#B3 Guitars

[theguitarchannel]

NAMM 2022, the 13 interviews done one Saturday, from Jay Leonard J to Nathaniel Murphy and more

NAMM 2022, the 13 interviews done one Saturday, from Jay Leonard J to Nathaniel Murphy and more

Here are all 13 interviews from Saturday, June 4, 2022 at NAMM in one article. You will find some of the best luthiers in the world, as well as two phenomenal musicians. Enjoy! This day was a great illustration of the fact that it is the meetings that make the most of the interest of big events like NAMM. The interviews done on Saturday at NAMM 2022 Interviewees of the day Andy Powers, new…

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#Andy Powers #B3 Guitars #Backstage #Bruno Bacci #Diego Vila #Guitar Show #Iconic Guitars #Jay Leonard J #Kevin Proctor #Matt Eich #Max Spohn #Mule Resophonic #NAMM #Nathaniel Murphy #Pete Thorn #Robin Stummvoll #Taylor Guitars #Thomas Blug #Verso Instruments #Victor Lee

[bleachbleachbleach]

You can't kill my vibe

Like many others, I have been both enchanted and intrigued by the new TYBW opening theme song, "Stars." It has everything! Modern living world fashion! Coffee shop AU! Karaoke sing off! But I think the thing that has really captured everyone’s attention is whatever the hell Ichigo is doing with that guitar.

[TYBW OP 2]

At first glance there’s some things we can infer. Ichigo’s zanpakutou has been reforged and now he’s a dual wielder. He absolutely has no idea what he’s doing and needs to relearn how to use his sword, so of course he’s going to be clumsy and awkward in the beginning. But if Ichigo has one thing going for him, it’s gonna be his ability to just Square Peg Round Hole his way through any situation. No technique needed, if you can blunt force trauma your way through.

Notably, there are very few characters in Bleach with multiple swords (Ukitake and Kyouraku) and both of them I think we can go so far as to say have achieved mastery, as they have bankai and are Old (TM). So that’s great! Ichigo has some role models to look up to and can be inducted into the dual-wielder Hall of Fame!

Taking a closer look at the guitar in the OP though, it’s not just any double-neck guitar. Ichigo appears to be holding a Gibson EDS-1275, which is the “coolest guitar in rock” according to the Wikipedia page. While never widely used, the guitar was played by a couple of famous musicians such as Elvis Presley, Steve Miller (Steve Miller Band), Don Felder (Eagles), and Jimmy Page (Led Zeppelin). I’ll give it to the wiki page, that is pretty damn cool.

[And just for the sake of being thorough: Japanese guitar maker Ibanez produced a double-neck guitar that was based off the Gibson EDS-1275. It looks virtually identical to the Gibson (at least to my untrained eye).]

The Eagles are most famous for their song "Hotel California" and Don Felder famously used a white EDS-1275 for performances of that song. There are lots of various themes and interpretations of "Hotel California", many of which are fun to apply to Ichigo and Bleach. The Eagles vocalist said, “Lyrically, the song deals with traditional or classical themes of conflict: darkness and light, good and evil, youth and age, the spiritual versus the secular. I guess you could say it's a song about loss of innocence” which I think is some interesting fodder to mull on.

BUT! Ichigo is holding a red guitar! And someone else famously had a custom-made, cherry-red EDS-1275. And that someone was Jimmy Page. Page was arguably the one who popularized the EDS-1275, as he famously played it during live performances of "Stairway to Heaven."

[Jimmy Page in 1973]

I don’t have much to say about "Stairway to Heaven" other than it also seems to be a song about death. However, on a very literal sense, the song is about, well, a stairway to heaven. And you know who is ascending into the heavenly skies in TYBW???

[TYBW ep14]

So. Many. Stairs.

#I've connected the dots #B3 you didn't connect shit #I've connected them #I originally thought I was going to go somewhere with this and then I absolutely did not #no brain just bleach #kurosaki ichigo #bleach tybw #bleach meta #bleach anime #shinigamiology #actually is this really shinigamiology? it's about ichigo who is sort of a shinigami #but it's really more about guitars

[leozapps]

to be more specific , it was a thoroughly wicked-looking , luminous-red electric guitar — in shape at least .

i couldn't resist drawing a scene from this wonderful short fic , crushing it ! c'mon , guys , it's zapp with a blood guitar . i couldn't help it . go check the fic out !!

