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#Japan camera hunter
papashittycams · 1 year
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Favorite Things.
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sixteen-bit · 1 year
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Really DIG the Konic Genba Kantoku
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Really DIG the Konica Genba Kantoku by JapanCameraHunter
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lesleyrussino · 2 years
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williammarksommer · 2 years
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Thank you Jesse Freeman for giving me such an interesting prompt to go off of for Jesse’s Visual Interviews on Japan Camera Hunter. It was nice to shake up the interview format and have something different to show. You can see the the full article at the link below.
https://www.japancamerahunter.com/2022/02/jesses-visual-interviews-william-mark-sommer/
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jackie, brooklyn
jch streetpan 400, nikon f2
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From Japan Camera Hunter
Bad news about Fuji color film
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erroramended-blog · 1 year
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 Tada! wholesome! As suggested by @paintsplash1712​  Annnd, it inspired a little fic which I will include below the read-more.
“Ok, just A liiiittle further back.”
Hunter held up his thumb and index finger at a distance that was practically touching already, but Luz gave the joy stick another nudge. Predictably the claw jerked back with a wild swing, and by then they’d fiddled with the positioning so long that time ran out, so the claw dropped. It was a long plushy though, so the claw still managed to get a good grip on it. Maybe this time they’d actually—
Aaaand it slipped right out again.
“Urgh! How does anyone win anything around here?!” Vee complained, dragging her fingers down her cheeks in frustration.
Luz let her head thump against the glass. So far they’d burned through half their credits and won absolutely nothing.
The whole trip had been Luz’s idea. She’d heard about this new arcade bowling alley restaurant thing opening up a town over, and it was huge and had a lot of stuff from japan. It looked like a ton of fun, and since Hunter had his license now they wouldn't need a ride, aaaand they all had human money from picking up odd jobs during summer break so they could afford it, so with some convincing, mama said yes.
“I wonder if the others are doing any better.” Hunter thought out loud.
Amity, Willow, and Gus had come along too because of course she wouldn't leave them out. The only reason they weren't all plushy hunting together was because right at the start Luz had had the brilliant idea of splitting everyone into two teams and making the whole thing a competition. Whoever wins the least prizes buys lunch.
“Probably not,” Luz said, glaring at the rotten machine. “It’s all rigged.”
“But there has to be some sort of strategy to it,” Hunter said, rubbing his chin, “how else would so many people be walking around with prizes?”
“Maaaaan, I wish I could just stretch my arm, reach in there, and grab them!” Vee said, staring longingly at the big wolf plush they’d all been trying at.
A thought suddenly occurred to all three of them at once.
“I mean...I could, but, yah know,” Vee said, pointing up “cameras.”  
They all nodded and miserably shuffled off to try the next machine.
The place was big enough that they’d decided to have each team take opposite sides and work their way to the middle by lunch time— which was growing ever nearer. At this rate, If the other team managed to get even one plushy they’d win.
“That's it, I'm getting that prize one way or another!”
Willow's eyes flashed a glowing green for a second before both Amity and Gus jumped to stop her. To her credit though, Willow hadn’t been serious. She was frustrated, yeah, but she wasn’t actually going to tear the place apart.
“Ugh,” she sighed, “This is impossible!”
“These are worse than the games at the Bonesborough fall carnival.” Amity agreed, and she was right too. Those games could result in flaming chaos, or loss of limb, but at least you could get a mold fish out of it. “There's just no way.”
“Hmm,” Gus said, and Willow knew that thoughtful hmm. That was the thoughtful hmm of someone with an idea. “Well, there miiiight be a way.”
Gus smiled a devious smile, and lifted the flap of his shoulder bag just enough for a certain someone to peak her head out.
“Welp, that's the last chance we had.”
Vee threw her hands up in defeat and turned away from the claw machine.
“How could we have failed this badly?” Hunter said from his spot on the floor. From the look on his face, he seemed to be rethinking all of his life choice.“Not one single success? Where did we go wrong!?”
Luz could hardly believe it. All that time, all that money, and convincing, and planning, and this is how it ends? With nothing but regrets and heartbreak? This was supposed to be fun, but the three of them were completely crestfallen. Absolutely woebegotten! Anguished and downcast! And all the other synonyms she could think of!  
It wasn’t fair! It was—
“Woh, look at those guys!” Vee said, pointing.
Luz turned to look, amongst the last people in the whole place who weren't already staring at the three walking piles of plush toys and prizes. Luz almost moved to get out of the way, but piles seemed to be heading in her direction and—
“Hey guys,” A voice said, muffled by fluff and fuzz “Look what we won.”
