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#Heidi Van Horne
nocternalrandomness · 5 months
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Heidi Van Horne
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tgsclassics · 1 month
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Heidi Van Horne and Sabina Kelley sharpening Klaws. Danielle Bedics — Arizala Photography
@fappertwo @dmreeser32 @rockypeanut
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drrubinspomade · 28 days
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#heidi van horne
STILL ROCKIN’.
We post glorious pinups like this one all day, every day! If you dig this pic we’ve found online, u should investigate the creator/subjects of the work and fan them, follow them, hire them.
If you’d like us to remove, or you know who made this so that we can credit, DM. Thanks and greetings from Los Angeles.
YOU ARE THE LIGHT
Dr Rubin’s Pomade
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javabachelor · 1 year
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Here’s wishing you a bubbly New Year! (With a little help from issue 18 covergal Heidi Van Horne. Photo by Holly West!) #bachelorpadmagazine #pinup #happynewyear #heidivanhorne #hollywestphotography @heidivanhorne @hollywestphotography https://www.instagram.com/p/Cm1lrn1u3Ed/?igshid=NGJjMDIxMWI=
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Photography by Vlad Voloshin
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Thoughts on Un ballo in maschera (San Francisco, 2014)
As promised for the ever-lovely @monotonous-minutia.
Ballo is a weird opera for me: I love it (it's definitely in my top 3 or 4 favorite Verdis), and it was my absolute favorite opera for...actually about a year or so, and while it's no longer my absolute favorite, it's still very high up on the list. However, I have found that it is almost impossible to find a production (or for that matter a recording) that gets the opera completely right for me or is in any way definitive—but then again, this is an opera that is also pretty hard to badly screw up. In fact, I think I've only seen one production that's managed to badly screw it up, which was from Leipzig and which has possibly the single ugliest production aesthetic I have ever seen in an opera. But I digress.
This production isn't perfect or definitive, but it is a damn good show.
Before you ask: yes, this is set in Sweden (good) and yes, Anckarström does shoot Gustavo (even better) as Verdi, history, and the universe intended. None of this stabby-stabby kitchen knife nonsense.
My biggest complaint is honestly that I hope the San Francisco Opera has changed their prompter in the past six years because whoever was prompting apparently decided that it was necessary and good to practically yell a lot of the lines, most noticeably in Act III, Scene 1. It got really annoying really quickly.
Also I wasn't a huge fan of some of the sets, in particular the set that seemed to (with slightly different pieces) be both the first and the last set. The gallows set looked really cool but was not very well-lit, causing a whole lotta darkness instead of what it was supposed to look like:
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which would've been way cooler. The study set was pretty nice, though.
This production was veritable costume porn and I loved it. I want Amelia's Act II outfit immediately. Also that ensemble Oscar wears to the ball.
The conducting by Nicola Luisotti was excellent overall; I loved how fast-moving it felt (because this is a fast-paced opera!) and how each scene felt like it went by in the blink of an eye. My only no is that I feel like the strings were slightly underbalanced overall (particularly in the last act), although I may be biased as a longtime string player.
The chorus and orchestra were both excellent. The smaller roles were all well-taken; Scott Conner (whom you, @monotonous-minutia, may recognize as Bernandino in the Amsterdam 2015 Benvenuto Cellini) and Christian van Horn were luxury casting as Those Two Counts Where No One Can Tell Which One Is Which. Great singing-acting duo.
Dolora Zajick absolutely BROUGHT IT as Ulrica, with all the ghostly creepiness, charismatic flair, and powerhouse singing one would expect of her in this role. I always love seeing her in Verdi. And her costume made her look freakin' cool.
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As I posted earlier, OH MY GOD HEIDI STOBER IS CUTEST OSCAR. This Oscar is ALWAYS sassing people around and being funny and really running the behind-the-scenes; everyone both loves and fears him. He's always making mischief (in particular wreaking havoc upon the Chief Justice) and trying to have a little fun and hating it when people take his fancy hat and start throwing it around (as happened multiple times). And he's also so concerned about his King 24/7, even though he can get annoyed with him. (Gustavo pretends to have a heart attack when Ulrica gives the prophecy, and while he thinks it's funny, Oscar very much does not.) And at the ball, all the attenion ends up on him and the commedia dell'arte dancers. It's amazing. And don't even get me started on how talented of a singer Heidi Stober is.