#in other news i'm never drawing a guitar again #leo talks #leo doodles #kekkai sensen #kkss #blood blockade battlefront #b3 #zapp renfro

[hammondcast]

Jon Hammond's Hammond Report From 1959 B 3 Everybody January 24 2023

#WATCHMOVIE HERE: Jon Hammond's Hammond Report From 1959 B 3 Everybody January 24 2023

Jon's archive https://archive.org/details/jon-hammonds-hammond-report-from-1959-b-3-everybody-january-24-2023 

Youtube https://www.youtube.com/watch?v=F0r8OkvaXFo&t=17s 

FB https://www.facebook.com/558692101/videos/1376750113080099/ 

Jon Hammond's Hammond Report From 1959 B 3 Everybody January 24 2023

by

 Jon Hammond 

 Topics

 Hammond B3, Hammond Report, Everybody, Prize Winner, Gator Cases Frameworks, Kart, Guitar Strap, Levy's Leathers, Report, Leslie Speaker, Photography, Travel, Music

Language

 English

Jon Hammond's Hammond Report from 1959 B3 Everybody January 24 2023 - Music Stories Photography travel and gigs!Bringing you up-to-date folks, I'm the lucky winner of Marlene's Music December giveaway contest, I won a beautiful Levys Leathers moon phases guitar strap + Gator Cases Frameworks equipment cart, all-terrain! Some assembly required - I got a needle nose pliers and put the kit together successfully, the maiden voyage to get a 6 gallon box of Poland Spring Natural Spring Water! This tune from Dean Martin in 1964 actually knocked The Beatles out of the top spot, Hard Day's Night was #1, but Everybody Loves Somebody took over! Have a beautiful day and even better one tomorrow folks - I'm going in to play a morning gig today, c u around,Jon Hammond #EVERYBODY #prizewinner  #hammondb3 #organist #guitarstrap #kart #Report #lesliespeaker

Addeddate

 2023-01-24 16:47:26

Identifier

 jon-hammonds-hammond-report-from-1959-b-3-everybody-january-24-2023 

Hammond B3, Hammond Report, Everybody, Prize Winner, Gator Cases Frameworks, Kart, Guitar Strap, Levy's Leathers, Report, Leslie Speaker, Photography, Travel, Music 

Hammond B3, Hammond Report, Everybody, Prize Winner, Gator Cases Frameworks, Kart, Guitar Strap, Levy's Leathers, Report, Leslie Speaker, Photography, Travel, Music

#Hammond B3 #Hammond Report #Everybody #Prize Winner #Gator Cases #Frameworks #Kart #Guitar Strap #Levy's Leathers #Report #Leslie Speaker #Photography #Travel #Music

[sittidav]

This is clip 4 of our series Jam-min', approximately one minute of jamming. This is our version of 8 Counts for Rita by the great organist Jimmy Smith from the album Dot Com Blues.

It was recorded live, mixed, edited and filmed in my home studio with my Nikon D750 camera using Logic Pro and Final Cut. I hope you like it.

#davide sittinieri #paul malsom #jam-min' #jamming #guitar jam #8 counts for rita #jimmy smith #hammond b3 #hammond organ #guitar duo #jazz guitar duo #guitar duet #logic pro #home recording

[burlveneer-music]

Muriel Grossmann - Devotion - her new album is on Third Man Records (which improves my estimation of Jack White)

Muriel Grossmann tenor, alto and soprano saxophones, flute, percussion, tambura, upright bass, kalimba, harmonium Radomir Milojkovic guitars Abel Boquera hammond B3 organ Uros Stamenkovic drums

#Bandcamp #Muriel Grossmann #jazz #soul-jazz #spiritual jazz #austria #third man records #2023 #saxophone

[mywifeleftme]

196: Earth // The Bees Made Honey in the Lion's Skull

The Bees Made Honey in the Lion's Skull Earth 2008, Southern Lord (Bandcamp)

The most money I’ve ever spent on a vinyl record is on the stupid fucking quadruple LP Mellon Collie and the Infinite Sadness boxed set, but that was only because I allegedly scuffed the first track on the first side of LP1 of my friend’s copy while putting it away at a party, so I had to buy him a replacement and got his old dinged one—but I’ll write about that another time. The most money I’ve ever spent on a vinyl record I wanted was on Earth’s The Bees Made Honey in the Lion’s Skull, and specifically on one of the editions bound in faux Bible leather that Southern Lord reissues from time to time. From the first time I heard the record back in 2008, from the first time I read the title really, Bees has held a strange fascination for me. Despite being a broke college kid, I ordered a Bees Made Honey hoodie using my first credit card and hemmed and hawed over whether to snag the leather record, though I didn’t even know how to use a turntable. I didn’t end up actually scoring a copy till more than a decade later, by which time I’d already pretty well carved the thing’s grooves so deep in my brain I didn’t need to listen anymore to hear its contents.

