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#It's only alluded to but it's there
anarchy-and-piglins · 2 years
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It takes a while before Phil even convinces them to tell him where Techno’s room is.
There’s red tape he has to get through first, causing frustrations that only his job experience can waylay. Hospitals are stricter about these types of things than a lot of other places and no matter how Phil spins the situation, Technoblade and him are not related. Not in a way that matters to these people. It’s been ages since Phil had to pull out his credentials as Techno’s case worker, he isn’t a minor anymore so technically the title bears no weight. But it makes one pale-faced nurse purse her lips and send him on his way with some hesitation. Phil finally ends his call with Ranboo, who is still in a panic.
Not that Phil can blame the kid. From what he hears, the situation Ranboo found Techno in did not paint a pretty picture.
Phil knows stress has been wearing down on Techno’s shoulders. The flower shop doing poorly, his biological parents suddenly being back in the picture, his magic becoming more unpredictable by the day. Things haven’t been easy.
but he never thought Techno would do something so drastic.
He opens the door without knocking, knowing Techno wouldn’t mind. But the man standing next to the bed draws up to his full height, a crease in his brow at being intruded upon. When his eyes glide off Technoblade, Phil swears he notices his friend’s shoulders sag notably in relief.
“Oh,” the man before him says. “It’s you.”
Phil takes a step closer, braving the storm, only focusing on Techno for the moment. He doesn’t let the cold, red eyes burning into him deter him. “Technoblade, are you okay? What happened? You gave me the fucking fright of a lifetime, mate, I’ll tell you that much.”
Techno opens his mouth as if he’s going to respond, fingers fidgeting with the IV stuck into his hand. Before he can, his father cuts in.
“He’s fine.”
“Ranboo told me what happened.” Phil cuts straight to the chase. He’s too tired to play games. “Why did you-“
And once again it’s that horrible man known as the blood god among his peers who responds. “I don’t know what you heard, but it was a simple accident.” He steps closer to Technoblade, hand reaching out for his shoulder. Techno flinches, but doesn’t stop him. When his father’s touch brushes his skin, Techno whines. The bracelet glows a faint purple. Phil watches a flower burst from Techno’s palm unbidden, wilting into rot immediately.
“Tell him,” Techno’s father commands simply.
“It was an accident.” Techno says, voice tiny. He hasn’t looked at Phil once since he came in. “I just… I just stupidly forgot I’d already taken my sleeping meds. Typical, huh?” Techno laughs, sounding like it physically hurts. His pink hair falls over his face, his cheek. It doesn’t completely hide the bruise there.
“That’s not-“ Another step closer, desperation clawing at Phil’s throat. “You know you can tell me anything, Techno. I can get you help.”
“Phil.” That deep voice calls out to him once more. But this time, Phil sinks into it. It rushes over him like a wave. he gets lost in it.
When Technoblade’s father smiles, there is no joy to it except that of a predator with its prey at its mercy.
“It was an accident.” The words are spoken so simply, so straightforward. "So you can leave now."
Phil suddenly can’t remember why he’d ever doubt them in the first place.
“An accident,” he answers faintly. Blinking takes too much effort. He rubs a hand down his face. “Yeah, of course. I uh- I need to call back Ranboo. You can get in touch if you need anything.”
Technoblade nods, still not looking at him. Phil leaves the room without another question.
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shigayokagayama · 9 months
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happy one year anniversary to the most insane week in internet history
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mumblesplash · 5 months
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part 2!!!! [read part one here]
transcript below the cut arranged into stanzas to help show where the rhymes are:
“that’s why they brought gem in? as a failsafe?” as a pawn. we were told to point her at whoever we need gone
“gem won’t hurt her allies. …yet.” the curse she carries will it’s had its eye on her since she lost the other eye she was specially selected for her hunting skill it’s quite the high honor. “wow. how generous.” we try
think about it: why does almost no one fight the curse? “given how fast scott killed skizz last season, i can guess.” [“any pain you spare your friends, you’ll have to suffer worse”?] it’s designed to shut down higher reasoning with stress
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omaano · 4 months
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It's his day to join the Hades AU! Happy Cody Day!!