You want photos? HERE IMMA SPAM WITH PHOTOS:
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Thomas Hampson isn't my favorite singer in the role of Count Anckarström—his voice often comes across as a little dry for my taste here—but he does very well nonetheless, with a fantastic "Eri tu". Where he really shines, however, is in his acting and use of the text. You can hear the feeling behind every individual word and thought he sings, which I think is incredibly hard to do. He makes so much out of it all and milks every moment for its dramatic potential, which helps create this wonderful sense of character—you can really believe in him from start to finish, through all his moods and his descent into murderous jealousy and hatred, and his remorse at the end. And those costumes, and how stylish he looks in them? Perfection.
And I'm just gonna leave this photo here:
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(his FACE. it's PRICELESS.)
Julianna di Giacomo is just *heart eyes*. She can sing and those high notes are going to be ringing in my ears for a while. Amelia is not an easy role in any way, shape, or form, but she made it sound so easy, especially those two (very difficult!) arias. I think she also did a great job at finding her personality and capturing not only her inner conflict but also her innate strength beneath any fears she may have; a moment that particularly stood out is that in the Lot-Drawing Scene, she stood her ground even after Anckarström told her to draw a name, and in fact, he eventually had to physically force her to draw by grabbing her arm and putting it in the urn because he could not otherwise force her to take part. Also, may I say she is very pretty.
Ramón Vargas is not a popular quantity on here, and sure, it's not a perfect voice, but I do hear plenty of real Italian sound in his voice, which more than compensates for the fact that's it's inherently somewhat too light for the part. Nevertheless, he acquits himself very well in this long and demanding role, and I particularly enjoyed listening to his take on the I Am Totally A Fisherman Song. Also, he's just such a naturally cheerful and sunny personality, which melds really well with the character; he is also very convincing in the more serious parts, especially because it feels that the whole time, he is acting out of love and a zest for life, which fits pretty much all the problems Gustavo has really well.
In short, a really wonderful take on a really wonderful opera.
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jaywade · 7 years
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Heidi Van Horne
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galsoncars · 2 years
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model: Heidi van Horne
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fantrollnames · 3 years
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sheep and ram themed names
arakul,Karaku (Karakul sheep)
Arapaw (Arapawa sheep from new zealand)
Argali (Argali/Ovis ammon/mountain sheep)
armoni (Altai argali/Ovis ammon ammon, wild sheep from central asia)
arseyo (Dímunarseyðurin/Lítla Dímun sheep)
audubo, duboni(Badlands bighorn sheep/Ovis canadensis auduboni)
Awassi, baladi, deirei, gezire,quezri (Awassi/Baladi, Deiri, Syrian, Ausi, Nuami, Gezirieh (or Qezirieh), or Ivesi (Turkish). sheep from south-west asia)
Balkhi (Balkhi sheep)
Beltex (Beltex, a belgian sheep)
Borera,Hebrid,ridean(Boreray sheep/Hebridean Blackface from scotland)
bridea (Hebridean sheep)
canade,densis (Bighorn sheep/Ovis canadensis)
daglic (Dagliç sheep)
dalapa, palfar(Dala Pälsfår/dala-fur sheep in sweden)
Dorper (Dorper sheep)
dorset (Dorset Horn sheep)
Edilba,ilbaev (Edilbay sheep/Edilbaı qoıy/Edilbaev(skaya) sheep)
