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#I love Steve but I mostly write him because he’s pretty and reflects my inner loneliness—
bowiebond · 2 years
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“Oh, you like Mungrove because you’re obsessed with Eddie, right?”
Wrong. I’m obsessed with Billy and THEN Eddie 💅🏻✨ Billy lives rent free in my brain and Eddie is his roommate that refuses to sign the lease.
In fact if I was to rate the Hawkins guys it would be Billy, Eddie, Jonathan and THEN Steve, but to be fair, there is no a big gap in my love for each of these gay/bi icons
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boop-le-snoot · 4 years
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PARTY FAVOURS I CHAPTER 10
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Rating: Explicit.
‼️TW: Reader is EIGHTEEN! Recreational drug use, smoking and alcohol consumption, deeply internalised self-loathing, very questionable moral standards. Daddy kink taken half-seriously. BDSM themes in later chapters - explicit content will come with it's own TWs. FIRST PERSON POV. Mild smut in this chapter.
Summary: You're Peter's classmate, a child of rich and famous but uncaring parents. Getting paired up for a lengthy project with the boy was an interesting turn of events and you don't know whether to feel blessed or cursed when you develop, seemingly, a perfectly normal, harmless crush on Tony Stark. Fueled by feelings of inadequacy and boredom, your life spirals out of control - and you're lucky your newfound friends are there to pick up the pieces even if you cannot find it in yourself to believe these amazing human (and not so human) beings voluntarily give you more than a fleeting glance and an offhanded thought. And they brought cake!
A/N: Tony fluff, Tony snark, Tony sass and Tony smut (finally!). My & reader's brain be like: tony tony tony tony. A request for my readers: do I write a believeable tony? Is he in character, more or less?
My beta @miscmarvelwritings - she's not into Tony but even then, she was finally excited about them finally getting down & dirty. The patience of this woman...
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"Tony, could I borrow, like, a hoodie or something?"
He eyed my attire critically for a moment, seemingly coming to the same conclusion I did minutes earlier, and made a beeline for the couch in the back of the lab. Picking up and examining a black mass of fabric, deeming it satisfactory, he tossed it to me. "It's clean enough, I guess."
The thin straps of my mesh top rubbed against a lot of tender skin, leaving pink lines in the wake of it. A sigh of relief escaped me involuntarily when I removed it -
"Woah, woah," Tony squeaked, covering his eyes with an exaggerated gesture. "Warn a man!"
I honestly didn't see what the big deal was. "Tony, chill. I'm pretty sure you've seen it all and then some." I snorted, stretching briefly, shrugging on the slightly oversized hoodie. It smelled like the lab - like Tony, too, but mostly like motor oil and iron. Beggars can't be choosers, however - I had already devised and executed the plan that will let me keep the hoodie.
"When you put it that way..." He smirked, briefly returning to his usual self and giving me a salacious eyebrow wiggle.
I laughed in response, wiggling my hips, feeling the hem of my skirt swish against my thighs. I considered removing the fishnet tights, too, but a brief look in the reflective wall divide between Tony's and Bruce's labs got me pulling out my phone to take two dozen selfies. I looked great with Tony's clothes on.
The engineer chuckled at my antics, coming up behind me as I sat on the floor with my knee raised, chin resting on it. The amber liquid sloshed over the top of his glass, dripping down his fingers. He sat behind me.
"Weller Full Bourbon?" I asked, bringing my nose closer to his fingers to get a good whiff. The distinctive vanilla notes in his whiskey were unmistakable. "Good choice," I made a serious face. "Fancy."
"I can afford it, darling," He snarked back, devoid of malice.
He was so close. And so warm. And I needed a new screensaver. Shuffling back, I reclined against Tony's chest, carefully wedging my head in the crook of his neck.
God help me.
I felt his breath hitch. The dark, magnetic pools of his eyes stared at me from our combined reflection. Tony's eyes were the most expressive, he could fake a smile, he could charm the press and countless investors, but his eyes only spoke the truth. Always. I loved working with Tony because his gaze would light up. It was akin to seeing a little kid on Christmas.
A muscular arm snaked around my waist, pressing my back to his chest. The metal of his arc reactor jabbed uncomfortably between my shoulder blades but there was nowhere else I'd rather be.
"You're filming, Princess," He interrupted my Moment.
"Sure," I answered, not caring. There could be another alien invasion happening and I wasn't able to give a damn.
I felt the vibrant chuckle more than heard; Tony snatched the phone out of my hand without permission. I noticed the furrowed brow when he opened my Instagram and saw the unmistakable evidence of my frequent partying, yet he didn't comment on it.
