River
directed by Junta Yamaguchi, 2023
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CALIFICACIÓN PERSONAL: 8 / 10
Título Original: Droste no hate de bokura AKA Beyond the infinite two minutes
Año: 2020
Duración: 70 min
País: Japón
Director: Junta Yamaguchi
Guion: Makoto Ueda
Música: Koji Takimoto
Fotografía: Junta Yamaguchi
Reparto: Aki Asakura, Riko Fujitani, Gota Ishida, Takashi Sumita, Kazunari Tosa, Haruki Nakagawa, Munenori Nagano, Yoshifumi Sakai, Chikara Honda, Masashi Suwa
Productora: Tollywood, Arts Council Tokyo, Europe Kikaku, Motion Gallery, Shimokitazawa Film Festival, Tokyo Tokyo Festival. Distribuidora: Nikkatsu
Género: Comedy, Sci-Fi
https://www.imdb.com/title/tt14500584/
TRAILER:
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Beyond the Infinite Two Minutes
Beyond the Infinite Two Minutes [trailer]
A cafe owner discovers that the TV in his cafe suddenly shows images from the future, but only two minutes into the future.
I still wonder how much of the story made any sense. But that's kind of part of the movie's appeal.
It's the funniest, most exuberant low-budget time travel movie I've seen in a long time. And with a running time of a little over an hour, it doesn't overstay its welcome.
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Romantic Comedy Manga Horimiya Gets Live-action TV Drama & Film in February 2021
In addition to the TV anime that has been in the works, HREO(story) and Daisuke Hagiwara (art)'s romantic comedy manga Hori-san to Miyamura-kun, Horimiya for short, will be also adapted into live-action. Its seven-episode TV drama series will start airing on TBS and MBS in Japan on February 16, 2021. And prior to the TV premiere, a film edition that consists of the TV drama's first three episodes and newly-shot scenes will be screened in ten theaters in Japan for a limited time of one week from February 5.
Hana Matsumoto (Oda Cinnamon Nobunaga) is attached to direct on a screenplay by Yoshifumi Sakai (Europe Kikau). A major Japanese talent agency Hori Pro works on production.
Ouji Suzuka (Jin Kazama in Hachimitsu to Jintai) is cast as the male protagonist Izumi Miyamura, while Sayu Kubota (Aoi in Hello Goodbye) plays the female protagonist Kyoko Hori. Both are 20 years old now.
Suzuka says, "This manga was carefully created by HERO-sensei and Daisuke Hagiwara-sensei, and has been loved by many people. Everyone involved in this film put their love into the filming of such a beloved story. It has been two months since the filming, which I kept hoping that people would love this film and Miyamura, and it will be released together with the anime version at the beginning of next year. Please check it out."
And Kubota adds, "Hori meets Miyamura and accepts her weakness and strength. The characters' feelings for each other in various ways came across delicately while playing her. I hope you will be warmed by the clumsy but tender love that is given by the people she loves, her family, and friends by watching this film."
Teaser visual:
˗ˋˏ????「#ホリミヤ」実写化決定 ????ˎˊ˗
地味でネクラな宮村と
クラスの人気者の堀
2人の出会いから始まる
超微炭酸系❕青春群像劇????????????
2021年2月5日(金) 映画公開、
2月16日(火) ドラマ放送開始予定????
????宮村伊澄 役:#鈴鹿央士 さん
????堀 京子 役:#久保田紗友 さん#実写ホリミヤ お楽しみに???? pic.twitter.com/tnYg4RqKm2
— 実写「ホリミヤ」公式 (@horimiya_drama) November 23, 2020
Behind-the-scenes clip:
The manga's TV anime adaptation is also set to premiere on January 9, 2021.
Source: "Hori-san to Miyamura-kun" kive-action film & TV official website / Twitter
©HERO, Daisuke Hagiwara/SQUARE ENIX, Live-action "Horimiya" Production Committee, MBS
©HERO, Daisuke Hagiwara/SQUARE ENIX, "Horimiya" Production Committee
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Fantasia Film Festival 2021: Beyond the Infinite Two Minutes (2021)
Fantasia Film Festival 2021: Beyond the Infinite Two Minutes (2021)
Beyond the Infinite Two Minutes (Droste no hate de bokura, 2021)
Director: Junta Yamaguchi
Cast: Kazunori Tosa, Aki Asakura, Riko Fujitani, Gota Ishida, Yoshifumi Sakai
A cafe owner discovers that the TV in his cafe suddenly shows images from the future, but only two minutes into the future. – IMDB
Beyond The Infinite Two Minutes is a Japanese indie low-budget one-take time travel sci-fi…
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Mothra vs. Godzilla (1964) Review!
