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#Matmos
romanowork · 9 months
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Here is the bracket!
Some of the names are listed alone, meaning they will move on automatically to round two. (Because the number of contestants isn't a power of two and this is the easiest solution)
This was also randomized, so you are legally required not to get mad at me for it.
Mid-Air Thief VS Bombadil 
Charming Disaster
DM DOKURO VS Matmos
TISM VS Bryce Dessner, James McAlister, Nico Muhly, Sufjan Stevens
Melt-Banana VS Moxy Früvous
Bo Burnham
Flight of the Conchords VS Shpongle
Steam Powered Giraffe 
Tim Minchin VS The Aquabats
ded ihn uh hul 
Scott Walker VS Skippocalyptic 
Oingo Boingo
Shmu + Fever the Ghost VS Captain Beefheart
Machine Girl 
Heloise Tunstall-Behrens VS Emperor X
They Might Be Giants
Yun Head VS Sparks
Mystery Skulls
Jack Stauber VS American Murder Song
Lemon Demon VS Parry Gripp
Will Wood (And the Tapeworms) VS Tom Cardy
The Beatles
Watsky VS Brian David Gilbert 
Masonna
Bejalvin VS Bill Wurtz
Nick Lutsko
Max Raabe VS Bent Knee 
MARETU
Kikou VS Joe Hawley 
elliotly
Katie Dey VS Jukebox the Ghost
Tally Hall
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tomwaitslinks · 4 months
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Matmos
Matmos covered FX by Black Sabbath.
Black Sabbath wrote N.I.B., covered by Primus.
Primus recorded On The Road with Tom Waits.
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rastronomicals · 3 months
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9:25 AM EST February 6, 2024:
Matmos - "F/X" From the album Everything Comes & Goes (April 5, 2005)
Last song scrobbled from iTunes at Last.fm
Either an interpretation or a mutilation. Or both.
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grrl-beetle · 6 months
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Matmos - Return to Archive
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testure-1988 · 5 months
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Matmos
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bluetapes · 1 year
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blue forty-six: Dane Law
"Dane Law's latest is a serving of low-key magic put together with acoustic guitar samples and a semi-algorithmic Max/MSP patch. Somewhere between Oval, The Books/Zammuto and Matmos but more folk-inspired, it's affecting, unexpectedly warm material." - Boomkat
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burlveneer-music · 2 years
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The Soft Pink Truth - Is It Going To Get Any Deeper Than This? - deep house album (with several twists) by Drew Daniel of Matmos
Thrill Jockey is pleased to announce the return of The Soft Pink Truth, the solo electronic project of Drew Daniel, one half of Baltimore-found sound duo Matmos. Asked to explain his new album’s gauntlet-throwing title, Drew Daniel says: “Years ago a friend was DJing in a club and a woman came into the DJ booth and asked ‘is it going to get any deeper than this?’ and the phrase became a kind of mantra for us. What did she really want? This album was created as an attempt to imagine possible musical responses to her question.” Throughout the ten songs of the album, the provocation to go “deeper” prompts promiscuous moves across the genres of disco, minimalism, ambient, and jazz, sliding onto and off of the dancefloor, sweeping higher and lower on the scale of frequencies, engaging both philosophical texts re-set as pop lyrics and wordless glossolalia. Rather than a dryly pursued thesis, the music flows across emotional terrain from upfront peaks to melancholic valleys, often within the same song.
