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#{ I just feel like he’s not in character?? }
anantaru · 2 days
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GENSHIN + BREAK UP, MAKE UP
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— ꒰ synopsis ꒱ — you fuck your ex boyfriend and shocker, you love it ᰔ
— ꒰ including ꒱ — alhaitham, ayato, heizou, wriothesley x fem! reader
— ꒰ warnings ꒱ — ex boyfriend trope, slightly toxic & mean boys, bratty! reader ??? dirty talk, oral (male! receiving), fingering, cowgirl position, cumming inside, lots of cum lol, dom characters
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— ꒰ ALHAITHAM ꒱
"hey, don't insult me now," alhaitham looks at you with a prized confusion in his eyes— while also taking care of your bodies needs and desires, his cock pressing deeply in you. "what's with the attitude i hear?" his voice was clearly hinting at a hazed tone as he pants against your wet cheek, your tits flushed against his solid chest.
you gasp at him, curving your fingers into his hair to pull it, "w-what attitude?" your hips involuntarily buck into his cock so he would hopefully get the hint and continue to move, more so stop being so annoying for once in his life.
"you're hiding it from me," he whispers cruelly, "don't act stupid now, aren't you so smart?" as his hips begin to grind through your tight hole, a warm press slowly distending in your cunt and swelling in your belly.
"you hide your moans from me, fuck, you brat, you know what that does to me," under the cover of a shaken exhale, he shoves you into the mattress even further— no mercy, no signs of previous affection, only a raw and pleasuring handle.
archons, how much you loathed the way he always had you figured out this quickly.
how, just how.
but well, it's not like you were a couple anymore, correct? so why would you give him the pleasure of hearing you? knowing full on well he finds it to be the best part whenever he fucked you.
just so he could pride himself again? scrap that, he doesn't deserve it, nor to indulge into every drop of desire you give him.
"hah, you're so weak alhaitham," you bite back a whimper, "still so weak for me," as your hole clenches, throbs and milks against his awfully hard cock before you look at him through a wet expression, his hair soused and messy sticking all over his forehead, pressed into the light sheen of sweat across his face, "or maybe you aren't doing a good job,"
it's dangerous— playing that game with your ex. but it's also worth the gamble.
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— ꒰ AYATO ꒱
like a puppy, you preciously kneel between ayato's legs, slightly leaning against one of his muscular thighs— one hand proudly holding his cock in your grasp to stroke him, your wet tongue circulating over the leaking slit just how he liked it.
but that familiar infatuation from months ago, when you were still considering yourself a team, that disgustingly known taste of your tongue on his cock made the yashiro commissioner twitch in your hand— is it desperation in his movements? or longing?
it reminds him all too much on how things used to be.
when you were in a relationship, of course, "in love", and where fucking you wasn't just fucking to neither of you, it was making love.
a longing that filled the whole breast with its mad virus.
it was much, much. he could never argue against the fact that you were the only one who could make him fall to his knees.
you flick the tip of your tongue back and forth over the inflamed head, teasing the slit and making him shudder, finding it more and more satisfying to have someone within such position under your grasp, the constant press of need and attention on your cunt only coming second.
"y-your mouth feels so fucking good," he heaves and embarrassingly coughs out right after— well, it's not that deep? because hey, a commissioner doesn't curse now, does he? but he did it for you, always.
how were you able to always coax that out of him?
your hand tightens around his erection, adding shallow yet precise pumps over his shaft as you cup his balls roughly, massaging them in your palm and wetting them with your saliva.
he's already wet of both his pre and your spit, yet you do not waste any chance to spit on his tip again, again and again until your cheeks and chin where littered with filth, finding it rather enchanting whenever ayato moans disgustingly hot.
chest rising, falling again, groans hitching at the feeling of your saliva sliding down his tip.
"i want to touch you too, come on now, don't you want me to touch you?" he begins to whimper, stroking over your head affectionately as you look up at him, flexing your throat, grabbing at his shaft more firmly.
he continues, although it gets harder to breathe, "don't you want my fucking hands on you, come on, admit it," fuck, ayato was so pent up— from work? from going through a messy break up? from being alone?
archons who was he fooling besides himself? it's due to how much he has missed you, missed this, missed your scent all around him.
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— ꒰ HEIZOU ꒱
"oh your so wet, well look at this, look at this all over my hand,"
"some things never change, hm?" heizou moans softly and parades his glistening fingers to your blinking eyes as you whined out, trying to shift from his body hovering on top.
it's futile— not because you actually want him to stop, but because you really wanted this, despite him being so embarrassing and blunt about it.
what little movement you managed to coax from your hips merely aroused you further as heizou stuck his fingers back into your cunt— two slippery digits scissoring you hard, reaching deeper and floating inside you like inside water before rubbing his thumb back and forth your clit.
your thoughts were sluggish, and you found yourself overwhelmed due to the fact that your body enjoyed it, and so did your mind.
you knew this was wrong, this shouldn't happen, this wouldn't make it easier for either of you in the long run. but you couldn't think beyond that when all you thought about was his next touch and buck of his hands thrusting into your cunt.
your skin tingles, ever hot as he presses and rubs and strokes until every inch of your being was shivering in need and regretting ever breaking up with him.
no matter how often you try to act like he isn't setting a fire along the slopes of your skin, the detective will never stop seeking you out for this, conquering your sinful spots until you're fucked out of your mind, only then he will get close to your ear and ask you to say that you regret ever letting him go.
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— ꒰ WRIOTHESLEY ꒱
"do you still fucking hate me?" there was a rumble emitting from wriothesley's chest, and for one long moment, he was consumed by nothing more other than your tight cunt riding him fiercely, "do you still refuse to admit that you secretly like this?"
if only he could shut up for just a damn second, just one.
"do you?" your eyes flew open to him in anger, your gaze aggravated in its entire embrace, how dare he mock this— but an expanding shock of his hips bucking into you forced a new bodily reaction from your shuddering frame, enough to override the otherwise enticing anger you were about to spit like venom into his proud face.
your back arches as you shoot him a dangerous glare— one that could easily get confused with a please please do fuck me harder, instead of hold your tongue you asshole.
because you see, don't act out on anger, instead luxuriate in the crushing weight of his cock between your legs, hard and heavy throbbing as you ride him, pleasure and fuck him hard— still pondering about how difficult it always had been to fit his entire length inside of you.
you let your legs shift apart more as your tits bounce in combination with your movements, your back arching as your pussy began to milk him fiercely, squelch and squelch as the deep, bloating throbs of his shaft scrub over the bends of your walls, until reaching your swelling belly.
you turn sensitive, he knows it, the duke can feel it.
"oh, come on now baby," pride gushes from his mouth as he tilts his head, tightly holding your waist before thrusting up. you wouldn't let him bath inside his confidence any longer as you lightly punch his chest upon hearing him use a damn petname.
"oh? you don't want me to call you that?"
"obviously not," you shake your head, wetting your lips, despite that, he could hear the arousal in your voice, "why are you clenching when i say it then? baby~" as he maintains his ardour, refusing to allow you to control your little get together as he mercilessly thrusts up into you, thick and heavy cock slipping in and out, your arousal running down his balls.
your moans are a little more breathless now, shaken as the pumping motions of his erection slapping against your pussy only grew needier.
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©2024 anantaru do not repost, copy, translate, modify
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cherryredstars · 3 days
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you know what season it is!!! back shots in a sundress with no panties!! i strongly request rich people private beach sex! boat sex! rich sugar daddy husband who is never really home but when he is he WRECKS your body!!
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Pairing(s): Miguel O'Hara, Simon Riley, John Price x fem!reader
Warnings: 18+, NSFW, Penetrative Sex, Public Sex, SugarDaddy!Characters, Simon isn't gentle in this one (sorry!)
A/N: My favorite season!!!!
Unedited
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| SIMON "GHOST" RILEY: CAKE BY THE OCEAN
He can't help himself when his pretty baby is all dolled up for him.
You got that cute little sundress he bought you on, letting out little giggles every time the wind picks up and you have to hold your dress down like the better version of Marilyn Monroe. He doesn't understand why you do it though. You're the one who begged him to take leave so the two of you can spend the warm weather at the beach house, wanting to spend time on the private beach. Plus, if you really cared about decency, you wouldn't have left without panties. He thinks you're adorable, clueless to the fact that you've flashed him a handful of times already.
But maybe that's part of some secret plan you've been plotting. especially when you pout at him and demand he let you rub sunscreen all over his body.
I just don't want your scars to get irritated, Si.
He thinks your a fucking liar. How else would that explain the way you so willingly sprawl out on the beach blanket you've brought along, your bare ass exposed to him as your dress is bunched around your waist. In the sun, he can see your dripping cunt glistening with arousal. He fucking loves the pretty gasps you let out when the wind fans over your folds, a tiny plea for him to stop his teasing following after. His poor, spoiled baby, so desperate to have a different kind of fun at the beach.
He doesn't care for the beating sun burning his back as his thick cock slides through your puffy folds, more focused on the way your insides are a thousand times hotter. The only thing he needs coating his skin is your sticky arousal as it drips around his cock, a foamy ring of white forming at his base as he thrusts into you. He hates sand, but he doesn't mind the way it gets on the blanket as you pull on it, crying and hiccuping at him how it's too much.
"Si! It's too hot, I'm getting all gross and sweaty!" You sob out, teary eyes looking back at him.
He coos at your cries, giving your ass a hard smack before rubbing the pain away. You could have just told him you needed something to help you cool down. He's more than happy to help as he licks over your skin, his saliva coating your neck and shoulder blades. You taste like the sun and sweat, and he knows that after his he'll need to eat out that pretty pussy of yours to see how they add to your addictive taste.
He must have spoiled you too much, rolling his eyes as you start complaining about how sticky your skin feels with his spit drying on you. He shuts you up with a few punishing thrusts, only tolerating your incoherently wobbly moans and cries. He grits his teeth when he feels his high peaking, swiftly pulling out of you with a groan as he hot seed shoots onto your back. It darkens the fabric of your dress, pearly lines sitting on your sparkling skin.
Simon chuckles as you whine under him, his rough hands rubbing his cum over your skin in a thin layer.
"Gotta make sure your pretty skin is nice and coated, love."
His cum looks close enough to sunscreen, anyways.
| MIGUEL O'HARA: HANDS ON THE WHEEL
"Keep 'er steady, baby."
You only moan back in reply, your hands tightening around the wheel. Your hands are sweating from the sun's heat and from the heat radiating off of Miguel's body as he thrusts into you. The sound of your wet cunt is drowned out by the sound of the ocean, but Miguel is more concerned about the ocean of wetness that gushes around his cock. Your grip on the wheel has nothing on the vice grip your pulsating walls have on his cock.
His large hands reach up, his chest pressing against your sweaty back as his hands cover yours. He guides your hands slightly to keep the wheel straight, his thrusts not stopping. He's trying to teach you how to steer the boat through groans, and you only moan and whine in response as your mind gets consumed by the way his cock drills into you. Miguel curses when your grip on the wheel slips, your body falling forward as your orgasm crashes into you and the wheel spins quickly out of control.
His hand instinctively clasps around your neck to keep you from hitting your head on the wheel, making your back arch as he pulls you close to him as his other hand works to fix the wheel. His cock slips out of you, the ends of your fluttery dress pushing over his angry tip. He grunts as he thrusts his cock into your back, groaning as he spurts hot strings of pearly white dampen the back of your dress. You babble as you come down, feeling the wet parts of your dress starting to cling to your skin.
"Didn't I tell you that ya'gotta be careful while at the wheel, mi vida?"