“Gus!?” Hunter said, slack jawed in shock “Wha- How did you— What!?”
“It was no big deal,” Willow chimed in, “We're just that good.”
“No way,” Vee argued, “There is no way that you guys di—...”
Vee was about to accuse them of cheating, but she realized that she probably shouldn't say that outloud with all the people that were watching them.
“Diiiid such a good job,” Vee finished, glancing around. “Guess you really are that skilled, haha. Just takes a magic touch huh?”
“It wasn’t my idea!! I sw—”
“Sweeeeet”Luz said, cutting off Amity's confession before it could get started. “Sweet haul guys, haha, you win, ok lets go.”
A pair of workers whispering to each other had started heading there way, so the six of them booked it out the door and back to the car. Thankfully, no one followed.
“I’m sensing some foul play here,” Hunter said, opening the trunk. “What did you three do?”
“Er, well we maaaayy have had some help.” Willow confessed as she dropped her load of plushies in. Said help had been in the form of a certain blue chameleon palisman who could fit into the prize shoot.
“We didn’t make it obvious though,” Gus added, letting his palisman climb onto his shoulder as he put his things down, “Emme can be practically invisible when she tries.”
The little paliman shut her eyes and smiled, proud of her handy work.
“You guuuuys!” Luz said, rubbing her face in exasperation. “You can’t just— what about the cam— we could have gotten in so much trouble.”
Which was kind of ironic coming from the student of one of the biggest troublemakers in the boiling isles, who was also a frequent troublemaker herself. Willow understood though. Luz really had to push to get permission for them all to go on this whole roadtrip thing without an adult coming along.  
“Sorry,” She said. “We shouldn’t have risked the trouble like that.”
Gus and Amity followed up with there own apologies and the three decided to cover lunch despite winning.
“Also, if it helps, we did win a bunch of stuff with you guys in mind.” Gus said, fishing in the trunk for a specific one. “Behold!”
Gus held out the Holler Knight plushy they’d picked for Luz, which Luz instantly loved.
“Ok, you guys are officially the best.” Luz said, hugging the big squishy little guy from the game. “Aaannd I’m actually pretty glad you stuck it to the scammy jerks and their rigged machines!”
With a laugh, and all around agreement, they split up the prized and picked a lunch destination.
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doggiewoggiez · 6 months
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One of my favorite cameras in my collection is this counterfeit Canon I got at a Goodwill a few months back. There's a number of these cameras on the market under various names, usually close-but-not-illegal names like Canomatic or Olympia or some shit but mine says straight up CANON on it with the stylized text and everything.
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(above: example of the same camera under the Canomatic name)
These things are made by the Ouyama Corporation in Taiwan, and needless to say they are a load of cheap dogshit. The lens looks removable, even has a button for it, but the button is fake and the lens doesn't come off. In fact, the large lens itself is fake, there's a tiny glass lens in the base of the lens. To distract from the all-plastic construction there are heavy lead weights inside to give it a professional feel. The flash it comes with is weighted too but if it wasn't it'd actually be a really solid flash. The camera takes AA batteries which is weird.
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A couple observations:
Shoots 35mm even though some other branding markets them as digital cameras.
Rather than auto-rewinding the film at the end of the roll, you have to manually turn the dial (which on a real SLR would be for shutter speed) to a rewind option and press the shutter button.
The aperture is a square which I hear results in weird triangular bokeh.
Has an adjustable aperture and at least some light sensing capabilities, as if you cover the light sensor or it's dark and you don't have the flash on it actually switches to bulb mode, though without anywhere to attach a shutter release cable to, it's not very useful.
For some reason there's two viewfinders, a second lens top-down one like a TLR would have, and a rangefinder on the left. The top-down view, I assume, tries to replicate the focus of the lens, since it's blurry until about five feet out.
The timer does work but it counts down with this insanely loud annoying beeping like a smoke alarm.
There is no ISO setting and no pins to detect ISO from your film roll (I use plastic self-rolled cassettes anyway so it doesn't matter).
You CAN in fact actually take pictures with it. It is despite everything a real camera.
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(Photos from this JCH article by Joe Aguirre, 2012)
There's not much info on these cameras but there's a Camera Wiki page and an article on Japan Camera Hunter about various forms of this thing if you want to know more. I'm excited to shoot a roll on this and see if anything at all turns out!
