Hii you know how you wrote about reader getting hurt because of their job please could you write that with graves or nikolai x
Hey! Sure I can!
Graves’ and Nikolai’s S/O Gets Hurt Because of Their job
Graves: On the outside he may seem calm and collected, but on the inside he’d be seething with rage. However, he won’t show you how angry he actually is, keeping it all to himself instead. He needs to be the big, strong man in your relationship, so he needs to keep his cool in front of you, no matter what. I don’t think he’d be too surprised you’d have gotten hurt, though. While he may have hoped it would never happen, that was just wishful thinking. You’ll either be on Shadow Company’s medbay or in the best hospital he can find nearby. Either way, you’ll be well taken care of. If you’re at Shadow Company, then he’ll station some of his most competent and trusted people to take care of you for the time being. You will be protected by them, and you will get whatever it is you may need from them as well. Or anything you may want, really. No cost is too high for Graves while you’re in recovery. While he may try to make time for you as well, he really does, he will also have someone track down whoever hurt you. This person will then be abducted to Shadow Company for a rough time. Graves himself would take care of them, and he can be pretty effective when he wants to be. However, if you’ve recovered by then, and are among the more vengeful people, then you’re more than welcome to do as you please with the bastard yourself, Graves has no qualms about that. In fact, he’d welcome you doing what you need to do. An eye for an eye. I think he’d become a bit more protective of you afterwards. If you’re okay with it, then he’ll leave you in the hands of some of his Shadows since he can’t always be there for you. If it was up to him, he’d combine you with his work and have you just live on base with him so he could always keep an eye on you, but you likely wouldn’t agree to that. It may seem a bit overbearing, but he will reach out to you more often and does expect you to respond within a few hours, or else he’ll get worried and send someone to check up on you, even if you’re alright.
Nikolai: While Graves may be furious, Nikolai is entirely calm about all of this. Yes, you got hurt, but seeing him panic would likely only worsen the state you’re in. He is well aware of the fact that you will pull through, he made sure of that himself. However, he won’t do anything drastic until you’ve recovered completely. That way your perpetrator has enough time to kill themself before he has to take action. Naturally, you mean the world to him, so any violence against you will not be excused. Nikolai runs a PMC, so he knows what he’s doing, he knows how to deal with violence. Violence for violence is the rule of the beasts and Nikolai’s cruelty is akin to that of a starved animal. However, that can wait until you’re alright again. He’ll visit you every day, even stay at the hospital, and bring you gifts, tell you stories and keep you company otherwise. But he won’t mention the plans he has for the sorry fuck who hurt you, those are for him to know and for you to never find out. Once you’re home again, going about your day, he will seek out the bastard himself and drag him to some place in Siberia. As mentioned before, Nikolai can be cruel when he wants to be, so I wouldn’t be surprised if he let that person run aimlessly around Siberia for a few days, hunted down by him and his people, only to capture and torture them later. Death is a kind of mercy that is not for them, though, so he’ll keep them alive for the time being. They almost took you from him, there’s nothing they could ever do to make up for that. They’ll be a new chewing toy for Chimera until they die for one reason or another. Nikolai won’t get too overprotective, but he will be keeping a closer eye on you. He won’t station one of his people in front of your home when he’s away, but he will try to make more time for you. Calls become more frequent and he will try to find some excuses to spend more time with you, even if it’s just by video chatting with you when you have the time. He won’t freak out, but he won’t forget about that incident either.
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i've seen ppl talking about Meryl & how little we know about her family, but the geo-plant arc of trigun chapters 10-12 gives us some really useful pieces of info, i think
first, we see her thinking of herself as Cold Blooded, just like the dude that wanted Badwick to kill his own parents
[ID: Meryl stands with her gun drawn and a troubled expression on her face as she thinks to herself, "Exactly as you described him... the cold-blooded type..." In the next panel, she closes her eyes and wonders, "Am I really... any different?" End ID]
at the start of this arc, Milly wrote one of her massive letters to her family, while Meryl mentioned not knowing what she would write to hers. then we see Milly get PISSED at Badwick after she learns he threatened his parents at gunpoint, which leads to this page:
[ID: Meryl, held back by Milly, tells her, "Milly... I envy you... My father would have wanted me to get justifiably angry at a person who points a gun at his parents. That is an important thing." She flashes back to the moment in the chapter before where Milly is attempting to punch the son, Badwick. Milly calls in concern, "Ma'am?" Meryl continues, "But I... I just stood there and took it all in without even budging. I am such a cold person. I chose this path of blood and tears without thinking about the rest of my life. All I can see is what is right in front of me." The page shows the face of the father, dressed in basic battle gear, who is watching silently. Now in tears, Meryl laments, "Why could I not see... that when I closed myself off to him, something was wrong? I..." In the last panel, Milly stares down at Meryl in surprise as Meryl slaps her own cheeks and exclaims, "No... Nevermind!" End ID]
this entire situation is obviously striking something in Meryl's heart. some kind of insecurity she has about her distant relationship with her own parents. she shakes herself out of it, determined to not fall into a funk, and then jumps into defense of the land.
