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renaramblesaboutcomics · 7 years

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Wednesday Roundup 25.9.2017

Okay, so I had another huge comic week, and looking forward this might be the last time that really happens for a while since at least three of these issues are here due to previous delays. and I’m trying pretty desperately to cut down on comics I’m subscribed to now. Which just emphasizes the fact that this week made it SO much more difficult to declare that because there was so much good.

... There was also some hilarious outrage on my part, too, so if you’re here for that you will not be disappointed.

Image’s Black Magick, DC’s Detective Comics, DC’s Harley Quinn and Batman, Marvel’s Immortal Iron Fists, Marvel’s Moon Girl and Devil Dinosaur, DC’s Nightwing, Image’s Saga, IDW’s Teenage Mutant Ninja Turtles, Dark Horse’s Zodiac Starfore: Cries of the Fire Prince

Image’s Black Magick (2015-present) #8 Greg Rucka, Nicola Scott

Have I mentioned lately how Nicola Scott may be the most gifted artist in the industry in a while? Not since last month? Well we are definitely well past due time!

Story: Things are ramping up as the Hammer’s members increase their numbers and keep close watch on Rowan while Rowan settles things with her partner only to be manipulated once again by the terrifying forces of these unknown entities with that creepy AF girl with the stitched up mouth. That is a lot of stuff being unpacked in one issue and yet the moving parts never feel like they’re incongruent or taking away from each other. Seeing Rowan’s familiar watching the Hammer members, seeing Rowan struggle to be more open with her partner, and then seeing her old demons (literally) beginning to come to her work and haunt her there (literally and figuratively) all feels like it moves perfectly together.

I just really wish we didn’t have to do a “gay scare” which is a bit disappointing from Rucka, honestly. Haha get it Rowan was worried that her partner was onto her for being a witch and he just was mad because he thought she wasn’t coming out to him and it’s just all a good laugh. Or at least I would be laughing if either Alex or Rowan were confirmed queer women and so it isn’t just that he’s well meaning but oblivious while... literally taking away the possibility of representation.

Maybe this will be corrected later in that very way! Who knows, I’ll be relieved if it is, but until then it feels like an unnecessary marring of what is otherwise a great story I’ve been enjoying.

Art: I mean... just look at it! Nicola Scott is... arguably the best artist in comics right now. Her work is phenomenal and nothing presents that fact more than just how expertly she manages the medium in almost any way and how it adapts based on the type of story she’s writing. It’s very special for an artist’s style to work as well in a bombastic, colorful superhero comic then turn around and hit the perfect contrast of noir and witchcraft narratives. And all of her characters are distinct and especially her variety of noses, it’s simply gorgeous.

Nicola Scott very well may be the best artist in the business right now and any comic company that doesn’t snatch her up for major titles is foolish, honestly.

DC’s Detective Comics (2016-present) #965 James Tynion IV, Eddy Barrows, Eber Ferreira, Adriano Lucas

Well, it’s weird to say but if there was any issue for me to read before I took a short break from ‘Tec I am so glad it was this one. Which has all the makings of a backhanded compliment but we’ll see where I take it. Probably will seem like a backhanded compliment but I’m going to try to swing it toward positive.

Story: So I’ve been pretty sure I was going to drop ‘Tec for the upcoming storyline and then jump on again later for the next one, similar to how I did for the Monster Men crossover event, but I was really curious about Tim’s return and more specifically about the context of Tynion bringing Tim back which made me pretty excited for this comic. I love Tim Drake of old and reading this issue reinforced the fact that this current Tim Drake is the Tim of the 90s that I fell in love with -- the dork who loved Batman and Robin so much he put his life at risk to save the legacy of his heroes. And while this issue culminated mostly in a “slideshow” of Tim’s retconned retconned history bringing us back to the Tim origins from “A Lonely Place of Dying”, it actually felt really loving and refreshing to see the character I grew to love so much back in action.

I don’t care one bit about this Evil Future or Mister Oz or literally anything else going on right now. In fact I find that whole crossover tedious enough I dropped Superman a while back but I really did feel like I needed this reminder that we’re supposed to be reading this Rebirth Tim as the Tim we knew and cared about in the past. And that made this issue on its own worthwhile to me.

Art: Eddy Barrows is an excellent artist, through and through. The coloring’s fantastic, the art itself dynamic. Even with a familiar storyline and setup that we’ve all read before, he manages to find ways to make it read as unique and new through subversive angles and set ups. I really enjoyed his take on everything from Tim’s past. But even great artists sometimes fail the Batmanequin challenge. Which is, can anyone tell who the Batboys are apart from each other when they’re all the same age. The answer is no. His Tim looks identical to his Bruce to his Jason to his Dick and most of the time to his Damian and we’ve really got to change that at some point or else there will be a singularity of Batboys and we will all be sucked into an artistic blackhole and not in the fun way.

DC’s Harley Quinn and Batman (2017) #4 Ty Templeton, Rick Burchett

After this issue there’s only one issue left and in all honesty.... it’s about time we had some real emotional direction actually driving this comic because I’ve been asking for the last few issues “where is any of this going”. And since I all but refuse to watch the animated movie sharing a similar name, it’s that much more confusing for me trying to figure out what exactly this is all culminating in.