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penultimate-step · 1 month
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JJK S2 Livewatch: Eps 8-12
Hello, everybody! Sorry for taking so long to continue this live reaction. Since this is the part where the fights start in earnest, I had a lot less to say about the show's specifics and more general rambling thoughts I had as watching. It made me unsure about how to write this part up, and I ended up taking way longer than I should have (I watched these eps weeks ago!) Not sure if this will make the livewatch more or less entertaining to read along. But at this point I am going to post and hope for the best. Hope nobody is disappointed.
So, following up the end of the last ep, Gojo is called out to the danger zone. It's emphasized how much he's the one guy who matters and can do anything here. Which does kind of make me have thoughts about the worldbuilding.
Ok, so, what is the size of the jujutsu world, exactly?
Between Gojo and Tengen, we have multiple individuals who apparently single handedly hold the jujutsu world on their shoulders. That is so many points of failure, so many points where things could just go catastrophically wrong at any moment, presumably dooming the world. I know that this is primarily in order to place the plot focus on the important people. but it feels less like the jujutsu world is an institution or a world on its own, and more like a small club. Which could be fine, but its established that curses appear constantly, all over the world. It's hard to believe that a group small enough to need a handful of people to hold critical roles could cover the whole nation We know there are only 2 jujutsu schools in japan, and its unknown how many elsewhere but presumably an equivalent amount. We've seen most of the students at the school competition arc, and there were less than a dozen altogether. So....what's going on here? It just seems kind of arbitrary, and makes the world feel more constructed - which, of course, it is, being a fictional world, but generally we prefer when the guiding hand of the author is less obtrusive.
Some comparisons that can be made are to Naruto, the manga which I am almost certain is JJK's biggest inspiration, and to Chainsaw Man, a contemporary peer. Naruto's worldbuilding is large and sprawling, with plenty of named organizations, locations, and events offscreen. out of universe info books and spinoffs help add detail to this, but aren't necessary. There, it is believable that any given character exists in the context of the world because the world exists as background. in contrast, chainsaw man shares a much tighter focus with jjk. much less exacting detail, minor characters, etc; a greater focus on a small cast. There is no greater detail, readers know nothing about the structure of hell, the goings-on in the US or USSR, or even other divisions and areas in japan. but there is enough there to maintain an illusion that the world exists - mentions of foreign countries, occasional shots of hunters or political leaders. Sure, it's not the same as actually detailing in the world, but there's no need to go that far - enough has been sketched in that the readers can imagine the characters getting on a plane and flying to another country, even if they don't have any details about the destination, it feels like they exist in a real world with real places that the camera just doesn't turn to.
This might seem like I'm being overly harsh to the setting. it is clearly an intentional choice to have Gojo be the lynchpin of the world, there's nothing inherently wrong with it. But as someone who loves urban fantasy as a setting, it does sometimes bother me when I feel like the world exists only for the convenience of the main cast. It's a world close enough to our own that I feel like it should make sense.
Anyway, that's enough of that. Moving on to actually talking about the events of the episodes. I did warn you at the start that I had less to say about this set, though.
The fight between Yuuji and the locust curse isn't a bad fight to reintroduce us to the main protagonist. It's smoothly animated, outside some hiccups when jumping through walls, and the fact that both fighters use fully physical techniques made the whole thing seem very even and straightforward.
It's outshone completely by the Gojo vs villain gang battle at the end of 8 and through 9, though. I love when hidden world fantasy type settings use the clash between the normal world and the fantastical, setting these fights in a crowded city subway was a cool enough idea already, but the villain plan to use ordinary citizens to box gojo in, the use of trains in the battle, all hammered it in. the way the battle goes on around them while they can't even see most of it is interesting.
The almost wild, ruthless way Gojo speaks and fights in this battle make it clear he's been pushed very far. Between this and the flashback eps, S2 hasn't been shy about showing Gojo struggling and on the edge, a stark contrast to the way he was essentially the plot device "I win" button in his season 1 appearances. Where many of his memorable moments then had him floating at a distance to his opponents, untouchable as his technique, this fight is brutally physical. The moment he grabs at Hanami's branches was visceral. I was actually really surprised to see Hanami die. When he had Hanami against the wall, I started saying out loud "You know, the ruthlessly strategic thing to do here would be go for the killing blow on the weakened enemy. I just know Hanami is going to come back and cause trouble in future arcs. But it makes sense the author wouldn't want to waste a villain with so much buildup like that." And then he actually did kill him. Okay! Message received, Gege! I'll stay on my toes a bit more!
Also, as an aside (much as the show does,) I really liked the villain interludes. Seeing them messing around playing games in their free time did a lot to add to their characterization, even if it was just a way to exposit their plans to the audience.