"Tony, the press is going to go nuts," I raised my eyebrows, seeing what he was planning to do.
"They've seen me doing worse things," He scoffed. And took a photo of us ‘just chilling’ in his lab, hugging. He picked out a filter and everything., and then posted it.
"First of all, I am pretty awesome to be 'doing', I've had only good feedback," I scoffed at his dismissive attitude, using my free hand to make quote marks. Then I turned my head to stare him square in the face. "Steve's going to be pissed and Ms. Potts is going to call to yell at you." I punctuated the statements with a raised eyebrow.
There was really no innocent way the press could represent the photo that he posted. I didn't care for it, my parents wouldn't give a damn (my father probably would encourage it, the free publicity and all). Tony himself didn't seem like the kind of man to care much about some gossip articles, if anything, he enjoyed provoking them into a frenzy. Or at least, he used to.
"I'll put them both on hold. I like to watch the line blink," Tony winked, smirking. "I've been told the press expects me to have a midlife crisis since my last breakup," Eyes darkening, the man swiftly finished off his drink.
Midlife crisis seemed such a bitter way of putting it. Considering my own preferences in romantic partners, I couldn't help but feel offended at the way people offhandedly dished out labels - "midlife crisis", "daddy issues" and so on and so forth. The briefest part of me traveled back to Mr. Davies' living room where - no, I am not going there.
"Huh," I said, coming to a conclusion. A sad one at that.
"Don't take this the wrong way, Princess, but you don't seem like the kind of girl who thinks about pesky things like reputation or consequences," Tony mused idly, coming to a conclusion of his own.
"Nope, I don't give a fuck," I agreed with his opinion wholeheartedly. "If I would have a publicist, they would quit on the second day."
"I pay mine, uh, twice the average amount and they still quit. We're doomed, baby," Tony's gleeful face was mere inches away from my own, whiskey-tipsy and glowing.
I snorted, sliding lower to further burrow into his arms. Tony's sudden touchy-feely mode wasn't lost on me. My own touch starvation overrode any common sense that I had left. The totally-PG (well, not quite) embrace, one armed hug brought me more satisfaction than any of my sexual partners had ever achieved to give me.
"Why are there so many messages from Banner? Are you staging a world domination plan and forgot to include me? I'm hurt!" Tony exclaimed suddenly, a whiny tone to his voice.
"Thor's space yeasts have corrupted our minds with their spores. Soon all will become... Mushroom!" I deepened my voice for the dramatic effect, flailing my arms on the last word for the extra flair.
The man wiped a fake tear from the corner of his eye; his eyes were sparkling, laughing even. "I'm evicting Thor and his supremely selfish yeast. How dare it ignore me."
"I vouched for you, I really did," I kept up the silly game. "But alas, the yeasts deemed you too... Boomer," The pride in my voice could barely hold back the laughter threatening to spill.
"Did you just..?" Tony gaped. "Did you just call me old?!"
I attempted to get away, shrieking when the tips of Tony's fingers squirmed along my midsection. "It was the yeast! IT WAS THE YEAST!" My resistance proved to be futile. The engineer had mass and strength on his side, years of piloting and maneuvering the Iron Man suits showing just how quick and nimble he could be when the situation demanded it.
"Take that from an old man!" He exclaimed triumphantly, using his arm to hold down both of my hands from grasping at him. One of his legs held down my own; we were a squirming, writhing mass of limbs in the heat of a tickle fight.
The cocaine in my blood, the mild buzz from being drunk on Tony - my body reacted to the close proximity of the man who occupied my fantasies. I was blushing, breathing heavily, and it wasn't just from the exertion. It should have affected me less, but I struggled to keep my eyes from Tony's face; his own flush, the moist part of his lips.
I wondered how a deer in the headlights felt. Was it hot, like it's body was suddenly alight, or was it cold, liquid nitrogen freezing in its veins?
"Fuck," I mumbled half-coherently.
"What was that?" He arched an eyebrow, clever eyes carefully watching my own.
"I'm in trouble," I chuckled weakly, looking away, pretending to struggle against his arms.
"You're trouble," He announced, grinning. His fingertips slowed, skimming gently along my sides now.
I retaliated with a tentative brush of my foot along the softness of his jean-covered inner thigh. It was euphoric, seeing Tony shudder, the thick eyelashes fluttering for the briefest part of a second.
"We should stop," He whispered suddenly, making a move to disentangle us both. Mixed signals, we've got em, ladies and gentlemen.