Well, whose fault is that.
| JOHN PRICE: PRETTY HOUSEWIFE
This by far is his favorite part of coming home.
He loves getting home after a rough deployment, only to find his pretty little wife waiting dutifully at home for him. You treat it like a special occasion, making his favorite meals in that cute little apron and sundress that has his cock throbbing. You're so good to him. It's only right that he shows his appreciation with a good fucking.
He doesn't care if his hot plate of food is getting cold as he bullies his cock into your needy hole. You're so tight from not being filled with his cock for so long, your fingers not stretching you out the way his fat cock can. Your little moans and cries of his name are the only nourishment he needs at the moment. His pretty little wife takes him so well.
"Looks so gorgeous f'me like this, doll." John grunts at you, chuckling at the way your walls flutter around him.
This is by far the greatest way to be welcomed home, and of course he's gotta give you the first of many gifts he's got you while he was away. He groans low and deep as he shoots the build-up of cum that's been sitting painfully in his balls, watching as it gushes around his cock as your pussy gets stuffed full. You look so pretty sitting across from him in that sundress, trying to keep as much cum as possible in your snug cunt as he finally digs into his home-cooked meal.
No way in hell he'd let his seed go to waste.
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dyaz-stories · 2 days
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JUJUTSU BOYS + PDA
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how the jjk boys are when you're in public with them
including: gojo, nanami, choso, yuuji, megumi, maki
word count: 3.6k (500-600 words for one character)
cw: intended as canon compliant, established relationships, fluff, tooth-rotting fluff, kissing, public demonstrations of affection, can't think of anything else tbh
a/n: been reading some fics in this format so wanted to try my hand at it again. it's been years since I wrote short pieces like that, so I hope you'll enjoy them!
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GOJO
Gojo has no concept of personal space, and that is something you had to get used to since you started dating — if anything, since before you started dating. Even when the two of you were at a more flirtatious stage, he’d always be leaning towards you to talk to you, face inches away from yours, hands on your hips if he needed to move past you, arm casually around you if you were sitting next to each other. It was all the better if it flustered you.
None of this has changed, except that he’s much more extra about it now. Holding your hand while walking? Nah, that’s boring. He’ll have his arm around your shoulders, even if it’s not convenient given the height difference. He’ll also try to put his hand in the back pocket of your jeans, pout if you tell him not to do it. If you’re waiting in line with him, he has both of his arms around you, is resting his chin on top of your head, and wants nothing more than for you to lean back into his chest, relaxing into his embrace. You can both be doing totally unrelated things — you’re reading and he’s checking his phone — but you’re slotted against each other, and that’s how it is ideally for you.
You’re waiting for him to show up to your date when you feel yourself surrounded by familiar arms, and then his cheek is pressing against yours as he surveys the book you’re holding in your hands.
“Whatch’ya reading?” he asks, breath warm against your cheek.
“Just doing some research on emerging curses,” you say with a shrug as you close it and put it in your bag. “So, did you want to check out that new bakery?”
He hums in reply, and you wait for him to move so you can start walking.
He doesn’t.
“…do you plan on letting go of me?” you ask after a while, turning your head to look at him.
He pouts at you, inches away from your face.
“I haven’t even gotten a kiss yet…”
“We’re in public, Satoru,” you say, feeling your face heating up.
“So? Let ‘em stare. They might as well, if you ask me.”
You want to roll your eyes — one day, you’ll have to talk about that exhibitionist streak of his — but in the meantime, you just have to crane your neck a little to peck his lips. They’re soft, as always, and he follows greedily when you pull away, his hand coming up to tilt your chin up gently as he presses more kisses on the corner of your lips, then on your cheek.
“You’re impossible,” you say, badly hiding your laughter. “Let’s go, or we won’t make it to closing time. You’re late, by the way.”
He lets out a heartbroken sigh, but finally frees you, keeping his arm around your shoulders as the two of you start walking towards the bakery. He keeps his strides short, so you don’t have to run to keep up with him, instead allowing you to keep a comfortable pace.
“Yeah, well, what can I say? I’m just too good at my job, they can never get enough of me.”
“Aw, poor darling,” you say. You grab his hand, intertwining your fingers with his, and bring it to your lips to press a kiss on the back.
He lets out a cough that doesn’t do much to disguise the fact that he’s getting flustered, and you grin, satisfied. Two can play that game.
Fortunately, neither Satoru nor you have any intention of forfeiting any time soon.
NANAMI
Nanami is a private man. There is no reason for the whole world to know his business, and he doesn’t feel the need to put his relationship on display for everyone to see. His softness for you is still plain to see in how gentle his voice gets when he speaks to you, in how carefully he chooses his words, in how fond his eyes are when he listens to you tell him about your day. He knows you like him holding your hand, though, so he’ll indulge you, especially when you’re walking by his side through crowded streets.
That is for practical reasons, of course. First, it just wouldn’t do to lose sight of you. Second, people tend to steer clear of him, his serious expression and his broad frame, and that means they realize quickly to steer clear of you. It has nothing to do with how soft your hand is in his, or how the way you use your thumb to stroke his skin sends shivers down his back.
“That’s a lovely restaurant,” you comment, eyes drinking in the elegant decor while Nanami is examining the menu.
“It had excellent reviews,” he answers, not going into details as to the great lengths he’d gone to in order to ensure that this date was as perfect as humanly possible.
“I’ve been in the neighborhood so many times, and I had no idea this was here,” you say. The place is very small, only a handful of tables, all of them now filled. You’re sharing an alcove with Nanami, creating some distance with other customers.
“There aren’t many tables available, so they don’t advertise much,” he explains as he sets the menu down. “But they’re known for their excellent cuisine.”
You give him a smile, then lean closer to him to kiss him on the cheek. Your lips linger just a little too long, and then you move them close to his ear, which is already turning quite red.
“Thank you for planning all that,” you say sweetly. “It looks wonderful.”
He clears his throat when you pull away, avoiding your eyes.
“Of course,” he answers, voice wavering imperceptibly. “Anything for you.”
And you know he means it, too.
Under the table, his hand finds your leg, large palm easily covering your knee while calloused fingers carefully rub your calf. You bite your lip, welcome the warmth that spreads in your body. You know Kento well enough to be sure that that’s as far as he’ll go, that he wouldn’t dare to do anything more in such a public setting, and that makes you enjoy the intimacy of the gesture all the more.
Later that night, while the two of you are walking out, his jacket is around your shoulder at his insistence — “It’s cold outside” — and he’s getting ready to call a taxi.
“Kento?”
He lowers the phone to look at you, and you push yourself on your tiptoe, hand closing around his tie to pull him down towards you.
It’s late at night, he tells himself. There’s no one around, he tells himself. That’s why he closes his eyes and allows himself to melt into the kiss, regretting it when you pull away too soon and catching himself before he grabs you by the hips to get you closer to him.
“I had a great evening,” you say. “Should we take this to somewhere more private?”
How much more merciless can you get?
“Certainly,” he says. “Just give me a second.”
There is nothing he can deny you.
CHOSO
Choso cannot wrap his head around what he can and cannot do around you. The rules for what is proper, what is acceptable, have shifted so much since he was last around, and he would die before he embarrassed you — or worse, before he did something that would make you push him away. He knows that you wouldn’t, and yet the fear is like a weight that tugs on his heart every time he thinks about it. He walks by your side, glancing at your hand that’s freely hanging between the two of you, and though he brushes his knuckles against yours, he just cannot bring himself to do it. It’s to the point where it’s the only thing he’s thinking about — and he just can’t do it.
Then you see something that catches your eye and you grab his hand and pull him with you in that direction, and he thinks his heart could just fall out of his chest. You make it look so easy, so natural, being with him coming as easy to you as breathing, and he couldn’t possibly ask for more. It takes him many other tries, many other dates, before he can take your hand in his. When he does, you glance down in surprise, then grin at him, and kiss his knuckles softly — and he’s so happy he could die.
“So,” you say, sitting on the park bench, knee pressed against his while you’re leaning into him to show him your phone, your hair tickling his neck, “that’s the movies they have on tonight. Think we should call Yuuji to ask him what to watch?”
“Hm,” Choso says, not really focusing on anything you’re talking about, not when you’re this close to him, “isn’t— isn’t that the one franchise he’s always talking about?”
You burst out laughing, then rest your head on his shoulder.
“No offense, babe, but there is no one in the world I’d go see a Human Earthworm movie for. Even if this one is supposed to have romance in it,” you shudder at the thought, “I’d like to go see something actually. You know. Watchable.”
Choso’s mind is going in overdrive. You’re so close, and he knows he should have gotten used to this by now. He isn’t usually like this, but some passers-by are looking — not necessarily being judgmental, though there was an old lady earlier who scoffed and shook her head, but… looking.
“Then I don’t know if Yuuji is going to be much help,” he manages to say as you keep scrolling on the cinema’s website.
“That’s fair,” you sigh, standing up from the bench, and even if he can now think again, he misses your warmth and your smell right away. “Well, maybe we drop the movie and just go get something to eat, what do you say?
“Sounds good,” he answers, standing up after you.
Hesitantly, almost clumsily, he reaches for your hand, fingertips brushing against your thigh as he does, then tightens his grip around your palm, ensuring that it wouldn’t slip away from you. You give him a fond smile, then take a step to get closer to him, and kiss him gently. His breath hitches, and his eyes dart around the mostly empty park.
“T-there’s people around,” he says quietly, and he hates that you step back to look around.
“Oh, sorry,” you say, “I didn’t mean to make you uncomfortable—”
He takes your hand to pull you with him, and you follow him through the grass as he finds a more secluded spot, behind a tree.
“There,” he says, and you chuckle at how satisfied with himself he sounds.
“Oh Choso,” you coo, leaning against the tree while you grab his shirt to pull him down towards you. His mouth is warm, eager, and his cheeks remain a fierce shade of red as he kisses you back insistently.
You would have missed the beginning of the movie anyway.
YUUJI
The thing about Yuuji is that any type of public demonstration of affection feels so natural coming from him. It’s almost never meant to be suggestive, it’s not something he thinks through, it’s just something he does. You’ll be sitting with Nobara when he appears, and he just puts his arm around you while talking to her, like it’s the most normal thing in the world. You’re walking with him when he lifts his head up like he’s forgotten something, and what he forgot was to hold your hand, silly him.
If you walk by him while he’s sitting, he’ll grab your hips to pull you in his laps, fingers rubbing circles on the skin of your arms, absent-mindedly playing with your fingers as he holds your hand. After all, why wouldn’t he? He doesn’t even realize that it flusters you, and it just feels so natural for him to show his affection like that. He’ll look at you with stars in his eyes while you speak, not seeming to realize that his face is so close to him while you’re sitting in his lap.
No one pays attention to it anymore. You arrive just as Nobara is starting the movie — she’s putting on an action movie, thank you very much, even if Gojo just bought the collector edition of Human Earthworm 4 for Yuuji, with the director’s cut — and with all the students crammed in the room, including Panda, who’s taking most of the space on the couch, there’s nowhere left for you to sit.
“Come here,” Yuuji says cheerfully, waving you towards the armchair where he’s found his spot, “it’s about to start.”
You glance around the room for a reaction, but no one is paying you any mind. You walk over to him, perching yourself on one of the arms, legs over his. He doesn’t seem puzzled by it, just puts an arm around your waist casually.
Of course, you end up still sitting in his lap eventually, just slipping in it at some point in the movie. Can you be blamed? He’s warm and comfortable, and he wraps both arms around you so he can tuck his chin in the crook of your shoulder, nose brushing against your cheek when he turns his head. Not that he seems to notice how it makes your pulse quickens, eyes focused on the movie.