Story: Like I said, we’re finally getting some real tension in this issue as we have Harley confronting Ivy, it becoming more and more obvious that Ivy has a genuine problem with rejecting her own humanity for the sake of becoming as much of a plant as possible, and we also get that emotional catharsis of Ivy at least somewhat confessing that Harley is the only person she cares about. And it’s obviously a deep and intimate form of caring. She’s pained by the potential of Harley’s rejection and offended at the assumption that Harley would think of herself as anything less than her partner. But this comic, like all of comic canon, just refuses to give us THE WORDS. I’m so tired of partner being emphasized instead of girlfriend. I’m tired of cared being acceptable substitution for love. And I’m REALLY tired of Harley and Ivy only being portrayed as sexy and into each other in a way that’s meant to be attractive to guys. I’m not a guy. I’m a woman who likes other women. And I would like for this relationship, if it’s to be real on any level, be treated respectfully and given canonicity. Maybe we’ll get that next issue. I’m hoping, but since next issue is the last I’m not exactly expecting much.

Dick and Bruce are... still fun? I guess. It’s not really their story and I’m not sure why Batman’s even in the title at this point. His addition to this story culminates in a “not really”

Art: I gave Rick Burchett’s first two issues a hard time, especially compared to the guest artist for last issue, but this issue really had him stepping up his game and reminding us all why he’s been working with these characters and especially this style for the past twenty or more years. He really nails it... though it still has that edge of lacking refinement that we might see in something other than a digital first comic, the colors are really enhanced, the character and background art more detailed and controlled, and just overall this was a very pleasant looking and well laid out issue. Great work all around

Marvel’s Immortal Iron Fists (2017) #5 (of 6) Kaare Andrews, Afu Chan, Shelly Chen

We’re beginning to near an ending for this miniseries and I am growing an ominous, horrible feeling that I am desperately hoping is completely off base and unfounded outside of my constant apprehension of trusting comics too much. But we’ll get into that.

Story: As we left off last time, it was the culmination of all the storylines that we had seen building up in Immortal Iron Fists before then, Pei and her friends, the popularity drama that was the school dance, Danny’s feelings of responsibility and pride, the ten scrolls of Mara, and the strangely backward advice of the babysitter that Pei had been receiving throughout. And it all came down to a climactic battle with Danny and Pei finally at long last fighting side by side, both as the Immortal Iron Fist.

But suddenly there can only be.... one? And to save the world and inherit her responsibility as the Immortal Iron Fist, Pei had to choose whether or not she would take the dragon’s heart straight from Danny himself and use his chi to defeat Mara and his legion of demons. Which, of course, Pei refused and chose instead to sacrifice her own chi so that Danny could save the world.

This apparently erased Pei from reality and everyone’s memories in one solid swipe and sent her... to hell?? Where Brenda, who was in the storyline that brought Pei into the comics but has not been a factor through all of this miniseries, is a zombie champion fighter who saves Pei and her classmate that’s been in the coma because Mara was planning to use his body for his resurrection and also the popular girl, Danny’s girlfriend for an issue, an the babysitter are all daughters of Mara who are responsible for all this chaos.

And I genuinely feel like there’s been a lot of missed opportunities in the previous four issues that would have allowed this to be set up more. And that’s what is leading to the worries I mentioned in the opening. As far as I’ve seen, in Defenders or the solicits for Immortal Iron Fist, Pei has not been allowed to make much of an impact outside of Andrews’ runs. And.... I would really hate that a series that has sold e SO hard on Pei and on a new spin on Danny Rand to be a series that gives Marvel an easy out to erase those very things.

We have one issue left to go so I suppose we’ll have to wait and see in that regard.

Art: It’s still good art, still all-ages, but I’m starting to grow the opinion thanks to @secretlystephaniebrown and mine’s insightful talks that comis with cute art and lots of slapstick are pretty much utilizing a certain style to undermine dramatic writing or consequences in fear of being genuine. Or, in terms, bathos. And I really hope that’s not the intentions here because the relationship between Danny and Pei are genuinely sweet and good and if that’s the intention I really hate that comics don’t have the confidence to be dramatic fully in heart.

Marvel’s Moon Girl and Devil Dinosaur (2015-present) #23 Brandon Montclare, Natacha Bustos, Tamra Bonvillain

I’m worried about my favorite adorable team of superheroes. How can there be a Moon Girl and Devil Dinosaur if there is no Devil Dinosaur? But also... is this the inevitable end? Are there not more adventures to come of our favorite world class genius and dinosaur? According to solicits there’s more for Lunella but is there more for the friendship that warmed our hearts? Are any of us truly ready to say goodbye?