"Why?" I was tired of this dance. It was fun but painful. My firm decision of the past still stood: I won't be the lovesick fangirl, I won't be another notch in his bedpost. The resolve was crumbling but it was still there, to some point.
"You're not sober, this is wrong," He mumbled. "I'm more than twice your age, Princess."
That ship had sailed, Tony. If only you knew... "Do you seriously expect me, out of all people, to find common ground with someone my age? Someone like Peter? Jeez," I tried to be amused. If it came out more pleading, I pretended to not notice it. It was the moment of truth. It needed to be said. "I'm FUBAR, Tony. I'm lucky if anyone at all will want to put up with me, much less someone I can stand. I'm spoiled, I'm selfish, and annoying. I know that. I just thought we were friends and you'd be...kinder about it." My mumbling was met with a somewhat perplexed stare.
"I..." His eyebrows threatened to have a close encounter with his hairline. "What the fuck? Are you dead set on giving me a stroke today? I have a heart condition," He yanked me back towards his chest, unceremonious and indignant. "You can be so smart yet so stupid. Gosh, where is the world rolling, I'm quoting Pepper now." He seemed to be muttering to himself.
"Pot, kettle." I didn't resist the urge to snark.
"Right," Tony rolled his eyes. "You're beautiful and all that jazz. You deserve much more than this." Uncharacteristically sad, he pointed to himself, again. "I'm an old man with more issues than Playboy magazine."
"And I'm an angsty teenager with daddy issues, we're a match made in heaven."
"Hell," Tony was eyeing our combined reflection with a sort of petulance. It was hard keeping track of his microexpressions; his eyes and face held fleeting, half-finished thoughts, just like when he was creating, inventing something new.
"Works for me. Lucifer's hot," I answered with my brain on autopilot. He caught my eyes in the shiny glass, trapping me in his calculative gaze.
"The Netflix one or the Supernatural one?" Tony asked, equally absent from the conversation. Neither of us were able to break eye contact, breathing laboured and hearts thudding in our chests. I felt Tony's pulse fluttering under my palm where I'd rested it on his wrist.
The organ that dutifully pumped blood through my own veins and kept me alive threatened to escape my body, jump out of my chest, make its way out my mouth. Tony's unblinking stare penetrated my skin, seeped into the hollow behind my eyelids, ignited a flame within me and froze my thoughts.
"The one with the detective kink," I answered breathily. "I have an affinity for brown-eyed, narcissistic, sarcastic men with self-destructive tendencies," The last part of my sentence was swallowed by Tony's lips.
My brain shorted out, just like that. Bourbon on his breath and a new dose of snark on his tongue, he licked into my mouth with the grace and finesse of years of experience. It was sudden, it was rough, it was fantastic. His beard left marks on my face and I craved the burn of it.
"Fuck," I moaned when we were forced to surface for oxygen. My hips had moved, pressed against his own, prominent arousal digging into the small of my back. Tony had me moaning and grinding into it in mere seconds.
A hand rested on my face with surprising tenderness, turning my face to look at my own reflection. My hair was a mess, lips puffy - Tony wasn't looking any better, hunger and lust in plain view. It was a good look on him.
"Watch," His breath ghosted over the shell of my ear, lips traveling to the nape of my neck to attach themselves to the very sensitive flesh of that area.
I obeyed, gazing at the scene with lidded eyes. Keeping them open was a struggle. My body was flooded with sensation, riding the waves of pleasure like a rollercoaster. I wanted to please him, needed to obey him, to feel him.
My thighs quivered at Tony's touch. There was no warning, no preamble as he wedged a firm hand, separating them quickly to follow the heat. His biceps flexed deliciously. Under my skirt, through the fishnets and the tiny, lacy panties I wore.
"Fucking shit," The man moaned loudly, finding me, predictably, soaking wet. It was one hot, sticky mess between my legs.
The keen that left my mouth might've been embarrassing, yet it only spurred Tony on. Gently parting my lower lips, he gathered the moisture, suddenly withdrawing from me. My confusion met his amusement in the mirror as he stuck the two fingers in his mouth, moaning obscenely and loudly at the taste.
The corners of my mouth lifted, happy. "To-ony," I whined, my pussy aching for more. Now that I had felt the relief and pleasure of his touch, I didn't want it to end.
"Princess," He replied, seriously and sternly. I shuddered at the scratchiness of his voice. The hand that I was missing returned, stroking over the outside of my pussy with broad, soft motions. I arched, presented myself into the touch. "So eager," Tony mumbled into my shoulder, catching a bit of my skin between his teeth.