after the battle's over & the father's fallen to his ass, we see these pages:
[ID: In the first page, the father, off screen, tells Meryl and Milly, "There are no words to express how thankful I am for your help." Meryl replies with a smile, "Ah. There's no need." The father goes on to tell her, "Ms. Meryl... I know it was rude of me, but I overheard your conversation earlier. Having raised that rebellious son, I don't know if I have the right thing to say, but... All people are different, but the bonds between parents and children are inseparable. It is a great burden, but also the most precious thing in the world..."
In the second page, the father concludes, "... Choose your own path, and walk it with confidence. All of life... is connected. You must live your own life, and your parents will love through you." As he speaks, we see Meryl listening to him with a surprised expression. End ID]
this entire arc feels like a metaphor for Meryl's own situation. after these pages, we see Badwick turning in the deed, then finding out that his parents were entrusting the property to him after all. he's the problem son, someone who separated himself from his parents due to his disagreements with them (likely stemming from his dead younger brother). yet at the end of the day, his parents still love him and entrusted their life's work to him.
Meryl sees all this go down, hears these words, and it touches something in her heart. so we see her go from talking about writing to her family like this in chapter 10:
[ID: A single panel of Meryl with her eyes closed and a peaceful expression on her face. She tells Milly, "That would be the normal thing to do... especially when I've been away from home for so long. But I don't know what to write beyond 'it's dry'..." End ID]
to this bit at the end of chapter 12:
[ID: Meryl approaches a mailbox with luggage in hand. She slips a letter inside, then sighs with a smile. Milly yells, "Maa'aam! What are you doing?! We're already late!" To which Meryl replies, "Ok! Ok! Ok! I'm coming!" End ID]
the experience was enough for her to accept that she might not be the closest with her parents (or just father? considering she only ever mentions a father in this all), but it's still worth reaching out even if she doesn't have much to say.
this arc is the most we see about Meryl's backstory in the manga, but I think we can draw a few things from it. we have a definite mention of a father, but no others. no mention of siblings or any other family members. she's distant from her father, too busy following her heart & goals, but she doesn't have a bad relationship with him. just Distant. she feels disconnected from him, even Cold, for her focus on her work & the practicalities in front of her. but even with that disconnect, she still cares enough about him to feel guilty when she realizes she's been doing this.
and then considering later, when we see the flashback of a man giving her the gun... i'd assumed that was possibly a senior at her work (probably tristamp giving me that perception, from Roberto), but keeping all the rest of this in mind... it really could have been her father.
i went looking to try to find that part. did not find that one exactly, but i DID find this one from trimax chapter 34:
[ID: A nearly bald man with a kind face and what appear to be shooting ear muffs around his neck tells Meryl, "Consider guns delicate. Women, most of all, should make use of them. One shot will level the playing field between you and a big, strong man." End ID]
if this is indeed her father, it would explain why she knows how to shoot like she does. perhaps her father taught her as she was growing up out of the wish to help her protect herself. maybe they weren't incredibly close, but he still clearly cared about her & wanted what was best for her and her safety. the kind of father that's content to let her do whatever her heart wishes, since her happiness is his happiness.
and then chapter 12 ends with this page:
[ID: A black framed page with a single panel at the center. The panel shows Meryl from behind, running with her luggage in hand. The text boxes to the sides state, "All of life is connected by a river... And the beginning of the river... is now." End ID]
she continues on her own path, not looking back, but she is still connected to the ones in her heart... including her father.
(Manga panels referenced from @trigun-manga-overhaul !)
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"I know JK Rowing is a terrible person but her books are so good-"
You sure about that?
I mean, just for a start, have you taken a good look at her fantasy creatures lately? A whole bunch of them are straight-up based on malicious and dehumanizing stereotypes about actual people.
Remember the werewolves? And being a werewolf was made into a kind of metaphor for having AIDS?
And you know how AIDS was first associated with gay men? And how conservatives back in the day were claiming gay men were preying on children in order to convert them to gayness?