Story: Legitimately I have no idea what’s going to happen next with this comic because it seems like Lunella is sidekick hunting for the next couple of issues, so the real question is how ready did this issue make us to move on from the loving friendship between a girl from Yancey Street and her bumbling dinosaur? Honestly, compared to the majority of the tight and loving writing of this series, it doesn’t feel like this conclusion was something we were very well prepared for. Sure, Moon Boy and Devil Dinosaur are something we know of vaguely from other comics, but the anticlimax of the goodbye, and just how obvious it was that neither Lunella nor Devil were ready for it made the profound loneliness of this move feel so dissatisfying. Especially when Lunella returns to a doombot empty base instead of going home and emphasizes the strangeness even more.

I’m hopeful that this is set up, but I’m always on high alert for books like this that could easily be canceled by Marvel and worried about ending on a note I really wouldn’t want it to.

Art: As always, the art for this book is gorgeous and the coloring is fascinating and eye popping. The cooler hues this time around really helped with the more subdued and sadder tone of the comic which made the actions toward the end not only more disconcerting but plainly just more heartbreaking. It was an excellent choice and incredibly subtle but effective. This is a creative team that truly understands their crafts more than the vast majority of people in the industry today, and that’s saying something since quality is not exactly in short supply in recent years.

DC’s Nightwing (2016-present) Vol. 3: Nightwing Must Die Tim Seeley, Javier Fernandez, Chris Sotomayor

So I don’t.... really have any surprises in the works for those of you who follow my main blog at @renaroo who got to witness me liveblogging my experience reading this comic yesterday, but I’ll just put it definitively on the record here: Uh. Not a good effort here, guys. And this is officially the last thing written by Tim Seeley this gal is going to be picking up. Which I’m getting really tired of saying about writers who handle either one of my main two DC dudes -- Dick or Terry. Can we just... have anyone... care a little more? A bit?

Story: Okay so there’s about three plots going on at the same time during this comic and I’m going to address them in the three and then talk about the One Issue That Doesn’t Fit after. So four parts: The Robin Story, The Baby Story, and The Batman Story, and then The Good One. The way the plot is laid out you could argue that these three are interwoven enough to deserve going in a linear basis but I would argue no not really. Please take note that the title of this storyline according to the trade cover is “Nightwing Must Die”, a callback to the climax of Morrison’s run on the original Batman and Robin (2009-2011) series titled “Batman and Robin Must Die”. No, I’m not nerdy and observant, this thing is determined to hit you over the head with this allusion at every turn.

The Robin Story: Damian who has basically been forcefully emancipated from Bruce and sent to live across the country with the Teen Titans rather than ... idk just be sent to Gotham Academy which is a boarding school anyway, is pissed because internet forums have declared that the original Robin -- aka Dick -- is the best Robin and Damian sucks. Why Damian suddenly cares about 4Chan is beyond me but here we are. Now, despite there being an overly long and obnoxious storyline in Batman and Robin (2011-2015) called “War of the Robins” where Damian already went through this and beat up all his predecessors sans Dick because they have an actual relationship, or the entirety of “Robin: Son of Batman”, or the huge storyline “Robin Wars” where there were 30 Robins including Duke Thomas all over Gotham and something I didn’t pay attention to about the Court of Owls and Lincoln March -- this is a useless subplot that makes no sense for the characters or relationship that has already been established by Damian and Dick here. That’s what I’m saying.

Because this story isn’t interested in getting Damian right or doing him any service. This is dedicated to Dick in... about the worst way. And the weak motivation for getting Damian in Blüdhaven in order to reinact the events of “Batman and Robin Must Die” are so contrived that there’s really this feeling of “we need Damian in Blüdhaven come up with an excuse later” instead of it being something organic. For example: Damian is quick to bring up his concerns that Dick staying in Blüdhaven and starting a new life with Shawn is because he’s trying to become Batman of his “own franchise” and that he’s abandoning the rest of the family. This is really disconnected from the motivation of “who’s the best Robin” and would make more sense on a character level if Damian went to Blüdhaven of his own volition because of that concern to begin with. He feels pushed out of the family, and with Tim’s death he’s upset and surprised by Dick’s seeming abandonment of everyone else. Including him. The Robin with THE most abandonment issues this side of Jason Todd. Why not bring up something along the lines of “you haven’t been home since the funeral”. That would contrast the themes of family, Dick and Damian’s relationship, and Dick’s supposed worries about personal responsibility all at once.

This isn’t how that was handled and I am suspicious as to why. because we had to have that awful, ugly -- for me personally inexcusable -- panel where Dick tells Damian that he knows no one can balance being a superhero and having a secondary identity because Bruce sucks at it SO BAD that he now has the “burden” of being a father to a bunch of Batkids which he follows up with “And the one I think suffers the most from this is you, Damian. His only real son.”

So. You know. Fuck themes about nonconventional families and adoption I guess. Tim Seeley, go kick your own ass because you don’t even deserve the ass kicking from me.

It might seem like I’m being harsh but this one moment is SO hugely stupid and never brought up again or refuted later to the point that not only is it gross on a real world level, it actually REALLY weakens the theme of families and the such through the rest of the story specifically because there’s now this big ugly turd of a plot thread looming and never dealt with.