The inner sleeve.

Still, there’s the pleasure of handling it, opening up the gatefold and reading the hoary language in elaborately-filigreed gold text:

“from strength sweetness from darkness light the bees made honey in the lion’s skull”

A1. Omens and Portents 1: The Driver A2: Rise to Glory B3: Miami Morning Coming Down II (Shine) B4. Engine of Ruin C5: Omens and Portents II: Carrion Crow C6: Hung from the Moon D7: The Bees Made Honey in the Lion’s Skull D8: Junkyard Priest

I grew up just religious enough to really fear God and love His language, especially as filtered through all the fantastical art that’s borrowed the diction of the King James Version to command a sense of gravitas. It’s a tone of voice that still compels me, and it’s the perfect dressing for this era of Earth’s looming, desertified music. Starting with 2005’s comeback Hex; or Printing in the Infernal Method, Earth has been working on a form of Western-inspired instrumental post-rock that looks to the Bible and fire-and-brimstone writers like Cormac McCarthy for words to match the weathered lurch of Dylan Carlson’s lithic guitar. Bees continues this direction, and it’s broadly considered the best of the band’s later efforts: something elemental captured in the songs; extra pristine production; sterling contributions from Steve Moore on a variety of pianos and organs, plus famed jazz guitarist Bill Frisell; and above all the languid pulse of drummer Adrienne Davies, the sheer weight of her pauses (best exemplified on the title track).

When Davies joined the band in 2002, she became the long-term musical partner Carlson had never really had, and her playing has become as distinctive a signature of Earth’s sound as his. In the exhaustive 2023 documentary Even Hell Has Its Heroes, her interview is the most enlightening from a musical perspective. An amateur when she began casually jamming with Carlson, she soon found that all of the drumming instructors and guides she consulted emphasized focusing on how to refine the angles of her playing, minimizing the time and effort required to play a beat. But for Davies, playing in a band whose rhythm swells and resides like the breathing of a massive steer, this advice ran counter: her arms wave in slow, swooping arcs, drawing out the tempo in the air before falling into the drums, letting gravity provide the consequential force.

Despite the band’s mugshot stares and stupendous volume, that signal phrase holds: “from strength sweetness / from darkness light.” There’s no violence in this songs, only some obdurate quality of endurance; no aggression, only flickers of the transcendent among the amps. That’s the notion embedded in its title, a nourishing work transpiring within sinister ruins.

196/365

#earth #halloweek #drone #drone metal #post-rock #ambient americana #dylan carlson #southern lord #'00s music #minimalism #music review #vinyl record #seattle music #adrienne davies

[smileymoth]

i was tagged by @etysky to shuffle my playlist and share the 1st 10 songs that came up :3

UMM i've only been listening to my los campesinos playlist for the past 2 months so i'm gona just use the liked music playlist on shuffle because otherwise it would be a top 10 los campesinos songs list T_T

Placebo - B3

Senses Fail - Bite to Break Skin

gameboy tetris - Incognito

boys night out - Dreaming

Hawkthorne Heights - Ohio is for lovers

Bleed the Dream - Legends Die

Drop Dead, Gorgeous - Daniel, where's the boat?

A Skylit Drive - Wires And The Concept Of Breathing

Let 3 - Tazi Tazi

Pet Shop Boys - Jack the Lad

i tag @pikslasrce @cactusringed and @varteeny1234 :3

BC THIS IS WHAT MY 4 WEEKS TOP TRACKS LIST LOOKS LIKE RN!!!!!!!!!!!!!! AND ALL TOP 50 ARE LOS CAMPESINOS. WITH RTHE EXECPTION OF

24. Everything is fine and my guitar is perfectly stringed by Blue Foster 32. (nendest) narkootikumidest ei tea me (küll) midagi by 5miinust AND 50. BEING dancing star by PET SOHP BOYS

I AM SO NORMAL ABOUT LOS CAMPESINOS!!!!!!!!!!!!!!!!!!!!. i'm telling you i had to replace the hyperfix with another band T_T ...... and they have a longer discography than the ones who shall not be named

honestly blue foster is really nice it kinda reminds me of crywank but its a bit more cheery.......