While I'm giving praise, the sound design and music team did a great job. There's so much that wordlessly conveys the emotions going on mid-scene without having to stop and actually demonstrate them. the ominous overlay on the villains, the frenetic piano as gojo rushes to use his domain, and the most evocative of all, the soft and emotional tunes of shock when Gojo sees Geto again.
Also, this is the part where I have to embarrassedly admit that I was already spoiled on present day geto being fake. Rather, I was so spoiled that I assumed it wasn't a spoiler and was revealed in S1, until seeing the big reveal scene made me realize someone must have told me about this years ago. Whoops. Apologies if any of my followers were waiting for my reaction to that bit :(
Ep 10 is mostly a bridge and setup for the next portion, but I do have some brief thoughts on the new characters to touch on before moving on. The drinking old man is not endearing himself to me with his flippancy, the curse user with the hand sword from season 1 is back, and still kind of annoying whenever he's on screen. The unnamed white-haired girl with him seems cool though. also, this may be kind of a late moment to say this, but I really do like mahito as a character. Some of his transfiguration stunts were genuinely unsettling, and the way he alternates between that kind of cruelty and his general playful attitude makes him pretty fun to have on screen. He's far and away my favorite of the present day villains.
Skipping ahead to the fights in eps 11 and 12. The montage of murders by the curse users actually disgusted me. Which is kind of funny to contrast with the appearance and fighting style of the man who fights Yuuji and Megumi in this episode. His face and movements are different than most of the cast, reminding me more of some kind of demonic looney tunes character, jumping around and letting hits bounce off him. The fight is a cool showcase of 10 shadows, as well as giving some fun interactions between Yuuji and Megumi.
Actually, as I look back on it, I'm somewhat more impressed by this bit than I was as I was actually watching. None of the individual moments are super impressive or thought provoking, but as I come in to write down thoughts I realize that this two episode span seamlessly transitions between 4 different fights, done well enough that I didn't see it as an interruption, and only realized while writing this about it afterwards.
I don't want to dwell too much on the Nobara and Nanami vs hand guy fight, because that guys icks me out. Mei Mei's fight is mostly offscreen, but I do have a meme about it, because I cannot stop my brain from making unfortunate connections. The fight between the masked sorcerer (I don't remember if we got his name?) and the pair on the rooftop, though. It starts pretty slow - I don't think either of their powers or the way they use them are very interesting - but things tick up immediately when Toji shows up. Just like in the flashback arc, he just grabs the attention in every scene he's in, an
While I'm on the topic, one thing I noticed is how efficient the flashback arc was. Pretty much every element from there makes a direct return now, not even 10 episodes after the fact. Geto and Toji are shown off in the past right in time for them to be introduced in the main plot, not wasted elements. Not sure if this is a good or bad thing but it did feel noticeable. Possibly this ties back to the stuff I was talking about at the start of this, where JJK keeps making the tradeoff of telling a tighter and more focused story while cutting lose any elements that could be seen as extraneous, for better or for worse.
Anyway, that wraps up that watch session. It was pretty good, I didn't enjoy it as much as I liked eps 1-5, but much more than I liked 6-7. as a whole I think I can start to calibrate my expectations for how good this seasons is going to be now, very well executed but much more straightforward than that first arc would suggest. Less exploration of world and characters, more cool fights and action scenes.
I feel like I said a lot without actually saying very much, I worry that this was almost entirely recap of things any watcher knows already. I'll try and write the next section much faster, and hopefully I'll have more interesting things to say about that one.
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#VillainousKnyAu
Villainous × Demon slayer . Characters of the animated series "Villainous" in the form of characters from the "Demon slayer " anime
Roles:
Shinobu - Flug (Hashira poison. He is physically weak and he has the same sword as Shinobu, he also filled himself with poison and created a more dangerous poison)
Daki - Miss Heed. lowermoon 1 /Uppermoon 6,but rather she is between lowermoon 1 and Uppermoon 6. But she barely reaches the Uppermoon 6 level. She can hypnotize, she has not received the demon art, so the gipzon is not forever. Just like in the original Heed she uses her powers so that others would love her. She became a demon at the age of 17. She does not crave attention from her idol, unlike the original.
Rengoku/Mitsuri - Dementia (Hashira Lizard)
Tamayo - Penumbra, also G-lo is a good demon like her. She became demons at the age of 17.
