#and gabriel has moments where hes just. like that

[littlemissmarianna]

“Do I have your attention now?”

The voice is familiar at this point. This nameless, faceless person who’s been calling Carlos for weeks.

Taunting him, haunting him.

Carlos rarely sleeps anymore, but when he does, it’s this voice he hears in his dreams. It’s this voice that echoes in his head throughout the day.

“You didn’t think I would leave him out of this, did you?”

No.

Carlos knew better than that, and yet, part of him hoped he could protect TK from this psycho. This person with a digitally disguised voice and a blocked number who confessed to killing Gabriel on day one. This person who claimed to know everything about Carlos and listed the details to prove it.

Where he worked. Where he lived.

Carlos expected this person to know his mother’s name and maybe even his sisters, but he didn’t expect to hear the names of his niece and nephew. He didn’t expect to hear the names of his entire extended family listed one by one.

But the name that seemed to bring this sicko the most pleasure was Tyler Kennedy Strand.

“Or should I call him TK?”

Carlos clenches his jaw at the memory. In that moment, his blood ran ice-cold with dread as red-hot rage burned through him.

The person had laughed at Carlos’s silence; they knew they had struck a nerve.

“You know…” The lunatic’s tone is conversational now, like they’re friends with Carlos. Like they’re just calling for their weekly chat. “I knew your husband was smokin’. I mean, I’ve got the surveillance photos. I may have even gotten off once or twice with him in mind. But seeing TK in person…”

Carlos tightens his grip on the phone as this sociopath lets out an appreciative whistle followed by a suggestive moan.

“I’m gonna have fun with him.”

“If you touch him, I will fucking kill you.”

Carlos means it. It should probably scare him how much he means it.

“You’ll have to find me first,” the person replies. “And we both know that’s not going well.”

It’s not.

Carlos has spent hours trying to unscramble the number and trace the call. When that didn’t work, he tried to unmask the voice. And when that came up empty, Carlos tried to narrow down potential suspects based on what this maniac has said.

The information they possess is too in-depth, too far reaching. Whoever this is hasn’t just done their research; they know Carlos. They’re likely hiding in plain sight – crossing paths with Carlos every day – and that’s what bothers him the most.

That’s what keeps him on edge.

That’s what fuels the paranoia.

“How is TK?” the person asks, having the gall to act concerned after what they did to Carlos’s husband. “I hope I didn’t frighten him earlier.”

Carlos glances at TK sitting behind him on the couch. He’s at the stage where he shuts down and withdraws, but TK was frantic when he arrived home. It’s a wonder their front door is still intact from how quickly it was snatched open and slammed shut.

Carlos was on his feet in an instant, both confused and alarmed as TK just stood there, staring at him with wide, panicked eyes.

“What happened?”

TK didn’t answer. Not at first.

But as Carlos approached, TK launched himself into his husband’s arms, clinging to Carlos as the words spilled out.

There was a person in the street. Probably a man, but maybe not. They were covered from head to toe in black clothing with a hood over their head, a mask over their face, and sunglasses covering their eyes. They even wore gloves.

“Who does that?”

“Someone who doesn’t want to leave fingerprints or DNA.”

TK looked horrified by the comment. He knew he had just survived an attempted kidnapping, but the confirmation was overwhelming.

“Can we sit?”

“Of course. But first…” Carlos held his trembling husband at arm’s length, his gaze scanning every inch of TK. “Are you hurt?”

“No,” TK assured. “Just really freaked out.”

“I know. It’s okay,” Carlos soothed, pressing a kiss to TK’s temple as he wrapped him in another hug. “I’m here. And you’re safe.”

TK nodded against Carlos’s shoulder, relaxing beneath his touch.

By the time TK stopped shaking, Carlos had him seated on the couch with a bottle of water and comforting hand on his thigh, rubbing back and forth as TK continued the story.

Whoever the person was knew TK by name. When TK turned, they attempted to grab him. When TK managed to escape and started running down the sidewalk, they gave chase. They followed him to the loft but didn’t enter the building.

Even so, TK took the stairs two at a time; that explains why he was so breathless when he burst through the door.

“But you promise you’re not hurt?”

“I promise,” TK replied, leaning against Carlos’s chest. “Should we call the cops?”

“I am the cops.”

TK huffed a quiet laugh. “I know, but – ”

That’s when Carlos’s phone rang. That’s when this psycho called to rub it in.