#moth post #tag game #music

[kdo-three]

The Beach Boys - Little Honda (1964) Brian Wilson (Music) / Mike Love (Lyrics) from: "All Summer Long" (LP) "Stack-o-Tracks" (LP) (1968 Instrumental Track Compilation)

Pop/Rock | Southern California Car Culture | Beach Boys

♪♪♪ ♪♪♪ ♪♪♪

JukeHostUK (left click = play) (320kbps)

♪♪♪ ♪♪♪ ♪♪♪

Instrumental Track: JukeHostUK (left click = play) (320kbps)

♪♪♪ ♪♪♪ ♪♪♪

Personnel: Mike Love: Lead Vocals Brian Wilson: Piano / Hammond B3 Organ / Backing Vocals Carl Wilson: Lead and Rhythm Guitars / Backing Vocals Al Jardine: Bass Guitar / Rhythm Guitar / Backing Vocals Dennis Wilson: Drums / Opening Voice, "Go!" / Backing Vocals

Ray Pohlman: 6-String Electric Bass Guitar

Arranged and Produced by Brian Wilson

Recorded: @ United Western Recorders in Hollywood, California USA April 2, – May 19, 1964

"All Summer Long" Released: on July 13, 1964

"Stack-o-Tracks" Released: on August 19, 1968

Capitol Records

#The Beach Boys #1960's #Little Honda #Brian Wilson #Mike Love #All Summer Long #Southern California Car Culture #Capitol Records

[theguitarchannel]

NAMM 2022 - Full video and photo report of the Saturday

NAMM 2022 – Full video and photo report of the Saturday

Saturday at the NAMM 2022 was an amazing with a lot of visitors. It felt really good to see this joyous crowd throughly enjoying the guitar show! No less than thirteen interviews to bring you the information straight from the show floor. NAMM 2022 Saturday report Interviewees of the day Andy Powers from Taylor GuitarsCsaba Bedenek from FibenareMatt Eich from Mule ResonatorThomas Blug with Pete…

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#Andy Powers #B3 Guitars #Bacci Guitars #Backstage #Bluguitar #Bruno Bacci #Csaba Bedenek #Diego Vila #Fibenare Guitars #Iconic Guitars #Jay Leonard J #Kevin Proctor #Max Spohn #NAMM #Nathaniel Murphy #Robin Stummvoll #Taylor Guitars #Thomas Blug #Victor Lee #Video Blogging #Vila Guitars

[harrisonarchive]

Billy Preston and George Harrison onstage during the Dark Horse Tour, Landover, Maryland, 13 December 1974; photo by David Hume Kennerly.

“[Billy is] someone I would never have come on the road without, because I love him so much and need him so bad.” - George Harrison, Fort Worth, 22 November 1974, quoted in While My Guitar Gently Weeps: The Music of George Harrison

“Behind Preston, [George] was the good-natured but awkward white guy, twirling his fingers overhead at the wrong spots on ‘Circles,’ joining Billy for a little skittering Can-Can before bowing out and back to his place.” - Rolling Stone, 19 December 1974

“Billy Preston would dance across the stage on one leg and get the crowd going. George joined in with Billy, but he was really making fun of the fact that he was so white, so unblack and unfunny. It was almost a piss-take of himself, and he did it to accentuate his total whiteness and Billy’s beautiful blackness.” - Andy Newmark, While My Guitar Gently Weeps: The Music of George Harrison‬

“George is wonderful. George is very spiritual. He's a very loving and humble person. He's a very good friend and is like a brother to me.” - Billy Preston

“[Billy] used to play with George a lot in his studio [FPSHOT] at home in England and he had Billy's [Hammond] B3. We just called it 'Billy's B3.' Billy would sit and dance on that seat and on the pedals of that organ. He really did. His seat would just dance across there, he was just amazing. Such a sweet man. So gentle and what a talent. He had absolute fluidity on that organ and on any keyboard really.” - Olivia Harrison, Billboard, 3 April 2017 (x)

#George Harrison #quote #quotes by George #quotes about George #Billy Preston #George and Billy Preston #Dark Horse Tour #Dark Horse Tour 1974 #fits queue like a glove

[krispyweiss]

Song Review: Grateful Dead - “One More Saturday Night” (Live, June 16, 1990)

C’mon, Georgie.

