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rickyvalero · 2 years
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Netflix's 'The Gray Man' Official Trailer
#TheGrayMan trailer has arrived. Check it out insdie.
The official trailer for the Ryan Reynolds and Chris Evan’s led Netflix film, The Gray Man has arrived and we have it and all the details surrounding the release to share with you today. In select theaters July 15 & on Netflix July 22 DIRECTORS: Anthony Russo, Joe Russo WRITERS: Joe Russo, Christopher Markus, Stephen McFeely BASED ON THE BOOK SERIES:The Gray Man by Mark Greaney CAST: Ryan…
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zeddfrost · 1 month
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#whiteQueenWednesday
X-Men No More Humans by Mike Carey and Salvador Larocca
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doomrichards · 1 year
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A DoomReed Recommended Reading List posted for Jan. 2023 and not exhaustive!
full text list below the cut!
DOOMREED Recommended Reading List
Doctor Doom/Mister Fantastic, Victor von Doom/Reed Richards by @doomrichards​ on tumblr, twitter, and archive of our own Updated 01/2023, originally compiled by @foeyeahboi
1960s Stan Lee & Jack Kirby: Fantastic Four #5, #10, Annual #2 1970s Marv Wolfman & Keith Pollard: Fantastic Four #196-200 1980s John Byrne: Fantastic Four #236, #260 & #288 1990s Walt Simonson: Fantastic Four #350 & #352
Tom DeFalco & Paul Ryan, et. al.: Fantastic Four #381 & Fantastic Four Unlimited #12 & Fantastic Four Unplugged #2 Jim Lee, Heroes Reborn/Return Era: Fantastic Four v2 (1997) #5-6 Captain America v2 (1997) #12 Chris Claremont, Larroca & Bogdanove: Fantastic Four vs. the X-Men #1-4 (1987) Fantastic Four v3 (1998) #25, #29-31
Mark Waid, Mike Wieringo, et. al.: Fantastic Four v3 (1998) #70 & Fantastic Four #500, #503, #507 Dwayne McDuffie, Pelletier & Jones: Fantastic Four #551-553 Fantastic Four Special, "My Dinner with Doom" Mark Millar & Bryan Hitch: Fantastic Four #558, #562
Jonathan Hickman Secret Wars Era with Epting, Deodata, Ribic, et. al.: Fantastic Four #581 - #582 FF (2010) #1-14 (omit 6, 7, 10, 11); concluding in Fantastic Four #611 New Avengers v3 (2013) #6, #7, #14 Secret Wars (2015) #2-4, #9 & Marvel 2-In-One (2017) Annual #1 for conclusion
Post-Secret Wars Era: Brian M. Bendis & Alex Maleev: Infamous Iron Man (2016) #6, #8 Chip Zdarsky, Cheung, Schiti, Dodson, et. al.: Marvel 2-In-One (2017) #4-6, Annual #1 & #11 X-Men/Fantastic Four (2020) #2-3 Dan Slott, R.B. Silva & Javier Rodriguez: Fantastic Four (2018) #25, #32 (B Story) "Duel Intentions" & #33 Christopher Cantwell & Salvador Larocca: Doctor Doom (2019) #9-10 Ryan North & Iban Coello: Fantastic Four (2022) #2
Origin Re-tellings & Variations: Books of Doom #2 Before The Fantastic Four: Reed Richards #1-3 Fantastic Four #416 (B Story) "Roads Not Taken!" Shame Itself (B story) (satire) Ultimates (Earth-1610) AU: Ultimate Fantastic Four #2, #7, #9-12, & #31-32
AU Versions / Other: Warlock (1972) #6-7 What If? (1977) #6, "What if the F.F. had different Super-Powers?" What If? (1977) #22, "What if Dr. Doom had become a Hero?" Marvel Adventures Fantastic Four #42 100th Anniversary Special: Fantastic Four GeNext United #2 Marc Spector: Moon Knight (1989) #39-40 Spider-Man & The Secret Wars #2, #4 Doctor Doom and the Masters of Evil #4 Marvel 1602 #4 Big Town #2 Earth X #2 & Universe X Special: 4 #1 Exiles (2001) #95-98 Fantastic Four: 1 2 3 4 #4 Fantastic Four: The Movie (2005) (comic adaptation) Fantastic Five (2007) #1-5 Fantastic Four 2099 (1996) #6-8 DOOM 2099 (2019) Timeless #1 (2021)
Multimedia: Fantastic Four (1994) (film) Doomgate by Jeffrey Lang (novel) Fantastic Four: World's Greatest Heroes ep. 1, 4, 17, 25 Marvel’s Wastelanders: Doom by Mark Waid et. al. (podcast) & Marvel’s Wastelanders Marvels Chapter 4 (podcast) Avengers Ultimate Alliance (video game) Marvel Superheroes Official Game Adventure: Gates of What If? by Roger Moore (RPG manual)
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duhragonball · 2 years
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Wordswordswordswords