They almost took the one thing Carlos can’t live without, and they’re proud of themselves even if their plan failed.

“Next time, I’ll be more prepared.”

The threat is punctuated with a chilling laugh before the line goes dead.

As Carlos lowers his phone, he feels the transformation begin. That version of himself that knows how to kill and not get caught. The version that knows how to dispose of a body and clean up a crime scene.

The world views Carlos as calm and composed, but there’s another side to him.

And it’s about to be unleashed.

#911 lone star #tarlos #tk strand #carlos reyes #fanfic #my take on THAT photo #Mari_Marie on AO3

[melbatron5000]

Please, go insane with me.

I'm still digging through the chiastic structure looking for Clues, and BOY HOWDY am I finding them.

Number one, I'm pretty certain I found TWO middle points.

There's one spot where the current show as it is meets up and extends out from. And another spot that isn't, but which I think is the True Middle. And I'll tell you what, I came at it a little bass-ackwards, and somehow accidentally wound up with the True Middle before I came across what I've been calling the Fool's Middle.

Okay. Great. Yay me. When I first found the Fool's Middle, I thought it must be the True Middle, and I'd been messing up this whole while. Except, I've been finding some very clear matches in some odd spots to the "right" of the middle, if we lay the story out in a left-to-right order. That shouldn't be. Chiastic structure is a mirror. Matches should be on opposite sides of the middle. But my assumed middle is working out MUCH better than the middle that actually falls in the center.

What the what.

Unless we're missing scenes.

Which brings me to find number two.

Several people have suggested that the scenes might be out of order, given the vehemence that Crowley shouts this at the demons before they attack the ball. I thought so too, and I figured the chiastic structure breakdown would show me what order they belong in.

Well, almost.

As I busily sorted through looking for mirror parallels, I started to notice that there's one chunk that has no real matches on the other side of the middle. Not the Fool's Middle, and not the True Middle. No real echoes, either.

The Resurrectionists minisode.

The present-day scenes that are interspersed with the Resurrectionists flashbacks have parallels. Just not any moments from the actual flashbacks themselves.

I figured I must just be blind, and decided to comb through that particular bit more thoroughly.

Here's the first thing I found:

Note 138: "We do a miracle so no one knows it's him, now no one knows it's him. Nice one, us." Hand-written note: "It's definitely Gabriel."

Note 134: Crowley brings Aziraphale to see the Gabriel statue in the 1700s. (1827, I know. They're notes, bear with me.) Hand-written note: "It's definitely Gabriel." "We do a miracle so no one knows it's him."

Okay, awesome, so there ARE mirror parallels in the Resurrectionists minisode. When Aziraphale says "it's definitely Gabriel" mirrors when no one knows it's Gabriel. Cool. No missing scenes. Yeah?

Oh, no. Not so freaking fast. Here's the next thing I found:

Note 160: Wee Morag is shot. (By the grave gun.) Hand-written note: "You are out of order!"

Note 161: "YOU ARE OUT OF ORDER!" Hand-written note: this is pretty much where the mirror of the Resurrectionists minisode should go.

Yeah. You'd think Wee Morag getting shot would have a solid mirror, right? But it doesn't. Unless you count Crowley yelling about demons -- or something -- being out of order. Hmmmm . . .

Okay, let's keep digging.

Note 171: Crowley vanishes down a hole. Handwritten note: Something's wrong -- like a hangover.

Note 170: Something's wrong, go to my friend. Hand-written note: Crowley vanishes down the hole to Hell.

Hot damn. Here we go.

Believe me when I felt a little bit like Aziraphale reading that his cocoa doth grow cold. A tad like Crowley was yelling right at me. At least, for a moment.

I can't find any other mirrors for Resurrectionists. I've looked. I'm not seeing anything.

Crowley can tell something isn't right. Something else is meant to be happening now, not a demon attack. And to him, it feels like a hangover -- that laudanum hangover, that ended in him getting sucked to Hell.

In the book, we learn that Crowley has a fine time trying to describe helicopters to Leonardo Da Vinci. In the Resurrectionists minisode, he tells Mr. Dalrymple he might want to wash his hands.

I don't think Crowley can see the future. In season 1, when Aziraphale asks him how the end of the world is going to go, he says rather irritably that he's never done it before, it's not like they let you go round again until you get it right. I don't think Crowley knows precisely what's wrong or what's meant to be happening when he feels that hangover mirror -- but his talent is time, and through that sense, he can tell whatever's happening isn't right.