That’s Bob Weir calling out another - eviler - infamous W. while the Grateful Dead tears through “One More Saturday Night” June 16, 1990, in California.

Out for the latest edition of “All the Years Live,” it’s a typically rambunctious rendition with Jerry Garcia waxing tasteful on his MIDI usage and Brent Mydland taking the bulk of the solos on his B3 organ.

It’s an encore and the band seems anxious to get on with its own Saturday night. But it’s still a ripper and ends with Weir kneeling and smacking the neck of his guitar as he waits for Garcia to cue the final note - which they hit just exactly perfectly.

C’mon Bobby.

Grade card: Grateful Dead - “One More Saturday Night” (Live - 6/16/90) - A-

Read Sound Bites’ previous “All the Years Live” coverage here.

2/23/23

#Youtube #grateful dead #all the years live #one more saturday night #jerry garcia #bob weir #phil lesh #bill kreutzmann #mickey hart #brent mydland

[hammondcast]

Funky Purdie Tracking White Onions Jon Hammond Late Rent Session Men Quad Recording Hammond Report

#WATCHMOVIE HERE: Funky Purdie Tracking White Onions Jon Hammond Late Rent Session Men Quad Recording Hammond Report 

Jon's archive https://youtu.be/eeXwjFswFtw 

FB https://www.facebook.com/558692101/videos/299741582398328/ 

Instagram https://www.instagram.com/p/CuC6kX3sqCS/ 

Funky Purdie Tracking White Onions Jon Hammond Late Rent Session Men Quad Recording Hammond Report

by

 Jon Hammond 

 Usage

 Attribution-NonCommercial-NoDerivs 4.0 International

Topics

 Funky, Bernard Purdie, Recording Session, Recording, Recording Studio, Hammond B3, rhythm section, Jazz, Blues, Les Paul guitar, Quad Recording Studios

Language

 English

Funky Purdie tracking White Onions Jon Hammond Late Rent Session Men Quad Recording Studios NYC Hammond Report Co-Producer Mixing Mastering Engineer Joe Berger Bernard "Pretty" Purdie drumsChuggy Carter Leslie J. Carter congas + percussion Barry Finnerty guitarAlex Foster saxophoneJon Hammond Hammond B3 "White Onions" by Jon Hammond - Jon Hammond Band©JON HAMMOND International ASCAP#recording  #recordingsession #recordingstudio 

#engineer #hammondb3 #bernardpurdie #funky

Addeddate

 2023-06-28 19:44:46

Identifier

 funky-purdie-tracking-white-onions-jon-hammond-late-rent-session-men-quad-recording-hammond-report 

 Topics

 Funky, Bernard Purdie, Recording Session, Recording, Recording Studio, Hammond B3, rhythm section, Jazz, Blues, Les Paul guitar, Quad Recording Studios

Language

 English  

Topics, Funky, Bernard Purdie, Recording Session, Recording, Recording Studio, Hammond B3, rhythm section, Jazz, Blues, Les Paul guitar, Quad Recording Studios Language English

#topics #funky #Bernard Purdie #Recording Session #Recording #Recording Studio #Hammond B3 #rhythm section #Jazz #Blues #Less Paul guitar #Quad Recording Studio #Language English

[dustinreidmusic]

Lucinda Williams - Austin City Limits 1998 - Full Performance

Lucinda Williams (vocals, guitar), Kenny Vaughan (guitar, backing vocals), John Jackson (guitar), Richard "Hombre" Price (bass), Randy Leago (Hammond B3, Accordion), Fran Breen (drums),  and Jim Lauderdale (acoustic guitar, backing vocals).

#lucindawilliams #1998 #live

[burlveneer-music]

