So I'm just gonna go sit outside and stare at the ducks for a while.
If you're up for it, critter pictures would be appreciated. I could use some nonjudgmental appreciation for existing right about now.
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Why would somebody not only burp in public but then slap their belly and laugh about it o_o
Have I personally offended them somehow? Are they trying to kill me??
*mutters to self* clearly yet another anti-saurian conspiracy...
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Blue Exorcist played at anime club and brought back why it's a comfort anime to me in regards to being a trans guy and how much I related myself to Rin Okumura.
Like, I grew up in an evangelical area as a Lutheran (where baptism confirmation involved learning the Apostles Creed and reciting it... convinced my mom to let me skip that day out of the Two Year baptism confirmation program). My Church didn't say anything about the LGBTQ+ community, but my area did, and so did the Westboro Baptist Church, which was more active at the time.
I have ADHD, just the inattentive type (Rin would have combined) but the impulsiveness was still there. I also had a lot of anger issues, which I for the most part got a good hold of by now, but still act up at times.
So having a character that struggles with ADHD, anger and who's the son of Satan in a very Christain context (raised in a Church by a priest) and knowing that almost everyone around you wouldn't accept that and would see you as irredeemable if they found out hit really close to home. Struggling with the fact that you see yourself as a monster too. Figuring out how to continue with life filled with guilt around who you are and learning to accept it when you're a teenager while also getting others to accept you. Sometimes being unable to convince yourself that you aren't a monster until something or someone snaps you out of it.
I hold onto the series like, "This is *My* trans masc rep." An immature demon boy with a lot of emotional shit going on. I don't need to headcanon him as trans, he already represents the trans experience to me.
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In defense of the original, while I do agree the episodic vibes were a bit much at times, and it was something I kinda had to work my way through slowly rather than binging all in one...
I do kinda prefer the more gradual approach to laying out the information; getting to know both the setting and who Vash is as a person and the different facets of both, before getting the context that lets it all click into place. Plus the main quartet having ample time to grow together so that later developments have stronger emotional weight.
I will agree that Knives definitely suffered in focus, and I am interested in how Stampede handles him, but admittedly he wasn't really what I watched Trigun for in the first place. ^^;
yeah my gripe is less with the way the setting and characters were handled and more with the way the. actual plot was handled. it honest to god felt to me like they realized about halfway through their run that they didnt have enough episodes left to get the backstory in in a cohesive way so they just shoved it all into one episode and pretended that that explanation didn't create more questions than it answered. you spend 20 episodes teasing your audience like "ooooh what is vash?? clearly hes not human!! clearly there's something going on!!! don't you want to know whats going on?? keep watching and you'll totally understand whats going on!!" and then your big reveal is that. He Is Not Human. which is something that any idiot who has watched the last 20 episodes has already figured out. the question the audience ACTUALLY has at that point in the runtime is what, EXACTLY, is vash, and what the context is behind the conflict he and knives are in. the backstory episode explains that Knives Is Here, and it gives context to the setting and everything, but it pissed me off that it STILL didn't answer the actual mysteries i cared about, i.e. vash's real identity and the thing with the gun and his fucking arm and knives's motivations and everything. maybe that gets answered in the last episode that i neglected to watch but personally I prefer a story where i UNDERSTAND WHAT'S GOING ON by the time the final confrontation hits. with trigun it got to a point where vash was going out for the final battle with knives and i STILL didn't know who vash was, who knives was, where they came from, or what the hell their motivations were. that just made that final confrontation seem so wholly uninteresting to me that i didn't even feel like watching it. it was like "hey look vash is fighting a cardboard cutout that he is Afraid Of. Why? lmao idk man. probably has something to do with that weird spaceship that shows up in one whole episode before this point. not going to tell you how tho." I think some writers have this tendency to think that mystery = good writing and that not revealing anything to your audience will consistently draw them in for more, but that only works for so long. after 20 episodes of virtually net 0 information it got to feel like I was being strung along and like my questions were never going to be answered, so I gave up on the show in the final hour. Again, i'm not saying it was BAD necessarily and i understand the context in terms of writing and production that led to the show being produced that way but i think it really noticeably suffers due to the fact that it refuses to give the audience ANYTHING but crumbs of information for about 80% of it's runtime. that being said. i did genuinely like a lot of it. it has its moments. im not trying to discourage anyone from watching it or anything lol i just think stampede is a little more successful in keeping the viewer engaged in the story throughout by constantly feeding you bits of information and actually answering your questions as they become plot-relevant.
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