essant,breton (Ouessant sheep/ushant/Breton Dwarf, sheep from northern europe)
foroys, seyour(Faroe sheep/Føroyskur seyður, a northern european sheep)
gehorn (German Grey Heath sheep, Graue Gehörnte Heidschnucke)
gutefa (Gute sheep/Gutefår, a swedish sheep)
Heidis, schuke (Heidschnucke, moorland sheep from northern Germany)
hetlan (Shetland sheep)
isphah,hanica (Ovis orientalis isphahanica, wild sheep in northern Iran and Turkey)
Karaku, araqul (Karakul sheep/Qaraqul)
Khunum (Khnum, ram headed egyptian god)
kopper, persie (Blackhead Persian sheep/Swartkoppersie, sheep from somalia)
larist,tanica (Ovis laristanica, wild sheep in southern Iran)
Latica, ticaud (Laticauda sheep)
Leices (Border Leicester, british sheep)
litlan,dimuna,munars (Lítla Dímun sheep/Dímunarseyðurin, primitive sheep)
Loaght,aghtyn(Manx Loaghtan/Loaghtyn/Loghtan, rare sheep breed from northern europe)
Merino (Merino sheep)
Merino (Merino sheep)
Moorit (Castlemilk Moorit, rare domestic sheep from Scotland)
mouflo (mouflon/Ovis gmelini, a turkish sheep)
Mouflo, melini (Mouflon/Ovis gmelini, wild sheep from the Caspian region)
Musimo, tityru,tytron (Musimon/tityrus/tytron, a cross between a goat and a sheep in european mythos)
Navajou,Churro (Navajo-Churro/Navajo Four-Horned, domestic spanish sheep)
nivico (Snow sheep/Ovis nivicola/Siberian bighorn sheep)
paelsa(Spælsau, old norwegian sheep)
paelsa, gamalo (Spælsau/Old Norwegian Short Tail Landrace, Gamalnorsk spæl Norwegian, a norwegian sheep)
palfar, alsfar(Gotland sheep/Pälsfår, a swedish sheep)
Rambou, bouilt (Rambouillet sheep)
riedal, coried (Corriedale sheep)
Roslag,lagsfa (Roslag sheep/Roslagsfår, a breed of endangered domesticated sheep from sweden)
rubosh,bosher (Armenian Semicoarsewool/Armyanskaya Polugrubosherstnaya, armenian sheep)
saukin (Icelandic sheep/íslenska sauðkindin)
seyooy (Seyðoy, Soay sheep in old norse) shoire (Shropshire sheep) Skudde (Skudde, domesticated sheep from Estonia, Germany, Latvia, Lithuania, and Switzerland) somall, crysom, mallos (Chrysomallos, golden wooled winged ram from greek mythology) suffol (Suffolk sheep) Tartar, scythi,tarica,barome,aromet (Vegetable Lamb of Tartary/Agnus scythicus or Planta Tartarica Barometz, a plant from asian mythos that can grow sheep) vanroy (Van Rooy sheep) vignei, arkars (urial/Ovis vignei/arkars/shapo, wild sheep in south asia) weibeh, moorsh (White Polled Heath/Weiße Hornlose Heidschnucke/Moorschnucke, german sheep) Zwarte (Zwartbles, domestic sheep from the netherlands)
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musicals-and-more · 5 years
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2019 Tony Nominations!!!
I am so excited to watch James Cordon host the 73rd Annual Tony Awards on June 9th!!!
BEST MUSICAL
Ain't Too Proud
Beetlejuice
Hadestown
The Prom
Tootsie
BEST PLAY
Choir Boy
The Ferryman
Gary: A Sequel to Titus Andronicus
Ink
What the Constitution Means to Me
BEST PLAY REVIVAL
Arthur Miller’s All My Sons
The Boys in the Band
Burn This
Torch Song
The Waverly Gallery
BEST MUSICAL REVIVAL
Kiss Me, Kate
Rodgers & Hammerstein's Oklahoma!
BEST ACTOR (PLAY )
Jeff Daniels, To Kill a Mockingbird
Paddy Considine, The Ferryman
Bryan Cranston, Network
Adam Driver, Burn This
Jeremy Pope, Choir Boy
BEST ACTRESS (PLAY)
Annette Bening, Arthur Miller’s All My Sons
Laura Donnelly, The Ferryman
Elaine May, The Waverly Gallery
Janet McTeer, Bernhardt/Hamlet
Laurie Metcalf, Hillary and Clinton
Heidi Schreck, What the Constitution Means to Me
BEST ACTRESS (MUSICAL)
Stephanie J. Block, The Cher Show
Caitlin Kinnunen, The Prom
Beth Leavel, The Prom
Eva Noblezada, Hadestown
Kelli O'Hara, Kiss Me, Kate
BEST ACTOR (MUSICAL)
Brooks Ashmanskas, The Prom
Derrick Baskin, Ain't Too Proud
Alex Brightman, Beetlejuice
Damon Daunno, Rodgers & Hammerstein's Oklahoma!