Sly5thAve - Liberation - leading a whole orchestra on his new album

‘Liberation’ is the third solo LP from composer, arranger, producer, and multi-instrumentalist Sly5thAve. Layered with orchestral arrangements, jazz improvisation and Hip-Hop production, ‘Liberation’ is an accomplished record of courage, musical conviction, and growth. Known for his sophisticated compositions, Sylvester Uzoma Onyejiaka II AKA Sly5thAve’s first experiences with large scale arranging were with the Club Casa Chamber Orchestra and recording instrumental covers of popular modern songs. Notably, his orchestral tribute to Dr. Dre, ‘The Invisible Man,’ garnered widespread praise and attention, even earning the admiration of Dr. Dre himself. Through these recordings Sly5thAve felt he had found a way to make people connect with orchestral music; “I’ve long felt orchestras around the world are inaccessible to most people – whether it be the programming or the cost, or the location”. The LP is Sly5thAve’s first full album of original orchestral arrangements and features the musicianship of Sly5thAve’s collaborators and Ghost Note bandmates - headed by Snarky Puppy's multi-Grammy–winning percussion duo Robert “Sput” Searight and Nate Werth, alongside previous collaborator Roberto Verástegui. MUSICIANS Sly5thAve – Bari Sax, Tenor Sax, Flute, Bass Clarinet, Aux Keys, Synth Bass, Drum Programming Roberto Verástegui – Keys (A1, B1, B3, C1, C3, C4, D2, D3) Todd M. Simon – Trumpets (A1, B1, B2, C1, C4, D1) Robert “Sput” Searight – Drums (A1, B1, B2, C1, C4, D1) Peter Knudsen – Guitar (A1, B1, B2, B3, C1, C3, C4, D1, D2, D3) Nate Werth – Percussion (A1, B1, B2, C1, C4, D1) Jelani Brooks – Tenor Sax (A1) Michael Campagna – Trumpet (A1, B1, B2, C1, D1) Marío Cortés García – Contrabass (A1, B1, B2, C1, C4, D1) Malik Taylor – French Horn (A1, B1, B2, C1, C4, D1) Lemar Guillary – Trombone (A1, B1, B2, C1, C4, D1) Jonathan Mones – Flutes & Sax (B1, B2, D1) Jay Jennings – Trumpet & Flugelhorn (A1, B2, B3, C1, C4, D2) Ibanda Ruhimbika – Tuba (A1, B1, B2, C1, C4, D1) MonoNeon – Bass (B3, C3, D2, D3) DominiqueXavier – Keys (A1, B1, B2, C1, C4, D1) Domenica Fossati – Flute & Piccolo (A1, B1, B2, C1, D1) Dave Richards – Trumpet (B2, C4, D1) Daniel Wytanis – Trombone (B2, C4, D1) Ben Burget – Flutes, Clarinet & Alto Sax (A1, B1, B2, C1, C4, D1) Antoine Katz – Bass (A1, B1, B2, C1, C4, D1) Alex Wasily – Trombone (A1, B1, B2, C1, C4, D1) MacKenzie – Vocals (C3) Kyle Rapps – Vocals (B3) STRINGS (A1, B1, B2, B3, C1, C4, D1, D2) Salomón Guerrero Alarcón – Cello Israel Torress Araiza – Violin Carols Roberto Gándara García – Violin Anna Arnal Ferrer - Viola

#Bandcamp #Sly5thAve #jazz #fusion #2024 #orchestra #strings

[odk-2]

The Rolling Stones - Paint It Black (Album Stereo Mix) (1966) Mick Jagger / Keith Richards from: "Aftermath" (US LP) "Paint It Black" / "Stupid Girl" (US Single) "Paint It Black" / "Long, Long While" (UK Single)

Raga Rock | Psychedelic Rock Proto-Goth Lyrics

JukeHostUK (left click = play) (320kbps)

Personnel: Mick Jagger: Lead Vocals Brian Jones: Sitar / Percussion Keith Richards: Electric Guitar / Acoustic Guitar / Backing Vocals Bill Wyman: Bass Pedals / Bass Guitar / Hammond B3 Organ Charlie Watts: Drums / Percussion

Jack Nitzsche: Piano

Produced by Andrew Loog Oldham

Recorded: @ The RCA Studios in Los Angeles, California USA between March 6–9, 1966

US Single Released: on May 7, 1966 UK Single Released: on May 13, 1966 US Album Released: on June 20, 1966

London Records (US) Decca Records (UK)

Raga Rock -Wikipedia "Raga rock is rock or pop music with a pronounced Indian influence, either in its construction, its timbre, or its use of Indian musical instruments, such as the sitar...' - Wikipedia

"Another key element is Charlie Watts's drumming, with his dominant toms and cymbals driving the song..." "Paint It Black" - The Rolling Stones All the Songs: The Story Behind Every Track (2016)   by Philippe Margotin and Jean-Michel Guesdon

#Paint It Black #Jagger/Richards #Aftermath #The Rolling Stones #Raga Rock #1966 #1960's #London Records #Decca Records (UK) #Sitar