For the past several months now, when I haven’t been writing, I’ve been reading Fantastic Four.   I bought a DVD-ROM back in 2008 which contained .pdf files of every issue from 1961 to 2006.  A couple of years ago, I decided to quit putting it off and actually read the whole thing, and now I’m about eight issues away from finishing it.  Even so, I think I’m going to keep going and try to catch up to the present day.   I think that’s only about 200 more issues, so no big deal.
People say that when you get older, you lose interest in your old hobbies.  I got into comic books about 30 years ago, and I got sucked into the whole “Marvel Universe” thing around 1997, trying to learn as much of the interconnecting lore as possible.  A lot of the fun of comics back then was the thrill of seeing what would happen next in the new books, while also uncovering the history laid down in the back issues.  At some point, the novelty wears off.��  You’ve either seen all the same tricks, or you’ve read enough back issues that nothing really surprises you anymore.   So you either get jaded or you move on to something else, or you learn to change perspectives, which I guess is what I’ve done.
Today, I seem to experience comic books in this insane macro-scale, binge-reading entire runs and series, because so much of it is available digitally now, and I’ve got the disposable income and free time to commit to it.   I thought about liveblogging my experiences with Fantastic Four, but I knew it would slow me down too much, and really, the contents of individual issues don’t seem to matter as much to me anymore.   It’s all about historical eras now.   And really, I don’t even want to do a breakdown of the eras, because even that feels like too much trouble.   Let me focus instead on my favorite and least favorite runs.
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So this is a page from Fantastic Four v.3 #28 by Claremont and artist Sal Larocca.  I tried to find a typical page that illustrates the problem, and this seems like a fair example, because at least all this word-salad manages to recap the plot.   Mr. Fantastic is trapped in Dr. Doom’s armor, and unable to prove his true identity to the world.  But even if he could, he has to keep up the charade of being Dr. Doom, because he’s the only thing holding back a warship full of evil soldiers.   He can’t let them destroy the world, but he can’t tell them to stand down, or they’ll turn on him.
But Claremont keeps restating the problem over and over.  This page is like 20% word balloon, and it’s just the characters mulling over this dilemma that’s already been explained several times over the past two issues.
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By contrast, you have this page from FF v.3 #63, by Mark Waid and Mike Weringo.  This is a pretty exposition-heavy page as well, but it flows a lot better.  The Waid run on FF is my favorite so far, and I think it says something I blew through all 37 or so issues in a single weekend.   It’s just a nice easy read, with plenty of dramatic punch and solid plot and character dynamics.  
The thing is, I got so frustrated with Claremont’s run that after a while I started to wonder if I was being unfair, or if there was something wrong with me for not appreciating it.   And I started to look for the same flaws in my own writing.  “Oh crap, I’m not as bad as Chris Claremont, am I?”  That’s the effect that guy has on me.   I started wondering why the run was so bad, and why other runs are so much better by comparison.   And this was what I finally came up with. 
So when you look back up at the two pages above, notice how the Sal Larocca art doesn’t really move the story along.   It’s not that he’s a bad artist.   I like his stuff, but on this run it never seemed to click with Claremont.   Sometimes it felt like they weren’t even aware of each other as they created the comic.   In this case, it’s just four panels of the characters standing around talking to each other.  There’s a shot of a holographic map, and Johnny walks off in a huff, but those visuals seem to have nothing to do with the conversation.   A lot of words are being said, but they don’t tell any new story, and the images are just sort of there to decorate the extraneous words.  
