Finale tomorrow wow, TOH was the only fandom I've ever been in since the beginning so knowing its ending is so sad
This post was copied off a Steven universe version I saw on Pinterest but I couldn't find the original poster which sucks
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I was again trapped in my very personal Pinterest hell when I saw this beauty here and now I can't stop thinking about an AU where Kyojuro is a photographer.
Because just imagine how he takes pictures of a building or something of his interest on a open street and suddenly you appear in front of his lenses and the only thing he can do is lower his camera and just look at you with his own eyes just to confirm himself that he is not dreaming or hallucinating. You are legit an angel with your white summer dress that flows in the wind. He stands there perplex for a second and baths in your beauty before the noises of the street hit him again. And before he lost sight of you, he takes his camera and makes pictures of you. How you walked along the street and before he could even realize it, he was following you.
And you were not only beautiful from the outside, but also on the inside. He saw how you knelt down to caress some stray kitten, that begged for your love. How you searched for a coin in your purse to give it to the people in need. Always with a smile on your lips.
Kyojuro feeling weirdly drawn to you and he did not realize how many pictures he had made of you until your head turns directly to him, noticing that he was taking pictures of you. But you were not angry, you gave him a smile and waved which took him so by surprise that he nearly drops his camera.
And while he catches his camera in an awkward and embarrassing way you were already on your way to him. Should he flee or wait for you? He was not sure, but he knew he was running hot as a flush increased on his cheek.
EDIT: Here is part 2
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Hi! I am an ardent fan of your writing, and I hope to be as sorted and planned as you some day in my own writing journey.
My question is: you have a keen eye when it comes to planning character personality, dynamics, and such. I've also been wading through your ask replies, and your insights into how you write people and how you make them play off of each other is so wonderful to read. If it's not too personal a q, how did you learn how to write like this? Did you go to school for writing, does it come from years of observing people, do you have reading list recs for "how to write real people and real interactions"?
Thanks! This is a really flattering question. I'll try to answer it honestly, because I wish someone had been brutally honest about this with me when I was a young writer.
I didn't go to school for writing. I started doing it when I was about nine years old. It sucked very badly. I kept writing throughout high school, and it still mostly sucked, but some of it was occasionally interesting. ("Interesting" here does not mean "good," by the way.) I took a break in college, and then came back. I've been writing ever since. Sometimes, I feel good about it. A lot of the time, I don't!
I hate giving this advice, because I remember how it feels to get it, and it's the most uninspiring, boring-ass, dog shit advice you can get, but it's also the only advice that is 100% unequivocally true: you have to write, and specifically, you have to write things that suck.
I do not mean that you should make things that suck on purpose. I mean that you have to sit down and try your absolute hardest to make something good. You have to put in the hours, the elbow grease, the blood, sweat, and tears, and then you have to read it over and accept that it just totally sucks. There is no way around this, and you should be wary of people who tell you there is. There is no trick, no rule, no book you can buy or article you can read, that will make your writing not suck. The best someone else can do is tell you what good writing looks like, and chances are, you knew that anyway — after all, you love to read. You wouldn't be trying to do this if you didn't. And anyone who says they can teach you to write so good it doesn't suck at first is either lying to you, or they have forgotten how they learned to write in the first place.
So the trick is to sit there in the miserable doldrums of Suck, write a ton, and learn to like it. Because this is the phase of your path as an artist when you find what it is you love about writing, and it cannot be the chance to make "good writing." This will be the thing that bears you through and compels you to keep going when your writing is shit, i.e., the very thing that makes you a writer in the first place. So find that, and you've got a good start.
Some people know this, but assume that perseverance as a writer is about trying to get to the point where you don't suck anymore. This is not true, and it is an actively dangerous lie to tell young writers. You are not aiming to feel like your writing doesn't suck. You are aiming to write. You are aiming to have written. Everything else is dust and rust. And of course, you'll find things you like about your pieces, you'll find things you're proud of, you'll learn to love the things you've made. But that little itch of self-criticism, in the back of your brain — the one that cringes when you read a clunky line, or thinks of a better character beat right after it's far too late to change — that's never going away. That's the Writer part of you. Read Kafka, read Dickens, read Tolstoy, you will find diary entries where they lament how absolutely fucking atrocious their writing was, and how angry they are that they can't do better. A good writer hates their sentences because they can always imagine better ones. And the ability to imagine a better sentence is what's going to make you pick up the pen again tomorrow. And the day after that. And the day after that.
Which is what I mean, and probably what all those other annoying, preachy advice-givers mean, when we say: a good writer is just someone who writes every day. It's that easy, and that hard.
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56 and actor mark?
Moulded to suit
I know the real me just convolutes
Do you understand how extremely insane a coincidence it is that you landed on this song with this character. The reason I know 'A Deer Mistaking Candles for Headlights' is because of a Who Killed Markiplier animatic I saw in middle school. This song is in my top 100 this year because it got added to my markiplier playlist for nostalgia purposes. I literally lost my mind when I realized this song was at 56 after getting this ask yesterday.
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HAPPY (not belated wtf do you mean?!?!?) BIRTHDAY‼️‼️‼️‼️‼️
(I whipped this up quickly so its kinda shitty srry 😭)
Anyways ima say some nice stuff now cuz ngl your like KINDA maybe a WEEE little bit of a cool awesome person ‼️‼️‼️‼️
Your arts so crunchy rararararar I could go on and on how I love how you draw and like just wanting to know how you draw in general RAHADHSDHDAK. I FUCKING LOVEEEE YOUR CLOWN AESTHETIC OMG IMA GO TO THE MALL THIS WEEKEND AND SPEND ALL MY MONEY ON FUCKING CLOWN SHIT CUZ OF YOU /hj /pos you have this very nice welcoming vibeee your very chill and cool like if I knew you in irl I would be to scared to talk to you, I’d just stare at you from across the room trying to work up the courage to talk to you (spoiler I don’t /silly) /pos EVERYTHING IN YOUR ART STYLE COMES OUT SO CUTE AND VIBRANT AUGHGHFHUSFDHWFDJVWDHVDEJVEDH I mean I could go on but I’m not rlly used to complements soooo I’ll start writing shit down (I already have like 672346243762347 things to say I just…. Don’t know how to say them /silly /hj) anywayssss ily you pookie… but….. but your old….. YOUR AND OLD MANNNNNN EWWW ima have to send you to an old persons home soon 😔😔 /silly
I READ THIS OVER AND OVER AND I GEUWIRKWWKSLW
I AMSTIMMINGSOHARD
THISIS SO SWEET OHMYGOSHHHH
THANK YOU SO MUCH FOR THIS OMG-
AAAAH IDK WHAT TO SAY I AM BLOWTF AWAY 😭🧡
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