""This weapon is your life" is what my general often said to lecture his old padawan during the war, and yet he constantly lost his. The lightsaber and his cloak... The things might be cursed. Not as much as yours, though." "Please keep that thing far away from my kid."
Rex from down the hall: "Stop trolling the shiny as a way to cope, Cody!"
Cody: "I have nothing to cope with, this is just for fun. The Darksaber is definitely cursed and you know it."
Rex: "Oh yeah, it definitely is. Sorry kid."
Din is still trying to figure out how he counts as a "shiny" here
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Backgrounds, as per usual, are screenshots from my latest attempts at a run in the Hades game. All I can do is add more pocket characters, I'm not gonna redraw the whole set TT^TT (but look, Din is holding a handful of green and brown pixels now!)
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imaybe5tupid · 16 days
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Touden observations
(I hc them as fantasy Norwegian)
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saionjeans · 4 months
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yet another moment where saionji says something incredibly trenchant and insightful only to be completely dismissed due to the ridiculous framing and the general cringiness that pervades everything he says and does (eg, pointing out that the castle is a trick of the light, announcing that they must shed the coffins end of the world has prepared for them, etc etc). obviously in this instance, he is both saying something that is proven correct throughout the show via a myriad of dynamics, but is also shown to be a precept that is teleologically challenged and rejected by anthy’s final choice.
upon a first viewing, one might assume saionji himself is talking about anthy here, whether by presumptuously assuming that she loves him despite his abuse, or claiming that her rejection of him does not lessen his love for her. either way, he seems totally delusional and moronic. i can only assume that utena, who has even less information than we do regarding saionji’s true feelings, assumes that he is talking about anthy, and thus dismisses him out of hand for being a violent idiot. and rightfully so. but also, he’s clearly not talking about anthy, even if he may think he is (or at least would claim that he was if questioned). and this statement is truly definitional to his relationship to touga, whom he resents, envies, and maybe even loathes, but whom he cannot seem to ever actually abandon.
even when he’s given the chance to start fresh, he returns to ohtori (and in this case you can say that it’s because he has nowhere to go, no family, the outside world is scary, ohtori is all he knows, he felt he had no other choice… but this was also true of anthy, and she eventually found the courage to leave! it’s very very hard, but it’s not impossible, which is the point). even as he vocally condemns akio’s system, he nonetheless participates in it, albeit reluctantly, for touga. he is freer, healthier, and kinder in wakaba’s dorm, but he is also deeply unhappy. which isn’t to say that he ever seems happy (at least, not after losing the rose bride), but his unhappiness in “wakaba flourishing” is that of depression, whereas his unhappiness around touga is that of resentment. he’s rightfully angry over constantly being mistreated, but at least he’s not lost. he has a purpose. even if it’s just the purpose of receiving abuse and putting up a futile fight, it’s a role he can play with the only person who has ever truly mattered to him. it’s all he knows; it’s the closest thing he has to real love. and so he stays.
nanami is in a very similar situation as saionji is. they both idealize a version of touga who never really existed, and cling to him despite his blatant mistreatment of them because he is the only person who has ever shown them true affection in their entire lives. he manipulates them, makes a laughingstock of them, facilitates and participates in sexually abusing them, but also makes sure that they are too dependent on him to leave them. nanami is even more blatant in illustrating this idea than saionji is, as for most of the show, she does not even resist against touga like saionji does, rather she purely venerates and worships him, to the point of parody. he is a terrible brother to her, but in such a way that makes it seem like he’s actually a good brother to an obnoxious, ridiculous sister. he is actively grooming her, and she has nowhere to run, because he has fashioned himself her entire world. she cannot fathom a world beyond his limits, her very own personal end of the world.