But on the other page, the art actually helps the exposition go down smoother.   In the first two panels, the characters are talking, then in panel three Sue notices something important, and in panel six, Reed seems to be putting the whole thing together.   Their expressions help tell the story.  But the real meat of the page is in panels four and five, where we see Franklin Richards watching them from the shadows.  That look on his face in Panel Five is what brings the whole page together.  He knows something about all of this, and he’s deeply troubled by it.  Also note that Panel Five has no word balloons in it.   The expression is allowed to carry the narrative.   That’s what makes you eager to look at the next page, because that’s where you find out what he knows about this situation.
And that gave me a shot of reassurance.   For one thing, I write prose, not comics, so I don’t have to worry about stepping on an illustrator’s toes.  I read once that this sort of thing was why John Byrne left the X-Men comics back in 1980 or ‘81, because he drew this shot of Colossus ripping up tree stumps and Claremont wrote a whole essay’s worth of captions over it.   By 2000, the only thing that changed was that he was doing it to Sal Larocca, who was sporting enough to put up with it. 
More importantly, this whole realization reinforced a bit of writing advice I picked up years ago.   When you write a conversation, it’s always good to have the characters do something while they talk.   You have Character A say a line, then add that they’re folding laundry.   Then Character B says their line, and they’re eating a chili dog or whatever.  And back and forth, with each character making progress with their task as the conversation continues.    It adds a beat to the dialogue, so it’s not just rapid fire yammering back-and-forth, but it also shows that they’re not just disembodied voices.  And you can use the side-actions to communicate other stuff alongside the dialogue.   Claremont’s problem is that he can’t do that himself in a comic book, and a lot of times he actively prevents the art team from doing it for him.   So the comics he writes feel slow and plodding, even if they may not actually be any longer or harder to read.
Anyway, I just had to get that off my chest.   Sometimes I worry that I let the length of a textpiece distract from the message I’m trying to convey, but I think the point is that there needs to be a message, and a clear presentation.   Some messages may take longer to express, but as long as they’re not bogged down with excess clutter, they’re still worth expressing.
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24hrsallnews · 5 days
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Samantha Ruth Prabhu is all set to comeback with her upcoming project Citadel Honey Bunny and film Bangaram.
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We will read about, "Samantha Ruth Prabhu is all set to comeback with her upcoming project Citadel Honey Bunny and film Bangaram." Yesterday, the first look of Bangaram was revealed to mark Samantha Ruth Prabhu's 37th birthday. Samantha Ruth Prabhu is planning to make a comeback with a web series and a movie.  
Samantha Ruth Prabhu is all set to comeback with her upcoming project Citadel Honey Bunny and film Bangaram.
Samantha Ruth Prabhu was seen at the teaser launch of The Marvel in November. On Samantha's birthday, Tralala Moving Pictures has posted the first look of Bangaram. Samantha Ruth Prabhu has a very wide fan base. Tralala Moving Pictures shared it and wrote the caption, "@samantharuthprabhuoffl a very happy birthday #Bangaram Starting soon" The excitement and craziness among fans regarding the Bangaram film is increasing. Bangaram marks Samantha Ruth Prabhu's debut as a producer.   View this post on Instagram   A post shared by Tra-la-la Moving Pictures (@tralalamovingpictures) In the film's first look poster teaser, Samantha is covered in blood, she is always seen wearing a saree and carrying a gun. Samantha's fierce look is visible, the cooker is boiling and a teddy bear is visible. Samantha Ruth Prabhu portrayed a villainous character in her most recent web series, The Family Man Season 2, which garnered immense praise from her fans. Samantha's upcoming web series is Citadel: Honey Bunny and upcoming film is Bangaram.   More About Citadel: Honey Bunny Citadel: Honey Bunny will be a spy action thriller film. The film stars Varun Dhawan, Samantha Ruth Prabhu, Sikandar Kher, Emma Canning, Kay Kay Menon and many others. The series is created by Raj and DK, produced by Anthony Russo, Joe Russo, Mike Larocca, Angela Russo-Otstot, Scott Nemes, David Weil, Raj & DK. This series is going to be released on Amazon Prime Video.   