Thus why he demands of the demons -- what are you doing here? What are any of you doing here? And then tells them, you are OUT OF ORDER!

The demon attack has plenty of parallels, it is supposed to happen -- but it's not meant to happen just yet. It's too soon. We need the Resurrectionist parallels first. Once we have those, the Fool's Middle falls away, and the True Middle takes its rightful place.

Now, my big question: WHAT HAPPENED TO THE MISSING SCENES?

I'm NOT a fan of "The Magic Trick You Didn't See" theory. I don't think the Metatron has Dicky Bird to do with re-writing the Book of Life, which, by the way, we have no evidence of one way or the other even functioning as described. We have three different characters tell us two different things about it, and we never see it in action. Also, the only things that are missing and that has Crowley out-of-sorts are the Resurrectionist parallels. We're missing a couple of scenes that should match those. Just a few things. But important things, I should think.

Who took them? What events now suddenly didn't happen? And why were they taken?

Listen to me, I'm so wrapped up in this I'm writing like this is just fact. These are my thoughts. The chiastic structure has yielded some awesome stuff, stuff I think is really true. Is this true? Do I have this right? I don't know, and I've certainly been wrong about stuff before. But I do think I'm on to something here.

#good omens #good omens 2 #crowley #good omens meta #aziraphale #ineffable husbands #good omens analysis #ineffable mystery #good omens fan theory #good omens chiastic structure

[little-tangerines]

kids are generally weird and religious kids are just plain scary honestly

[next]

[prev]

#fnaf #michael afton #fnaf gabriel #fnaf 4 tormentors #fnaf bullies #little tangerines comic #page #there may be coloring errors my apologies #im not that proud? of this one? it was funnier in my head #i did enjoy drawing gabe at least. so theres that yk #gabe and fritz are the weird kids of the class where fritz is weird because he has like every illness mental and physical #and gabriel has moments where hes just. like that

[ponytailzuko]

the miraculous au in my head where chloe and marinette are actually both into fashion and their school rivalry also becomes an actual rivalry in the fashion world but marinette wins that hat competition and impresses gabriel enough that she eventually becomes his apprentice, slowly entangling marinette in gabriel’s webs and manipulation not unlike adrien, lila, and even the other rich kids such as chloe n kagami. ties marinette closer to the main conflict in her civilian form. so i dont have to see marinette sneak into the agreste mansion for the 500th time, she’d just be there. also just because i think the drama would be insane.

#cal.ibrations #ml #miraculous ladybug #listen ok #i just think itd be fun #like the energy they would be creating in the studio... #tell me an episode where lila has to model marinettes clothes would not be hysterical. it would be. they should do it. #also adrien having to warn everyone that gabriel is about to have a category 5 man moment bc he can tell just by the twitch of gabeys brow

[commsroom]

on one hand, it's kinda unfortunate that the very first time hera ever says minkowski's name in the show she mispronounces it the way eiffel does, and it's obviously one of those early series growing pains type things. however. on the other hand. it exists in the show and in-universe it becomes one of those "spending too much time with eiffel" things instead. he got in her head. after being the primary person she's been speaking to for hundreds of days by that point, something like that was bound to happen eventually.

#wolf 359 #w359 #doug eiffel #hera wolf 359 #there's so much intentionality with names and who calls who what. when and why. that sure is a sentence #that those early parts of the show where things. aren't as careful. end up having other implications they weren't really meant to have #gabriel urbina has said so many times that he wishes that line in ep 13 was the first time minkowski called eiffel 'doug'. yeah. i get it. #and then you have... i don't think this with hera and minkowski is really that meaningful in terms of their relationship #but it is an interesting mistake in that. since eiffel is the only one who mispronounces minkowski's name and he doubled down on that #out of disrespect. #it does kinda like strangely work in how it accidentally aligns hera with eiffel. though she would never do that to minkowski on purpose #i think after a certain point it's just habit for eiffel but it's definitely. something. that you can tell how much respect he's showing #at any given moment through most of the show just by whether he calls her 'minkowski' (mispronounced) or 'commander' #and then of course you have hera calling eiffel 'doug' in am i alone now and then never again and never to his face. which. #someday i'll figure out how to express how i feel about that.

[fuckyeahgoodomens]

Peter Anderson: Hi, my name is Peter Anderson. I'm from Peter Anderson Studio and we created the title sequence to Good Omens Season Two. So this scene is quite literally a continuation from Season One.