“What are the themes even supposed to be,” he mutters under his breath, eyebrows knitting together in annoyance.
“’Military good’?” you suggest quietly as a guy gets blown up on screen.
“The first half of the movie was about military bad,” he protests. “They can’t just act like that never existed.”
“Would you two shut up,” Nobara shouts from her spot, “or Maki will come beat you up!”
The two of you pipe down, knowing the threat is very serious and not one to take lightly.
When the movie ends, everyone gets up, stretching, but you’ve gotten comfortable against Yuuji’s chest, and you don’t feel like doing that just yet.
“That was terrible,” Yuuji comments, and you let out a brief laugh. Gojo has somehow made a cinephile out of him, and you love how worked up he gets over that stuff.
“Yeah, we should have been watching Human Earthworm 4 instead,” you say.
“Exact— oh, you’re making fun of him.”
You giggle, then tilt your head to kiss him. For a second, he freezes, eyes going wide. Kissing is the one thing he rarely initiates — but when you do, you get to see his gaze soften, before his whole body goes soft. His hold on your waist tightens — and then a pillow thrown with impressive precision hits him, and only him, on the ear.
“Not in public,” Maki shouts from all the way into the kitchen.
“Hey,” your boyfriend protests, “I’m not the one who—”
“You’re such a traitor,” you gasp, struggling to pull yourself free from his arms — but it’s no use against his strength, and he refuses to let go.
“You’re not going anywhere,” he says. “Now, where were we?”
You might have been at fault for the first pillow, but that second one is all on him, as far as you’re concerned.
MEGUMI
Megumi is a private guy. He can be affectionate in public, but there is a side of him that he only wants you to see. He especially doesn’t want any of your nosy friends, or worse, his adoptive dad to see how he can be around you. They would never stop teasing him after, and he doesn’t think he could live with that.
Or that they could live with that. Because he’d kill them.
It does annoy him that he’s supposed to deny himself because of them. If it was up to him, he’d spend most of his time alone with you, preferably in a small house in the middle of a forest with no one around, no curses, no sorcerers, no nothing. That, sadly, isn’t an option though, so he has to find his own way to do things.
“Don’t move,” he says sternly. “You have something on your face.”
You roll your eyes, but tilt your head up towards him, as he carefully runs his thumb under your eye, then over your cheek, blowing on it once it’s done.
“What was it?” you ask.
“Just an eyelash,” he says with a shrug. “You’re good now.”
You study him, waiting for him to give something away, but he doesn’t, just staring at you with the same expression he always wears.
“Should we get going?” he asks. “I thought we were supposed to catch a movie.”
“Sure,” you relent. “We should get moving.”
The streets are quite full at this time of the day, and you have to step aside frequently to let people pass, sometimes losing sight of Megumi. Eventually, with a sigh, he grabs your hand, pulling you with him as he walks, sending murderous glares to anyone who stays in his path.
“You’re going to get lost at this rate,” he mutters as he pulls you with him.
“I mean, worst case scenario we meet back at the theater,” you say, and you grin at the offended look he gives you. He notices it, but doesn’t answer, a light pink dusting his cheek as he glances away.
He hates the idea of being away from you on a day that’s supposed to be about the two of you — but since he refuses to say the quiet part out loud, you get to tease him all you want.
To be fair to him, having Megumi as your scary guard dog does make it much easier and much faster to reach the theater. He gives you a pointed look when you get there, and, to your regret, lets go of your hand quickly, though his touch lingers there a second longer than necessary.
“Should we get a couple seat?” you ask innocently as you approach the register.
Megumi glares at you once more while you give him a sweet smile.
“It’s better that way, right?” he says, clearing his throat. “Otherwise strangers might have to share one.”
“Sure,” you nod, not even bothering to hide your grin. “It’s just more practical, right?”
“Right,” he says stiffly.
Even once you are in the couple seat, he keeps a thoroughly appropriate distance from you, one that you might find a little hurtful if, at the end of the commercials, he didn’t fake a yawn to put his arm around you, in the least smooth way known to man.
“You know you can just do it,” you say quietly as the lights turn off, resting your head on his shoulder. “You don’t have to go through all that.”
“I don’t know what you’re talking about,” he mumbles.
Reaching for his face, you tilt his head towards you, and push yourself to meet his lips for a sweet, soft kiss. For the first time since you’ve stepped foot outside, his whole body relaxes into yours, and he stops trying to pretend.
“You had something on your lips,” you whisper when you pull away.
He snorts, then quickly goes back in to steal one more kiss from you before the movie starts.
“Liar,” he says.
As if he’s one to talk.
MAKI
Maki isn’t a demonstrative person as a general rule. She does compliment you without hesitation, words falling from her mouth so genuinely that it never fails to fluster you, but physical demonstrations of affection don’t come easy to her, maybe because she received so little of it as a kid. She does it sporadically, and she does very much enjoy teasing you, loves knowing that she can get those reactions out of you.
It’s the more spontaneous gestures that get to you though. She’ll kiss your forehead after a battle that left you bruised, a way of comforting you. She’ll pat your head after you managed to pull an impressive move during training. On one occasion, when you got injured, she carried you in your arms to Shoko, demanding that you be taken care of right this instant. She’d been the one to get flustered after that, hiding her face in her hand in embarrassment when it was brought up later on.
It might not come easy to her, but she does love it when you do it — when you show her your love in that way.
“You’re late,” she scolds you when you reach her for one of your dates, needing to take a second to catch your breath because you’ve been running since getting out of the subway.
“Sorry,” you say between deep breaths, “there was an emergency.”
Worry flashes on her face immediately.
“A curse? Were you hurt?”
She reaches for you, tilting your face towards her as she examines it, then study your body to make sure you weren’t injured. You let her, surprised at first, then endeared.
“Don’t look at me like that,” she frowns once she realizes how soft your gaze has become.
You grin, then push yourself closer to kiss her. You don’t care that you’re in public, and though it wouldn’t have occurred to her to do it, neither does she. The kiss is sweet, gentle. I’m alive, you’re alive, it says. No need for more.
“See?” you ask cheerfully. “All good. Now, I’m pretty sure you were going to buy me dinner…”
She clicks her tongue, but she’s grinning. It’s nice to see her so at ease, so relaxed. It’s a side of her you’d never see within the walls of Jujutsu High, nor on a mission. You’re the only one that can bring it out of her, and man do you love it.
“I’m buying? Again?”
“I did almost just die.”
“Nice try, but you told me you were fine.”
“I’m fine now,” you insist, “but…”
“Well, I was disowned by my family, so I don’t have money. You’re buying.”
The two of you keep bickering, but, as you walk, you reach for her hand. She pulls away at first, years and years of reflexes kicking in instinctively, and once she realizes what you were doing, she’s the one who takes your hand in hers. She holds it delicately, careful not to break it — to be fair, her strength would probably allow her that.
It’s so sweet and light, being out there with you like that. So normal. She hopes it never ends.
You squeeze her hand, and she lets you guide her across the street, content with just following, knowing that she can trust you to fill in her shortcomings in the relationship, like she does it for yours.
The sky is grey, the forecast said it might run later tonight — Maki’s planned an umbrella, she’s sure you didn’t think of it — but as far as she’s concerned, the day is as beautiful as it could possibly be.
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this is my first time writing for... pretty much everyone here except gojo lol. i hope you enjoyed it and that the characterization wasn't too off, but any feedback is welcome! if you want to support me and my writing, please reblog/leave a comment or send me an ask, i'd love to chat! i'll see you later for some more jjk writing ^-^
you can find my gojo x reader work here
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hey! can you please write a lando × bustamante reader....where the reader is the younger sister of Bianca Bustamante and has a huge crush on lando but Lando finds her irritating for some reasons and one day he shouts at her after a bad race when she tries to console him in front of the McLaren crew.. after that lando felt really bad and he had grovel a lot for forgiveness (btw the reader is only one year younger than bianca)....if you do write this thank you very much 🧡🧡
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🎀1,317 words 8561 Characters around 5 pages enjoy 🎀
ooo I’m not the biggest fan of bianca but I do love this trope :)
You knew that life was never meant to be fair to everyone yet you had no idea why life constantly tried to screw with you.
Ever since you were a child, you’d always been compared with your older sister, Bianca. She was always seen as the brave, bold, and beautiful one who dared to achieve her dreams and had high ambitions. Whereas people, heck, even your own family, saw you as the timid, overlooked, and frankly dull sibling. Did it hurt growing up like that? Yes, it did.
Did it hurt when all the boys you had a crush on would only use you to get to your sister? Yes, it did. Did it hurt to see your sister achieve everything you’d ever wanted in life and for you to only be known as her sidekick, or, in other words, her shadow? You really don’t remember the last time you’ve ever set yourself apart from your sister and her needs; it’s almost second nature for you to prioritise her and ignore yourself.
This habit of yours was noticed by the eyes of a young British driver. He’s found that habit of yours annoying ever since.
The day Bianica signed for McLaren under F1 Academy was the best and worst day of your life. You were beyond happy for her but you also felt yourself fading further into her shadow. With more media coverage and attention on your sister, you simply faded away.
You had frankly thought about packing your bags and going back home until the same blue-eyed British driver caught your attention. It was silly to say, but you felt like a little teenager with a huge crush.
You knew it wasn’t right to have a crush on your sister’s coworker, but the way he was made it almost impossible. You liked the way he talked, the way he walked, and the way he still had his accent. You liked the way his nose wrinkled any time you talked about sushi or fish. You liked the way that he was a ball of energy, always so confident and fun to be around. What you liked the most about him was the way he made you feel seen and heard. When you were with him, it was almost like you were just you and not Bianca's little sister.
However, within all the giddy feelings of having a crush on Lando, you could not ignore how badly McLaren was doing. It was almost pitiful how poor their race performance was. Qualifying 18 and 19th and having to come into the pits four times in the race would kill anyone’s mood. Lando was no different; over the course of the season, he grew more and more aggressive and agitated after each race.
Lando and her had formed a little ritual: after each race, he would do his interviews while she would wait in the garage, and he would go into his driver's room, and exactly 5 minutes later, she would show up with any sweet treat she could snuggle in, and they would just talk. Some days it would be him talking and her listening, and other days it would be her lifting his confidence up with encouraging words. It is safe to say she really loved their ritual, only hoping to continue their ritual with better results for him.
As the season went on, she noticed a shift in Lando's behavior. His happygo-llucky attitude towards her started to shift towards a more annoyed and irritated mood. It started when she tired of talking to him before a race; he didn’t take kindly to that and simply ignored her and rolled his eyes. It hurt her; it really did, and she could do nothing about it.
They were not friends; they were just forced to be together due to their situations. She knew he would never like her back, but her infatuation with him made each and every move he made romantic.
It started to affect her more when he started distancing himself from her. Lando never wanted to hurt her; he started getting fond of the girl he once was annoyed with. He didn’t know why he started cutting her off; he was trying to play dumb, but deep down he knew he started having feelings for her.
He messed up in Silverstone both on and off track. Home Grand Prixs always have a special place in drivers hearts. It was no different with Lando; Silverstone was the one place every British driver wanted to win in front of their home crowd on their home soil.
The race was long anticipated; she was in his driver's room prior to the race; they had their normal routine done and dusted; he stared at her for a second longer; and she started at his lips for even longer.