More About Bangaram Bangaram stars Samantha Ruth Prabhu in the lead role, while the cast of the film has not been revealed. The film is also produced by Samantha Ruth Prabhu. Numerous aspects of the movie have been shrouded in secrecy, anticipate a fantastic cinematic journey in the film.   Read More - The new look of Pratik Gandhi and Patralekhaa starrer Phule has been released. - The film Luv You Shankar, starring Shreyas Tanisha Mukherjee, has officially released. - The ultimate guide to Tillu Square: A must-watch film for romantic crime comedy fanatics - Razakar Review: Razakars: The Silent Massacre of Hyderabad released in Hindi on 26 April - Aranmanai 4 Trailer: Sundar C's Aranmanai 4 releases in cinemas globally in April - Do Aur Do Pyaar Movie Review: Do Aur Do Pyaar is a delightful romantic comedy that explores the complexities of love and marriage. - 777 Charlie movie is expanding its global presence! - Dukaan movie review: The concept is intriguing but fails to achieve its maximum potential. - Pawan Kalyan met Chiranjeevi during the filming of Vishwambhara - A viral photo on social media features Ranbir Kapoor and Sai Pallavi together Read the full article
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playermagic23 · 2 months
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Nick Jonas is proud of Priyanka Chopra as she gets nominated for Critics Choice Super Awards for Citadel
Back in May 2023, Prime Video renewed the series for a second season with Joe Russo set to direct every episode and executive producer David Weil returning as showrunner.
The nominations for the 4th annual Critics Choice Super Awards 2024 have been revealed, showcasing the cream of the crop in action, superhero, horror, and sci-fi or fantasy films and TV shows from the past year. Among the nominees, one name shines particularly bright is Indian actress Priyanka Chopra Jonas. Her recognition comes in the form of a nomination in the Best Actress In An Action Series category, courtesy of her role in the action-packed series, Citadel. Adding to the buzz surrounding Chopra's nomination is the heartfelt support from her husband, singer Nick Jonas.
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Taking to his Instagram story, Jonas shared a screenshot of the nomination list featuring Priyanka's name prominently displayed. Alongside the image, he penned an encouraging message, “Let's go Priyanka. #proud,” followed by a fiery emoticon.
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The actress is nominated alongside Angela Bassett for 9-1-1, Luciane Buchanan for The Night Agent, Queen Latifah for The Equaliser, Zoe Saldana for Special Ops Lioness, and Maria Sten for The Reacher. The winners will be announced on April 5.
Back in May 2023, Prime Video renewed the series for a second season with Joe Russo set to direct every episode and executive producer David Weil returning as showrunner. The spy thriller—starring Richard Madden and Priyanka Chopra Jonas, and featuring Lesley Manville and Stanley Tucci—premiered on May 26 of last year.
The official synopsis of Citadel season 1 reads, "Eight years ago, Citadel fell. The independent global spy agency—tasked to uphold the safety and security of all people—was destroyed by operatives of Manticore, a powerful syndicate manipulating the world from the shadows. With Citadel’s fall, elite agents Mason Kane (Richard Madden) and Nadia Sinh (Priyanka Chopra Jonas) had their memories wiped as they narrowly escaped with their lives. They’ve remained hidden ever since, building new lives under new identities, unaware of their pasts. Until one night, when Mason is tracked down by his former Citadel colleague, Bernard Orlick (Stanley Tucci), who desperately needs his help to prevent Manticore from establishing a new world order. Mason seeks out his former partner, Nadia, and the two spies embark on a mission that takes them around the world in an effort to stop Manticore, all while contending with a relationship built on secrets, lies, and a dangerous-yet-undying love."
From Amazon Studios and the Russo Brothers’ AGBO, Citadel is executive produced by Anthony Russo, Joe Russo, Mike Larocca, Angela Russo-Otstot, and Scott Nemes for AGBO, with David Weil serving as showrunner and executive producer. Josh Appelbaum, André Nemec, Jeff Pinkner, and Scott Rosenberg serve as executive producers for Midnight Radio. Newton Thomas Sigel and Patrick Moran also serve as executive producers.