An interesting detail with this scene is the fly. The fly is significant because it stores Gabriel's memory.

Gabriel is hidden in every scene. This is the first time we see it.

This goat is half bird, half goat, representing a mistake in a moment of transformation.

In the pickled herring barrel, we have literally red herrings sticking out.

A lot of the gravestones have hidden engravings, easter eggs, all written by Neil.

[This one says: HERE LIES THE FORMER SHELL OF BEELZEBUB referncing Beelzebub having a new face in S2 :), another ones are: EVERYDAY, JANE AUSTEN, Here lies ADAM (the Adam from Adam and Eve is meant)]

Another hidden Gabriel.

Our same character that was trying to escape Hell in Season One titles is also trying to escape here, moving in the opposite direction to the rest of the procession. Except this time he's apprehended and dragged back into the procession.

Our Hell spider from episode four makes a little appearance in the background here.

Can you tell where the bus is going? Director Douglas McKinnon selected Powell and Pressburger's Stairway to Heaven to put on the billboard.

Another thing to note here is the type is all handmade specifically for Good Omens. The Alphabet only exists within the show.

The big floating turnip is a nod to Azirafel's magic tricks.

The Ladies of Camelot poster we pulled from the show.

We added plaques to the back of the chairs and Neil chose who to honour.

[There are: A TALE OF TWO CITIES by CHARLES DICKENS, PRIDE AND PREJUDICE by JANE AUSTEN, THE CROW ROAD by IAIN BANKS (twice!) and GOOD OMENS by TERRY PRATCHETT (Neil missing for some reason :) <3)]

Saraqael made an appearance from Heaven.

Our Space is back from Season One. Aziraphale and Crowley are having a little dance here. A moment of flirtation. There's a tiny planet in the middle that comes into existence at this moment.

Our Scottish tartan hills make an appearance here.

The aeroplane and the airline is a little bit of a clue here.

[THY KINGDOM AIRWAYS 👀]

It's raining love hearts in reference to Aziraphale's attempt at making Maggie and Nina fall in love.

Here are elevators to Heaven and Hell. A wee thing to spot. Here is Gabriel in the lift arriving from Heaven.

We've updated our flags to reference some of the plotlines in Season Two. For example, The Second Coming.

The movie poster artwork changes every week, representing the episode plotlines and the minisodes. We made the posters to look like the time period and in this case we've got a Good Omens version of Buddy Holly.

[The posters are:]

In the snack bar some of our popcorn is actually communion wafers.

There are specific characters from Season One in the boxes watching the movie as the procession goes by. This includes some of our original concept art from Season One.

The duck playing the accordion is from a newspaper headline that someone is reading in The Dirty Donkey from one of the episodes.

[this is also from the Good Omens book :): "Daily Mail. 'Letter From America.' Um, August the third," said Newt. "Just after the story about the woman in Worms, Nebraska, who taught her duck to play the accordion."]

Each episode is showing a new movie on the screen, each one selected by Douglas, and has clues about what's to come.

The season one phone box tumbles in the background.

The big mountain is made of all the ingredients from Season Two and a couple of remnants from Season One. We are heading towards the biggest Easter Egg, which is the lift. We're heading towards the Second Coming..

#good omens #perer anderson #peter anderson studio #bts #opening title #s2 opening title #fun fact #second coming #kingdom thy airways #duck playing accordion #videos #bts videos #easter eggs

[neil-gaiman]

Hello Neil.

I'm not sure if this context was planned for Crowley to hide his emotions behind his glasses, but many see it that way, in any case, whether it is true or not, is there a scene planned in season 3 where Aziraphale removes them from Crowley?

I think this would be a rather intimate moment for them, like the song for Beelzebub and Gabriel

No, the plan for season 3 is for Crowley to have left his glasses at home and to send his wife to get them for him. Meanwhile Aziraphale will realize that he loaned Crowley his best tie and that Crowley has gone home with it, and sends his wife to go and get it. Sadie is just going through Crowley's jacket pockets when Dottie arrives. Sadie hides in the closet -- not knowing that Gus the Gorgeous Gorilla has chosen that closet to go to sleep in. When Dottie hides in the closet as well things get complicated for the two women, with hilarious consequences.