They both knew the tension in the room was inevitable; someone just had to make a move. McLaren was proper shit during qualifying, so all expectations were nullified even before the race started. With Lando starting in P9 and Oscar in P5, it irked Lando how well Oscar was doing in the same car as him. A rookie driver beating the team's star child was never a pretty image.
The race started with Lando’s car being 2 seconds off the pace of K-Mag, which was really nice for him. As the race progressed, Lando almost made up 3 places by the end of the 38th lap.
However, McLaren messed up Lando in the pits, being stationary for almost 18 seconds. His 6th place turned into a plum last, and to make matters worse, he ended up retiring the car simply out of spite. He knew he was mad, and he showed it really well on the cameras, especially towards his team.
She knew it was a risk to go see Lando, especially after seeing how mad and snappy he looked. She knew he was probably beating himself up over the way this race went. It didn’t help that Oscar ended up on the podium. It was horrible, really, but neither of them could do anything.
He saw her enter his room; he didn’t like that. He didn’t want her to see him like this, all beaten and broken down. He didn’t realise when his tone shifted or when he felt the anger rise up within him.
All she had said was, “It’s not your fault; I know you are going to do better.“ That’s all he let her get out before he exploded.
“I honestly don’t remember asking for your opinion. God, you are so pathetic sometimes, always searching for attention from anyone who spares a glance at you. It’s all your fault; you think it’s funny to come into my room and give me glances right before a race. God, why are you so fucking stupid?"
“Maybe this is why your sister will always be better than you; your parents probably saw that, and so does everyone else when they see you and her together. Look at her; she’s a driver, and look at you sneaking into a driver's room, offering yourself to him all for what?? bloody attention?? Get out. I don’t want to see you anymore. All you’ve done is clutter my brain.”
Y/N walked out of his room with hot tears running down her face, her face all red, and a pounding headache. But what was worse than all that pain combined was the pain running through her heart; it genuinely felt like her heart was snapped into two and stepped on by a herd of elephants.
She didn’t know why he snapped at her; all she wanted was to help him. Everything he said made her fall into a spiralling downfall. All the work she’s done to keep her insecurities hidden and healed, Lando’s words ripped them apart and left them burning red and raw.
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euthymiya · 3 days
Text
society of brilliance ft. veritas ratio
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in which you come home and soothe veritas and his insecurities in a shared bath—which consists of you making a society just for the two of you. luckily, it’s more than enough to ease his troubled mind
contains: gender neutral reader ; non sexual nudity ; shared baths ; slight references to veritas character story iii ; reverse comfort ; veritas is not taking his lack of invitation to genius society lightly :( ; i invite you all to join my nous hate club
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veritas doesn’t greet you when you come home. you’d be disappointed any other time, but the glow of light under the cracks through the bathroom door tells you precisely why he’s not there to greet you—you can’t help but be endeared.
so you pad into the bathroom, grinning softly as his head lifts from resting against the edge of the bathtub, eyes opening to glance over your figure.
they brighten a bit when they take in the view of you.
“no book?” you raise a brow, mildly shocked.
“is it hard to believe i’d like to relax without reading?” he closes his eyes again, relaxing once more as he listens to you shed your clothing.
“well, i suppose not,” you chuckle, “but you’re a bit…”
“go on,” he presses dryly, “finish your thought.”
“a bit uptight. i don’t know if you can relax without reading something or another.”
it’s cheeky, the way you bite your lip and suppress a grin, watching as he rolls his eyes (but he could never hope to hide the fondness in them, even if he tried). you reach over one the last of your clothes drop to the floor, hand cupping his cheek as he sighs and melts into your palm.
“well, i certainly won’t be relaxing now that your presence is here to disrupt my peace,” he quips, letting a smug grin of his own stretch over his cheeks as you huff.
“long day?” you murmur, tracing your thumb along his skin soothingly as he hums, pressing closer into your touch, “it must be if you couldn’t wait long enough to greet me.”
“my apologies darling,” he says quietly. you frown a little, tracing the darkening circles under his eyes as your thumb travels higher across his face. “i’m afraid my mind was a bit occupied.”
“oh veritas.”
it’s delicate, the way you say his name. fragile, like he’s one moment from sinking into the water from the weight of his mind, unable to resurface for a breath of air. veritas has been different since accepting the invitation from the ipc—a bit more defeated, perhaps. a lot more distracted.
you pull your hand away, much to his displeasure, waving it to gesture him forward in the tub as he looks at you with creases building in his forehead.
“but—”
“don’t argue for once, you difficult man,” you scold, “just do as i say.”
“how commanding,” comes his reply in a half-hearted scoff. he listens nonetheless, inching forward so you can sit yourself behind him, sinking into the warm water as you collect him in your arms and pull him to lean against your chest.
he relaxes instantly. more than he could before your arrival, like the presence of you makes breathing easier, more simple. in and out, inhale and exhale. his chest rises and falls under your hand, slow circles smoothing over the firm muscle as his head falls back against your shoulder.
veritas doesn’t let you hold him often—he prefers the weight of you in his arms, but sometimes it’s nice when you take on his weight, too. when his mind is heavy and loaded with the endless thoughts of his. and you like it too, the feeling of him pressing into you, the feeling of him settled into your hold as you keep him afloat.
you break the silence first, pressing a kiss into his head as you whisper, “care to enlighten me what’s going on in that head of yours?”
“are you sure you can handle it? i have a rather advanced thought process,” he teases.
“i’d say your mind is regressed,” you snort, squeezing the rubber duck floating in the water a small distance away.
you can practically see his pout even if it’s not in your line of sight as he clicks his teeth and says in an offended tone, “being intelligent doesn’t mean i have to deny myself of a few simple joys.”
“aren’t i the only joy you need?” you bat your lashes, kissing the back of his neck as he chuckles.
“i suppose you are sufficient enough, yes.”
“just sufficient?” you gasp, biting his shoulder playfully as he shakes against you with soft laughter. “if you don’t love me, just say that.”
“there you go again,” he hums in amusement, shaking his head as he tilts his head and eyes you with an endeared glint in his eyes, “always so theatric over the most trivial of causes.”
“someone has to keep things interesting. your idea of fun is picking apart a student’s thesis.”
“i enable them to grow,” he corrects, thoroughly unimpressed as he purses his lips and gives you a dry look. “it’s a favor, really.”
“i don’t know what to do with you. too smart for your own good.”
he sighs, slumping against your figure as he quietly mumbles, “perhaps not smart enough.”
you frown, the edges of your mouth curling in an unhappy twist downwards as you process his words. veritas is undoubtedly brilliant—you’d never thought he’d question the fact. of course, he’s tried time and time again to catch the gaze of nous, and of course, you’ve always known there’s a lingering air of self deprecation at his lack of success.
but you never thought him to doubt himself—not of his capabilities, not of his brilliance. his brilliance is the most beautiful thing about him, you think. he’s so quick to understand things—like how to figure you out like it’s easy and simple. how to love you in ways you didn’t even know you want to be loved. how to read you before you understand your own mind.
he’s so bright, so willing to share his light so you can glow too, unwilling to see you as a mere dimness beside him.
you tighten your arms around him, nuzzling your nose into his cheek as you press sweet, feathery kisses to his skin.
“if you consider yourself not smart enough, i fear for what you think of my intelligence.”
“i think you’re brilliant,” he says instantly, “there’s no doubt.”
“then why doubt yourself?”
he’s silent. you know the answer, even if he doesn’t want to say it. because if not smart enough to be acknowledged by the aeon he’s dedicated his aspirations to, the aeon that stands to represent the very purpose of his existence, the aeon that signifies the embodiment of wisdom itself—how can he consider himself enough?
how can you consider him enough? he wants to ask, but the words never form on his tongue, caught in his throat in a lump he can’t even swallow down. it’s stuck, persistently lodged and silencing him as he lays limply in your arms.
“oh, veritas,” you say with so much gentleness, he sighs shakily at the sound of his name from your tongue. so sweet, so pleasant—like it’s dipped his honey from the comb. “you are far too capable for it to be a cause for question.”
“am i?” he chuckles dryly, lips tugging ruefully into a painful smile, “perhaps i’d have reached my goals then, wouldn’t i?”
“perhaps it’s not your intelligence that separates you from the genius society,” you murmur thoughtfully, combing wet fingers through his hair, scratching tenderly at his scalp as he shivers at your touch.
“then, pray tell, what would it be, darling?” he asks, indulging you.
“your compassion, maybe. you’re of the few geniuses that don’t forget what it means to be human. i don’t think a machine declared as the face of intelligence has the capacity to understand that.”
“you shouldn’t speak of the divine like that,” he snorts.
“nobody is as divine as me,” you reply with a giggle, earning a tender squeeze at your thigh as he smiles at you with a roll of his eyes.
“is that so?”
“you don’t agree?”
he turns, kissing the pout off of your lips as he whispers, “oh, i do. i certainly do—you’re of the most divinest of beings in all of the cosmos. a truly magnificent…piece of work.”
“i’ll ignore that last part just for today,” you say pointedly. you peck his lips again, and again, and when he settles deeper into your chest, relaxing against your body, you tighten your hold around him. “but i hereby declare you an honorary member of the society of brilliance—”
he cuts you off with a short. you whine, slapping his arm in protest as he stifles his laughs.
“and just how many members are in this society?”
“currently two,” you glare, “but it’s at risk of becoming one if you mock it any further. it’s a very serious organization.”
“sorry, sorry. it won’t happen again,” he poorly fights back a grin. (and he could never hope to successfully hide a smile around your presence, he’s sure such a feat is impossible. you write joy on his features as easy as pen on paper).
“it better not. this society is far more sophisticated than that child’s play of an organization…society for geniuses, was it?”
“genius society,” he correct, playing along.
“oh yes,” you nod, pretending to snap in recognition, “that’s the one. such an undignified group of individuals. a shame—they had potential. it’s a good thing we’re not like them.”
“a relief indeed,” he smiles.
it’s so raw, so real, so pure, he can’t help but twist in your arms and press his lips to you, hoping to physically share the joy of you evident in the curl of his mouth. the dimple in his cheek. the crinkles of his eyes.
you’ve written yourself into every part of him, so seamlessly intwined with his body and mind, it’s difficult to doubt himself. because to doubt himself is to doubt you, and veritas could never hope to doubt you. not when you’re so divine, so bright and beautiful, so precious.
a wonder to society.
he’s lucky to be acknowledged by such brilliance.
“you’re the most capable man i know,” you whisper against his lips. he hums in satisfaction as you peck them gently before adding, “i have very high standards, you know.”
“i’m relieved i’ve met them. my greatest achievement to date.”
“i’m glad you’re wise enough to realize as such.”
“is my spot in your exclusive society secured then?”
“hmm. i’ll think about it—you’re still on thin ice.”
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if nous has 0 haters im dead. anyway. veritas, i love you i love you i love you i love you i love you i love you. did i mention i love you
let my man into genius society!!!! he belongs there more than anyone else!!!!! actually tbh he’s too good for that group of ppl (i say this but ruan mei is my gf sorry queen ur the exception)
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luveline · 1 day
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Hey lovely, How about Hotch and wife!reader having their first family outing with new baby, a walk in the park or grocery shopping something like that you can pick.
Hope your having a good weekend lovely Xx <3 🌼
ty for your request ily <3 —you and Hotch juggle your small family for the first time. fem, 1.2k
“Please hold my hand?” 
Having a baby has activated some intrafamily jealousy, but you don’t mind. You’re cooing at Noah adoringly when Jack interrupts, thrusting his hand in the air, the very beginning of a tantrum lining his eyes and his thin eyebrows pinched like a threat. 
