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#姫様“拷問”の時間です
hothotmiso · 2 days
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ryu-masakaze · 26 days
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アニメ「姫様“拷問”の時間です」よりトーチャーさん。
クールそうな外見とは裏腹に、そこかしこに可愛いもの好きっぽさが見え隠れるのが良いですよね。可愛いグッズを置いてるお店には入れなくても、家具屋に置いてるぬいぐるみとかはしっかり堪能してそうなイメージあります。
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gecotan47 · 3 months
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最高位拷問官
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ajitama0141 · 3 months
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animehouse-moe · 4 months
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'Tis Time For Torture, Princess Episode 1: You Need To Be Watching This
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Do you like food? Do you like shenanigans and humor? What about great animation and direction? I'm sure most would say "that sounds like Delicious In Dungeon", and you wouldn't be that wrong. However, and this is a potentially really hot take, I think that the first episode of 'Tis Time For Torture, Princess is considerably better than Delicious In Dungeon's, and I'll explain why.
Let's lay some groundwork though. The staff on this series is surprisingly fresh. The lead director, Youko Kanamori, is a first timer in the position. Similarly, Hasegawa Mami is also brand new to being the director of photography for an entire series. There's also staff like Narumi Konno who are somewhat fresh in terms of their experience with color design. Then there's the 4 character designers and 2 cuisine designers, plus the rest of what you'd expect.
There's a lot of new talent on this series, and they're hungry to prove themselves. I really really love seeing new staff members, especially women (because of the nature of the industry), get a shot at big roles like this. And I mean, they're proving why they should be here.
Narumi's color design is very striking and full, always finding the right balance for each scene.
You'll get traditionally colored (yet still satisfying) scenes like this, but then you'll get a wonderfully novel approach to coloring in a dank and dark prison.
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I love the coloring on the floor, it reminds of what oil spills end up looking like, and that idea of it being "dirty" and the ground and walls being covered in that layer of grime adds a lot of fun color to the episode.
Narumi just has a lot of range, though their second ever series being The Vampire Dies In No Time certainly helps with that. However, it's a pretty clear difference in color design between the two. Where The Vampire Dies In No Time leans heavily into its fantasy and simplicity, 'Tis Time For Torture, Princess makes a case for a more believable fantasy style- idealized, even. It's far less noisy of a color palette, but it has such intense range. I really really love it.
I also really really love Hasegawa's composition. The vast majority of the time you don't really notice it there, but when the humor or situation calls for it, Hasegawa breaks out some incredible composition work which wonderfully highlight the characters involved.
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Also, they choose a slightly different style for the color shifts in their images. You can't really tell in the above so here's some better examples.
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Rather than the more typical Magenta-Green shift you tend to see, Hasegawa opted for the less common/likely Blue-Red shift for their chromatic aberration. Of course, you can still pick out some greens and magentas in the more glaring aberrations, but it just shows Hasegawa's attention to detail, which I really love.
I mean, they're pulling out composition work that looks like it came from a high budget Gacha Game trailer.
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And the praise doesn't stop there, just look at the food. Makes complete sense why they'd have cuisine designers on board, this food looks irresistibly delicious.
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And then there's the incredible character acting.
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I think it's arguably the most interesting aspect of the episode, truthfully. Largely because there's a total of 4 character designers (two main and two sub) in charge of the designs, and there was a total of 8 animation directors on the episode (1 chief, 7 regular, 1 food). Of course, 3 of those animation directors comprise half of the character and cuisine designers.
And that's interesting for two reasons. It's likely that the designers are rotating episodes. That is, 3 on episode one and then the other 3 on the next episode. And secondly, 7 animation directors is a surprising amount considering how "inconsistent" the Princess' model is (just look at all the different images in this one post). However, I strongly believe that it's 100% intentional. The designs look too good to be the product of simple off model issues, and their appearances too well timed with the events of the episode.
So we arrive at the conclusion that the animation direction and designers for this show are pulling some seriously cool stuff.
Finally, we can do storyboards. Gosh, it took long enough haha. I'll make it quick, Kanamori really prefers the super close ups to mask facial expressions and leave a lot of interpretation up to the viewer, and that sort of close up work pairs effortlessly with the obsessive focus on food.
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But that's hardly the half of it. Kanamori also loves strong perspective in her layouts, and she makes that very evident when playing into the humor or intensity of a moment.