The Singers and Speakers: François Bonnet: Speech on “Deeper Than This?” Erica Burger-Hannum: Singing on “Trocadero” and “Deeper” Daniel Clark: Singing on “Deeper Than This?” Angel Deradoorian: Singing on “Deeper Than This?” Eléonore Huisse: Speech on “Deeper Than This?” Rose E. Kross: Voice on “Joybreath” Jamie Stewart: Singing on “La Joie Devant La Mort” Id M Theft Able: Voice on “Sunwash” and “Deeper Than This?” Jenn Wasner: Singing on “Wanna Know” The Players: Drew Daniel: Electronics, Backing Vocals, Piano, Production, Mix M.C. Schmidt: Piano, Electric Piano, Synthesizers, Percussion Jason Willett: Bass Guitar Mark Lightcap: Electric and Acoustic Guitar Úna Monaghan: Irish Harp on “Wanna Know” Obadias Guerra: Harp on “Now That It’s All Over” Tom Boram: Harpsichord Koye Berry: Piano Ulas Kurugullu: Violin, Viola, Cello, String Arrangements Nate Wooley: Trumpet on “Moodswing” Andrew Bernstein: Saxophone on “Deeper” John Berndt: Saxophone on “Sunwash” Brooks Kossover: Flute on “Deeper” Shelly Purdy: Vibraphone on “Sunwash” Ayoze de Alejandro Lopez: Percussion John Wiese: Broken Glass All songs by The Soft Pink Truth except “Now That It’s All Over”, which was written by Willie Hutch. This record was created in honor of a mysterious woman who walked up to a friend while he was DJing and asked “is it going to get any deeper than this?”
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knightofleo · 2 years
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Matmos | lipostudio... and so on
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chaoselph · 2 years
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The Soft Pink Truth – “The Anal Staircase” (Coil Cover)
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romanowork · 1 year
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DM DOKURO:
Most Fucked Song: Antarctic Reinforcement
Favorite Song: Antarctic Reinforcement
Propaganda: "so this song is in general not too odd, it's some cool breakcore/whatever u wanna call it stuff BUT. the thing is. THIS SONG IS IN 13. AS IN THE TIME SIGNATURE IS IN 13/4 OR 13/8 OR 6/4 + 7/4 OR WHATEVER. ITS IN 13. BREAKCORE IN 13. WHERE ELSE DO YOU SEE THAT SHIT !!!!!!! DAMN !!"
Matmos:
Most Fucked Song: Lipostudio...And So On
Favorite Song: Ultimate Care II
Propaganda: "Matmos are famous, or perhaps infamous, for making music with all kinds of gimmicky sound sources/limitations. The entirety of A Chance to Cut Is a Chance to Cure is made out of sound samples of medical procedures, from liposuction to Lasik eye surgery. Ultimate Care II was made only with sounds produced by a washing machine manipulated with a sampler. Plastic Anniversary is made of sounds from plastic objects. The Consuming Flame is 99 collaborative pieces with a bpm of 99 exactly. The most amazing thing is just how fun a lot of this can come out sounding. And what's more! Matmos is just two unassuming gentlemen who have been in a committed relationship for years, just making weird fucked up electronic music with the one they love. And who couldn't support that? :)"
TISM:
Most Fucked Song: (He'll Never Be An) Ol' Man River
Bryce Dessner, James McAlister, Nico Muhly, Sufjan Stevens:
Most Fucked Song: Jupiter
Favorite Song: Jupiter
Propaganda: "listen. a lot of the other songs on this collab album (Planetarium) are weird but jupiter takes the cake. weird looping sample intro, soft first part with ominous + interpretive lyrics, but THEN it goes full wacko crazy mode. it goes hard and intense and the singer starts yell-singing weird religious shit. the song has been mostly electronic probably with some guitar up to this point and suddenly there's just a really loud brass + orchestral section out of nowhere. man what the fuck is going on here. hell yeah"
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fieldworklondon · 10 months
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rastronomicals · 4 months
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12:08 AM EST December 21, 2023:
Matmos - "F/X" From the album Everything Comes & Goes (April 5, 2005)
Last song scrobbled from iTunes at Last.fm
Either an interpretation or a mutilation. Or both.
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radiophd · 1 year
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matmos -- plastic minor
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vsthepomegranate · 2 years
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Barbarella (1968)
by Roger Vadim
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