it’s somewhat unclear whether touga thinks that controlling saionji and nanami is necessary to keeping them around, or whether he only wants them around because he enjoys assuming control over others. it’s probably a mix of both. he probably does hold some affection for them, but cannot conceive of a way to keep them as close to him as he would like without exploiting them, because he believes that true friendship is for fools and true love is impossible. to touga, if every relationship must be imbalanced in some way, then he at least wants to be the one with the power in his deepest relationships, unaware (or at least, willfully ignorant) of the fact that by corrupting and perverting their dynamics, he is slowly tainting their naive childhood love and affection that drew them to him in the first place. so in touga’s case, he inverts saionji’s logic to refigure it as “love can only be facilitated through abuse, no one will truly show you love unless they have to (through exploitation).” it’s the logic of someone who sees the world through an almost 2D framework of abuse, exploitation, transaction, and control. it’s the logic of someone desperately sad and desperately cynical. nanami is very wise (and brave) to ultimately reject him/it, even though it, too, is all she knows.
tsuwabuki complicates the nanami/touga dynamic by aspiring to inhabit both their roles simultaneously, and so he allows himself to be subjected to nanami’s exploitation while simultaneously subjecting her to violence. he is happy to be abused by nanami not because he loves her per se, but because their abuse is mutual. shiori and juri have a similar dynamic, wherein they are both at fault in different ways, both attempt to avoid the other (physically and psychologically) and yet constantly collide like magnets. however, the i would argue that the abuse they face is largely systemic, and their behaviors are primarily a symptom of their internalized homophobia rather than overt malice (even though shiori may pretend otherwise). miki and kozue’s tension is also mutual. they both harm the other despite loving them deeply. because love is not a bandaid that revolves all pain, misunderstanding, and miscommunication. see: the utena and anthy ledge scene.
finally, i think this quote is actually most powerful when figuring it through the lens of utena, anthy, and akio. of course, akio has fostered a dependency in anthy much like touga has with nanami, and so she does not know how to leave him despite being in incredible pain at his hand. but she is not “happy,” as saionji puts it. she is the most miserable girl in the world. she doesn’t love akio as much as she loves the memory of him, the idea of dios (which is of course also true for nanami and saionji re: touga, arguably also true for juri re: shiori, miki re: kozue, etc etc) — but anthy needs akio. or at least, akio has convinced her that she does. he is end of the world, she cannot envision a life beyond his imposed limits.
but i actually find it more interesting with regards to utena and akio. i don’t think at any point in the show, utena ever actually has real, romantic feelings for akio. i think that she is terrified of him, and in her desperate feelings of trapped helplessness as he ensnares her, she convinces herself that those heart palpitations, startled movements, shocks and thrills she feels in her presence is the emotional response not of fear, but of affection. but we know that in anthy’s presence, she doesn’t feel afraid, she feels calm, relaxed, happy. being with anthy isn’t wildly exciting, constantly requiring rationalizations to explain away the dread and internal rejection she feels towards akio’s advances. being with anthy feels like coming home. and it’s why she is initially so happy to be accepted into anthy’s family, to have a big brother like akio, to live under their roof. in utena’s naive, hopeful mind, she is joining anthy’s family in the most innocent possible sense. and she endures it, the grooming, the abuse, the rape, the end of the world; she fights til her very last breath, because she is in love. no matter how [utena] may be abused (by akio), she’s always happy to be near the one she loves (anthy).
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wi1dshxpe · 3 months
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gortash sets up a lending library at his estate after seeing durge’s in the bhaal temple. they both know they’re the only people who use them so it turns into a sort of game. durge loves music, so after enver’s last visit a book about viola has appeared in the temple library. enver fancy’s himself a jeweler so it’s only natural a scroll about gem welding would end up in his library. books relating to their schemes, hobbies, pasts, futures, inside jokes and aspirations get passed back in forth. the only extended pause is when a novel about star crossed lovers gets dropped in the bhaal library. it’s weeks before the favor is returned and enver receives a scroll about bhaalist marriage ceremonies. he doesn’t know whether to take it as an advance or a threat, so he accepts it as both.