#SwapVillianousKnyAu
Roles:
Flug-Kokushibo (1uppermoon)
Dementia - akaza/douma (2nd uppermoon)
Mitsuri-Heed(Hashira of love and she has the same dream as Mitsuri)
In this AU, I made her a softer and really good character. She does not have mental health problems, unlike the original. She does not expect attention from her idol, unlike the original.
Fighting styles:
Flug's style is oriented towards piercing attacks. He is physically weak. But he is agile and fast. He also ranks 1st in intelligence among other Harishas.
On the contrary, Dementia’s style is focused on physical readiness. And Hid’s style is focused on agility and flexibility. But her Demon version often simply hypnotizes people and forces them to fight for her, but she 50/50 knows how to fight on her own.
1 Uppermoon Flug is physically stronger than his demon hunter version and he has also improved his instant poison technique. Also ranks 1st in intelligence among all demons (He is 100+ years old or more)
And I wanted to make the 2nd Uppermoon Dementia a brittle spindle (a lizard that looks like a snake)
But I didn't think she was dangerous enough for a 2 uppermoon rank so she's a half-snake with snake hair.
Hashira vs his alternative versions (1vs1):
Demon Heed < Hashira Heed (Basically a demon Heed with the same characteristic as the original but Hashira Heed is an improved version of the original and her demon version and has better mental health)
Demon Flug ?=?Hashira Flug (Hashira has chance if he makes a poison that can immediately kill a demon of such a high rank without the help of other hunters, or because of the plot Hashira Flug would win thanks to the plot power if he is main hero or if he alternative version surrendered (Reference to the battle with Kokushiba)
Dementia Demon? =? Hashira dementia.Hashira has a chance against Uppermoon
I am not a professional in drawing. Flug has a black face because it would not be logical to draw him in a paper bag, because this is the Taise era. (From July 30, 1912 - December 25, 1926) Although it is very debatable about his paper bag, because the first paper bags appeared in the USA in 1852, but we are now talking about Japan... Well, in general, the camera will always be from an angle where his face is not visible, so to speak, a mysterious faceless character.
I don't know what to do with 5.0.5, Sunblast, and Blackhat, and other characters.I'll draw all of them later.My deep apologies if I made mistakes in my post.English is not my native language.
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I’m one of them.
Analog Forever Magazine: Twenty Street Film Photographers You Need to Know! https://www.analogforevermagazine.com/features-interviews/twenty-street-photographers-2023
Street photography is a term that covers a range of styles and can be interpreted differently based on cultural perspectives. In Japan, it is understood as "snapshot photography,” which involves going out into the world with a film camera and shooting spontaneously. It’s with this notion that photographer, writer, and filmmaker, Jesse Freeman of Japan Camera Hunter, is challenging the western ideas of street photography with his curated list of 20 “street” photographers you need to know in 2023.
Analog Forever Magazine’s Instagram / Twitter / Website
「フィルムで撮る20人のストリートフォトグラファー」の1人として選ばれてます。嬉しいなぁ、ありがとう。
知っておきたいストリートフィルムフォトグラファー20選!https://www.analogforevermagazine.com/features-interviews/twenty-street-photographers-2023
ストリート写真と一口に言っても、そのスタイルはさまざまで、文化的な観点からも解釈が異なる。日本では「スナップ写真���と呼ばれ、フィルムカメラを持って外に出て、自発的に撮影することを指します。ジャパンカメラハンターの写真家、ライター、映画制作者であるジェシー・フリーマンは、この考えに基づいて、2023年に知っておくべき20人の「ストリート」写真家のキュレーションリストを作成し、ストリート写真に対する西洋の考え方に挑戦しています。
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japancamerahunter · 1 month
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The official channel for Japan Camera Hunter. Cameras, film, photography and passion. Please excuse my cough. JCH Instagram live - 3/28JCH Instagram live - 3/28
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beatler · 10 months
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Beer-making relics at L’Abbaye Notre-Dame d’Orval, Belgium 🎞 Japan Camera Hunter Street Pan 400 📷 Canonet 28
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lesleyrussino · 2 years
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gordyscamerastraps · 2 months
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Russell B Brisbane, Australia. Nikon FM2n
Wrist strap, lug-mount Long Dark brown leather, Black wrapping cord
My newest camera, a mint fm2n to shoot film again. This mint body and 50mm f1.8 lens came from Japan thanks to Bellamy Hunt (Japan Camera Hunter) and now it comes with me everywhere with its lovely wrist strap thanks to Gordy. As an airline pilot, it will certainly see some miles with me.
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downtown manhattan
jch streetpan 400, nikon f2
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