“Baby, don’t you wanna come and sit up here with Noah?” you ask. There’s not much room next to the carrier, but Jack's slight. 
He shakes his head, hand poking your tummy. Grocery shopping with Jack has always been hard, he wants to look at everything, wants to take the list, and doesn’t ever wanna sit in the cart, but it’s proving harder today. 
“Aaron, you have to push the cart.” 
He’s been begging you to let him for the last half hour. “It’s gonna tire me out,” he says, nudging you aside by the hip, “but I think I can handle it for you. You did call me by my first name for once. We reward good behaviour in this family.” 
You roll your eyes and take Jack’s little hand. Calling him Aaron now you’ve had a baby together should feel natural, but it doesn’t. It feels more like a loving nickname than his actual name —over two years of calling him Hotch is hard to ignore. 
Jack gives you a loving look that makes the fuss worth it. “This is fun,” he says. 
“This is awesome.” 
You and Jack got used to doing grocery shopping by yourselves while you were on your maternity leave without his dad. With Hotch now on his own paternity leave to accompany you, it is admittedly easier, and much more fun. You and Jack swing your hands together as Hotch steers the cart and your baby into the cereal aisle, which’ll take hours to get through, no doubt, but it doesn’t matter. What else is there to do? 
You make it Hotch’s job to say no to the boxes that are mostly sugar, and, unfortunately for Jack, get distracted by Noah in his baby carrier where it’s locked into the cart. His eyes reluctant to open, tired, dark lashes threaded together at their corners, his tiny mouth. “Aw, look at you, handsome, you’re nearly smiling. You look just like your daddy, he never wants to smile either,” you say, tapping his nose. 
Your saccharine tone prompts distress. “Y/N,” Jack whines, “you need to help me choose the cereal.” He yanks at your hand. 
“Jack, don’t start, bud.” 
“Dad,” Jack pouts. 
“No, it’s okay. We’re supposed to be sharing everybody now, so Jack gets to share me too. I’ll help you pick some cereal. I don’t mind,” you say. 
You sort of do mind, just a bit. This is Noah’s first time out in the world that wasn’t sitting peacefully in the backyard, and you don’t want him to be scared. Maybe baby’s can’t be scared, you don’t know. It’s nicer to feel close to him in these big moments. But it’s Jack’s first time having a baby brother at the store, too, so you’ll have to make it work. 
“You don’t have to,” Hotch says. 
“It’s fine, it’s okay.” You bend down to see the cereal selection. “They have your favourite, Cinnamon Toast Crunch. And your second, Fruity Pebbles. It’s up to you, it’s your treat.” 
Jack gasps and hits a box of Fruity Pebbles, “Barney’s on the box now!” he says, pointing at the blonde character behind the cereal bowl. 
You give a soft laugh quickly lost as Jack’s force topples the box. It hits the floor with a light crunch. “Oh, whoops. Let’s pick this up,” you say, popping down into a crouch without thinking. 
“Honey–” Hotch says, which would surely be followed by a Should you be doing that? if you weren’t already flopping onto one knee in pain. 
Bad idea. Terrible idea. Having a baby tears a mixture of tissue and muscle, and while the fiery pain of labour has since become a bad memory, a spike of trauma erupts between your legs. “Ow,” you yelp, eyes welling with unbidden tears. 
“Y/N!” Jack and Hotch say simultaneously. 
“Are you alright?” Hotch asks, bending at the waist to grab you, never cruel but clearly perturbed as his hands grasp your shoulders. They slip down under your arms. “Come on, can you stand up?”
You blink away tears and force yourself to stand with his help. He’s quick to pull you close, one hand on your wrist, head ducked to see your face. “Are you okay? What happened?” 
You let out a queasy breath. “Something’s not done fixing itself,” you joke weakly. 
“Are you alright?” he asks again, lower. 
“I’m fine.” You’d love to sit down. The pain is a thrum like your heartbeat now, hurting but half as intense. “I’m okay. Really, it just shocked me.” 
He slips his arm around your neck to encourage you in for a temple kiss. 
“I’m sorry.” 
You wiggle out of Hotch’s hold. Jack stands with a large pout near the fallen box of cereal, his hands twisting together over his tummy. “It’s okay,” you say. 
“I’m sorry,” he says again, panicked tears slipping down his cheeks. “You hurt getting it and it was mine, I’m sorry.” His voice squeezes out of him in guilty pangs. 
“It’s okay!” you repeat, leaning over with a wince to offer your arms, “It’s really okay, it’s not your fault. Don’t be upset, baby, I’m fine.” 
You hoist Jack into your arms as he begins crying in earnest. His crying startles Noah, who starts to whimper, and then sob despite Hotch’s gentle shushing. You look at one another in mild defeat, your hand cupping the back of Jack’s head as he clings to you for reassurance. 
Noah’s sobbing is like a ringing bell. Jack says he’s sorry into your neck, and it’s such a desperate scene you let a laugh slip out. “Aw, baby,” you say, smiling as you press your nose to his cheek, “it’s really okay. It wasn’t your fault at all, it was just ‘cos I’m out of practice. I’m just tired.” 
“You fell.” 
Noah gurgles behind you. “I know,” Hotch says quietly. “I know. You’re okay, bud. Jack’s okay. Mom’s okay. Shh, shh.” 
It’s obviously not how you’d want your shopping trip to go, but Jack’s crying eventually slows, sapping all of his energy, and so he finally agrees to sit in the cart. The only problem is that he doesn’t fit there as well as you’d thought he would. Hotch ends up carrying him the entire time you’re in the store, and Noah doesn’t ever settle. You’re like zombies when you get back to the car, a headache stark between your ears and evident in his pinched brow. 
“Let’s try again in a few weeks,” Hotch suggests. “I can go by myself. Or we can make somebody else.”  
You wish you had the energy to kiss his brow, giving a defeated nod as you slouch down into your seat, grateful at least for his hand on your knee. “Okay.” 
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bby-deerling · 1 day
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Law and Zoro’s reactions to the reader smacking their ass playfully in front of others😈
based request nonny <3 i threw in a couple extra characters for this one! gyatt
their reaction when you smack their ass (nsfw)
ft. zoro, law, sanji, nami
masterlist
cw: pda, smacking ass (both ways, no weird undertones), teasing, light degradation
tagging: @willowbelle @eelnoise @sanjisjuul @fanaticsnail @indydonuts
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zoro
to an outsider, he appears unaffected when you give him a love tap, but if you look closely, you'll see the small dusting of pink that blooms on his cheeks.
he's briefly flustered, especially if you're in view of others, but the feeling fades as quickly as it comes, and with a wicked grin on his face, he becomes resolved to get you back for being cheeky.
he smacks you back, and now you're the one who's red in the face as he scoops you up and throws you over his shoulder, looking around to make sure no one is nearby and able to hear him playfully tell you that he's going to teach you a lesson about keeping your hands to yourself.
sanji
he squeals like a girl. he's so flustered and embarrassed; usually he's the one throwing himself at women, and he's not used to being on the receiving end of such brazen shows of affection.
depending on his mood, he'll either turn into a simpering fool, twirling around with blood dripping down his nose, or, if he's feeling confident, allow himself to participate in a flirty back and forth with you.
if you catch him off-guard and smack him while he's focused and cooking, he's more likely to let smooth remarks roll off his tongue like butter as his arm reaches out and snakes around your waist, pulling you closer into his inescapable grasp as the scent of smoke and seafood floods your senses. he'll never get you back, but he'll torture you and make you melt in his own saccharine, romantic way instead.
nami
her reaction really depends on her mood. if she's just lounging around the ship sunbathing, she doesn't mind if you engage in a little bit of flirty affection with her, but if you pull something funny in public (i.e. around people other than your friends), be prepared to get a smack upside the head and a raise in interest on your debt.
if she is in the mood for fooling around, she'll get you back, slapping your ass as you walk past her and smirking when you jump with surprise. during the times when she's feeling particularly playful, she'll grab your waist afterwards and lean into your ear, whispering something dirty to you before letting you go and going about her business, leaving you stunned and blushing.
however, it's always a game of cat and mouse as she returns to her lounge chair and waits for you to make your next move; the two of you continuously escalate until one of you breaks, or robin not so subtly tells you to take it to the bedroom, spawning two giant hands, grabbing you, and placing you both in front of the door.
law
he's so embarrassed of the sound he lets out, which is somewhere between a yelp and a squeak as you catch him totally unguarded and playfully smack his ass. he's even more mortified when he hears the sound of laughter and realizes shachi and penguin were just down the hall watching the entire thing.
if it's early in the relationship, he might get a bit bent out of shape and pout about it, especially if his friends are teasing him about it. but if he's comfortable? watch out.
you'll think he's forgotten about the incident, but he'll bide his time waiting until he has you bent over the side of the bed one day and smacks your ass back, mercilessly teasing you about the little whines and mewls you let out; it's his own evil form of payback, but you're certainly not complaining.
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uzurakis · 2 days
Note
hi kiara! can you please make a continuation of “their act of intimacy” but with gojo, toji, and sukuna? i melted the first time i read them with the other characters 😭 hope you have a good day ahead of you ❤️
THEIR ACT OF INTIMACY?
featuring: gojo satoru. ryomen sukuna. toji fushiguro.
n. aaa thanku for liking the previous one! this is for you nonnie <3 didn’t really proofread cause i’m running late on sleep lol. PART ONE HERE :0
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GOJO SATORU. gojo finds it calming when you both take a shower together. however, his notion of "calming" may differ from the ordinary. instead of drowsing in warm water and doing all those private things such as soaping his back and shampooing his hair, you and him sometimes have other spontaneous ideas in mind.
as the warm water cascaded down, you couldn’t help but feel a sense of closeness that's as comforting as it is exhilarating. satoru, with his irrepressible charm and mischievous grin, stood beside you, his presence filled the space with a playful energy.
"ah, feels like heaven," he sighed, whilst eyes gleaming with shenanigans. you chuckled, reaching for the shampoo. “don’t start a water fight again, satoru. let us enjoy a nice and relaxing—“
but before you could react, a splash of water hit you square in the face, causing you to sputter and laugh. “gotcha!" the man exclaimed, his laughter echoed through the tiled walls.
"it’s sooo on now!" you declared, retaliating with a splash of your own.
and just like that, the bathroom transformed into a battleground, with water flying in every direction as you both engaged in your playful antics. amidst the laughter and the splashing, there's an undeniable sense of joy that filled the room.
"careful, satoru," you warned, dodging his playful advances, "you're going to get soap in your eyes."
but he just grinned. "not before you get ‘em first, babe.”
and so, you guys continued your playful banter. soaked to the bone and grinning from ear to ear, gojo satoru defines his own calming moments with you.
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RYOMEN SUKUNA. your boyfriend is a big guy, or so he believes before you swoop in and baby him. does he resist? yes. but will he eventually agree? absolutely.
the aroma of freshly cooked pasta filled the air as you stood in the kitchen. across the room, your boyfriend, sukuna, leaned against the counter, watching you with a bemused expression. you took a small portion with a spoon in hand, "say 'a' for me, sukuna.”
"hell nah.” his face was holding back the disgust. “you know, i can feed myself, right?"
"come on, baby, just one bite," you urged, eyes pleading. he hesitated for a moment, then sighed, giving in to you. “no—tsk, fine.”
“just this once.”
as he reluctantly opened his mouth, you couldn't help but suppress a giggle at the sight of him being spoon-fed like a child. your boyfriend’s cheeks flushed with embarrassment, and he quickly swallowed the pasta, avoiding your gaze.