Professor Pyg and Doctor Hurt are back from Dick and Damian’s time as Batman and Robin and theyve made a bunch of disgusting Dollatrons specifically of Damian and Dick, or Robintron and Deathwing. This actually matters a lot less to the story than you might actually think because Robintron and Deathwing don’t have a relationship outside of being made to believe they’re Robin and Nightwing and one ultimately kills the other once they remember this. It’s symbolic because the Robintron was in Dick’s original Robin suit and Deathwing was in the New52 Nightwing suit do you get it do you get it do you get what they’re trying to say here it’s clever. Anyway.

The symbolism on a meta level is pretty on the nose “The New52 Dick killed the innocence of the old timey Golden Age Dick la da da” but in story we don’t really have Damian go through an arc or actually develop as a result of this matter and neither does Dick. Does Dick feel like his identity as Nightwing has killed his relationship with Damian? With his other family? With his idealistic self? It doesn’t... seem like it. Dick just kind of... punches Doctor Hurt after he decides that tragedy doesn’t define him... or something. It was from the hallucinations and like a whole issue later from Deathwing killing Robintron. And then Deathwing and Doctor Hurt kill each other by stabbing and falling rocks. Both ways in which villains have NEEEVVVEEERRRRR returned from the dead from before so I’m sure they’re gone forever.

So the Robin Storyline as a whole? it kinda comes to a conclusion with a genuinely nice two page spread where Dick and Damian talk about missing each other and missing their time as Batman and Robin. Dick even confesses something that would have brought all these storylines together rather nicely if it was done correctly: when Bruce came back to be Batman, Dick thought of staying as Batman, too in order to stay with Damian and train and raise him. But ultimately he thought, at the time, that he wasn’t old enough or ready enough to take that responsibility.

Dick was not ready to be a father but now he looks back at himself and who he is now and is ready for another go, with Damian or with his own children in the future. ... EXCEPT that reading of how the themes would play out are completely undermined and broken beyond repair by having Dick say that UNBELIEVABLE comment about how Damian is the only REAL son to Bruce and that the “Batfamily” aren’t a unit like that. Therefore the Robin Storyline doesn’t really have a conclusion.

Damian’s going to go back to San Francisco and still get pissed at /b/, there’s no family unit for anyone to reflect on, and.... the baby storyline:

The Baby Storyline: I could sum this up with one gif. I really could. I’m not going to but because I know this is only entertaining to hear me yell for an extent, have the gif anyway:

Now I’ll go into what actually bothered me about this storyline. Because this is tied to Dick’s relationship with Shawn and their pregnancy scare alone, and we see Dick freaking out at the possibility of the immense responsibility he may be stepping into, it actually genuinely had the potential to be a huge deal, a big game changer, something that actually would have developed both their characters and really questioned what they would be doing going forward with their lives. Would they both give up their costume lives? Would they move from Blüdhaven if they’re not defending the streets and it’s a terrible part of town? Would the baby have superheroes in its life from an early age?

It doesn’t matter because in what could probably be the weakest fake out ever, Shawn’s not pregnant she’s just... apparently not as regular as she once assumed. Which, hey, I hear that that happens fairly often for my fellow uterus havers and you know what? They’re young adults in their first serious relationship so I actually get the freakout from both of them.

But it doesn’t end up meaning anything other than Dick screams at Damian a few times that they have to save his “girlfriend AND baby” and for some reason Damian just goes with it because Damian of course has never before in his life ever shown signs of jealousy and concerns about conditional love.

The biggest problem beyond the fact that this plot’s resolution is a huge PSYCH spitting in everyone’s face is that... what... was the tie-in here?

Was it JUST the drama of “PHEWWWW dodged that bullet, now let’s go give Sandy a makeover”? I guess so.

Because if this was actually tied to the plots of the storyline it would have ended with at least one speech from Dick to Shawn, to his monologue, or to Damian that back when he returned to being Nightwing because he feared being too young and to unprepared to take responsibility for raising Damian, he had been wrong. He’s not ready because no one is, but he has a relationship with Damian that proves that he’s more than ready to be a father then and now. That he might not do it Bruce’s way because he didn’t like Bruce’s priorities, but he would find a way to balance all the aspects of his life and so can Shawn.

But that would require this story to... care about Shawn’s character more.

I actually like Shawn? I want to see more of her and I think there’s a lot of potential there, but at the end of this story outside of genuinely good moments, like the time with her and Deathwing where she tries to soothe him, she’s... just a damsel to be rescued? Just a possible babymomma for tension?

If she was more than that, then the plot would have given her more to do once she joined Dick and Damian. Like even ONE scene of her and Damian playing off of each other in the aftermath would have done wonders, made her more than just an attachment for the advancement of Dick’s character, but we get more development for Deathwing and Robintron than for the potential love of Dick’s life.

Kidding. DC would never let Babs and Dick have actual meaningful romances outside of each other anymore. Just like DC will never let them have meaningful romances with each other!

So this was a trip into a cul de sac of disappointment.

Also condoms condoms condoms condoms condoms boys and girls. Wrap it before you tap it.

Or be a lesbian. But that’s my answer for everything.

#Shawn Tsang deserves better #Hollatchagirl

The Batman Story: Oh, Bruce. How your shadow lingers large over all things that have nothing to do with you.