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vfxexpress · 10 months
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Extraction 2-VFX Breakdown by UPP
Extraction 2: VFX Breakdown by @upp_vfx Checkout VFX Breakdown vfxexpress.com. Director:Jaume Collet-Serra Producers:Eric Gitter, Sam Hargrove, Chris Hemsworth, Mike Larocca,Patrick Newall, Anthony Russo, Joe Russo,Angela Russo-Otstot, Peter Scherwin Studio:Netflix.
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techstartro · 11 months
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deadlinecom · 11 months
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ramascreen · 1 year
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Official Trailer For EXTRACTION 2 Starring Chris Hemsworth
Netflix has released this official trailer for EXTRACTION 2 ABOUT EXTRACTION 2 DIRECTOR: Sam Hargrave WRITER: Joe Russo PRODUCERS: Joe Russo, Anthony Russo, Chris Hemsworth, Patrick Newall, Sam Hargrave, Mike Larocca, Angela Russo-Otstot, Eric Gitter, Peter Schwerin EXECUTIVE PRODUCERS: Benjamin Grayson, Steven Scavelli, Christopher Markus, Stephen McFeely, Jake Aust CAST: Chris Hemsworth,…
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sonyclasica · 1 year
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ALEX BELCHER
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BANDA SONORA ORIGINAL DE LA SERIE ORIGINAL DE PRIME VIDEO: CITADEL
Sony Music Masterworks anuncia el lanzamiento de CITADEL (PRIME VIDEO ORIGINAL SERIES SOUNDTRACK), un álbum con música del compositor ALEX BELCHER para el nuevo drama de espionaje lleno de acción de Prime Video protagonizado por Richard Madden y Priyanka Chopra Jonas.
Escúchalo AQUÍ
Mira los dos primeros episodios AQUÍ
El proyecto es el último de una serie de colaboraciones entre Belcher y los productores ejecutivos de la serie, Anthony y Joe Russo; el compositor trabajó recientemente con el dúo de hermanos en 21 Bridges y Extraction. - ESCÚCHALO aquí.
El single llegó junto con el estreno mundial de la serie en Prime Video, al que seguirán nuevos episodios publicados semanalmente todos los viernes hasta el 26 de mayo - míralo aquí.
SOBRE CITADEL
Citadel cayó hace ocho años. La agencia mundial de espionaje independiente -encargada de velar por la seguridad de todas las personas- fue destruida por agentes de Manticore, un poderoso sindicato que manipula el mundo desde las sombras. Con la caída de Citadel, a los agentes de élite Mason Kane (Richard Madden) y Nadia Sinh (Priyanka Chopra Jonas) se les borró la memoria mientras escapaban con vida por los pelos. Han permanecido ocultos desde entonces, construyendo nuevas vidas bajo nuevas identidades, inconscientes de sus pasados. Hasta que una noche, Mason es localizado por su antiguo colega de Citadel, Bernard Orlick (Stanley Tucci), que necesita desesperadamente su ayuda para impedir que Manticore establezca un nuevo orden mundial. Mason busca a su antigua compañera, Nadia, y los dos espías se embarcan en una misión que les lleva por todo el mundo en un esfuerzo por detener a Manticore, todo ello mientras se enfrentan a una relación construida sobre secretos, mentiras y un amor peligroso y a la vez eterno.
Richard Madden interpreta a Mason Kane, junto a Priyanka Chopra Jonas como Nadia Sinh, Stanley Tucci como Bernard Orlick, Lesley Manville como Dahlia Archer, Osy Ikhile como Carter Spence, Ashleigh Cummings como Abby Conroy, Roland Møller como Anders Silje y Davik Silje, Caoilinn Springall como Hendrix Conroy y otros.
De Amazon Studios y AGBO de los hermanos Russo, Citadel es una producción ejecutiva de Anthony Russo, Joe Russo, Mike Larocca, Angela Russo-Otstot y Scott Nemes para AGBO, con David Weil como showrunner y productor ejecutivo. Josh Applebaum, André Nemec, Jeff Pinkner y Scott Rosenberg son los productores ejecutivos de Radio de medianoche. Newton Thomas Sigel y Patrick Moran también son productores ejecutivos.