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teamsasukes · 11 months
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the chunin exams arc was so interesting for how it portrayed sakura's potential and how people in her life influenced it. kakashi lying about the team-based enrollment criteria because he thinks sakura would be likely to sign up only to appease sasuke, and being genuinely surprised when she shows up anyway. naruto being completely oblivious when sakura was upset preceding the exams and also after she cut her hair in the forest of death. naruto literally dreaming about saving sakura from enemies, being the hero to her damsel-in-distress. sakura moulding herself into a perfectly feminine lady because that's what society demanded and what she thought sasuke would want. versus sasuke calling her out for focusing too much on romance instead of her skills like she should be doing. sasuke picking up that she was upset because she felt inadequate and reminding her of what she was best at -- maybe even better than him -- and never begrudging her for it. ino hacking into her mind because she was sure, not a single doubt in her mind, that sakura would know the answers to the impossible questions on the written exam. ino and sasuke both stepping in to save her during her fight with the sound nin, but only after being spurred on by the brutal beating she took. ino and sasuke getting frustrated with naruto when he commented on how her haircut looked because it made sakura trivialize her experience and offer a fake explanation about women being fickle. the flashbacks revealing to us that ino affirmed that she would one day bloom into a beautiful flower. ino and sasuke serving as a catalyst for sakura to get stronger before pt 1 and pt 2 respectively. idk do you see what i'm seeing
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reactionimagesdaily · 7 months
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tokyoteddywolf · 3 months
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"Not my clowns, not my circus."
So.... that upsurge of Shadow Mewtwo art, huh lads?
Listen her job is to purify corrupted Gaia energy, aka the Shadow Stones, but they're not her problem if they're a different world than hers. Obsidian has enough on her plate XD
She's the equivalent of a very overworked secretary keeping everything running smoothly. The little old lady who has all the codes and passwords and if she's fired, the company goes down with her :) In this case, her entire planet.
So yeah, she's not touching that hot mess with a dimension long pole, lmao XD
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daily-hanamura · 9 months
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utilitycaster · 6 months
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I enjoy shipping, but I cannot see the appeal in watching shows only for the purpose of shipping; I think it closes you off to so much. I think coming into a work with the expectation that it will only succeed if a particular configuration of people end up happily in a relationship with each other when the curtain closes means you will reject so many unexpected choices altogether. It destroys your ability to appreciate the entire concept of tragedy. Just, imagine refusing to let yourself enjoy "I'm not a gardener" because you are too furious that a different kiss than the one you wanted happened to feel other emotions.
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irrigos · 1 year
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Now we have the wax, which is the streak beneath our skin, and the wick, which is the faith we have skeined, and the tinder, which is the harm we have done to those who loved us, and the flint, which is the Name, the treasure of music stilled. Now. it will hurt, we must render ourselves a little, there will be scars, but one more scar, what is that?
Here it is! Almost a year's worth of work spent studying calligraphy, illumination, painting, gilding, and a million other little skills I didn't have went into making this idea a reality. Time well spent, if you ask me!
Close ups of the actual piece under the cut:
Here's the digital draft
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And a flat photo of the finished physical piece:
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I might do another post with some process shots, if anyone is interested? This piece went through a LOT of versions while I figured out how to... uh... do it at all. We'll see!
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aq2003 · 7 months
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(x)
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polutrope · 4 months
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For the first sentence prompts:
It was adding the fourth that caused the trouble.
“No, I’m sorry, only one Ambassador per clan, those are my directives — but your husband is going, do you not trust his judgement on behalf of you and your people?”
“Of course not,” replied the silver-haired elf, a woman of slight build but mighty presence. Then she spun to face the sea of dark heads gathered around and cried, “Do you, O Tatyar, trust Finwë alone to make this choice for you?”
“Nay!” they cried. “Míriel must go too!”
“There, you see,” she said, thrusting her chin up defiantly.
Oromë sighed, recognising that this being’s spark of determination burned as hotly as Varda’s stars, and consented to bring Míriel to Aman, thus setting in motion a revolution with consequences far more sweeping and profound than any the Music had foresung.
[send me a sentence]
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fuck it, i now headcanon sanders to be nonbinary because only going by your last name to the point where nobody knows your first name is such a nonbinary thing to do
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