His fingers dipped deeper, delving in between the puffy, engorged flesh and stroking once, twice, before finding my clit. The pads of Tony's fingers were rough, hardened by manual work and hours spent in front of his inventions, making, tinkering, creating. The friction was perfect. I followed each stroke with a fluid motion of my hips.
"Tony, fuck," I slurred my approval, needing him to know how amazing he made me feel. Tony's form pressed closer, both of us melting, molding into each other.
"Baby girl, what do you need?" His raspy voice tickled my neck. I was sure there would be an array of marks decorating me come morning and absolutely loved the thought. I belonged to Tony Stark, in body and heart and mind and soul.
"I want to cum," I had no shame left. "I want to feel you."
He groaned, rutting into me. A squeak was all I managed to emit as two thick fingers plunged inside of me with a wet squelch. My pussy immediately took hold of the situation, squeezing and rippling around them. I was so close, my nerves pulled up taut like an overtaxed string. The effect this man had on me was positively unholy.
My clit throbbed under his thumb. Tony somehow managed to reach every single sweet spot on my body, effortlessly, easily, like he'd done it a thousand times.
"Ohmyfuckinggod, Tony," I came hard, shuddering, drenching the fingers inside of me. The moment I began sagging in his arms was the moment they tightened around me; I felt Tony grind helplessly against me, saw his own eyes slam shut and his brow furrow.
The hand that was in me withdrew rapidly as he hastily popped the button on his pants, freeing his cock and giving it several desperate tugs. I couldn't see it; I had to settle for the sensation of his hand, his hips rubbing against my clothed back.
He came quickly, with a loud shout. My curiosity got the best of me and I used the brief moment of his weakness to turn around, take a good look at him.
Tony was a fucking mess with a fucking gorgeous cock. Thick and veiny.
My face was level with it before he could have opened his eyes. I wanted, craved to know how he tasted. With gentle kitten licks, I collected the stray drops of cum running down his hand, careful of the rapidly softening, sensitive flesh.
His eyes popped open in surprise. I smiled at him, unseeing, collecting as much of him as I could.
"Fuck, Princess," He breathed. "I'm just a man, I'm pushing fifty," Gently pulling my head away but holding it mere inches from his cock. Indecisive.
I reached over for his hand with my own, popping finger after finger in my mouth, collecting every drop of cum like it was nectar. I could be good...I If properly motivated. The salty musk was all the motivation I needed at that moment. He pulled me in for a filthy, sloppy kiss once I was done, both of us humming, vocalising the shared pleasure.
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As always, feedback is welcome and this blog is keyboard smash & emoji friendly.
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Soulmate Shenanigans Five: The Order Of The Shenanigans
Hey! Guess who has returned? 
Me!
Just the March doing her prompt writing thing, as seen on previous episodes :)
Parts one, two, three, and four here!
Prompt #5
Any intense emotions your soulmate feels you will also experience
Warnings for kidnapping mention and gifted kid “potential” mention
Okay. Not going to lie, I kind of tweaked the concept, but I like how it turned out. The idea of the sides having sides in human AUs has been in my brain, and now it’s in yours!
World Building
At first, the symptoms of having a soulmate was seen as symptoms of witchcraft
It was a reasonable assumption to make, as seeing into someone’s head and emotions wasn’t really a thing that humans did. 
However, as the population grew and communication across the globe became a thing, the instances of people finding their soulmates grew as well, and not everyone could be a witch (or, if they were, being a witch was simply being human).
It took a while for the culture around soulmates to shift, but shift it did, and people eventually figured out “Oh, that person is my soulmate, not my eternal enemy that I need to destroy via my demonic powers, which I totally have”
But people’s minds are kind of a lot, and it’s hard to process it all.
So, in modern day, people have learned to separate the pieces of their soulmate’s personality that they get bombarded with into different pieces, or sides
The sides are Logic, Morality/Emotions, Creativity (with there sometimes being a divide between dark and light), Self-Preservation, and Anxiety.
Characters
Roman: Roman is looking forward to meeting his soulmate so much!
Just...later.
When he’s a famous writer and people know about him and he’s evened out his insecurities and he deserves them!
Being perfect for them is going to take work, but most people meet their soulmates over 30, so he’s got at least fifteen years to prepare.
Until then, he was working on his fantasy story and dreaming of the day he’d get published or get the lead in a school play.
The writing club had been his idea, so you could say that everything that happens in the story was his fault. He’d just wanted to be around people who liked the same things he liked!