Ishiro Honda returns to direct Mothra in her sophomore outing, this time pairing her with the one and only Godzilla as they share the screen for the first time in their respective histories. When one thinks of the relationship between the two characters, it isn't prototypically adversarial. But much like when comic book super heroes meet in team-up stories, it usually begins contentious, and they soon work it out and band together to ward off the true threat. I suspect we can expect the dynamic of these titans to more resemble that as their relationship evolves through the various continuities in future films, but for this film, they clash, and man, is it awesome.
Echoing the opening of Mothra's self-titled first film, Mothra vs. Godzilla begins with a typhoon causing incredible destruction, this time to Japan's coastline. It's here where I start to see a pattern emerging from the creative exploration of the other through the lens of Japan in this time period. Typhoons are one of the perpetual threats of the country, and seeing it continually associated with these big monster movies makes a certain amount of sense. The disastrous storm washes ashore a gigantic, technicolor egg, which sets the story in motion.
With a title like Mothra vs. Godzilla, we know that the showdown between these strange beasts is what's drawing the audience, so one might expect the focal human characters to take a back seat to the main attraction to at least some degree. Compared to the previous film though, the characters here take an even more ancillary role, though not to say to its detriment, or to say less of the performances. It was a sincere joy to see the return of The Peanuts, Emi and Yumi Ito, to their roles as Mothra's miniature telepathic communicators (presently billed as the Shobijin of Mothra's human-desolated home, the now retconned Infant Island), and in a true return to form, they are just as charming as ever. When they sing Mothra's prayer song in unison, I found myself raising my arms in victory at the sheer excitement of Mothra being called to action through harmonious delight. The Ito sisters are simply fantastic, and I can't write enough about my appreciation of them.
Rounding out the cast are journalists Ichiro Sakai (Akira Takarada), and Junko Nakanishi (Yuriko Hoshi), whose brief, heartfelt speeches to the natives of Infant Island on behalf of the humans endangered by Godzilla's fury resonated convincingly. The villainous duo of Yoshifumi Tajima's Kumayama and Yu Fujiki's Jiro Nakamura successfully play toward another apparently recurring theme of these films as over-zealous, enterprising capitalists who trip over each other in their relentless efforts to appease their single-minded, boundless greed.
Godzilla's attack on Japan showed marked imrpovement in effects quality over the last movie, and the design of his suit here, for me, defines his exemplary look in the Showa era. Mothra dazzles again in bright orange hues, and displays improved maneuverability as the creative team continues to give her more varied actions to perform.
The eponymous battle of these gargantuas is ultimately the star of this show, and the entire fight is wholly enthralling. It's here we get to see Mothra armed with a new power for this movie, and apparently her deadliest one yet (at least according to the Shobijin) - her yellow powder attack. Curiously, while visually exciting, this doesn't seem to do much to Godzilla as he's up again only seconds later, and proceeds to make short work thereafter of our mighty winged protector in her weakened state. It is, however, still nice to see the incremental building of her abilities as we progress through the films.
And with our first on-screen death of Mothra, she is thus born again through her two children who crack out of the bright blue giant egg, and splash on to the scene in their caterpillar forms, ready for the fight that awaits them. After tangling in close-quarters with the bipedal nightmare, the two eventually coordinate their previously established silk attacks, claim victory over the beast in his drowned entrapment, and head back to Infant Island with the miraculously quick-footed Shobijin in toe. (Did the Shobijin really hold on to the backs of Mothra's children the entire way as they swam all the way across the Pacific!?) All's well that ends well as the sun sets on a grateful Japan. Until next time, anyway.
Mothra vs. Godzilla is a movie that lives up to the premiere marquee slobber-knocker it promises. It touches on the ideas and themes its predecessors laid the groundwork for, and grows upon them with blockbuster bravado in its grandiose execution. Seeing these two towering giants of pop culture meet for the first time is a singularly special experience not to be missed by fans of either character.
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New Post has been published on supply&demand
New Post has been published on https://supplyanddemand.us/khruangbin-so-we-wont-forget-official-video/
Khruangbin - So We Won't Forget (Official Video)
So We Won’t Forget” the new song by Khruangbin off ‘Mordechai’ out June 26 on Dead Oceans, in association with Night Time Stories.