This is the “actual” plot. The one about Shawn being kidnapped and it all ending up being a plot by Professor Pyg and Doctor Hurt to relive the “Batman and Robin Must Die” storyline because....

Well. That’s the problem.

Doctor Hurt, as much as I really wasn’t a fan of that storyline under Morrison, served a very specific purpose. He was the antithesis to Dick when it came to Bruce’s legacy. Dick was his ward but also Bruce’s light and when he ascended to becoming Batman he took most of that with him and grew into the cape, so to speak. He embodied the detective work that Bruce taught him (finding the clues in the mantle that found the secret door), he embodied the friendship (taking his place as Batman on several superhero teams), and most importantly he embodied the head of the family. Alfred gave him advice, but Dick kept the Batfamily together as best he could, specifically by raising Damian as Bruce had raised him. And none of it was easy.

Doctor Hurt worked as a villain to Dick’s Batman because he embodied the worst of Bruce’s darkness. The strange and forgotten stories of the past, the psychological horror, the devilish iconography. Those things that were Gritty McBadBat about Bruce were never things that Dick was going to embody as Batman. And that’s why Doctor Hurt and him battled, basically over the heart of Damian: Robin, the partner, the son, the future of the cowl.

I didn’t like “Batman and Robin Must Die” because rather than have a huge statement about choosing the direction for Batman’s future by having Dick battle and defeat Doctor Hurt and his continuity drag, Morrison literally deus ex machina’d by having Bruce travel back through time and save Dick and Damian and basically take control immediately. It was such an anticlimax to both Dick and Damian’s arc even though Morrison tried to play it off as being the culmination of Dick and Damian and everyone else looking for Bruce plus Bruce’s “Return of Bruce Wayne” storyline. It’s messy and just feels like “whatever” at the end.

I don’t like it here because .... Dick’s not Batman. He and Damian aren’t partners. Neither of those things have been factors for either of those characters for six years now and, I hate to break it to everyone here, but at least one of them was “dead” for at least three of those years anyway.

Doctor Hurt is a Dick Grayson villain, but he is not a Nightwing villain. And the attempt to make him one here fell incredibly flat.

Also why was Professor Pyg there? Does Professor Pyg now know Dick and Damian’s secret identities too? Was that throw away line about him building dollatrons for Hurt meant to tell us that no only Hurt knows the identities? How is that much better? Why does everyone know Dick’s identity and he doesn’t care? Why doesn’t Damian care that the random Robintron knows his full name and who his father is? Why doesn’t Dick? If only Hurt knows then how did Pyg brainwash Robintron and Deathwing? If Pyg didn’t why did Hurt need Pyg to brainwash them for this since he apparently already knows how?

This story basically sacrificed all logic within the story itself to tie-in Dick’s time as Batman, which he doesn’t want to go back to and isn’t even tempted to go back to throughout the story, purely to justify having the Bat as part of the cover logo still. That’s it.

The Good One: There’s a one shot at the very end of this volume, #21, that’s definitely filler in between storylines but is actually the best thing in this entire volume. Probably the best of this run of Nightwing I’ve read and... apparently will ever read since I’ve paid my penance and given Seeley’s turn a chance. It’s a classic team up between Dick and Wally with a pretty inventive villain named “Timebomb”. It’s funny, has a lot of heart, the coloring isn’t muted garbage, and it features some high stakes without losing its sense of fun. It’s a good issue. I would actually implore fans of Dick and Wally to pick it up. It does a great service to their friendship.

Art: The art is good, the entire “Nightwing Must Die” part was colored in this muted, pasty way that basically made all backgrounds feel like they weren’t a part of the scenes and made all humans look dead or undead as it were to the point that Dick and Damian -- both canonically characters of color and occasionally colored to match it -- have the same pallor of the rotting corpse faces sewn onto Robintron and Deathwing.

The exception is the blue used for Nightwing’s costume and gear and for Shawn’s hair because.... idk. I guess we’re supposed to guess that they’re important to the comic or something.

No seriously, I love the art but they have to buy some more markers. I appreciate that you can only do so much when supplies are low but c’mon.

It’s a joke I know it’s a style choice I just don’t like the style.

But I emphasize again, the art is good. I just personally would go for the last issue’s coloring more than the main storyline’s.

Image’s Saga (2012-present) #47 Fiona Staples, Brian K. Vaughn

The real question comes to be... will Saga ever have a truly bad issue? I doubt it. Like at this point I’m not really sure what a bad Saga issue would even look like, but I think there’s absolutely no doubt that mediocre issues or issues that were more build up for what is to come can exist. Again, I give backhanded compliments here but I mean them... in the best way possible? Never mind, these cold opens are hard.

Story: We don’t progress too awfully much in this issue. The Will is captured by a vengeful victim’s wife who means to torture him by making him suffer and forcing him to see the very people he loves die.... until money gets involved and suddenly like everyone else she wants to capture Hazel and company to make the big starbucks. But, strangely for Saga, for the first time in this series we really don’t.... go anywhere with this issue outside of what’s taking place with the Will’s torture. There’s no scenes exploring what’s going on with the other groups, there’s no narration from future Hazel, we’re left with the Will, his past we haven’t seen yet, and his current circumstances.