Roman’s Sides, ranked in order of how much control they have:
Note: Names are hard. Aaaagh.
Magnus, his creativity, romance, passion, etcetera. Magnus is really the one who calls the shots around here. He’s just as goofy of a fifteen year old (if not more) as Roman, but he has the unenviable position of running a mind palace and being the ego of someone who hates himself.
This guy just wants to listen to Hamilton, but noooo, he had to have an evil reflection of himself and self-worth issues.
The Count, his self-preservation and pretty much Roman’s inner Roxie Hart/Velma Kelly. Randomly suggests poisoning their mortal enemies a lot (note: they don’t have mortal enemies). 
The most like canon Janus out of any of the self preservations, except instead of “we live in a society” it’s more “fuck it, we’re going to be *famous*!”
The other sides will pay him to stop saying, “that’s showbiz”
The Medic, his morality and emotions. Sort of has a medieval healer thing going on (which means herbs in a satchel, not plague doctor mask).
A lovely person on his own, but when he and The Guard team up, it’s ✨Guilt time!✨
He has the question of “Am I a terrible person?” on his hands, so...good luck to him. He’s trying to hold the five of them into a cohesive unit, but it’s hard!
The Guard, his fears and anxious thoughts. He has a shield and a spear, and is kind of dressed like a (dark and stormy) knight.
No one particularly likes him, but it’s his job to recognize The Shadow, so they all need him.
He hangs around on the outskirts of the mindscape, ever vigilant.
The Alchemist, his logic. No one listens to the voice of reason in this house. Al isn’t really a fan of this, and being Roman’s logic, he thinks that if he can find a way to prove himself it’ll turn out okay.
The Shadow, everything Magnus discarded. You could call him dark creativity, but he’s a lot more. 
They used to call him Rex, when they were kids.
Patton: Patton isn’t thrilled with having to move to a new school, but he’s keeping a positive attitude
The new town is creepy and making friends is harder than he thought, and he just wants to right a sappy love story about ghosts without feeling sad.
But if he keeps his chin up, he knows it’ll all be fine!
And hey, maybe he’ll find people who like him in this writing club thing!
Patton’s Sides, ranked in order of how much control they have: 
Patrick, his morality and emotions. Patrick feels all of the loneliness and desperation that Patton feels daily, but pretends he doesn’t feel it, since he has to be there for them!
Them meaning his family, meaning the rest of Patton’s mind, as well as Patton, since he’s kind of an older brother/role model to the guy.
Covering the full scope of human emotions isn’t great when the other half of your job is enforcing the sense of right and wrong (and the general consensus in Patton’s head is showing negative emotions = burden = wrong).
None of them can cook, but that won’t stop him from trying!
The Canary, his fears and anxious thoughts. Constantly popping up to remind everyone that they’re failing. It’s kind of his job.
Stress plays the piano when things get to be too much.
The Gardener, his creativity, romance, and passion. Conjures flowers a lot. Projects wishes for a soulmate into the sappy ghost love story, which he’s mostly in charge of writing.
Hasn’t split yet, but that’s mostly because nearly all of Patton’s negative impulses that would be considered “dark creativity” already come from The Miser.
Dr. Picani, his logical side. Knows everything about cartoons, and tries to be professional, but a complete sweetheart.
Secretly knows his name is Emile, but is waiting for the best moment to tell everyone.
The Miser, his self-preservation and deceitful side. No one’s a fan of him. Patrick is kind of his mortal nemesis (in the sense that Patrick claimed the title and he just kind of went along with it?)
Everyone else in the Pattonsphere refuses to curse, but he says many a “fuck” with ease
Trying to protect The Gardener from splitting by taking responsibility for most of the things a dark creativity would do.
Virgil: Virgil just didn’t want to join the yearbook committee. 
It was irrational, maybe, to have a deep rooted hatred of the yearbook committee. 
They were just trying to categorize things, design pages-it wasn’t malicious! 
And yet, being in that classroom and seeing Amelia’s dead eyes and smile near rang every alarm bell in his system, so he needed a way out this year.
His parents weren’t going to let him not choose an activity, so he flipped a coin and ended up in some writing club.
He came into the club determined to fake some pretentious poetry about death. Just because they say the club’s about expression or whatever doesn’t mean that they can know anything about his comics.
Virgil’s Sides, ranked in order of how much control they have: 
Dante, his fears and anxious thoughts. Dante has too many eyes. Dante is lowkey a cryptid, but he’s sadly a cryptid in charge of life decisions.
