"... at Toulon, during the hours of repose, which were for Jean Valjean hours of reverie, this gloomy galley-slave, seated with folded arms upon the bar of some capstan, with the end of his chain thrust into his pocket to prevent its dragging, serious, silent, and thoughtful, a pariah of the laws which regarded the man with wrath, condemned by civilization, and regarding heaven with severity."
[trans. hapgood]
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On October 3rd, Elric asked me what day it was.
I said, ‘How dare you to talk to me, you coward.’
Major General Olivier Mira Armstrong
Traditionally tailored uniform, 2019
Japanese twill, canvas, grosgrain, leather, gilt braid
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This week's episode of Vinland saga was deeply heartbreaking.
So far we have seen how terrible slavery is, but only (mostly) in theory. In the way one may look at a neighboring country with serious issues and think, yeah, that sucks.
This episode takes it to a personal level. Sure, we saw Einar's family die at the beginning of the season, but we didn't care for him then. We didn't know him. He was just one of many victims. Like Arnheid. She is first introduced as a mild, nice lady that won't harm a fly, fooling us into thinking her life is perhaps not too bad. And little by little, we're fed pieces of her misery.
Abused by the mistress of the house. Doomed to a life as sex slave, and pregnant with a child of the master. A dead child. A lost family. And yet she smiles through it all. She picks up the little crumbs of joy she can and gives up on her freedom, on her past life. She is able to laugh at last. Until the storm hits, and she's not able to let it pass. Just when she was starting to accept her fate, when she was settling in her life as a slave.
Garnar, her husband, ruined by slavery, shaped into a desperate beast driven by blind revenge finally reunites with her, only to die in her arms as he dreams about the life they can no longer have. And she can't even have that one moment in peace, because she's a slave, and surrounding her are men waiting to take her back to her doom. Her life is no longer hers. Her future snatched right out of her hands.
Just beautifully done. At the beginning of the season I used to think Thorfinn was being too hard on himself. He was just a child after all, when he was out in the war. However, living like this, amongst slaves, experiencing first hand their struggles and regrets, the sheer injustice of the abuse, how could he not blame himself? He, too, ruined lives, broke families apart. Killed indiscriminately and sent people into slavery.
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1820s to 1840s Evening Wear - 2 suits
Two little edits of that one beloved Vampires suit, with three things in common: Wide hips, a slightly higher collar, and the same swatches.
From the 1820s until the mid-1830s, the fashionable silhouette for men's clothing was wide hips, a slender waist and full shoulders. This look was generally achieved through padding, corseting, and most of all, tailoring.
In the latter half of the 1830s, this silhouette began to change. The shoulders became sloped, and a "pigeon-breasted" look became more fashionable. Hips were still just as wide and the waist just as narrow. The 1840s look was, of course, also usually achieved through unnatural means.
Basically: V1 is this 1820s to mid-1830s look, and V2 is the mid-1830s to 1840s look. V1 has puffy sleeves while V2 has sloped shoulders. V2 also has a slightly fuller chest.
Swatch 1-48: Tie and vest in white, suit in many different colors.
Swatch 49-60: Suit in black, tie in white, vest in various colors.
Swatch 61-65: Suit in black, tie in black, vest in a few different colors. These are intended to be mourning swatches.
Both are BGC!
Both have the same 65 swatches
All LODs (except LOD3 which refused to cooperate with me, so it's the LOD3 of the original vampires suit)
Found in the Sets category
Appropriately tagged and disabled for random
Display index by decade
Download .zip (SFS)
Alt download (Mediafire)
V1 in swatches 1, 12 and 64:
V2 in swatches 38, 59 and 62:
Side views and back views:
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A. Kirkland- Pitbrow Woman, '81
In the last month or so, my interest in nyo!England has blossomed. Yet, I have long disliked the canon stylization of the character.
Ms. Alice Kirkland has never been one to shy away from physical labor or the harsh realties of her own people. Even at the height of her international power, it was rare that- unless directly requested by the monarch or prime minster- that she lived among the aristocrats for long periods of time. A stark difference between her and her French counterpart. While her rebellious days as a sailor were behind her, throughout the 1800s it was not uncommon to find her either in the mines, in a factory, or tending to her own country estate farm.
References and Inspirations bellow cut, Programs used: MS Paint and Krita
I could not have done any of this without these references.
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Looking around through Pokémon wikis and I realized that Volo was not the first guy in the Pokemon universe to wear a haircut that covers one eye and dress up like the legendary Pokémon he’s obsessively trying to get power from
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Once in a while I'm sad about an expression that doesn't exist in Spanish. Then I remember how the so hated Spanish Royal Academy has made concerted efforts ever since it came into existence to sustain and fortify the cohesion between written and spoken Spanish, and that they have a complete dictionary, accessible for free through both desktop and app (a free, no ads, no paywall app, may I add) which includes etymologies, regional definitions (and where specifically do they apply), and idioms. And the feeling goes away.
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