Santino Fontana, Tootsie
Best Book of a Musical
Ain't Too Proud – The Life and Times of the Temptations
Dominique Morisseau
Beetlejuice
Scott Brown & Anthony King
Hadestown
Anaïs Mitchell
The Prom
Bob Martin & Chad Beguelin
Tootsie
Robert Horn
Best Original Score (Music and/or Lyrics) Written for the Theatre
Be More Chill
Music & Lyrics: Joe Iconis
Beetlejuice
Music & Lyrics: Eddie Perfect
Hadestown
Music & Lyrics: Anaïs Mitchell
The Prom
Music: Matthew Sklar
Lyrics: Chad Beguelin
To Kill a Mockingbird
Music: Adam Guettel
Tootsie
Music & Lyrics: David Yazbek
Best Performance by an Actor in a Leading Role in a Play
Paddy Considine, The Ferryman
Bryan Cranston, Network
Jeff Daniels, To Kill a Mockingbird
Adam Driver, Burn This
Jeremy Pope, Choir Boy
Best Performance by an Actress in a Leading Role in a Play
Annette Bening, Arthur Miller's All My Sons
Laura Donnelly, The Ferryman
Elaine May, The Waverly Gallery
Janet McTeer, Bernhardt/Hamlet
Laurie Metcalf, Hillary and Clinton
Heidi Schreck, What the Constitution Means to Me
Best Performance by an Actor in a Leading Role in a Musical
Brooks Ashmanskas, The Prom
Derrick Baskin, Ain't Too Proud – The Life and Times of the Temptations
Alex Brightman, Beetlejuice
Damon Daunno, Rodgers & Hammerstein's Oklahoma!
Santino Fontana, Tootsie
Best Performance by an Actress in a Leading Role in a Musical
Stephanie J. Block, The Cher Show
Caitlin Kinnunen, The Prom
Beth Leavel, The Prom
Eva Noblezada, Hadestown
Kelli O'Hara, Kiss Me, Kate
Best Performance by an Actor in a Featured Role in a Play
Bertie Carvel, Ink
Robin De Jesús, The Boys in the Band
Gideon Glick, To Kill a Mockingbird
Brandon Uranowitz, Burn This
Benjamin Walker, Arthur Miller's All My Sons
Best Performance by an Actress in a Featured Role in a Play
Fionnula Flanagan, The Ferryman
Celia Keenan-Bolger, To Kill a Mockingbird
Kristine Nielsen, Gary: A Sequel to Titus Andronicus
Julie White, Gary: A Sequel to Titus Andronicus
Ruth Wilson, King Lear
Best Performance by an Actor in a Featured Role in a Musical
André De Shields, Hadestown
Andy Grotelueschen, Tootsie
Patrick Page, Hadestown
Jeremy Pope, Ain't Too Proud – The Life and Times of the Temptations
Ephraim Sykes, Ain't Too Proud – The Life and Times of the Temptations
Best Performance by an Actress in a Featured Role in a Musical
Lilli Cooper, Tootsie
Amber Gray, Hadestown
Sarah Stiles, Tootsie
Ali Stroker, Rodgers & Hammerstein's Oklahoma!
Mary Testa, Rodgers & Hammerstein's Oklahoma!
Best Scenic Design of a Play
Miriam Buether, To Kill a Mockingbird
Bunny Christie, Ink
Rob Howell, The Ferryman
Santo Loquasto, Gary: A Sequel to Titus Andronicus
Jan Versweyveld, Network
Best Scenic Design of a Musical
Robert Brill and Peter Nigrini, Ain't Too Proud – The Life and Times of the Temptations
Peter England, King Kong
Rachel Hauck, Hadestown
Laura Jellinek, Rodgers & Hammerstein's Oklahoma!
David Korins, Beetlejuice
Best Costume Design of a Play
Rob Howell, The Ferryman
Toni-Leslie James, Bernhardt/Hamlet
Clint Ramos, Torch Song
Ann Roth, Gary: A Sequel to Titus Andronicus
Ann Roth, To Kill a Mockingbird
Best Costume Design of a Musical
Michael Krass, Hadestown
William Ivey Long, Beetlejuice
William Ivey Long, Tootsie
Bob Mackie, The Cher Show
Paul Tazewell, Ain't Too Proud – The Life and Times of the Temptations
Best Lighting Design of a Play
Neil Austin, Ink
Jules Fisher + Peggy Eisenhauer, Gary: A Sequel to Titus Andronicus
Peter Mumford, The Ferryman
Jennifer Tipton, To Kill a Mockingbird
Jan Versweyveld and Tal Yarden, Network
Best Lighting Design of a Musical
Kevin Adams, The Cher Show
Howell Binkley, Ain't Too Proud – The Life and Times of the Temptations
Bradley King, Hadestown
Peter Mumford, King Kong
Kenneth Posner and Peter Nigrini, Beetlejuice
Best Sound Design of a Play
Adam Cork, Ink
Scott Lehrer, To Kill a Mockingbird
Fitz Patton, Choir Boy
Nick Powell, The Ferryman
Eric Sleichim, Network
Best Sound Design of a Musical
Peter Hylenski, Beetlejuice
Peter Hylenski, King Kong
Steve Canyon Kennedy, Ain't Too Proud – The Life and Times of the Temptations
Drew Levy, Rodgers & Hammerstein's Oklahoma!