CONECTA CON CITADEL
PÁGINA WEB | TRAILER | FACEBOOK | INSTAGRAM | TWITTER
CITADEL (PRIME VIDEO ORIGINAL SERIES SOUNDTRACK)
TRACKLISTING
Citadel (Main Title     Theme)
The Train
Bathroom Brawl
Derailed
Amnesia
I Deserve to Know
Family
Taken
The Brothers
Dahlia Interviewed
A Myth
Backstory
Backwoods Kidnapping
Backstop
It's Time
Exceedingly Untrustworthy
Message to Abbey
Valencia
You're Nadia
Did You Just Throw a Knife?
Nadia Back with a Vengeance
Captured
Stitched Up
Ski Sequence
They Meet
Quite a Story
Nadia & Mason
Blacksite
Rescue Mission
Kiss & Tell
The New Tier 1
Interrogated
You Only Get One Soul
You Did This
What if it was Real?
Headshot
Did He Know?
Can a Spy Truly Love?
Goodbye
The Truth
The Bracelet
Red Cell Mission
A Seat at the Table
Deactivating the Cores
Reuniting
A Favor
 SOBRE ALEX BELCHER
Alex Belcher saltó rápidamente a la fama en el mundo de los compositores cinematográficos y trabaja en estrecha colaboración con el afamado compositor Henry Jackman desde 2010. Juntos han colaborado en largometrajes como el reciente thriller de acción de Netflix Extraction, protagonizado por Chris Hemsworth, y 21 Bridges, ambos producidos por Joe y Anthony Russo.
Actualmente, Alex volverá a colaborar con Joe y Anthony Russo como compositor de la esperadísima serie de Amazon Citadel, protagonizada por Richard Madden (Los Eternos de Marvel, Rocketman, Juego de Tronos) y Priyanka Chopra Jones (Las Resurrecciones de Matrix, Baywatch).
Con un amplio historial de acción, Belcher también ha escrito música para The Contractor, Made in Italy y IO, además de componer música adicional para Captain America: Civil War, Kingsman: El Servicio Secreto y El Círculo Dorado, Kong: La Isla Calavera, y El Depredador (2018). También ha escrito música para la serie de videojuegos Uncharted, y ha producido la banda sonora de Henry para el largometraje de drama bélico Mosul, también producido por los Hermanos Russo.
Cuando era joven y vivía en Kentucky, Alex se dedicó tanto a la música como a la interpretación teatral, y acabó dándose cuenta de que podía combinar su amor por la música y su pasión por contar historias para convertirse en compositor de bandas sonoras de películas, por lo que estudió en la Universidad de Belmont y en el Berklee College of Music.
"Lo que me encantaba del teatro era contar historias. La composición cinematográfica fue un gran descubrimiento para mí porque, en su forma más pura, es narración musical... así que no tardé en darme cuenta de que eso era lo que quería hacer."
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edsonlnoe · 1 year
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P⬤22 Película Aftersun Mark Ceryak, Amy Jackson, Barry Jenkins, Adele Romanski Bardo, falsa crónica de unas cuantas verdades Alejandro G. Iñárritu, Stacy Perskie Bergman Island Charles Gillibert, Erik Hemmendorff, Rodrigo Teixeira, Lisa Widén Everything Everywhere All At Once Daniel Kwan, Mike Larocca, Anthony Russo, Joe Russo, Daniel Scheinert, Jonathan Wang Nope Ian Cooper, Jordan Peele Verdens Verste Menneske Andrea Berentsen Ottmar, Thomas Robsahm
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Ray Levier’s Album ‘Lost and Found’ Calls to Find Oneself
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Lost and Found is a rock fusion album of 12 tracks from professional drummer and songwriter Ray Levier, originally released in 2018. 
New York based Levier is something of a career musician, having been the sideman to urban folk and jazz artist KJ Denhart for the last 20 years. He has produced and co-founded numerous music tracks for television, including for TLC networks, Discovery Channel, FOX Sports, CBS, NBC and National Geographic to name just a few. 