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That of course also means that she imparts a fair amount of first person perspective to the episode as well. It's really amazing, Kanamori, much like many of the other high level staff members, is perfectly aware at how fluid Torture Princess is, and she expresses that wonderfully with all the different ideas employed with her boards.
And just one last little piece. The big troll/monster fight at the start? It absolutely lives and breaths Kanamori's experience in storyboarding for Ousama Ranking. You feel their incredible awareness of scale and size and it creates the feeling of a monster of unbelievable size that the Kingdom is forced to fight against.
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Anyways, this is all to say that 'Tis Time For Torture, Princess has an all around incredible first episode that promises viewers that the series desperately wants to be one of the best of the season. And I wholeheartedly believe that.
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anime-cafeteria · 23 days
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anime-font · 10 days
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姫様“拷問”の時間です
EDクレジット
カモライム+ R
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gurugurugurueye · 1 month
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「姫様”拷問”の時間です」10話のぐるぐる目。
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yaneshin · 2 months
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Favorite tweet: 知らない秘密でも話し出しそうなエルフです https://t.co/W98i8D75Dj
上山道郎 (@ueyamamichiro)
Feb 14, 2024
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mi-keito · 10 months
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アニメ化決定と聞いて。トーチャーさんは食べ物を上品に食べるところが好き
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ishiduca · 1 month
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マオマオちゃんが中学生くらいになってふたりで出かけることもなくなってきた頃、ふとこの道を一人で歩いたら魔王は絶対に泣くよ。俺も泣いたことあるからわかるんだ
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hothotmiso · 3 months
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hinanbasyo · 3 months
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gecotan47 · 2 months
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トーチャー・トルチュール
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berenixium · 1 year
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'Tis Time for "Torture," Princess - "Torture 1" - #TisTimeForTorturePrincess #姫様拷問の時間です #Manga #NewSeries
https://mangaplus.shueisha.co.jp/viewer/1005722
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animehouse-moe · 4 months
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'Tis Time For Torture, Princess Episode 2:
While not many, I heard some voices express concern for the longevity of the humor and story of this series. Obviously that concern was for naught when you have a Smash Bros parody skit in the series about torturing a princess via food. Because of that, I want to express just how much variation and potential this second episode provides for the lifecycle of this series (while also showing off how damn good it is).
So first and foremost, the pair of new characters introduced in that clip- they aren't the only ones. Alongside this devilish duo of torturers (Youki and Inki), we've also got the Beastmaster Krall, and even the Giant, well Giant. Alongside Tortura, each brings a unique form of torture and extortion to their time with the Princess.
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It adds a massive amount of dimension to the running jokes of the series, really. Food is no longer the sole avenue of torture for the Princess, and her ability to relate to the torturers and expose parts of her history through their interactions expands further as well. For example, we get introduced to another character from her past in this episode, the knight Jimochi, who may or may not be a little childish.
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It's just a lot of groundwork and effort being put in place to ensure that the story remains fresh, funny, and enjoyable, all the while helping set the stage for character development and story progression.
Speaking of the idea of fresh, the Princess actually won a round of torture in this episode. Very inconsequential since she gave out the secrets anyways, but it allows viewers to accept the idea that the Princess has the potential to persevere and win out in various rounds against her torturers.
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Past all of this though, Pine Jam's efforts remain sublime in terms of expression. One of my favorite things through these two episodes is the idea of Ex as an unreliable narrator, for example. Just look at the different faces of the Princess during his retellings of her adventures. There's plenty of variation vs the more consistent styling of the present Princess. Also, I find it interesting that the variation in her face largely comes from how Ex describes the Princess in relation to whatever story he's telling.
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Of course, the composition is perfect at giving each moment the most emotion and impact as well. Really, all fronts of this production are so good that I just want to share the entire episode.
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But, sadly, I can't, so I settle for what I can get across effectively here.
Yes, it's a rather short post, but there's only so much to talk about without creating a tangled mess of thoughts and opinions when it can be summarized with one paragraph:
'Tis Time For Torture Princess is proving to be another grand slam of a series from Pine Jam. Though a risk based on the adaptation of a narrative rather than an original like DIY!!, the team behind this series has provided incredible work on all fronts to make the most of a unique and refreshing comedy series. Frankly speaking, it's a must watch.
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