There’s no way to dance around it. Dante’s a spider-human hybrid.
Dante would prefer they never be perceived by anyone for anything. He does not want to be seen, he does not want to be heard, he does not want to be perceived. Period. 
But he’s a very conspicuous spider-human hybrid. 
The Competent One, The One Who Can Actually Do Math, Steve, whatever you want to call him, he’s Virgil’s logical side.
His theories are just....
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See that image? That kind of sums up his characterization.
Parker, his creativity, romance, and heroic side. He’s the one who got them obsessed with comic books, and is trying to write his own. If people don’t like the comics, he’ll probably just start screaming and never stop
He gets the purple eyeshadow!
Remy, his self-preservation. He mainly just wants Virgil to just...rest
Nap. Sleep. Take a self-care day. This is Remy’s goal.
Also to continue to have the most style out of anyone in the Virgilsphere
Remy has a talent for never being anywhere at the right time, and then popping up at the worst moments, caffeine in hand.
Tam, his morality and emotions. The most into the emo phase out of any of them, since he feels all angst!
Sometimes just hovers and screams. Everyone’s pretty used to this.
Logan: Logan was trying to ignore the things he’d seen
Logan was a scientific guy. He knew that magic wasn’t real, that the fae were just stories.
So, clearly, the nightmarish things he’d seen that night were just that: nightmares. Just nightmares caused by stress over his academic struggles.
That was the immediate problem at hand: academic struggles. Logan was always the top of his class his whole life, and words like “gifted” were thrown around. Lately, however, things have been harder to keep up with and pay attention to, and it’s a bit of a mess.
Logan joined the writing club because he thought it might help him with English class, and he did like speculative fiction.
But, more importantly, he joined it because he thought it would be a simple task he could easily ace, so he wouldn’t have to keep being told that he wasn’t trying.
Logan’s Sides, ranked in order of how much control they have:
Mimir, his logical side. Mimir is pushing himself to take care of all academic matters and keep Logan afloat.
Mimir is over his head, but doesn’t really have anyone to talk to (or so he thinks), so he’s just putting Warby Parkers over his panic and faking cold distance to make everyone think he’s doing okay.
Alastor, his moral side. Half of his job is repressing Logan’s emotions, which isn’t a great thing to be doing, but he think he’s doing it for a good reason.
Kinda strict and blaming Mimir for everything going wrong. He does care about the others, he’s just bad at showing it.
Cassandros, his fears and anxious thoughts. 
This dude-
He’s basically just [puts feet on coffee table] “Hey, did you know everyone hates us?? I made a PowerPoint that proves it!”
He’ll get character development, though.
The Chessmaster, his overdramatic self-preservation.
Tries to be clever, walks into walls.
The Detective, his creative and fanciful side. He wants to swashbuckle, but instead he’s restrained to geometry. 
But now he has a project in the writing club! He has something to do!
And The Mad Scientist is trying to ruin it!
The Mad Scientist, Logan’s dark creativity.
They never used to care about the creative side one way or another. There was no need to make a dark side when it was already looked down upon.
Now, however, there are things in Logan’s mind that he’s trying not to think about, and so the Mad Scientist has joined the fray.
The Actual Plot
This is going to be an actual fic that I write. So, I’m not going to fill out the entire plot here.
I can, however say a few of the plot lines
Plot One: Everyone’s sides are in a state of constant screaming and must learn to communicate.
They also need to let their main guys figure out they have soulmates, because they’re all repressing that information for their own reasons.
Plot Two: LAMP in a writing club, falling in love and being disturbed by first drafts!
Plot Three: The fae are kidnapping people.
And everyone needs to get them to Stop.
I guess you could call this a trailer??
I JUST REALLY LIKE THIS IDEA
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Voiceactors in my Head
One of my many contradictory feature sets is a silent, circumventing stubbornness paired with a pathological fear of confrontation. I will get what I want, and I will not stand my ground if verbally pressed on it. I concede points like it’s an Olympic sport. But as long as everyone's still smiling—gently, snidely, or otherwise—then I can go on forever. Case in point, I once trolled a stranger on the internet for over a year. (Don’t worry; by the end of the story you’ll be on my side again. And if you’re not, well, I mostly agree with you.)
It all started with a CD which was, at the time, exclusively available through the record label’s website. This was back in 2005, when online retailers still ran on frontier justice and only fools uttered the words “free shipping.” Needless to say, I did not have an existing account.