#special spoilers

[zoe-oneesama]

Why does the fandom think Nathalie cares about Adrien? She's always all monotone indifference and "this is what your father says/wants". Yet the fandom likes leaving Adrien in her care post-hawkmoth sometimes? If you're really gonna read into things like that let's praise the one adult who DOES care about him- his bodyguard! Remember how the mere sight of him was enough to calm him down enough to thwart Hawkmoth's intentions in the gigantitan episode?

But no seriously I'm so bad at noticing these things- why do people think she cares about more than Gabriel?

Welp, she is the reason Gabriel let Adrien go to school according to Origins Part 2, and then we got the Great Hiatus to let that one tiny moment of feelings sit and fester in the fandom brain.

And Season 5 definitely did it's hardest to frame Nathalie as Here For Adrien, so it's like the whole series is bookended by That version of Nathalie.

But I get the confusion, Nathalie's been all over the damn place. Different Seasons characterize her almost like adjacent sister versions of herself? Like not a TOTALLY different person, but different enough that I'm worried about body snatchers lol. I pretty much compartmentalize Nathalie according to the season:

Season 1 - Belligerent Assistant who's job description does not and should not include taking care of her boss's son yet here she freaking is.

Season 2 - Reveal that she's totally In-The-Know, her indifference has reached knew levels of being just outright negligent, she is officially culpable.

Season 3 - Team Rocket era where she is fully into the evil dramatics. Also the gross fun addition of her officially being In Love™️with her boss and being angsty about it despite her bringing it upon herself. Also girl he's so crusty get some standards.

Season 4 - Bedridden bionic woman. Was it worth it? WAS IT WORTH IT?!

Season 5 - Pissed off divorcee era. She is actively picking fights and weaponizing the children at her not-ex, and while I'm side eyeing the last 4 seasons, I am here for this level of sass while she scoffs at Gabriel being his Worst Self™️. Too bad about the whole Dying thing but hey. You gotta make up for...all of that other stuff, right?

She's just kinda doomed to not be a cohesive character. I do like her heel turn in Season 5, especially because she was RIGHT, Gabriel had THE OPPORTUNITY to save not only Emilie but also Nathalie and threw it away because he wants to throw hands with teenagers. I too would walk away after that spectacular display of failure. I kinda wish she had someone to talk to, like even Duusu, just to explain that the only reason she hasn't exposed Gabriel altogether is because he'd definitely expose her as well and then Adrien'd be left alone. Like it's easy to infer that, but in a kids show, stuff like motivations kinda need to be laid out neatly.

Cuz otherwise it leaves it open ended - is she covering to spare Adrien from being essentially orphaned, or is she covering to save her own ass? After the 5ish versions of her, either interpretation is fair.

#nathalie salt #writing salt #ml salt

[krummholz-go]

The Final 15 - Aziraphale’s Perspective

I see a lot of empathy for Crowley’s experience during the final 15 minutes of season 2 and it makes sense that we feel deeply for him. What he is experiencing is very human - acknowledging the depth of his own feelings, plucking up the courage to say something, having it come out all wrong, feeling utterly rejected, and then walking away in a mix of pain and anger. Who among us hasn’t been there?

But Aziraphale is experiencing something more complicated, something fewer of us have analogs for. Aziraphale has internally acknowledged his feelings for Crowley for some period of time, probably at least since 1941. Michael Sheen confirms this mental state in a NYCC 2018 interview:

“I decided early on that Aziraphale just loves Crowley. And that’s difficult for him because they are on opposite sides and he doesn’t agree with him on stuff. But it does really help as an actor to go, ‘My objective in this scene is to not show you how much I love you and just gaze longingly at you.’”

Unlike Crowley, Aziraphale’s struggle isn’t acknowledging his feelings. His struggle appears to be two-fold: 1) believing that Crowley could ever love him back and 2) even if Crowley did love him, believing a future for the two of them together could exist within the restrictions of his larger world view.

Can Crowley love?

Angels are, traditionally, beings of love. We see Aziraphale embody this time and again, showing kindness and support to almost everyone he meets, including the amnesiac Gabriel who has treated him abominably in the past. He is attuned to love, remarking on how the area around Tadfield “feels loved” twice in Season 1. As for how Aziraphale personally understands and expresses love, he shows his love to others through verbal affirmation and, to a lesser extent, physical touch. There are many examples of Aziraphale expressing his love for Crowley through positive verbal affirmation, typically by praising him for instances where he has been kind, nice, or good. And on the rare occasions when Aziraphale receives verbal praise, he absolutely interprets it as an expression of love, blossoming with happiness.