Nevin Steinberg and Jessica Paz, Hadestown
Best Direction of a Play
Rupert Goold, Ink
Sam Mendes, The Ferryman
Bartlett Sher, To Kill a Mockingbird
Ivo van Hove, Network
George C. Wolfe, Gary: A Sequel to Titus Andronicus
Best Direction of a Musical
Rachel Chavkin, Hadestown
Scott Ellis, Tootsie
Daniel Fish, Rodgers & Hammerstein's Oklahoma!
Des McAnuff, Ain't Too Proud – The Life and Times of the Temptations
Casey Nicholaw, The Prom
Best Choreography
Camille A. Brown, Choir Boy
Warren Carlyle, Kiss Me, Kate
Denis Jones, Tootsie
David Neumann, Hadestown
Sergio Trujillo, Ain't Too Proud – The Life and Times of the Temptations
Best Orchestrations
Michael Chorney and Todd Sickafoose, Hadestown
Simon Hale, Tootsie
Larry Hochman, Kiss Me, Kate
Daniel Kluger, Rodgers & Hammerstein's Oklahoma!
Harold Wheeler, Ain't Too Proud – The Life and Times of the Temptations
Special Tony Awards for Lifetime Achievement in the Theatre Rosemary Harris
Terrence McNally
Harold Wheeler
Special Tony Awards
Marin Mazzie
Sonny Tilders and Creature Technology Company
Jason Michael Webb
Regional Theatre Tony Award
TheatreWorks Silicon Valley
Palo Alto, CA
Isabelle Stevenson Tony Award
Judith Light
Tony Honors for Excellence in the Theatre
Broadway Inspirational Voices – Michael McElroy, Founder
Peter Entin
FDNY Engine 54, Ladder 4, Battalion 9
Joseph Blakely Forbes
Congratulations to all the nominees and especially to Hadestown leading with 14 nominations!!!
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popculturebrain · 5 years
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Best Musical Ain’t Too Proud—The Life and Times of The Temptations Beetlejuice Hadestown The Prom Tootsie
Best Play Choir Boy by Tarell Alvin McCraney The Ferryman by Jez Butterworth Gary: A Sequel to Titus Andronicus by Taylor Mac Ink by James Graham What the Constitution Means to Me by Heidi Schreck
Best Revival of a Musical Kiss Me, Kate Rodgers and Hammerstein’s Oklahoma!
Best Revival of a Play Arthur Miller’s All My Sons The Boys in the Band by Mart Crowley Burn This Torch Song by Harvey Fierstein The Waverly Gallery by Kenneth Lonergan
Best Performance by an Actor in a Leading Role in a Musical Brooks Ashmanskas, The Prom Derrick Baskin, Ain’t Too Proud Alex Brightman, Beetlejuice Damon Daunno, Oklahoma! Santino Fontana, Tootsie
Best Performance by an Actress in a Leading Role in a Musical Stephanie J. Block, The Cher Show Caitlin Kinnunen, The Prom Beth Leavel, The Prom Eva Noblezada, Hadestown Kelli O’Hara, Kiss Me, Kate
Best Performance by an Actor in a Leading Role in a Play Paddy Considine, The Ferryman Bryan Cranston, Network Jeff Daniels, To Kill a Mockingbird Adam Driver, Burn This Jeremy Pope, Choir Boy
Best Performance by an Actress in a Leading Role in a Play Annette Bening, Arthur Miller's All My Sons Laura Donnelly, The Ferryman Elaine May, The Waverly Gallery Janet McTeer, Bernhardt/Hamlet Laurie Metcalf, Hillary and Clinton Heidi Schreck, What the Constitution Means to Me
Best Book of a Musical Ain’t Too Proud, Dominique Morisseau Beetlejuice, Scott Brown and Anthony King Hadestown, Anaïs Mitchell The Prom, Bob Martin and Chad Beguelin Tootsie, Robert Horn
Best Original Score (Music and/or Lyrics) Written for the Theatre Be More Chill, Joe Iconis Beetlejuice, Eddie Perfect Hadestown, Anaïs Mitchell The Prom, Matthew Sklar and Chad Beguelin To Kill a Mockingbird, Adam Guettel Tootsie, David Yazbek
Best Direction of a Musical Rachel Chavkin, Hadestown Scott Ellis, Tootsie Daniel Fish, Oklahoma! Des McAnuff, Ain’t Too Proud Casey Nicholaw, The Prom
Best Direction of a Play Rupert Goold, Ink Sam Mendes, The Ferryman Bartlett Sher, To Kill a Mockingbird Ivo van Hove, Network George C. Wolfe, Gary: A Sequel to Titus Andronicus
Best Performance by an Actor in a Featured Role in a Musical Andre De Shields, Hadestown Andy Grotelueschen, Tootsie Patrick Page, Hadestown Jeremy Pope, Ain’t Too Proud Ephraim Sykes, Ain’t Too Proud
Best Performance by an Actress in a Featured Role in a Musical Lilli Cooper, Tootsie Amber Gray, Hadestown Sarah Stiles, Tootsie Ali Stroker, Oklahoma! Mary Testa, Oklahoma!