Remember how Fenrir Greyback preyed on children in particular? Yeah, she put that subtext in there. She was an adult in the 90's. She knew damn well what she was doing.
Remember the house elves? Remember how most of them loved to serve and needed to have a home and a master or else they just wouldn't know what to do with themselves?
Did you know that's literally what slavers in the American South said about the Black people they kept enslaved? Go look up the happy slave myth.
Do I even need to get into the goblins and the antisemitic tropes they're based on? No, folkloric goblins were not gold-hoarding bankers waiting for their chance to stab humanity in the back.
"But the characters are so good!"
Are you kidding me?
Most of her characters are pretty one-dimensional, including Harry. Her idea of making a morally complicated character is giving a tragic past to a bully. Numerous characters are little more than stereotypes. (Looking at Fleur right now.) Literally anybody, including you, can easily make dozens of characters just as good, if not better. (It doesn't exactly take a lot of character designing skill to go, "hey, actually, having a sad backstory doesn't make it okay to bully children" or "hey, maybe I should not base a character on the first stereotype that pops into my head.")
"But the rest of the worldbuilding!"
Sorry, but her worldbuilding is just as basic as her characters. Magical castles and secret passages are stock tropes. Magical people who keep their true nature secret from humanity is the premise of pretty much every White Wolf TTRPG. Most of her fantasy creatures are just common European fairy tale and folklore creatures with shitty stereotypes projected onto them.
I'm not saying "basic worldbuilding bad." I'm saying, you could do just as good, if not better, with minimal effort.
Also there's her magical bioessentialism, where only Harry's abusive blood relatives could provide him with supernatural protection from Voldemort. Rowling thus effectively declared that non-biological family isn't quite real family, and that abusive biofamily can give you some essential thing that a loving, supportive family that isn't related to you just can't.
The Hogwarts houses are one of the most insidious elements of her worldbuilding. The idea of being sorted gives you a little dopamine hit because wow now you have a li'l niche where you belong!
But the actual function of the houses and sorting system and the House Cup is teaching children to see each other as rivals, and ensure that the most toxic views of the upper class get passed on to every new batch of kids sorted into Slytherin.
Hogwarts effectively prepares children for a dystopia where magic serves to distract its citizens from how nightmarishly awful it is. Economic inequality is so bad that people like Arthur and Molly Weasley can barely afford to put their kids through school, casual sadism is just an accepted norm in everyday society, and non-humans are second class citizens. Rowling sorta acts like she thinks this is a bad thing with certain lines she gave to Dumbledore, but in the end, her special boy protagonist becomes an auror; IE, a defender of the status quo. So.
If you've never seen it, Lily Simpson's video goes into even more detail on how the worldbuilding of Harry Potter is actually incredibly fucked up, and how it betrays small-minded attitudes on Rowling's part. There's no separating the art from this artist, because Rowling's rotten values pour out of nearly every page.
Yes, there are many things in Harry Potter that evoke feelings and inspire people, but there's absolutely nothing in it that this series has a monopoly on. You can find those same experiences in much, much better media.
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All I'm saying is any rule, any law, any social convention, anything where there's some kind of reprisal for transgressing against it... just make damn sure you're careful with it lest it be used against you
Every freedom you give up in the name of making a better world, really double check it's worth it and narrowly defined
I mean some freedoms are worth giving up, for instance I don't have the freedom to kill people who annoy me, and I shouldn't have that freedom. I lose very little while gaining a great deal both personally and for society as a whole, and there are a lot of places like this where it's 100% worth it to ban something outright
Similarly, there absolutely are reasons to socially shun people, like you don't have to put up with every last thing just to be nice. Influencers who do stuff like harass people to drum up attention or record and post every second of their kid's lives, I don't think we should be engaging with people like that unless it's to keep an eye on them, I think they do a ton of harm
All I'm saying though, is shit like the Patriot Act drummed up support because it was going to protect people, keep people safe... and look what actually happened, look how it's used. It's state surveillance against the people it claimed to protect and that's about it
I'm not gonna tell you which things are wrong to shit on people for, or which policies you should oppose. I don't want you to just mimic what I believe, even if I thought anyone was gonna
I just want you to look at stuff, and think about it, and really decide if that thing you want gone is harmful in a concrete enough way that if you do something to try to remove it, it will only remove that instead of spilling over in to stuff you didn't want it to
I just want you to check in your head if anything you're cracking down on either legally or through social pressure might lead you to losing something you care about down the road if bad actors skew how to interpret things
I'm not saying that's how it's gonna go, I'm just saying think first
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