But from Aziraphale’s perspective, it may be unclear if Crowley can feel love in the same way. Can demons love? Did he lose that capability when he fell? Crowley can’t feel the aura of love in Tadfield that Aziraphale remarks on, and his reactions to Aziraphale’s praise are always to shrug it off, tell Aziraphale to “shut up,” or in the most extreme case to physically slam him against a wall and get in his face about it. In this last instance he tells Aziraphale, “I’m a demon, I’m not nice. I'm never nice. Nice is a four-letter word.” A four-letter word, like love, that is not in Crowley’s self-defined vocabulary.

If Crowley can feel love, does he love Aziraphale?

Even if Aziraphale believes Crowley is capable of feeling love, he does not always recognize how Crowley expresses it in the moment. Crowley shows his love for Aziraphale through actions, but Aziraphale often misconstrues Crowley’s motivations. In 1793 when Crowley rescues him from the Bastille, Aziraphale initially assumes Crowley is only there because he is responsible for the Reign of Terror. Similarly, in 1941, Aziraphale’s reaction to Crowley’s appearance is to assume he’s just part of the Nazi gang, saying,“I should have known. Of course. These people are working for you!”

Crowley doesn’t help matters in this regard because he is constantly muting and undercutting his signals to Aziraphale. Every time Crowley expresses his love for Aziraphale through actions - rescuing him, saving his books, even taking him to lunch - he does so in a nonchalant, dismissive manner, indicating he ascribes little value or importance to the actions he has performed. “I just didn’t want to see you embarrassed,” he says when he appears in 1941. And when Aziraphale positively glows with happiness about his books being saved, Crowley tells him to “shut up."On top of these confusing signals, Crowley is almost pathologically incapable of expressing his feelings in the verbal love language that Aziraphale can understand. This is heartbreakingly demonstrated in this scene after the bookshop fire:

Crowley can’t even say “I lost you.” Instead he speaks of Aziraphale in the third person while sitting in front of him, saying, “I lost my best friend.” The little hitch on Aziraphale’s face when he hears this is just devastating. Who is Crowley talking about? The last conversation they had before this scene was when Aziraphale called while Hastur was in Crowley’s apartment and Crowley said, “Not a good time - got an old friend here.” Aziraphale is left to wonder - is that who Crowley means when he says "best friend?" Crowley is everything to Aziraphale, but what is he to Crowley?

How Would It Even Work?

Even when Aziraphale does get flashes of the possibility that Crowley may care for him he immediately runs up against his second mental block - there is no world he can imagine where they could be together. When Crowley first suggests running off together in the bandstand scene in S1E3, Aziraphale collapses under the thought: “Friends? We aren’t friends. We are an angel and a demon. We have nothing whatsoever in common. I don’t even like you.”

While he is obviously in denial, Aziraphale is also under tremendous stress in this moment and is desperately trying to hold onto some stability by falling back onto his world view and ideology. In this state he backpedals all the way to “I don’t even like you.” In his understanding of the way the universe is supposed to work, he and Crowley are hereditary enemies and should not even be friends, much less in love. Aziraphale expresses this core belief throughout the series. What kind of existence could they ever have together in reality?

The Final 15

With this as a background, we can better understand what Aziraphale experiences in the final 15 minutes. Even before the Metatron enters the scene, Aziraphale begins to have his fundamental beliefs challenged which puts him off his footing. The revelation that Gabriel and Beelzebub are in love is deeply impactful. When Beelzebub says “I just found something that mattered more to me than choosing sides” and takes Gabriel’s hand, Aziraphale immediately reaches out to make contact with Crowley, a look of incredulity on his face. Here is proof that demons can feel love and that an angel and a demon can carve out a space together. The road may be difficult, but it is not impossible.

Before Aziraphale can digest this revelation the stakes are ratcheted up: Michael threatens to erase Aziraphale from the Book of Life due to his part in hiding Gabriel. The future that Aziraphale has just barely glimpsed is already under siege. It is at this point that The Metatron enters, offering Aziraphale not just survival and protection, but a version of everything he has ever wanted.