Best Performance by an Actor in a Featured Role in a Play Bertie Carvel, Ink Robin De Jesús, The Boys in the Band Gideon Glick, To Kill a Mockingbird Brandon Uranowitz, Burn This Benjamin Walker, Arthur Miller's All My Sons
Best Performance by an Actress in a Featured Role in a Play Fionnula Flanagan, The Ferryman Celia Keenan-Bolger, To Kill a Mockingbird Kristine Nielsen, Gary: A Sequel to Titus Andronicus Julie White, Gary: A Sequel to Titus Andronicus Ruth Wilson, King Lear
Best Choreography Camille A. Brown, Choir Boy Warren Carlyle, Kiss Me, Kate Denis Jones, Tootsie David Neumann, Hadestown Sergio Trujillo, Ain't Too Proud
Best Orchestrations Michael Chorney and Todd Sickafoose, Hadestown Larry Hochman, Kiss Me, Kate Daniel Kluger, Oklahoma! Simon Hale, Tootsie Harold Wheeler, Ain’t Too Proud
Best Scenic Design of a Musical Robert Brill and Peter Nigrini, Ain’t Too Proud Peter England, King Kong Rachel Hauck, Hadestown Laura Jellinek, Oklahoma! David Korins, Beetlejuice
Best Scenic Design of a Play Miriam Buether, To Kill a Mockingbird Bunny Christie, Ink Rob Howell, The Ferryman Santo Loquasto, Gary: A Sequel to Titus Andronicus Jan Versweyveld, Network
Best Costume Design of a Musical Michael Krass, Hadestown William Ivey Long, Beetlejuice William Ivey Long, Tootsie Bob Mackie, The Cher Show Paul Tazewell, Ain’t Too Proud
Best Costume Design of a Play Rob Howell, The Ferryman Toni-Leslie James, Bernhardt/Hamlet Clint Ramos, Torch Song Ann Roth, Gary: A Sequel to Titus Andronicus Ann Roth, To Kill a Mockingbird
Best Sound Design of a Musical Peter Hylenski, Beetlejuice Peter Hylenski, King Kong Steve Canyon Kennedy, Ain’t Too Proud Drew Levy, Oklahoma! Nevin Steinberg and Jessica Paz, Hadestown
Best Sound Design of a Play Adam Cork, Ink Scott Lehrer, To Kill a Mockingbird Fitz Patton, Choir Boy Nick Powell, The Ferryman Eric Sleichim, Network
Best Lighting Design of a Musical Kevin Adams, The Cher Show Howell Binkley, Ain’t Too Proud Bradley King, Hadestown Peter Mumford, King Kong Kenneth Posner and Peter Nigrini, Beetlejuice
Best Lighting Design of a Play Neil Austin, Ink Jules Fisher and Peggy Eisenhauer, Gary: A Sequel to Titus Andronicus Peter Mumford, The Ferryman Jennifer Tipton, To Kill a Mockingbird Jan Versweyveld and Tal Yarden, Network
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broadwaybaberoni · 5 years
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Tony Award Nominations 2019 (By Show)
Musicals
Ain’t Too Proud: The Life and Times of The Temptations (12)
Best Musical
Best Actor in a Leading Role in a Musical (Derrick Baskin)
Best Actor in a Featured Role in a Musical (Jeremy Pope)
Best Actor in a Featured Role in a Musical (Ephraim Sykes)
Best Book of a Musical (Dominique Morisseau)
Best Choreography (Sergio Trujillo)
Best Orchestrations (Harold Wheeler)
Best Scenic Design of a Musical (Robert Brill and Peter Nigrini)
Best Costume Designs of a Musical (Paul Tazewell)
Best Sound Design of a Musical (Steve Canyon Kennedy)
Best Lighting Design of a Musical (Howell Binkley)
Best Direction of a Musical (Des McAnuff)
Be More Chill (1)
Best Original Score (Music & Lyrics by Joe Iconis)
Beetlejuice (8)
Best Musical
Best Actor in a Leading Role in a Musical (Alex Brightman)
Best Book of a Musical (Scott Brown & Anthony King)
Best Original Score (Music & Lyrics by Eddie Perfect)
Best Scenic Design of a Musical (David Korins)
Best Costume Designs of a Musical (William Ivey Long)
Best Sound Design of a Musical (Peter Hylenski)
Best Lighting Design of a Musical (Kenneth Posner and Peter Nigrini)
The Cher Show (3)
Best Actress in a Leading Role in a Musical (Stephanie J. Block)
Best Costume Designs of a Musical (Bob Mackie)
Best Lighting Design of a Musical (Kevin Adams)