STREAM / BUY: https://khruangbin.ffm.to/mordechai
Insta @Khruangbin
Facebook.com/Khruangbin
Twitter @Khruangbin
https://space.airkhruang.com/
Ooooo
One to remember
Writing it down now
So we won’t forget
Ooooo
Never enough paper
Never enough letters
So we won’t forget
Call me what you want
Call me what you need
Words don’t have to say
Keep it to myself
Ooooo
Every minute
Every hour
So we won’t forget
You
Don’t have to be silent
Say to remind me
So we won’t forget
Call me what you want
Call me what you need
Words don’t have to say
Keep it to myself
Oooo
Say you remember
For I think I’ve lost it
WIEDEN+KENNEDY TOKYO
Director: Scott Dungate
Managing Director: Ryan Fisher
Head of Production: Kerli Teo
Art Director: Kazuhi Yoshikawa
Account Manager: Mai Ebine
Content Producer: Ty Demura
PRODUCTION COMPANY
NAKAMA
Producer: Kenji Lepretre Sato
Production Coordinator: Simon Amar
Production Manager: Shion Kimura / Yoshifumi Egawa
Production Assistant: Yuta Shimizu / Koji Minoshima
DoP: Kateb Habib
1st AD: Yu Inose
1st AC: Anthony Rilocapro
2nd AC: Yuji Suzuki
DIT: Tomo Goshozono
Gaffer: Arata Ijichi
Best boy: Yoshitoshi Miyahara
Light Assistant: Masato Iwabuchi
Production Designer: Naoyuki Hashimoto (magenta wall design inc.TOKYO)
Production Designer Assistant: Atsuko Hamano
Plush Toy Designer: Kazuhi Yoshikawa / Atsuko Miwa (QUZE)
Photographer: Nico Perez
Chase Car: Luke Huxham (Huxham Creative Studio)
Technician: Akira Rambo
Driver: Kazuma Kakuta
Drone Operator: Yosuke Suga / Takeshi Otao
Picture Car: LA Company
Transport: Takaaki Sugimoto (HORSE Location service)
Equipment: Equip Tokyo / Eizo Service
Casting Director: Eiji Leon Lee (FILMSTA)
Stylist: Maiko
Hair and Makeup: Mika Furukawa
The Man on The Bike: Naoyuki Miyahara
The Policeman: Uekichi
The Daughter: Azusa
Extra Cast: Kariya family / Yuji ishihara / Gonzo / Tomog Otsuka / Kinichi Suzuki / Shinichi Okayama
Editor: Paul Hardcastle
Lead Flame Artist: Jonathan Westley
Colorist: James Bamford
Sound Designer / Mixer: Anthony Moore, Jon Clarke
Producer: Tatyana Alexandra (Trim Editing), Aoife Fitzgerald (The Mill, London), Lou Allen (Factory Studios)
Triangle Inc.: Yuta Sagawa / Kazuma Kenmoku / Takahiro Toya / Hiroyuki Oshikubo
baobab inc.: Osamu Sakai / Satsuki Sakai / Naoki Suzuki / Mayumi Masuda / Ayako Onozato
Catering: bamboo forest kitchen / Akihiro Nagami / Kayo Nagami
Special Thanks: Karasuyama City Tourism Association / Mimori Machine Works. / Joseph Tuzzolino
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「桑田佳祐 & The Pin Boys / 悲しきプロボウラー」Music Video
Director: KASICO
Assistant Director: Takko Yoshida
Producer: Hitoshi Sugai, Fumiko Iino
Production Manager: Tatsuru Ishiwata, Shogo Minowa
Yusei Takada, Yuko Ueno, Yuki Shiina
Director of Photography, Shosuke Fukudome, Tomohiko Takeno
1st Camera Assistant, Ko Miura
Lighting Director, Saki Iida
1st Assistant Lighting, Shinkichi Komatsu
2nd Assistant Lighting, Akito Saito, Hidehiko Kato
Hideetsu Ota, Chizuru Koga, Kairi Nakamura
Art Designer: Kanako Nakazato
Art Assistant: Chizuko Ishii, Yuuka Mogi, Tatsuya Imai
Casting: Ami Sakamaki, Jun Hasebe, Yoshimi Takashima, Anna Yoshida
Stylist: Yohei “yoppy” Yoshida
Cast Stylist: Akemi Muraki
Cast Hair & Make Up: URI, Aki Yasuda, Masamitsu Sakai
Choreography: Anna Yoshida
Driver: Ryuhei Sakamoto, Yoshifumi Moriya, Satoru Nojima
Color Grading: Yoshiro Kamei
Composite: Hiroyuki Sai, Kenji Sakaide
Location: Enoshima Bowl, Shonan Fujisawa Film Commission
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Beyond the Infinite Two Minutes
directed by Junta Yamaguchi, 2020
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(via https://www.youtube.com/watch?v=mAGyQ5Rmz7o)
“きゃりーぱみゅぱみゅ / 原宿いやほい
KYARY PAMYU PAMYU / HARAJUKU IYAHOI
Produced by Yasutaka Nakata
<iTunesやApple Musicなどの音楽配信サイトで配信中!>
■iTunes
https://itunes.apple.com/album/haraju...