Now this could make sense, the jumping around Will’s past is in place of jumping around the stars, and how could Hazel ever know what’s happening to the Will here, but it just all feels like a departure from the near omnipotence of Saga’s story before. And mostly it just feels like a setup for explaining how we get all the characters gathered for the next part of the story. And that’s.... not as cool as it could be.

It’s definitely a weaker entry for Saga overall, but that’s like saying a TV show with 100 episodes may have some that aren’t perfect.

Art: Fiona Staples’ art continues to be the star of the series, but perhaps because of the restraints of the setup, this isn’t the most visually creative or wildest design ideas she’s had in this series. The reveal of the shrew woman’s face felt.... anticlimactic compared to some of the truly out there examples of aliens unlike anything I’ve ever imagined before and it made the pause for the joke “my husband was nearly as beautiful as me” feel like... “have you seen what some of the other alien species look like????”

Likewise the backgrounds of both the flashbacks and of the room Will’s tortured in are not as wild as we’ve seen before, but I have to say the creative idea of the floating prism in space kind of makes up for it because that was creative and visually awing. Again, much like the story itself, the art only suffers because in comparison to the rest of Saga I’m only kind of blown away and not totally blown away.

IDW’s Teenage Mutant Ninja Turtles (2011-present) #74 Kevin Eastman, Tom Waltz, Cory Smith, Ronda Pattison

Man we are just in the forest for transitions in storylines right now. Nothing is bad but nothing is standing out and I was expecting much the same with Teenage Mutant Ninja Turtles considering that we’re on Part II of the Trial of Kraang, but you know, it wouldn’t be TMNT if they weren’t continuing to surprise me.

Story: So this is a court drama because if there’s one thing that TMNT is dedicated to it is DOING ALL OF THE THINGS and apparently court drama hadn’t been checkmarked yet so here we are. And as someone who really genuinely likes the minutia of continuity and rules and regulations of different worlds and the way laws work in different universes, I found things fairly compelling. Not the least of which because of the smart use of characters and how they fit into their roles -- especially Donny and Professor Honeycutt both working as the prosecution. Don, after all, is the sci-fi heart of TMNT and him being in the thick of this as Kraang is the most “his” of their roster of villains makes perfect sense.

We mostly hit the same beats you’d expect from a court drama -- an unfavorable judge, slimy defense attorney making things hard for our prosecutors, the prosecutors pull a surprise key witness, and all in the background we have the unraveling of victims and friends trying to deal with the uncertainty of the situation while also.... fighting an interdimensional alien war. Hm. Okay so that last part is pure TMNT shenanigans but the drama of the story is really structured and punctual.

Which.... basically means that this issue is something like 80% dialogue with little tiny bits of action to give the other three turtles and their friends something to do while Don and Honeycutt hold down the fort. And if you’re prepared for that going in, you’ll probably find the case as interesting and the way facts are being retold and manipulated fascinating, but if you’re not then it’s probably going to be a bit of a slog compared to the ninja action you’re usually used to.

Art: TMNT’s art is always so shockingly good that it’s hard to comment on anymore. I really like how varied and interesting alien designs are with people not afraid to be gross by “human standards” when making things. And I like that the turtles manage to be simple so that they stand out in every setting without feeling out of place, and still have enough variation and ranges of emotions that there’s no confusing them with each other when the masks are off. It’s very good art and that should always be applauded.

Dark Horse’s Zodiac Starforce: Cries of the Fire Prince (2017) #2 Kevin Panetta, Paulina Ganucheau, Sarah Stern

I have been on the edge of my seet for a few months now, waiting for news on when the next Zodiac Starforce was going to be coming out and, at long last, the answer came. It was today! And there was much rejoicing. From me. Because I’ve absolutely fallen for this team book.

Story: We learn more about the titular Fire Prince and honestly that’s where a lot of my apprehensions come into play. In the original comic series, the Starforce was comedic at times but its drama was never undercut by it. Relationships were taken seriously and the threat to the girls was certainly serious, particularly from their own goddess and from Cimmeria. So when the first half of this issue was spent with the Fire Prince and making his powers known but also having him laughably dance around and prove to be a bit of a sadsack and not even comparable to the last threat of Cimmeria -- having been imprisoned and shamed by her himself -- it was a little worrisome. The threat after a huge battle like last time shouldn’t really be followed up by something we’re directly told is lesser. And that fed right into the lesser fights too, with Savannah undercutting Alice’s threat by having to make a joke of why they were fighting and remind her of the fact that she even was a threat to the Starforce to begin with. I know I’m throwing this word around a lot lately but it feels like bathos -- like fearing the sincerity of the drama so going for a joke instead. And that wasn’t something I really remember happening in the previous volume.

That all said, the one thing always played straight and the risk that is never dampened is honestly the one that remains the most important overall, and that’s the relationships between the girls themselves. Lily and Savannah’s romance and Savannah’s obviously very supportive mother, Molly and Emma’s close friendship, everyone’s concern for Kim -- it’s all great stuff and taken seriously throughout which is why I still have a lot of hope and expectations for this series. It’s just so nice to see a book that’s so supportive and intent on emphasizing the importance of female relationships.