Hadestown (14)
Best Musical
Best Actress in a Leading Role in a Musical (Eva Noblezada)
Best Actor in a Featured Role in a Musical (André De Shields)
Best Actor in a Featured Role in a Musical (Patrick Page)
Best Actress in a Featured Role in a Musical (Amber Gray)
Best Book of a Musical (Anaïs Mitchell)
Best Original Score (Music & Lyrics by Anaïs Mitchell)
Best Choreography (David Neumann)
Best Orchestrations (Michael Chorney and Todd Sickafoose)
Best Scenic Design of a Musical (Rachel Hauck)
Best Costume Designs of a Musical (Michael Krass)
Best Sound Design of a Musical (Nevin Steinberg and Jessica Paz)
Best Lighting Design of a Musical (Bradley King)
Best Direction of a Musical (Rachel Chavkin)
King Kong (3)
Best Scenic Design of a Musical (Peter England)
Best Sound Design of a Musical (Peter Hylenski)
Best Lighting Design of a Musical (Peter Mumford)
Kiss Me, Kate (4)
Best Revival of a Musical
Best Actress in a Leading Role in a Musical (Kelli O’Hara)
Best Choreography (Warren Carlyle)
Best Orchestrations (Larry Hochman)
Rogers and Hammerstein’s Oklahoma! (8)
Best Revival of a Musical
Best Actor in a Leading Role in a Musical  (Damon Daunno)
Best Actress in a Featured Role in a Musical (Ali Stroker)
Best Actress in a Featured Role in a Musical (Mary Testa)
Best Orchestrations (Daniel Kluger)
Best Scenic Design of a Musical (Laura Jellinek)
Best Sound Design of a Musical (Drew Levy)
Best Direction of a Musical (Daniel Fish)
The Prom (7)
Best Musical
Best Actor in a Leading Role in a Musical (Brooks Ashmanskas)
Best Actress in a Leading Role in a Musical (Caitlin Kinnunen)
Best Actress in a Leading Role in a Musical (Beth Leavel)
Best Book of a Musical (Bob Martin & Chad Beguelin)
Best Original Score (Music by Matthew Sklar, Lyrics by Chad Beguelin)
Best Direction of a Musical (Casey Nicholaw)
Tootsie (11)
Best Musical
Best Actor in a Leading Role in a Musical (Santino Fontana)
Best Actor in a Featured Role in a Musical (Andy Grotelueschen)
Best Actress in a Featured Role in a Musical (Lilli Cooper)
Best Actress in a Featured Role in a Musical (Sarah Stiles)
Best Book of a Musical (Robert Horn)
Best Original Score (Music & Lyrics by David Yazbeck)
Best Choreography (Dennis Jones)
Best Orchestrations (Simon Hale)
Best Costume Designs of a Musical (William Ivey Long)
Best Direction of a Musical (Scott Ellis)
 Plays
Arthur Millers All My Sons (3)
Best Revival of a Play
Best Actress in a Leading Role in a Play (Annette Bening)
Best Actor in a Featured Role in a Play (Benjamin Walker)
Bernadette/Hamlet (2)
Best Actress in a Leading Role in a Play (Janet McTeer)
Best Costume Designs of a Play (Toni-Leslie James)
The Boys in the Band (2)
Best Revival of a Play
Best Actor in a Featured Role in a Play (Robin de Jesús)
Burn This (3)
Best Revival of a Play
Best Actor in a Leading Role in a Play (Adam Driver)
Best Actor in a Featured Role in a Play (Brandon Uranowitz)
Choir Boy (4)
Best Play
Best Actor in a Leading Role in a Play (Jeremy Pope)
Best Choreography (Camille A. Brown)
Best Sound Design of a Play (Fitz Patton)
The Ferryman (9)
Best Play
Best Actor in a Leading Role in a Play (Paddy Considine)
Best Actress in a Leading Role in a Play (Laura Donnelly)
Best Actress in a Featured Role in a Play (Fionnula Flanagan)
Best Scenic Design of a Play (Bob Howell)
Best Costume Designs of a Play (Rob Howell)
Best Sound Design of a Play (Nick Powell)
Best Lighting Design of a Play (Peter Mumford)
Best Direction of a Play (Sam Mendes)
Gary: A Sequel to Titus Andronicus (7)
Best Play
Best Actress in a Featured Role in a Play (Kristine Nielsen)
Best Actress in a Featured Role in a Play (Julie White)
Best Scenic Design of a Play (Santo Loquasto)
Best Costume Designs of a Play (Ann Roth)