Lost and Found is an excellent album with 12 tracks full of rock fusion style music and carefully crafted lyrics. From opening track “I Am No One,” the more classic title track “Lost and Found,” to the more retro punk rock “Bombs Inside my Head”, Levier´s musical range is diverse and takes its cues from his work in screen composition as well as his experience working with famous jazz guitarists, including Mike Stern and John Abercrombie. 
Listen here: https://open.spotify.com/album/32xleBv0d32zawjYSYz2Yz?si=zt0oJT3QRoObqOy_YsDcUg
In Ray's own words:
"My experience has been that the finding of oneself is deeply and directly related to the loss of oneself and what we view as a loss is actually a gift. This album is dedicated to the inner process and struggles in life as we journey to the deeper levels of the inner psyche that points us towards the light."
Ray’s influences range from David Bowie and Van Halen to the Beach Boys, The Beatles and Beck. His rock funk, jazz fusion style is really easy to listen to and also intriguing. 
Having taken up the drums at the young age of 11, and onward to becoming a professional drummer, Levier has truly perfected his craft over the years. He can swing a jazz combo, lay out hip hop beats as well as funk and more elegant jazz tempos. 
Levier has studied with some of the jazz musician masters too, having attended Wiliam Patterson College´s music program with bassist Rufus Reid, and then went on to study with Keith Crane, Sal LaRocca, Adam Nussbaum, Dom Famularo and more. 
Stay current with Ray Levier on his Website, and social media channels Instagram and Facebook 
Stream music on YouTube // Spotify
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universalmovies · 2 years
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Everything Everywhere All at Once: Recensione dello sci fi con Michelle Yeoh
Everything Everywhere All at Once: Recensione dello sci fi con Michelle Yeoh
Abbiamo visto al cinema Everything Everywhere All at Once, lo sci-fi indipendente con protagonista Michelle Yeoh. Questa la nostra recensione. Everything Everywhere All At Once è un film prodotto da A24, scritto e diretto dai “Daniels“, ovvero da Daniel Kwan e Daniel Scheinert, i quali ne hanno curato anche la produzione insieme ai Fratelli Russo, Mike Larocca e Jonathan Wang. Nel cast, oltre a…
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beautifulballad · 2 years
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Netflix Greenlights The Gray Man Sequel and Spin-Off
Netflix Greenlights The Gray Man Sequel and Spin-Off
The Gray Man franchise is expanding! Netflix announced today, July 26, that the movie, which was released to the streaming giant this past Friday, July 22, will be getting a sequel and a spin-off. The sequel is now in development with star Ryan Gosling and directors Joe and Anthony Russo set to return. The Russos and AGBO’s Mike Larocca will produce along with Joe Roth and Jeffrey Kirschenbaum…
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dawsey28 · 2 years
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The Gray Man (2022 film)
PG-13 2022 ‧ Thriller/Mystery ‧ 2h 2m
Limited Theaters: July 15, 2022
Netflix: July 22, 2015
• Rating: PG-13 (Strong Language|Strong Violence)
• Genre: Action
• Original Language: English
• Director: Anthony Russo, Joe Russo
• Producer: Chris Castaldi, Jeff Kirschenbaum, Mike Larocca, Palak Patel, Joe Roth, Anthony Russo, Joe Russo
• Writer: Joe Shrapnel
• Release Date (Theaters): Jul 15, 2022 Limited
• Release Date (Streaming): Jul 22, 2022
• Runtime: 2h 2m
• Distributor: Netflix
• Sound Mix: Dolby Digital, Dolby Atmos
“The Gray Man is an upcoming American action thriller film directed by Anthony and Joe Russo, from a screenplay the latter co-wrote with Christopher Markus and Stephen McFeely, based on the 2009 novel of the same name by Mark Greaney.
The Gray Man is set for a limited release on July 15, 2022, followed by its release on Netflix on July 22, 2022. With a production budget of $200 million, it is the most expensive film ever made by Netflix.”
Trailer: https://youtu.be/BmllggGO4pM
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