"see, that wasn't so bad, was it?" you teased, unable to contain your amusement.
he grumbled something unintelligible in response, but as you proceeded to feed him, he took every piece and never turned it down until the last bite.
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TOJI FUSHIGURO. toji never declines your offer to groom him. he rarely takes attention to his appearance, whereas you insist on cleaning up him up and do it with your own hands. at first, he doesn't think of it as intimate thing because isn’t it just about cutting and shaving? but as time goes on, he understands how much you value him and treasures the time you spent solely on him.
the soft glow of evening light filtered through the curtains, casting a warm hue over the cozy living room. toji sat on the couch, his unkempt hair falling into his eyes. you watched him from afar with a fond smile tugging at your lips.
“toji,” you called out. “your hair has gotten longer than the last time i remember.” he chuckled softly, already accustomed to this routine. "is it that time again?"
with scissors and a comb in hand, you approached him with a smile. “c’mere, sit down, baby.”
letting a shrug plus a grin, the man complied, settling onto the stool you'd placed in the middle of the room. as you draped a towel around his shoulders, his eyes met yours in the mirror.
"you know, i understand why you enjoy doing this so much.” he admitted, leaning back as you began to comb through his hair.
"you know why?” you replied, your voice soft as you worked. "it's about taking care of each other, babe. showing love in the little things."
he fell silent at your words, mulling them over as you continued to trim away stray strands. gradually, the tension seemed to melt from his shoulders, replaced by a sense of ease and contentment.
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@uzurakis — requests are open! <3
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royalarchivist · 1 day
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Bad: I don't think we've reached an ending, but we've reached an end for some things. [...] There are no permanent endings, Chat. There are no permanent goodbyes. Only goodbyes for now. Only goodbyes for now, ok?
Bad talks a little bit to his chat about the Egg admins leaving, and the future.
[ Transcript ↓ ]
Bad: All right, Chat. I need to have a serious talk with you for a little bit. Here Pepito, I'm gonna keep riding! Sorry Pepito, I’ll keep riding. I'm gonna have a serious talk with the Chat since we got 12 minutes to kill.
But yes, Chat. Yes, some of the… Eggies are leaving, which I know is a really sad thing to see following such a fun and happy day of Murder Mystery, which was really fun. And I know– as far as I know right now, just, I'm aware that I was– I'm aware that Pepito— er, not- sorry, Pepito is behind me, see Pepito? He's right there.
As far as I know, Chat, right now I'm aware of Richas left, or will be leaving, Lullah will be leaving, and I believe Chayanne will be leaving. And… it's really heartbreaking. And it's hard to talk about, obviously, ‘cuz we made so many memories with them over the past year. So… I think, I don't know. Obviously like, there's things I wanna say, things I will say, things I won't say, you know… And I just… I dunno. Right now just gonna… filling you guys in. But uh, yeah, they will no longer be around. So… Yeah, it’s very sad, I’m very sad. But I think… I don't think– or at least I'd say I hope that it's not the end of any particular adventures for them going forward.
And I don't know, we'll see what the future holds for any particular thing. You feel me? Just like– just enjoy the memories today. Relish in the sadness chat. Embrace the sadness for a bit, and understand that like, I think tomorrow will be better, and just give the love and appreciation to the amazing people— give the love and appreciation, Chat, to the amazing people of the project who worked so hard and put their heart and soul into everything they did. All of the Eggy actors, all the builders, all the people who worked on everything. Each one of them. I think each one of the Eggs really put themselves into their characters.
Obviously, in particular, I was particularly close to Dapper, Pomme, and Richas, and I'm gonna miss them the most, obviously, Chat. I don't know personally, I don't know what my– I can't speak necessarily on what my future holds because… you know, in regards to anything ‘cuz I'm just kinda going through the emotions right now and just kind of feeling the emotions, you know?
[Groans] I dunno, Chat. I’m just feelin’ it, and sometimes it’s hard to put things into words. You know? When you’re feeling stuff. So… It's hard to play, uh… it's hard to play Minecraft with, um, with people for so long, Chat. You know, to spend so much time with people. And you guys were here for the ride, you were here for the journey. Don't be sad when a particular ride happens, Chat. Be happy you were able to ride it to begin with. Ok?
I think– I feel– I think personally, Chat, I feel very blessed to have been able to experience the– and do this stuff I've been able to, you know?
[Long silence]
Ah, we're almost there, we're almost there, Chat.
[Sighs, then reads a chat message] “Thank you for bringing us on this journey with you” I don't think—
One: I don't think the journey is over completely, right? I can't say with certainty Chat, what the future holds, right? And I don't know– I don't know what the future holds, Chat. I don't think– I don't think we've reached an ending, but we have– we’ve reached the end for some things, yes. And as for what it means– what I mean by “an ending,” I dunno. We'll see what happens, you know? I think the chapter as far as like— obviously, like… you know, when you graduate school for example, right? It is an ending of sorts. It's an ending of THAT experience, right? The experience that you had with those particular people in that particular place. It's not an ending to those people, or your interactions with those people. You feel me?
[Sighs] There's other things I want to say Chat, but… I’m doin’ my best to just keep myself reigned in a little bit. Guess I'm feeling a little- a lil’ emotional. Trying to reign in those emotions, you know? One day at a time. But make sure you're following, and stick around, because I have a feeling we'll have more fun stuff that you guys will not want to miss. Trust me. Trust me Chat, every day is gonna be an adventure.
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genericpuff · 3 days
Text
Lore Olympus just pulled off the biggest whiff in webtoon history.
I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.
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(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)
Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)
CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!
Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.
But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.
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Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.
Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.
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They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.
First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.
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Did you really think I was joking about that 5 panels thing?
That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.
And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.
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Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.
Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.
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We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??
Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-
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Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-
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-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.
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I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-
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-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?
This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.
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HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.
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Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?
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Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?
"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?
Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-
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So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."
It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.
Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.
But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-
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Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.
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I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.
This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"
This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?
Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.
And even outside of this episode, when have these two ever sacrificed anything?
I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.
Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.
sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-
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MMMMMM
FUNNYYYYYYYYYYYYYYYYYYYY JOKE
For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.
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There is... so much wrong in these three panels.
First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.
It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.
And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?
This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.
And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.
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There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.
So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?
Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?
How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?
Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?
You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?
"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!
Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?
"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?
TGOEM disbanded? Why? What about the women who were genuinely a part of it?
Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-
"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???
And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-
Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.
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There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.
Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.
And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.
We do get one line from Hades acknowledging Persephone's part in the relationship-
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-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.
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Yep, and that's it. That's the end.
Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.
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To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.
This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.
There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.
With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.
Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.
Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.
But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?
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So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.
What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?
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Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.
And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj
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Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.
So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.
As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.
I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.
Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.
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seawing-vibes · 1 day
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Decided to fill out a template from @/falling-skyzz I feel normal about . The dragons ! List of characters & design & dynamic thoughts under the cut <3
Also If anyone else fills out thus template feel free to send me the post,, I would love to see other people filling this out!!! I love templates !!
Secretkeeper & Moon • I understand theres a lot of reasonable hate for Secretkeeper but!!! I find her & moon to be a very fascinating pair! To make a long ass thought short, I think Secretkeeper is the embodiment of “product of her environment & deeply traumatize & projecting”. I think she genuinely really loves moon but obviously expresses that through being “”protective””. But I think shes genuinely a character with a capacity for change & realizing the autonomy Moon has over her own powers. Also from the perspective of Moon I think her arc around her relationship with her mom could be really interesting, especially as Secretkeepers authority becomes challenged in Moons life & she has to confront the bullshit her mother has put her through. Overall very very interesting pair I think about them a lot.
Design Note: Secretkeeper is duller in color than Moon & has less stars due to lack of moon light on the island! Also the scales around her mouth are almost completely black, making her mouth barely visible, giving her the name “Secretkeeper” as she “has no mouth to tell others secrets.”
Tsunami & Starflight • Just one of my fav siblings! This specific illustration is from the Arena Scene in Dragonet Prophesy! I really really love Tsu & Starflights dynamic of looking up to eachother & their development together just. So neat!
Design Note: Starflight has very few constellation marks in this illustration as he hasnt spent much time under moonlight quite yet!
Shark & Abalone • One of my more out-there ships! I based this on the thought that Shark was once close with Abalone (cough. Husbands.) and that relates to why he was willing to give Tortoise a lunch-break from watching the eggs. He already saw someone close to him die from being overworked to watch the clutch, he didn’t want to watch another dragon die from his sisters selfishness. I could write an essay on these two I swear
Deisgn Note: Shark is based on a tiger shark & abalone is based on real abalones! hes one of my fav designs here
Six-Claws & Ostrich • He’s just a sweet dad! the little we see of him he seems to really love her & vice-versa <3 they’re just neat
Design Note: Six-Claws is based on a king cobra & is a specific sub-“species” of hooded Sandwings ! Burn found his hood mutation & six-claws super interesting
Tamarin & Pike • My fav background friendship! They’re just fun. I like Pike just chillin out around Tamarin & describing flower colors to her to the best of his ability (she just likes to hear him ramble about a shared interest)
Design Notes: I updated how I draw Tamarins eyes to properly resemble a blind-born dragon ! Also Pike’s deisgn got some yellow in it and I really like it <3
Whiteout & Thoughtful • I just think they’re neat!! They just seem like a sweet pair love them
Design Note: none really! Just experimenting with a rando Thoughtful design that I tossed together for my “ships tier list”
Tsunami • Its just her :) my fav dragon <3!!! I definitely dont think she upholds the “princess” title once she gets older, her only link to the throne is by Coral insisting monthly visits but Tsu otherwise wouldn’t be any interesting in royal life I would imagine
Design Note: Shes caught a waaururrghh something im going bonkers I cant remember what fish that is and my reference photo seems to have dissipated into the cosmos
Anemone • I LOVE HER. SO MUCH ! Anemone haters BACK OFF!!!! Her relationship to her powers is so fucked man. Something you’d think would give her power & control is just a key by which others use to manipulate and abuse her like . Man :( shes literally never had any autonomy over her own identity & intermingled her powers into her identity So Much only for that aspect of herself to also be revealed to be a facade for someone else’s desires like. GUH I love her so much I hope shes having a good day I dont care what anyone says she deserves to be a brat and I support her for it
Design Note: none really! The stars in her talons are just metaphorical though
Snowflake & Snowfox • THE OGS!!!!!! MY FAVORITE PROBLEMATIC LESBIANS <3 Ahhh remember in the early days when they were considered the #1 most problematic ship because they were gay and also evil. I love the evil lesbians so much they’re so shitty sorry Darkstalker Snowfox should’ve been queen I would’ve loved to see that go down it’d be so silly
Design Notes: Snowfox is based on an arctic fox shedding into their summer coat!! I know its p . Away from canon descriptors of her but it was sm fun to illustrate so shhh <3 Snowflake is just grey & blueish per-canon but shes sooo fun. love her.
Okay thats all here are the individual illustrations now !!!!! Because why not !!! If these aren’t transparent its all over
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vilnmelling · 3 days
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NPMD Digital Ticket details!
Since not every can/can afford to/wants to buy the Digital Ticket for Nerdy Prudes Must Die (and the bonus material that comes with the purchase), for your inclusion purposes, here's a list of fun background details, funny moments and comments made in the track commentary, for you to use however you like!
Ruth doesn't actually need to wear her headgear anymore, but she wears it anyway because it makes her feel safe.
Jeff pitched a Nightmare Time episode about the problematic puppy from Steph's verse of High School Is Killing Me, meaning there is a story there.