Best Lighting Design of a Play (Jules Fisher + Peggy Eisenhauer)
Best Direction of a Play (George C. Wolfe)
Hillary and Clinton (1)
Best Actress in a Leading Role in a Play (Laurie Metcalf)
Ink (6)
Best Play
Best Actor in a Featured Role in a Play (Bertie Carvel)
Best Scenic Design of a Play (Bunny Christie)
Best Sound Design of a Play (Adam Cork)
Best Lighting Design of a Play (Neil Austin)
Best Direction of a Play (Rupert Goold)
To Kill a Mockingbird (9)
Best Actor in a Leading Role in a Play (Jeff Daniels)
Best Actor in a Featured Role in a Play (Gideon Glick)
Best Actress in a Featured Role in a Play (Celia Keenan-Bolger)
Best Original Score (Music by Adam Guettel)
Best Scenic Design of a Play (Miriam Buether)
Best Costume Designs of a Play (Ann Roth)
Best Sound Design of a Play (Scott Lehrer)
Best Lighting Design of a Play (Jennifer Tipton)
Best Direction of a Play (Bartlett Sher)
King Lear (1)
Best Actress in a Featured Role in a Play (Ruth Wilson)
Network (5)
Best Actor in a Leading Role in a Play (Bryan Cranston)
Best Scenic Design of a Play (Jan Versweyveld)
Best Sound Design of a Play (Eric Sleichim)
Best Lighting Design of a Play (Jan Versweyveld and Tal Yarden)
Best Direction of a Play (Ivo Van Hove)
Torch Song (2)
Best Revival of a Play
Best Costume Designs of a Play (Clint Ramos)
The Waverly Gallery (2)
Best Revival of a Play
Best Actress in a Leading Role in a Play (Elaine May)
What the Constitution Means to Me (2)
Best Play
Best Actress in a Leading Role in a Play (Heidi Schreck)
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drrubinspomade · 2 months
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#heidi van horne #rod & kulture
STILL ROCKIN’.
We post glorious pinups like this one all day, every day! If you dig this pic we’ve found online, u should investigate the creator/subjects of the work and fan them, follow them, hire them.
If you’d like us to remove, or you know who made this so that we can credit, DM. Thanks and greetings from Los Angeles.
YOU ARE THE LIGHT
Dr Rubin’s Pomade
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javabachelor · 2 years
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We want to wish a swinging Happy Birthday today to the heavenly Heidi Van Horne. (Who just happened to be our very first covergal!) Photo here by Holly West from issue 18! #bachelorpadmagazine #pinup #pinupgirl #heidivanhorne #hollywestphotography @heidivanhorne @hollywestphotography https://www.instagram.com/p/CjT9ONJD8i2/?igshid=NGJjMDIxMWI=
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elpachuco · 6 years
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(via Automobile Driving Museum hosts first Bombs Car Show | El Pachuco Zoot Suits)
One custom that took a prime spot right out in front of the Museum was this killer green 1952 Chevy lowrider with suicide doors, wide white wall tires and custom pinstriping and paint. Photo: Heidi Van Horne
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heidivanhorne-blog · 6 years
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👀Killer Rides! At the @killershrimp #KillerRides #carshow today in the Marina! -all photos copyright Heidi Van Horne @heidivanhorne - . One album won’t do it so look for more posted in my feed! And, as usual, keep an eye out for the actual camera photos in my article about the show in my column this upcoming weekend in @houstonchron and in 14 markets nationwide! . 😍😍😍fell in love soooo many times today! . #heidiscustomsandclassics #heidispics #heidivanhorne #classics #customs #cars #chevy #customcars #classiccars #killershrimp #cadillac #ford #streetrod #hotrod #kustom #marinadelrey #westside #lacarculture (at Killer Shrimp)
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