■Apple Music
https://itunes.apple.com/album/haraju...
<歌詞はこちら>
http://www.uta-net.com/song/221898/
<シングル収録内容>
2017年1月18 日発売
ダブルA面スプリット盤シングル
中田ヤスタカ/きゃりーぱみゅぱみゅ
Crazy Crazy (feat. Charli XCX & Kyary Pamyu Pamyu) / 原宿いやほい
WPCL-12509 ¥1,200+税
WARNER MUSIC JAPAN/unBORDE
01 中田ヤスタカ「Crazy Crazy (feat. Charli XCX & Kyary Pamyu Pamyu)」
02 中田ヤスタカ「Crazy Crazy (feat. Charli XCX & Kyary Pamyu Pamyu) -remix-」
03 きゃりーぱみゅぱみゅ「原宿いやほい」
04 きゃりーぱみゅぱみゅ「原宿いやほい -extended mix-」
<Music Video Full Crew>
Director:Hideyuki Tanaka(Framegraphics)
Director of Photography:Kazunali Tajima(MILD)
Lighting Director:HIGASIX
Production Designer:Tateo Yanagimachi / /Toshihide Sakai / Tatsuya Imai(TATEO)
Stylist:Kumiko Iijima
Hair & Make:Masayoshi Okudaira
Choreographer:Maiko
Special Equipment:Yukimitsu Kanno / Takashi Yabuki(Liberty House)
DIT:Shusuke Sekiguchi / yokoyama(McRAY)
Assistant Director & Production Manager:Takuya Kodaira(DiamondSnap)
1st Assistant Camera:Takumi Watanabe
Lighting Assistant:Hiroki Kurihara
Lighting Pro Shop : Seiji Tagawa/Ayaka Sakoyama (MAGICHAND)
Studio:Isamu Mizumura (KUROSAWA Film Studio)
Colorist:Yoshiro Kamei(Sony PCL)
Colorist assistant : Yuma Karasawa(McRAY)
Sound operator:Satoshi Niitsuma(gstaff)
Sound Mixer:Muneaki Shibuya / Haruna Inokuchi(McRAY)
Offline Editor:Mari Kobayashi(meganefilm)
Main Compositor:Takeshi Kanda(jitto)
Main CG Director:Takeshi Yoong(jitto)
VFX Producer:Shinji Tsuchiya / Tokihiko Tsukamoto(jitto)
Motion Capture
<DIGITAL FRONTIER INC.>
CG Producer:Toyoshima Yusaku/ Suzuki Nobuhiro
Motion Capture Lead:Koshita Kohki
Motion Capture Artist:Kurita Ami/ Imoto Yuta/ Masuda Ami/ Saito Tatsuya
Production Manager:Yayama Kosuke/ KosugiI Shuta
Compositors
<jitto> Kentaro Kawamoto / Yoshifumi Hashimoto / Kana Sanada / Akio Sakamaki / Mitsunori Mae / Wakako Mae / Atsushi Shimazaki
<inten> Keiji Ito / Yohei Watanabe / Mie Baba
<McRAY>Kensaku Numata / Tomohiko Kaminogo / Shou Aiuchi
CG Productions
<jitto> Satoru Tokoi / Ryuta Nishizawa / Masaaki Tokaji / Taishi Yagyu / Takahiko Emi / Kazuyuki Sakamoto / Marina Tokunaga / Tomomi Yoshida
<Zinou Pharmaceutics> Koichi Nobuta / Takahiro Nowatari / Nobuo Hosoyama / Takaya Naito / Taisuke Isogai / Shota Deguchi / Ryo Yamazaki
<GEMBA Inc.> Hideki Kuraku / Takahiro Tamura / Ten Hirota / Keisuke Kobayashi
<Transistor Studio> Junichi Akimoto / Toyokazu Hirai
<cai> Tai Komatsu
Production
<TOKYO / Taiyokikaku>
Producer:Toshiyuki Takei / Shinya Masuda / Go Tanabe(TOKYO)
Production Manager:Akinori Matsumoto(Taiyokikaku)
Production Assistant:Minami Chiwaki (TOKYO) / Koki Okamoto (Taiyokikaku) / Kohei Maruta
Special Thanks to: Eiji Takahashi”
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Horimiya Live-action TV Drama & Film's Trailer Shows Its Soft and Refreshing Worldview
The official website for the live-action adaptation project based on HREO(story) and Daisuke Hagiwara (art)'s romantic comedy manga Hori-san to Miyamura-kun, Horimiya for short, has posted a 60-second full trailer introducing its main cast members, we well as its soft and refreshing worldview.