But we do what we must. So I bent the knee, and delivered my modern-day rogation of name, email, and PII governed by the Sarbanes-Oxley Act in order to receive my one CD—then I defiantly wasted that effort by never patronizing their establishment again. I mean, the album was fine, and I’m sure they had other struggling artists whose work I would have enjoyed, but apparently I’m against creative expression and the American small business owner or something.
Anyway, five years of blissful non-interaction go by. Then one day in 2010, I get a mass email from the founder of this little indie record label. It was—or at least it aspired to be—a classic “starting a new chapter” kind of announcement, letting everyone know that he had sold his (incredibly!) successful company, and was using the proceeds to start a charity that would bring music lessons to inner city children.
And, hey, I thought, that’s cool. Music is great for kids. Except… the tone of the email was weird. It was more than just casual; it was chummy. The concept of a YouTuber didn’t exist back then, but here was its primordial ancestor, testing the beachhead with its nascent flipper-legs of peppy chic.
“Yo, J-dawg, how's it hanging? Remember back in [mail-merged year] when you bought [whatever]? What a great album, am I right?! Anyway, it's been so long since we rapped, I thought I'd update you on my sitch…”
Obviously, I’m paraphrasing, but that’s how the voiceactor in my head performed it. And it just rubbed me so hard the wrong way. I mean, look, I get it—we live in a promotional society, and there's no avoiding that. I’ve done my fair share of book pimping, and if you have a legitimate fan base the intrusion can even be a welcome one. So, fine. Tell me about your thing—once—and maybe I'll buy it. But don't act like we're friends, like I have some kind of obligation to you beyond this basic consumer relationship that we've established.
So my gut reaction was a hard pass, pleading children’s eyes be damned. But the email didn’t include a link to unsubscribe. This spammer was so brazen, he had sent the message from his personal email account, as if threats like “more updates to come!” belonged in anything but a ransom note font. If I wanted my name off the list, I would have to actually write him back, creating exactly the kind of low-stakes, one-on-one confrontation that we all know is worse than torture.
How would I even phrase it, knowing that his overture was from the heart and my rejection would travel right back along that path? “Listen, amigo, I know you probably spent an hour composing this raw, honest self-reflection on your priorities, but it’s garbage, and I never want to hear from you again. Please keep in mind that while you have failed to inspire me, you’ve also failed the children. Because you’re a failure.”
The actual words wouldn’t matter; I was sure that’s what he’d hear. In fact, I would argue that a polite rejection is often worse, because it leaves no option for the rejectee to write off the loss as a dodged bullet. They really were a nice person, and you’ll probably never find anyone so humble again, you loser.
So instead, I got out my favorite piece of social armor: the ironic “yes, and.” In improv theater, if a scene partner implies that you’re the best of friends, you don’t argue with them. You commit to the bit. So I did.
“Oh my God, Steve, it's so good to hear from you!” I wrote (except I used his real name, of course.) “I can’t believe you still remember our special album. Makes me weepy just thinking about what it meant to us. Anyway, here’s what’s been going on in my life...” Then without warning, I dumped several years’ worth of emotional trauma on him—about severe autism, and how hard day-to-day life was, and how each treatment brought hope and frustration in equal measure while somehow never easing my crippling fear of the future. It was a therapy session on steroids, directed at a stranger under the guise of bitter sarcasm. My flippant sign-off left no doubts about my true feelings: “Anyway, as I’m sure you can imagine, we are flat broke with medical bills, bruh! So I'm gonna need you to take us off your list. But in the meantime, here are some autism charities that you could donate to on our behalf, since we're such good friends.”
To be clear, open snark isn’t remotely in the spirit of “yes, and.” But it felt better in that moment than honest rejection, and I figured he’d take the hint.
Instead, the guy wrote back.
“Wow, what an amazing story!” he said. “Crazy world we live in. I'll go ahead and take you off the list, but I do hope you'll think of us in the future.”
Ugh. He had met my bad behavior with empathy, and I felt moderately ashamed. Then again, you couldn’t argue with results, and at least I knew this ordeal was behind me.
Except he didn't take me off the list. A couple of weeks later, I get another fake-personal email, which I must again paraphrase, though I remember with furious precision the way it made me feel. “Heyyyy Jenn-ster, it's me again! I know how much you've always loved music, so I know you're gonna want to hear about this...”
BITCH. YOU. DON’T. KNOW. ME.
“Steve, what happened?!” I wrote back. “You used to be such a good listener! I think the money's changed you, man.” And I asked once again to be taken off the list.
This time, he ignored me. No reply, and the spam kept coming.
