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#Bibiana Fernández
kitty-leche · 7 months
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Tacones Lejanos (1991) Director: Pedro Almodovar
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genevieveetguy · 1 year
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You must learn how to manage your problems with men better.
High Heels (Tacones lejanos), Pedro Almodóvar (1991)
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romanbymarta · 4 months
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Roman Polanski and Bibiana Fernández
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danataiko · 13 days
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vavalladolid · 7 months
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«Que me echen»: la frase de Bibiana Fernández que la puede dejar fuera de Telecinco
https://www.elegimaldia.es/que-me-echen-la-frase-de-bibiana-fernandez-que-la-puede-dejar-fuera-de-telecinco/
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boycigs · 10 months
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THERE A TRANS ACTRESS WITH THE SAME NAME AS MY OC WAHHH . she's pretty, her name is Bibiana Fernández
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jaumesclub · 1 year
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Ja disponible a Youtube, canal JauTV!! Notícies tremendes!!!: Chernobyl-2 a Ohio!!! ho intenten amagar? Ovnis per tot arreu!!! cortina de fum? Starlink causant estupor? Felicitem a: El Rubius, Sophia Lillis, Bibiana Fernández i Peter Gabriel. Recordem a: Oliver Reed. Efemèrides: Dia de la ràdio, de l'epilèpsia, del solter, de l'amant i dels amics d'Internet! Personalitats: Mario Vaquerizo i les seves opinions sui generis, Bel Olid, Robbie Williams i el gat Fèlix, Ethan Suplee i el seu canvi físic, i els tattoos d'Ed Sheeran. Cinema: Premis Goya, totes les estrenes de cinema de la setmana! i opinió sobre la peli: "Els Fabelman" I molt més!!! Vídeos a: Youtube.com/JauTV Directes a: twitch.tv/jaufibla I molt més a: jaumesclub.com (en Barcelona, Spain) https://www.instagram.com/p/CotBPjvLZqq/?igshid=NGJjMDIxMWI=
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pacogonzalez72 · 2 years
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Bibiana Fernández
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Loles León, Rossy de Palma y Bibiana Fernández
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yourdailyqueer · 4 years
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Bibiana Fernández
Gender: Transgender woman
Sexuality: N/A
DOB: 13 February 1954
Ethnicity: White - Spanish
Occupation: Actress, singer, presenter, model
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Films watched in 2020.
139: La ley del deseo (Pedro Almodóvar, 1987)
★★★★★★★☆☆☆
“I’m condemned to solitude.”
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genevieveetguy · 1 year
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I see you liked women a lot. If you would've met me, you might've fallen in love with me. Me with you, surely. I haven't been very selective, Ramón. I've shacked up in the worst joints. I wonder what's with me? I always get the weirdos. A good heart and a good dick and I fall in love.
Kika, Pedro Almodóvar (1993)
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peter-ash · 3 years
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aidibus · 3 years
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Orgullo
“El dia 28 se celebra extraoficialmente el Orgullo LGTBI (a este paso va a ser el día del abecedario) y nosotros vamos a hacerlo a nuestra manera: rindiendo tributo y homenaje a los que lucharon y luchan por la igualdad.” (descripción de la convocatoria del evento en FB del grupo de Retrarrestro domiciliario) Sesión domingo 27 de junio de 2021 de retrarresto Domiciliario El 28 de junio de 1969…
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View On WordPress
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mrfahrenheit92 · 5 years
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lifejustgotawkward · 5 years
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365 Day Movie Challenge (2019) - #157: Kika (1993) - dir. Pedro Almodóvar
It had to happen eventually: I’ve found a film by Pedro Almodóvar that I don’t love. Kika bursts with color and comedy, just like so many other films by the director, but there are enough problems with the story that it didn’t sit well with me. Verónica Forqué is perfectly cast as the title character, a baby-voiced cosmetologist who falls headfirst into a bizarre love triangle between American novelist Nicholas (Peter Coyote) and his Madrid-raised son Ramón (Àlex Casanovas), but the plot goes totally off the rails as it veers madly between murder, rape, incest, voyeurism and a subplot concerning a crime-reenactment TV show hosted by a former psychologist named Andrea Caracortada (which means “scarface”) (Victoria Abril). There is an abundance of unpleasantness as Andrea tries to gather evidence that Nicholas killed Ramón‘s mother years earlier, lesbian housekeeper Juana (Rossy de Palma) attempts to prevent her brother Pablo (Santiago Lajusticia) from raping Kika by throwing herself at him instead - unsuccessfully so... and the subsequent, way-too-long assault is played for laughs - and poor Kika is caught in the middle of all this.
Despite my complaints, try not to be weirded out when I say that certain aspects of the film are good, primarily the performances by the three lead actresses, the costumes designed by José María de Cossío in collaboration with none other than Gianni Versace, and assorted details like Almodóvar’s usage of the Bernard Herrmann Psycho score in the background of a scene. I flat-out loved seeing Pedro Almodóvar’s mother, Francisca Caballero, as the host of a literary criticism show; speaking in affectless yet charmingly straightforward tone of voice, she insists on doing interviews even though she refuses to read the books. (Supplemental material of a similar nature: if you’ve seen Tie Me Up! Tie Me Down!, Cabellero has a small role as Victoria Abril’s mother.) Kika also marks the last of the four appearances that Bibiana Fernández made in Almodóvar‘s films; I wonder if she regarded her nude scene in this film (bold but superfluous to the plot) as exploitative. Kika might be best remembered for its satirical look at true-crime reality TV as an extreme form of grotesque spectacle, foreseeing the rising popularity of such shows in the 21st century, but otherwise the film may only be of merit to Almodóvar superfans.
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