The clip also features the film's theme song "Akari" performed by a four-member pop rock band Toketa Denkyu. In addition, the band provides the OP theme song "Dousunno?" (What are you gonna do?) for the TV drama, while "Akari" will be also featured as the ED theme for the TV drama.
60-second trailer:
The seven-episode TV drama series will start airing on TBS and MBS in Japan on February 16, 2021. And prior to the TV premiere, a film edition that consists of the TV drama's first three episodes and newly-shot scenes will be screened in ten theaters in Japan for a limited time of one week from February 5.
Hana Matsumoto (Oda Cinnamon Nobunaga) is attached to direct on a screenplay by Yoshifumi Sakai (Europe Kikau). A major Japanese talent agency Hori Pro works on production. Ouji Suzuka (Jin Kazama in Hachimitsu to Jintai) is cast as the male protagonist Izumi Miyamura, while Sayu Kubota (Aoi in Hello Goodbye) plays the female protagonist Kyoko Hori. Both are 20 years old now.
Main visual:
˗ˋˏ???? #実写ホリミヤ 本ビジュアル公開????ˎˊ˗
実写「ホリミヤ」の本ビジュアルも
公開されました❕❕
劇場公開、TVドラマ放送開始を
お楽しみに????☁️???????? pic.twitter.com/SoBzfFPKEW
— 実写「ホリミヤ」公式 (@horimiya_drama) December 22, 2020
Teaser visual:
The manga's TV anime adaptation is also set to premiere on January 9, 2021.
\????「ホリミヤ」本PV解禁!????/
《2021年1月9日より毎週土曜》
????TOKYO MX・とちぎテレビ・群馬テレビ・BS11=24:30~
???? MBS=26:08~
????ABEMA=24:30〜
《2021年1月14日より順次配信!》
????dアニメストア、U-NEXT等、各種配信サービス=25:00〜
????公式サイト????https://t.co/zMy5aepNmm#ホリミヤ pic.twitter.com/usUhYj4oRK
— TVアニメ「ホリミヤ」公式 (@horimiya_anime) December 21, 2020
Source: "Hori-san to Miyamura-kun" kive-action film & TV official website / Twitter
©HERO, Daisuke Hagiwara/SQUARE ENIX, Live-action "Horimiya" Production Committee, MBS
©HERO, Daisuke Hagiwara/SQUARE ENIX, "Horimiya" Production Committee
By: Mikikazu Komatsu
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Secret Sweet Tooth Strikes in "Saboriman Ametani Kantarou" TV Drama
Kabuki actor Matsuya Onoe takes the leading role in an upcoming live-action TV drama adaptation of Saboriman Ametani Kantarou, a comedy gourmet manga written by Tensei Hagiwara and illustrated by Inoue ABD about a handsome and competent young executive who skips work at every opportunity to indulge his secret sweet tooth.
The Saboriman Ametani Kantarou TV drama features direction by Kentarô Moriya, Yusuke Ishida, and Natsuki Takashima as well as scripts by Hiroki Murakami, Yoshifumi Sakai, Shin Adachi, and Tomoyuki Yamaguchi. The series will air on TV Tokyo and BS Japan beginning in July of 2017, and it will also stream on Netflix Japan.
The original Saboriman Ametani Kantarou manga is serialized in Kodansha's Morning seinen manga magazine. The story follows the titular Ametani Kantarou, a successful young executive who works at a publishing company and who harbors a secret: Ametani has an overwhelming taste for sugary sweets, and he's constantly innovating new ways to ditch out and indulge this vice.
The title is a play on words, combining "salaryman" with "saboru", which means to skip out on your obligations or to sabotage them with slowness.
Source: Anime! Anime!
Paul Chapman is the host of The Greatest Movie EVER! Podcast and GME! Anime Fun Time.
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