So I just decided that this was going to be our thing. Every time he sent me an email full of stuff I didn't care about, I was going to send him an email full of stuff he didn't care about. Except I kept pushing it a little farther each time, like, “Ooh, potty training's not going so great, let me tell you all about it...” And at the end of every email I'd always remind him, “Hey, anytime you want to stop getting updates on my son's bowel movements, all you have to do is take me off your list.” Sometimes I bolded it; once I super-sized it into a 40-point font. But he never did.
This went on for over a year.
But I won.
It’s a trite saying, but sometimes a picture really is worth a thousand words. The last email I ever got from this guy was short, which was unusual for him, and it said something like, “Great news! We've just graduated our first class of students—check out these pics!” (Why am I paraphrasing so much, when email is forever and I could just go back and give you direct quotes? Stop asking questions and roll with me for a minute.) Anyway, embedded in the email, like already loaded and filling the screen HTML-style, was this giant picture of… I don’t know, a kid kissing a trumpet or something. It was probably super cute, to be honest—but I was on a mission.
“Great news!” I wrote back, trying as always to mimic the exact structure of whatever he had sent me. “My son just had a colonoscopy—check out these pics!” And I pasted the actual medical photos of my child’s rectal passage into the email, pre-loaded and filling the screen, so he’d be forced to view them against his will, just as I’d been forced to endure his endless marketing crap.
Sure enough, he never emailed me again.
Pretty good story, right? And that closer—I mean how can you top sending medical photos to a complete stranger just to gross them out? Unfortunately (or fortunately; I’ll leave it up to you,) this one has a weirdly philosophical denouement. If you like your narratives sassy and single-layered, I suggest you duck out now.
Around 2015, I was trawling my past for wild stories that could be condensed into a tight three minutes for open mic night, and ‘that time I emailed colonoscopy pics to a spammer’ was an obvious contender. Once I had the basic structure written down, more or less exactly as I remembered it, I went digging through those ancient emails to finalize the details.
And what I found was… not what I remembered. The story I told above clearly had some emotional embellishments (see: paraphrasing), but it was fundamentally true in circumstance, I thought. And, yes, I really did send this guy two pictures of my son’s colonoscopy, though they were just thumbnail attachments, not embedded. But the text of my actual emails to him barely came off as snarky at all, and I never once told him in clear terms to take me off his list. There are a few lame hints at irony that you can pick out if you really squint, but by and large I was just… writing him back. Like we were friends.
Which is a good thing, because his emails to me were even less accurate in my memory than mine had been. He hadn’t cut me off; he’d replied to every single email I’d sent, in a way that made it clear that he’d watched every video and read every article. He was cordial, empathetic, and seemed genuinely interested in my kids. It was a therapy session on steroids, all right—minus the steroids.
BITCH.
YOU. KNOW. ME.
And in return for all this kindness, I had sent him horrific medical photos for no reason. To which he had replied (and this time I’m not paraphrasing,) “Thanks for the update on your son. I appreciate it. Keep up the good work. All the best to you both.” The updates from him had indeed ceased after that, but from what I can tell it was just a coincidental winding down of that particular enterprise, not a removal of my name from any specific list.
Eventually, I ended up emailing him again, this time as a penitential mea culpa to ease my own conscience. I explained the situation, and apologized for my unfair judgment of years past, plus of course the unsolicited sigmoid landscapes. He thought the whole thing was hilarious, and admitted that he’d never once picked up on my poorly-conveyed bitterness.
More important than the personal amends, though, was the lesson I had to swallow about how emotions don’t just cloud memories—sometimes they invent them out of whole cloth. I swear, I swear I remember a photo of a kid graduating from his charitable music lessons, but I can find absolutely no evidence of it anywhere. My brain made it up to retroactively justify my behavior: yes, I sent a photo, but only because he sent a photo first. It’s not even a remotely good justification, but I guess it took the edge off just enough to keep seeing myself as a good person.
It was an important lesson professionally, too. History is nothing but a mashup of inherently self-serving memories, and multiple perspectives can only draw a narrative closer to objective truth by half-steps, never to fully reach its destination. Even hard evidence is fallible, because my emails as written did not accurately represent how I felt when I wrote them, which is an important part of the story in its own way. Misinterpretations and flawed perspectives are inevitable, but they’re also necessary, and stripping them out as a historian is just as wrong as taking them at face value. A story is both what the participants think it is, and what we know it isn’t—especially when those two conflict—and every non-fiction piece I write is just somebody else’s therapy session on steroids.
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