In the line, "I learned that at the anti bullying assembly last month, fucknugget!" there's a long pause before "Fucknugget!" which really makes it sound like Max forgot to insult Richie and just threw the word out.
All of the little noises Ruth makes, she makes because she has more she wants to say, but she can't say them (presumably due to anxiety).
In the proshot, you can't see fully how low Richie goes while he and Ruth sneak up on Peter, but Jon is fully crouched down. He then uses Pete's pockets and elbows to climb up like he's climbing a mountain (he mimes using a pick or axe to get good hold).
While Steph is talking, Ruth and Richie try their best to hear through the phone by getting as close as they can to it.
The reason Max and Jason were in the Pasqualli's parking lot is that they were practicing their skateboarding. They do that at Pasqualli's instead of at school/at a skatepark because they don't want the smoke club and skater kids to make them look like noobs. (This was a cut bit from the Pasqualli's scene).
The line, "Some big... dumb... sexy... football star" is expanded. In the Digital Ticket, Grace says, "Some big... dumb... sexy... sweaty... hot... well-spoken... beautifully tall football star."
When they're in the boys bathroom, Steph jumps to see over the stalls.
Richie Naruto runs when they're going to Waylon Hall. Pete slaps his hands down, but after they pause to look at the house, Richie looks over his shoulders at Pete a couple of times before darting away from him, once again Naruto running.
Richie stops in the door at the Waylon Place, so Pete pushes him inside.
Ruth and Richie speak at the same time when they say, "I'm allergic to deodorant" and "I have overactive sweat glands."
Ruth goes straight to Richie to complain after the "pus in my pits" exchange with Steph.
When Steph suggests saying there's a party at the Waylon Place, Pete, Ruth and Richie all react negatively (mostly nervously groaning).
While Grace sings the "He's just a nerd in disguise!" line, Richie can be seen practicing the first move of the Bully the Bully dance.
After Ruth says, "We're gonna cut off his nips!" you can see Steph look confused and ask, "What?"
While Pete and Richie talk in the Waylon Place ("Am I reading as ghost or Lin Manuel Miranda" & "She came all the way out here just for you."), Ruth and Steph discuss and practice Ruth's skeleton moves.
Richie gets stuck in the dangling parts of Pete's costume when he says, "You could just hit it and quit it, bro!" He then aggressively detangles himself.
The line "He's just really fucking brave!" comes from Richie being jealous that he's not that brave.
Richie hypes Ruth up a bit after Max says her skeleton bit was really special.
Grace hides behind Ruth while Max is dying.
Richie rolls his eyes when Grace says "It was an act of god!" (Similarly, Shapiro sighs and looks away in disbelief when Grace later says "It was god's plan!")
Pete gags when Grace says "Hack all his limbs off." Richie can also be seen gagging and holding his stomach several times.
Ruth hands Max's nipples over to Grace after cutting them off.
Jeff Blim is the principal of Hatchetfield High. Not a character of Jeff's, just Jeff himself.
Brenda still seems quite judgmental after the two weeks have passed. She makes a lot of not-quite-friendly faces when the football team's talking about Richie smelling bad.
When Richie struggles to remove the Zeke the Fightin' Nighthawk costume, he accidentally removes his jacket as well, leading to Jon having to put it back on (which he also struggles with) (and which creates a funny situation, since Richie was supposed to go shower).
Richie seems to have hurt his leg by the second fall in Nerdy Prudes Must Die (the song).
After Steph tells Grace to "Leave Ruth alone!" in the principal's office, Ruth tries to grab Steph's hand.
The wig Joey wears when he plays Dan Reynolds isn't Dan's real hair. Dan Reynolds wears a toupée.
Trevor and Angela's drama student encourage each other after they finish rehearsing.
Additional line when Grace is lying to Shapiro: "Suddenly, I remembered a crucial detail that made everything make sense. A picture came flashing into my mind, like I was Enola Holmes!"
"My dad sells women shoe! Shoes!"
Angela misses the chair at Beanie's and falls on her ass, leading to her, Joey and Mariah (mostly Mariah) breaking character.
During The Summoning, Tinky focuses ONLY on Pete. The entire time, he looks like he's restricting himself from lunging out and attacking him. At one point, he points at the Bastard's Box while staring at Pete.
90% of the time during The Summoning, Pokey's staring at his own mask.
Steph facepalms after Max says "That's nasty! ... I like it!"
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pyrrhiccomedy · 1 day
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A DM’s Fair Play Guide To Plot Twists
I love running a game with a lot of surprises. The challenge to pulling this off well is that, unless you’re playing a one on one game, your players outnumber you: and between them, they have a good chance of figuring out what’s going to happen, no matter how sneaky and clever you are.
The first way of dealing with this - which I’ll just call the bullshit way - is to not give your players the information they need to solve the mystery. Don’t let them find out about the secret society until it’s too late. Don’t give them any reason to suspect that their NPC ally is planning to kill them. Don’t let them find the murder weapon, don’t let them locate the witnesses, don’t give them the chance to skip to the end of their investigation.
This sucks, and if you run your games like this, you’re going to piss off your players. Because it isn’t fair.
In mystery literature, a “fair play mystery” is one where the reader is given all of the information they need in order to figure out the solution before the Big Reveal. It’s what makes the reveal good: that GASP, the “oh shit, the knife! the knife from the party! that was hers! I forgot!”
Pulling off a twist in a fair play game is an incredible feeling. Your players will think you’re a genius (or an absolute dick bastard, which is just as good) and they’ll respect it more when they land in hot water that they plausibly could have avoided. So how do you run a fair play game without your players figuring out the twists ahead of time, given that you’re definitely not smarter than all of your players put together?
By fucking with their expectations.
Here are some things that I keep in mind, to keep my players guessing. And it’s important, with all of this, that if your players see through something, let them have it. They should figure out a lot of things on their own! But if you’re regularly seeding your stories with all of this stuff, eventually your players will miss something. Those are somethings you can build on. The same way that a low level enemy who gets away once can keep coming back again and again until they become an important antagonist, a misapprehension your party proves to have a blindspot for can grow and develop until they get smacked with a breathtaking twist. 
What’s a twist if not the sudden overturning of an assumption you never thought to question?
1: Make your powerful friendly NPCs know a lot...but not as much as the players think they do.
Player characters often end up with powerful allies. It would be very convenient for the party if those allies always had accurate information. Make sure they don’t always enjoy that convenience.
It’s a balancing act: you want your powerful NPCs to be powerful. You want this alliance to be meaningful and beneficial to your players. But give your NPC an Achilles heel of some kind, when it comes to the information at their disposal. The Noble General commands powerful forces and knows the lay of the enemy’s land well...but that doesn’t mean he knows what every squadron and scouting party is up to. The Political Mastermind may know the ins and outs of the court, and have keen insight into the motivations of others: but he has an enemy who pisses him off so much that he loses all objectivity around her. The Powerful Wizard can call upon great magic to aid the party: but his divinations aren’t as accurate as he thinks they are, and he’s prone to finding, in his signs and omens, what he wants to see, more than what’s actually there.
Most of the time, their information should be good! That will make it more likely that your players will trust them the one time when it isn’t.
2. Let (apparently) less powerful NPCs sometimes know more than the players think they do. 
Most NPCs aren’t the Noble General or the Powerful Wizard. Most NPCs are Daves, designed to get the players from place to place. Most of those Daves know about as much as you’d expect them to. But some Daves have plans of their own.
You don’t always have to signpost with big blinking lights which of your NPCs are ‘important,’ and which ones are ‘unimportant.’ Sneak in a crafty Dave from time to time. That assistant they talk to, every time they go to see the prince? That bitch knows everything, and she’s almost ready to make her move. 
3: There is no such thing as a completely reliable witness. 
If the players only get information from one person, that information should be flawed in at least one, potentially small, but important way. Smart players will seek a second opinion, or at least allow for the possibility that their information may be incomplete. But even smart players get out over their skis sometimes.
4: Let your NPCs be aware of the power of a first impression. 
If an NPC gives a strong first impression of being a particular kind of person, it’s because they’re comfortable giving that impression. That might be because it’s who they are. But maybe not.
One of the first characters the PCs met in a VtM campaign I ran was Gawaine. Gawaine was a good old pine-scented man’s man, with salt and pepper stubble and a blue Ford truck. He listened to AC/DC, and talked about the war. He was affable and honest and willing to lend a hand. You already know Gawaine. Everybody knows a Gawaine. Gawaines are trustworthy, salt of the earth types. You don’t necessarily think to question a Gawaine.
That’s exactly why Gawaine was such a useful persona for Krystiyan, the Tzimisce Voivode, a cruel and alien sculptor of flesh who “never left his haven.” There were plenty of clues that they were the same person, but that campaign was in its endgame before the players put them all together.
5: Sometimes, dangerous and villainous NPCs should be helpful and cooperative. 
Not even necessarily because they’re manipulating the players, or even deceiving them about their true natures, but because their interests and the players’ interests genuinely align...for the moment. 
One of the easiest levers in your players’ brains to exploit is the expectation that people who help you are your friends. Even if your players know, consciously, that they shouldn’t trust this person, most of the time they kind of can’t help it, if the NPC is genuinely helpful to them and at least a little charismatic. 
6: Sometimes, good and valuable NPCs should be unhelpful and uncooperative. 
No matter how mature your players are, there’s a natural tendency to react to uncooperative NPCs with a reflexive, “Hey, fuck you! We’re the protagonists! This guy is an asshole!” so from time to time have a helpful, honest, good-aligned NPC have a wholly justified but as-yet-unknown-to-the-party reason to flatly refuse to deal with them.
7: Every NPC should have a secret. 
Not necessarily a bad secret. Were it to be revealed, it might even make the party like them more! But for their own reasons, the NPC does not want their secret to come out, and they will lie to the party to protect it. Players go crazy when they realize they’re being lied to, and often jump to some wild assumptions about your NPC’s motivations. I’ve had an NPC lie about the opening hours of a shop, and had the PCs assume that they were black market dealers for the villain when the dude just wanted to be able to close early so he could go smoke weed in the park.
8. As a DM, it’s polite to remind your players of the common knowledge their characters would possess...even when it doesn’t reflect the truth.
We all know it’s tedious when the DM calls for a roll when you’re just asking for common knowledge. I shouldn’t have to make a roll to know the dumb space word for plastic in a Star Wars game. I shouldn’t have to make a roll to know who the Holy Roman Emperor is in a game about medieval vampires. The DM should supply common knowledge for free, whenever it comes up.
That doesn’t mean common knowledge is true.
This is different from just lying to your players, because you don’t put the weight of DM word-of-God behind it. It’s not “You would know this guy is a Ventrue, based on XYZ.” It��s “it would be a common assumption that this guy is a Ventrue, based on XYZ.” He might not be a Ventrue. It might in fact be extremely important that he is not a Ventrue. But if it is commonly assumed that he’s a Ventrue, that is - word for word - something you can share with your players. If they don’t look any deeper than common knowledge, that’s on them.
9. Obviously untrustworthy NPCs provide great air coverage for less obviously untrustworthy NPCs.
The obviously untrustworthy NPC might or might not be planning to betray the party. But if you introduce two untrustworthy NPCs in the same storyline, and one of them seems normal and cool and has a genuine plot-related reason to be there, and the other one is Jaffar, Jaffar’s gonna get clocked, but Susan over there will probably slip under the radar, and might even get tapped to help out with the whole Jaffar situation. They might get Susan’s number, by the end of the session. Susan might become an ‘ally.’ Susan might even get romanced by a party member. Play your cards right, and Jaffar might just end up a footnote in the introduction of Susan, Scourge of Worlds and most hated NPC in the entire campaign.