If Crowley is reinstated as an angel, Aziraphale will no longer have to wonder whether Crowley is capable of feeling love. And if they are both angels, there will be no conflict inherent in having a life together. In one fell swoop, the Metatron entices Aziraphale with a future where there are no remaining blockers to an eternal, loving existence with Crowley. It will be “like the old times, only even nicer” because they now have millennia of their shared history to build on together. Of course this logic is horribly flawed and does not take into account at all what Crowley wants, but in the moment it must feel like an enormous gift to Aziraphale.

Unfortunately, not only is Crowley’s reaction to this “incredibly good news” not what Aziraphale expects, the conversation quickly takes a baffling turn for him. Crowley shuts down the talk about returning to heaven and attempts to say what he wants to say. Sadly he once again utterly fails to speak in a way that Aziraphale can understand.

The audience knows what Crowley is trying to say because we have the context of his earlier conversation with Maggie and Nina. But Aziraphale lacks that and thus can’t understand where this is coming from or what it means. Rather than expressing his feelings as Beelzebub and Gabriel did, Crowley recites facts: we’ve known each other a long time, we’ve been on this planet a long time, I could always rely on you, you could always rely on me. He can’t even say the word “couple” when he describes them, referring to them more as colleagues with words like “team” and “group.” And the one time he does try to express his feelings and desires he is physically unable to get out the words: “And I would like to spend—.” He then retreats into his old plea to turn away from heaven and hell and run off together. Nowhere in Crowley’s confession does Aziraphale hear “I love you” or even “I want to be with you.” What he hears instead is what he’s heard multiple times before - Crowley wants to abandon both heaven and hell and default to just the two of them. From Aziraphale’s perspective this will not solve anything for them. They will still be an angel and a demon, at some level fundamentally separated by their very natures.

Having failed in his speech, Crowley then does two things in rapid succession that must be excruciatingly painful for Aziraphale. First, he does the opposite of verbal affirmation by calling Aziraphale an idiot. We have seen Aziraphale become physically radiant in the rare instances where Crowley has praised him, so a direct insult like this must feel poisonous. Then Crowley makes a last desperate attempt to communicate through Aziraphale’s other love language - physical touch - by initiating the kiss. But without context or understanding of what is behind it, Aziraphale can initially only experience it as forceful, angry, and shocking. With more time to parse it I think Aziraphale will come to understand Crowley’s meaning, but in the moment it must feel manipulative and borderline cruel.

The Results

In a very compressed time frame, Aziraphale has to move quickly and radically through multiple mental and emotional states. For 6000 years he has believed he and Crowley cannot be together. Suddenly, with the revelation of Gabriel and Beezlebub, that foundational belief is challenged. Before he can work through what that could mean for him and Crowley, the Metatron offers an even cleaner solution - they can be protected from retribution and be on the same side again. When Crowley rejects reinstatement wholesale, it makes Aziraphale feel that he and his loving offer of a life together have been personally rejected. Then that rejection is further confused through the shocking experience of the kiss which Aziraphale does not have adequate context for or time to understand and integrate. In his emotional turmoil, Aziraphale falls back on his default crutch for dealing with sadness and anger - forgiveness - which further cuts him off from Crowley. Taken all together, this is a tumultuous rollercoaster of whiplash emotions that pull at every part of Aziraphale's self- and world-views.

Compared to what Crowley is going through, I think Aziraphale is going to have the tougher road in Season 3. Crowley may still need to better reconcile and integrate his feelings for Aziraphale, but Aziraphale has 6000 years of foundational ideology to challenge and evolve to reach a place where he and Crowley can be together as their authentic selves.

#good omens #aziraphale #crowley #aziracrow #ineffable husbands #good omens meta #good omens 2 #gomens #essay #final 15 #crowly x aziraphale #good omens s2 #good omens season 2

[buggachat]

Honestly I think my take on the "Chat Noir was not there in the final battle" comes down to the fact that I kind of just don't think a satisfying final battle between Chat Noir and Monarch was actually possible.

I read a lot of fic, for example, and I've read the scenario play out a lot of times in a ton of ways and I've never been fully convinced of it tbh (and not because they weren't great fic!!). It seems just completely traumatic for Adrien in a way that the scenario inherently cannot properly focus on, because it's all happening in the middle of an action scene and Adrien is too busy being Mid-Battle to properly have a cathartic breakdown about it all. I mean, Chat Blanc already showed us what would happen if he did have a breakdown mid-battle (and why wouldn't he?). And though it'd be fun to have a big triumphant moment of him defeating his abusive father, Adrien simply isn't a character who would find that scenario triumphant, or cathartic, or anything other than viscerally traumatic.