Art: The art for Zodiac Starforce is beautiful and popping, but it also has a very serious control of its style so as to not be cartoonish beyond the point of feeling the danger or concern for things within the story. Even so, there were a few things that felt off model this time around. It’s mostly nitpicking, but there was something different about the way Emma’s hair was drawn, specifically when she was Gemini, and there were a few times where Alice and her goons seemed to look very different from how I remembered them. but overall I can’t emphasize enough that it’s a beautiful book and really does capture the feeling of being a Western Magical Girl team story.

There was a lot of good this week in a lot of different ways but when I think of what I enjoyed the most I have to absolutely give it to Black Magick. This book captures a unique style and tone of two things I sincerely love -- noir and witchcraft -- and is really doing something special with them in the modern age. And those are the kind of daring choices -- much like doing a mostly black-and-white comic when almost all comics stick to high definition coloring -- that really capture my attention and help any book stand out in a given week. So that absolutely must be my Pick of the Week, even with some of my harsher criticisms sent its way.

And, once more, I am in a bit of a financial crunch for a multitude of reasons, not the least of which being the medical bills I’m paying for my dog, Eve, who experienced a catastrophic dog fight and underwent surgery recently. On top of that, I have exactly a month and a half to pack up everything I own and move halfway across the country again which is not helping those financial crunches I mentioned before either.

As such, I really would appreciate if you enjoy my content or are interested in helping me out, please check out either my Patreon or PayPal. Every bit helps and I couldn’t thank you enough for enjoying and supporting my content.

You could also support me by going to my main blog, @renaroo, where I’ll soon be listing prices and more for art and writing commissions.

RenaRoo Ko-Fi

RenaRoo Patreon

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#Rena Roundups #Wednesday Spoilers #SPOILERS #Harley Quinn and Batman (2017)#Nightwing (2016 )#Immortal Iron Fists (2017)#Black Magick (2015 )#Detective Comics (2016 )#Moon Girl and Devil Dinosaur (2015 )#Saga (2012 )#Teenage Mutant Ninja Turtles (2011 )#Zodiac Starforce: Cries of the Fire Prince

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renaroo · 7 years

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Wednesday Roundup 5.7.2017

So I think in the year-ish that I’ve been doing the Roundups, this is an actual literal first for me. This is the first time I have one “entry” from all my major publishers at the same time and not more. I mean one’s cheating since Monstress is a collected trade, but yeah, I have one from Dark Horse, DC, IDW, Image, and Marvel.

I could not have planned this if I tried.

In any case, fascinating coincidences aside, how did this week end up stacking up? How good were any of the issues? Lllllets find out!

Marvel’s All-New Wolverine, Image’s Monstress, DC’s Superman, IDW’s Transformers: Till All Are One, Dark Horse’s Zodiac Starforce: Cries of the Fire Prince

Marvel’s All-New Wolverine (2015-present) #22 Tom Taylor, Leonard Kirk, Cory Hamscher, Erick Arciniega, Michael Garland

I’m not sure how many more times I can compliment this comic without it sounding repetitive but where we are, All-New Wolverine actually is making me, by force, enjoy a deep space story featuring the multitudes of Marvel alien species that I struggle to care about normally but really do here and now because GAAAAABBBY.

The relationship between Gabby and all the people around her is really one of the main driving forces. There’s of course the joy that’s her and Laura interacting and Laura growing into the mentor she never would have thought herself capable of (true daughter of Logan if there’s ever been), but this issue is wise in expanding on that during the first half of the story.

Gabby and Wade basically lampoon it from the start with Wade repeatedly expressing to Laura how special and unique Gabby is, and then Gabby working her magic on Laura, forcing her to grow up and move out of Logan’s old apartment into her very own (so on the nose and yet I love it oh so much). And of course there is the hilarity of bringing Jonathan into space.

All so that the cliffhanger at the end would leave you as emotionally destroyed as I feel at the moment!

Tom Taylor’s great, and I love how dedicated this comic seemingly is to staying out of Secret Empire and even more so to how dedicated it seemingly is to progress its own greater narrative -- namely with our mysterious hooded watcher who sees the departure of the Wolverines and cryptically moves their plans to Daken. To which I say nooooooooo our siblings were finally getting alonooonnnngggg

Great issue, on the edge of my seat for what’s to come!

Image’s Monstress (2015-present) Volume Two: The Blood Marjorie Liu, Sana Takeda

So like Descender and a few of the other Indie titles I’ve picked up in the last year, I had Liu and Takeda’s Monstress come to my radar thanks to suggestions from people on tumblr! And what can I say? Those of you who recommend stuff to me really know my tastes it seems like!

This is a beautiful fantasy story with a very dark and unseemly look at the idea of fate and inheritance by blood. There is a weight to everything and the gorgeous style of the world hides the secret of the inner ugliness behind each and every corner.

