water, fire, earth, air) on a daily basis, usually, the one that dominates their chart. Ideally, we work with all of them, but we just canât help prefering one over the others. It doesnât mean you should like the dominant, but itâs easier for you to work with it.Â
11) witchcraft is a way of life for you, not a phase. We all know people who turned to the occult during their emo years, like one of my uncles who rebelled against his strict Christian parents, but for natural-borns, it doesnât end after reaching adulthood. For both religious and secular witches, witchcraft is an enriching (and many times sacred) practice they would never trade off because itâs part of them and always will be.Â
12) youâre skeptic of modern craft (only applies if youâre trad). Many canât trace back their families enough to know the practices of their ancestors, therefore younglings today have no other choice beside New Age. Reasonable and unfortunate, but sadly, New Age is full of rubbish and is hard to find legitimate information. Trad witches just feel that something is off when they look at modern recipes and rituals because those usually contradict the practices their ancestors used to do.
For this reason, I donât believe in spell jars, randomly invented spells that you can cast anytime, sigils created out of boredom, the Pullen way to determine planet dominions, or godphoning âwitchesâ who felt energy turbulence by the Moon-hexing hysteria...Â
13) trad spells work for you (modern ones never). My former bff was also a natural-born, we performed our first spell when we were in grade 4. She learned it from a trad book and used it when we needed it the most, so the emotional input was given. Not even a second after I finished my part, closing the ritual, the power went out in the entire building we were staying in.
However, New Age spells never resulted in anything, or backfired.
Many people experience the same but donât dare to admit it. Moreover, modern spells I see on Tumblr are usually not better than optimistic and childish roleplaying.Â
14) people associate paganism, magick or anything supernatural with you (even if youâre in the broom closet and/or youâre secular). People bring up out of ordinary topics near you, expecting you to join... If they see something paranormal or fantastical in movies, series, etc., your name pops up in their mind... If they experience weird things, they must share it with you... They tell you secrets that they donât tell to their closer friends... If they have intriguing views about mysticism or religion, they open up to you quite fast and are not afraid that you will judge them...
15) astronomy and astrology are not separate for you and they have a special place in your heart. You might even like anything that correlates with them. Cosmological theories (multiverse, parallel realities), experiments (even alchemy), you name it.
16) you have a âweirdâ connection to death. Its symbolism, imagery, stories, sĂŠances, holidays, cemeteries, natural disasters, or entities attract you or you attract them.
These are the main hints that I experienced or were taught to me first-hand, but there might be others I forgot. So, to your âdoes that make me a witch?â and âam I doing enough?â questions, my answer is: only you may feel. How many things apply to you? What is your impression about the whole topic?Â
If witchcraft was meant to be your path, you will never get tired of it and spending a day without it feels unnatural (been there, done that...).Â
Something thatâs been on my mind lately, is that I donât really do anything witchy. I never really have. I carry a single quarts with me everywhere I go. I pay attention to the lunar cycle and astrology. Iâm about to learn tarot. Does that make me a witch? Am I doing enough?