10. Your villains should always have a secret plan B.
Your villain isn’t stupid, right? And your villain probably isn’t so arrogant that it is inconceivable to them that their plan might fail. They’ve been planning this ritual for ten thousand years, after all. It’s always possible that some plucky band of heroes could show up at the last minute and murder your high priest, or steal your amulet, or seduce your second in command. So what does your villain have in his back pocket to make the players go, “Oh, shit - he planned for this!”
This may mean that there is a whole separate plot happening, running alongside the main story. This is great, because when weird things happen, the players have to figure out whether this is part of Plot A or Plot B, and working out who did what and why gets a lot more interesting. If they end up foiling Plot A, great - your villain was also secretly behind Plot B the whole time, and will transfer all of his resources over to that. 
Sometimes your players will figure out that Plots A and B were both the same plot the whole time, with the same villain at the head, and they’ll feel like the smartest people on the planet, and it will be their favorite moment of the entire game. That’s great! You gave them that!
Sometimes, they won’t. And when the villain of Plot A, apparently defeated, starts laughing and reveals that he was also the mastermind behind Plot B, which is now too late to be stopped, that will probably be your favorite moment of the entire game.
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yurinaa-world · 3 days
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Could I request Aventurine with an s/o who likes giving him handmade gifts?
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Characters: Aventurine x Gender-neutral Reader
Synopsis: with a s/o that likes giving him handmade gifts
Warnings fluff, spelling mistakes
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𝒜𝓋𝑒𝓃𝓉𝓊𝓇𝒾𝓃𝑒
He finds it so cute that you made him something! Like watching you hide the little homemade gift or basket full of homemade gifts by your side, a shy look on your face while asking him for some of his time. 
and of course, he’ll give his time! He’ll give you his entire day for your cute aventurine. Don’t be so nervous around! He’ll always love whatever you make.
If you're gonna give a gift then you should come closer, he can barely hear you! Why not just come a little bit closer? A little bit more. Why don’t you just sit in his lap and he’ll watch you explain the cute little homemade flower bouquet you made for him
─── ⋆⋅☆⋅⋆ ───
You always loved making him gifts, from little to big. It didn’t matter to you how much time it would take since hearing him compliment you and wear the thing you made for him. It’s a rose? Then he’ll put it in his pocket—you can see the petals poking out—he’ll kiss it before a match for “good luck” or if it's a cute earring, put it on his free ear. 
Any of yours he’ll cherish the most.
“Aventurine I got you a gift”
Keeping the bag to your side. You still feel a little shy when giving him gifts even after all this time, you can’t help but wonder what his reaction will be this time. 
He looked tired. He just came back from work. Sitting on the couch comfortably, his jacket and hat on the coat rack, vest unbuttoned; a lazy smile appearing on his face when he sees—he already sees the shy look in your eyes—stretching his back and a soft sigh leaving his throat. 
“What are you doing over there? Come closer.”
 You come closer to him. Seeing him close makes you a little more excited about the gift you’re about to give—he doesn’t seem happy with the distance. “How about a little closer.” He grabs the wrist that wasn’t holding the bag and pulls you onto his lap. Which makes you freeze at this action.
The bag is now on top of your lap. His hands go to take the bag from your lap; his hand pulls out a small little gold necklace,  the initial “K” attached to the little necklace, he just goes silent staring at the little initial before letting out a little laugh.
Taking the chain and putting it around his neck, clinking the two parts together. “Do you like it?” You ask, which is such a silly thing to even ask. “Why wouldn't I like it?” Cupping your chin and giving a small little kiss as his little thank you. 
Which he knows could never be enough to thank you.
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if you liked this, consider tipping me on ko-fi! it'd mean a lot!
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mammonsrockstargf · 2 days
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Clammy hands? No problem!
How obey me characters react to you having sweaty hands. Based on this ask.
Pairings: (Separate) Mammon, Satan, Solomon, Barbatos x gn!reader
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Mammon 
“Hold my hand,” he says and reaches for you while looking somewhere else. You reach for his hand, but pull away in the last second, keeping your hands to yourself. 
“No thanks,” you say and Mammon gives you a glare that could rival Satan. His hand is still extended towards you and he motions for you to give him yours. “Gimme your hand,” he says and it sounds almost like a whine. You awkwardly wipe your hands in your uniform and shake your head. “No,” 
“Why?” Mammon asks and you sigh. “My hands are sweaty and gross,” you say and Mammon blinks. He looks at you for two seconds before he blinks again. “Your hands are what?” he asks and you give him a look that makes a shiver run down his back. “They’re gross, okay! It’s hot down here and you’re hot–“ your rant is interrupted by a giggle. Mammon looks like he just won the lottery. “What?” you ask and Mammon smiles brightly, almost blinding you by the flash of teeth. 
“Ya just called me hot, treasure,” he says and you roll your eyes. “I meant literally, you dumb–“ 
“Nu-uh, no takebacks!” he grins and this time he grips your hand, intertwining your fingers. “And I don’t care if ya hands are sweaty, I still wanna hold ya,” he says and leans down to press a kiss to your temple before pulling you towards your destination, leaving you stumbling after him and unable to overthink your intertwined fingers, snuggly fitting into his. 
Satan
You slowly remove your hand from Satan’s and discreetly wipe it on your bottoms, while Satan is engrossed in the book he’s reading. “Come back,” he mumbles and reaches for your hand again and you hesitantly give him your hand back, relaxing when he traces patterns into your palm. The calmness is short-lived though, as you find it harder and harder to relax when you feel your hands turn clammy again. “Satan,” you mumble and he hums, not looking away from his book. “My hands are sweating,” you say and Satan looks up. 
“So?” he asks and you frown. “It’s embarrassing,” you say and Satan smiles fondly at you. “I don’t think so,” he says and brings your hand to his lips, giving your knuckles a kiss. “It’s cute,” he says and places your hands down at the table while tracing patterns again. 
You sigh and return to your own book. “I don’t like it,” you mumble and the patterns stop. You look up and meet Satan’s eyes, which are intently on you, as though he’s trying to read your mind. “Well, it’s one of the things I like about you,” he says and you huff, giving him a look that tells you think he’s full of it. 
“Riiightt,” you say, drawing out the vowels. “You love that I’m sweaty?” you ask and purse your lips. Satan laughs and shakes his head. “Well, no and yes,” he says. “I like that you’re human. I like that you’re you. If that means a little sweat then I’ll take it,” he says and gives your hand two comforting squeezes. 
“Besides, demons do things that are much more gross than sweating,” 
Solomon 
You groan when you open the door leading out to the courtyard of R.A.D. A rush of heat hits your face instantly making you flush. “Why is it so hot,” you complain to Solomon, who’s following closely behind you. He shrugs, not seeming bothered at all. “You get used to it,” he says and you glare at him. “I’ve been here for months and I still feel like I’m my organs are slowly getting boiled,” you say and Solomon laughs. “That’s very graphic,” he points out and you roll your eyes. “Desperate times call for desperate measures,” you say. 
Solomon hums and reaches for your hand. You go to give it to him but pull back hiding your hand in your pocket. Solomon frowns and gives you a look, reminding you of a wounded puppy. 
“Sorry, my hands are gross,” you say and Solomon pulls your hand out of your pocket, inspecting it. “They look pretty normal to me,” he says and traces a finger from your palm to your index finger. “They’re always so sweaty,” you mutter and retract your hand. Solomon frowns and puts his hands in his pocket to prevent himself from attempting to shake some sense into you. “I don’t care,” he says. 
You pout. Solomon relents. Call him a doting old man, he does not care. Not when it’s about you. “Okay, I know a spell.” he sighs and you grin. “But it’s not because I think you’re gross, you hear me? It’s to make you more comfortable,” He lectures and you nod eagerly, pressing a kiss to his cheek and effectively making his ears flush. “Of course, Sol, I know,” 
Solomon internally screams as he watches you practically skip across the courtyard in happiness before his legs catch up and he follows you. He can never help himself when it comes to you. 
Barbatos
Barbatos doesn’t really notice, because, well, he wears gloves. He does however notice that you seem squeamish. “What’s wrong?” he asks and grips your hand, which you quickly retrieve. “Nothing,” you mutter and stick your hands in your pockets. Barbatos frowns. “Don’t lie,” he simply says but when you look up his eyes are piercing through you.
You frown as well. “I’m not lying,” you lie and Barbatos just gives you a blank stare. 
You stare back. Unfortunately for you demons rarely blink and you lose the imaginary staring contest. "I don't like holding hands because my hands are sweaty all the time," you say and Barbatos barely reacts, the only thing giving him away being a small twitch of his eyebrow. 
"I've never noticed your hands being sweaty," Barbatos says and you shrug. "Yeah, well, they are so can we just-"
Barbatos pulls off his glove in a fluid motion and grabs your hand. His touch is soft as he measures your hand against his, looking comically small against his demon hands, before intertwining your fingers. You open your mouth and close it again and Barbatos smiles at you. "I think your hands are just perfect," he says and your jaw goes slack. His eyes turn into crescents before he detangles his hand and pulls on his glove again as though nothing has happened. The only proof of the short event is the tiny blush dusting his cheeks. 
"Well, I should go back to work," he says and you nod. "Yeah I have homework," you say and turn around on your heel, ready to walk down the hallway. Before you can run away, though, Barbatos grabs your hand once again and gives it a small squeeze. "I meant what I said," he says and you nod. "Yeah, I know, "
You're hesitant when you step closer to him and give him a small peck on the corner of his lips. "Thank you, Barb"  
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Text
18+ content. Minors dni.
Contains: The way he would rail you
No preparation, no warning.
He would suddenly come up from behind you, his breathing heavy and his cock erect. “You’re wet.”
“No? I’m just-“
“Let me take care of you.” He growls, his hands wrapping around your waist and ripping through your pants. Literally 🥲. You’ve learned to wear skirts and pantyhose with nothing else in public with him.
He slides into you with nothing. You’re so dry that it hurts. But he turns you on like no other, so you’re soon drooling arousal while he pistons into you perfectly. Ass or pussy, he knows what spots will have you milking him dry. Don’t worry, he’s probably wearing a condom. Probably.
Characters: Blade, Dr. Ratio, Gallagher, Al-Haitham, Cyno, Diluc, Wriothesley.
No one else, just me
“I told you not to wear it.” He groaned, holding your hips in place as he pushes his cock so deep he’s going to leave bruises. “That dress is too sexy. So many guys had boners, you know.” You don’t respond, unapologetically taking the opportunity as best you can.
He rams even deeper, stilling to moan and cum inside. “H-hey!”
“Shhh… we have the plan B pills.” They whisper, holding you tightly.
Characters: Aventurine, Argenti(?), Zhongli, Neuvillette, Kaeya.
No condoms, no plans.
You feel him. He’s so good at what he does, each thrust of his hips makes you take every inch. Your stomach is showing off the head of his cock, and so of course he pushes on it, making sure you know where he is.
You hear him above you, that soft whimpering that tells you everything you need to know. He’s cumming, and you feel the warmth spreading through your body, making you gasp and moan. “Good job, my dear. You’re so pretty, did so good. I know, sweetheart. Shhh.”
Characters: Blade, Jing Yuan, Dan Heng (I just know that if he could breed, he would), Welt, Kaveh, Albedo, Itto.
Author’s Note: asks are now available. You can be an emoji anon, or use your username. Please keep things civil. Imagine that you were talking to your partner. Thanks~ bye~
Smut by Asteria.
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