To put things even more simply, this book is fascinatingly dark and is not the gentle Chosen One narrative that fantasy so often falls into at least in Western tropes. You can feel the influence of mythologies beyond Western, and really other than inverting the idea of a By Blood Chosen One you could argue that Western fantasy ideas do not really play much of a role within the narrative at all.

I think that’s what’s so fascinating to me. There’s a dense story with a lot to unpack, so those surface elements come off all the stronger and fascinate me into wanting to see even more of them.

Again just a very good read overall. Much approved.

DC’s Superman (2016-present) #26 Michael Moreci, Mike Godelwski, HI-FI

This is a very pleasant, very nice one-off read.

I’m not sure how much impact this issue will have on the greater story being told about our titular Kent family, but it was refreshing to have a look at especially Jon’s character from a different writer. As much as I have enjoyed Jurgens, Tomasi, and Gleason, Jon being naïve and near perfect has been a criticism I’ve thought deserved its dues for sure. And it’s interesting to see him feeling more his age in this issue and being a bit more stubborn and in the wrong and just flawed in the ways that kids are.

I loved that the lesson here was two-fold -- a lesson about Clark learning how to allow children to make their own mistakes and be there to comfort them when they fall, and about Jon learning to, in Clark’s terms, “flex muscles above the neck.”

The art was quite good and while Lois didn’t receive a lot of time here, she was Clark’s rock. I’m hoping that we will get more of the feisty and tenacious Lois who needs Clark holding her back from time to time sooner or later.

It’s a decent issue, and I’m glad Moreci is proving that people outside the usual team can tackle this new-old take on classic Superman and on the all-new Jon Kent.

IDW’s Transformers: Till All Are One (2016-present) #11 Mairghread Scott, Sara Pitre-Durocher, Joana Lafuente

I knew we weren’t close to seeing the end of Windblade! And not at all because I cheat and looked at next month’s cover back when the solicits for it came out like forever ago.

Rather than jumping around POVs which TAAO has made a habit of doing (well might I add!) with its ensemble cast, the continued narrowing of focus down to Starscream, with a short interlude showing Windblade’s internal mental battle, really worked for this issue. It’s so fascinating to get all the facets of Starscream’s perspective that we do here, and especially how the scars of being a Decepticon and being abused by Megatron still affect him greatly.

As the one Cybertronian who seemed the easiest adjusted to the new world of post-world Cybertron, it’s both expected and yet very shocking to see that it was a ruse. He has been as badly effected as nearly all the other Autobots and Decepticons have been by what they’ve lived through.

And I’m usually exhausted of the hallucinations about Bumblebee which I know are going to eventually be revealed to not be that much of a hallucination but it worked to great effect here. Mostly because Bumblebee left lol With that ominous ending silhouette and the subtle parallel between Starscream’s years long hallucinations of Bumblebee with the struggle Windblade is undergoing with two minds at once.

Reminds me of certain elements of Transformers Prime and Scott is a fan of bringing in elements of the Aligned universe into the IDW fold...

I really loved this issue, and especially loved the art. It breaks my heart knowing this series is coming to an end.

Dark Horse’s Zodiac Starforce: Cries of the Fire Prince (2017-present) #1 Kevin Panetta, Paulina Gancheau, Sarah Stern

Ever since I read the original Zodiac Starforce comic, I was really hoping we would be getting more of a follow up because my love of this genre and my love of how clever this comic was and how good it was with building this complicated world was too much for the tasty treat we got out of the original. And I couldn’t have been happier to hear we were getting just that!

We’re picking up a few months since the ending of the first volume and it’s really interesting to see how much our girls have grown in their various roles since then. I’m also getting the sense that this new storyline is going to be taking the opportunity to focus on the characters who didn’t get so much attention the last go around, like Kim and Molly and Lily.

Kim’s home life really strikes close to home for a lot of people, I’ve got to say. I’ve seen these situations play out, and I have to really applaud this comic for showing how important and defining it is for a supportive boyfriend/husband/etc. for a young woman in such a bad situation can be. It both helps women in the situation to feel as though they can seek support, and tells young men in the world that they can and should be the type of partner who is this supportive.

It’s interesting to see how the events of last time have played into everyone’s relationships months later, and it’s for better and for worse, especially for the scorned girls and boys who got a taste of the dark powers of Cimmeria. I’m so interested to see where all of this goes!

So this is going to seem incredibly strange but I would almost be willing to call each and every single issue that came out today a tie because I just genuinely enjoyed reading each and every one of them that much. It was such an amazing and unexpected variety this week for me and it just hit all the feelings I needed them to fit. But, as always, twist my arm and I can offer a real answer.

And that answer is Transformers: Till All Are One. It has so quickly become my favorite Transformers title from the entire IDW line and I just was enraptured in each panel. It’s a definite win from me, even in a week as fantastic and tightly held as this one.

So how was everyone else’s Wednesday pull? Agree with me? Disagree? Think I should be picking up something I’ve missed? Please feel free to let me know!

#SPOILERS #Wednesday Spoilers #Rena Roundups #Transformers: Till All Are One #Superman (2016 )#All New Wolverine (2015 )#Zodiac Starforce: Cries of the Fire Prince #Monstress (2015 )

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