Also, I agree that it's unfair that Chat Noir was not present— like it was unfairly tilted in Ladybug's favor— but I don't think it'd be fair if he was present, either. Because Marinette is, in fact, the main character. The main character whose character arc is primarily focused on her finding her footing as a hero and discovering all the responsibilities that come with that power (as opposed to Adrien, whose character arc is moreso about freedom and identity). And let's face it, in a fight between Ladybug and Chat Noir and Monarch, nobody would be focused on Ladybug at all. It's not about her. It's not her fight. She'd just be there as moral support and an extra set of hands, which really doesn't work for her character arc at all and is completely unfair to her!

Basically, it would just be Chat Noir temporarily acting as the main character and having the worst time of his life in the most un-cathartic battle for him possible left completely traumatized with Ladybug in the background awkwardly trying to comfort him after the fact? And then the season ends? And then the next season presumably goes back to Ladybug being the main character? After a time-skip to the new school year? It's just an ending that I feel like is a lot better in theory than actually on paper. And you can probably make an argument for ways that it could be made to work, where it would enhance Ladybug's story in a meaningful way where she still feels like the main character, and would somehow be triumphant for Chat Noir despite it probably being the worst moment of his life, and somehow not make the rest of the series following feel like bonus content as opposed to a continuation of the story...... but, I dunno. I think it's a lot easier said than done.

The fact of the matter is, I've always been waaayyyy more interested in how the aftermath of Gabriel's defeat affects Adrien than the battle itself. Post-Hawkmoth defeat is one of my favorite types of fic for a reason, and it's because the aftermath can be so juicy, especially for Adrien as a character. I think whether or not Adrien is actually there in the battle itself has always been kind of irrelevant to me, because no matter how Gabriel is defeated, his defeat will have immense repercussions on Adrien's life going forward. And the way they did it, Marinette is now a part of it in a more active way, too. Which is good for her character!

( Also, if he was there to triumphantly defeat Gabriel, would that mean he would just.... watch his father die? of cataclysm? a-and.... nathalie would just.... die, too? so he'd have three dead parents after all that? who he watched all die (or, in emilie's case, saw her corpse)? or is this a scenario where MONARCH BEATS CHAT NOIR and still makes the wish? is that cathartic? for Adrien to lose to Gabriel? Frankly, I loved seeing Gimmi and The Wish, it's been teased for so long that I was expecting it, and I loved the fact that Nathalie got to live as her narrative reward for coming to her senses and trying to murder Gabriel with a crossbow. I like that we got to watch a full season of Gabriel painfully dying to a cataclysm— poetically inflicted on him by Adrien, but of Gabriel's own doing. I like that Nathalie has presumably adopted Adrien after having an arc of her trying to be a parent to him once she realized nobody else would, that's so much more interesting than any other alternative. I just don't see how all of these things, some of my favorite things that season 5 gave, can still all exist at once with Chat Noir present in the final battle in any way that's satisfying. )

#ml s5 spoilers #ml re-creation #ml recreation #re-creation spoilers #recreation spoilers

[amuseoffyre]

I’m emotionally ruined by the fact that Aziraphale hasn’t broken out of his heavenly conditioning. He still loves doing good. He gets happy when people tell him he’s an angel and says “it’s nice to tell people about the good things you’ve done now that I’m not reporting to Heaven”. He will literally put himself in harm’s way to make sure he does the Good and Right thing.

It can’t be understated how much Heaven’s influence still impacts on him. Aziraphale has been created, ordained and conditioned to believe it and he can’t just switch it off or walk away. Crowley didn’t get the choice. He was Fallen. He was kicked out and - as per the rules of toxic and terrifying cults - Aziraphale was always told for centuries and millennia, Falling was the worst thing that could happen. If you’re bad, you’ll be forced out. If you’re bad, you’re not one of Us. You’re one of Them.

When he did something he perceived as Right (ie. saving innocent children from death), but knew it wasn’t what Heaven intended, he broke down. Crowley found him a crying, shaking wreck afterwards because he was so convinced he was Evil. He was so convinced he was going to be dragged to Hell and that he was now a demon because he did one thing that saved some children but because it wasn’t a specific directive, it was Bad.

It shapes so much about him and it’s why the whole series looks like he’s having so much fun doing silly human things, but there’s this brittleness to it. He’s happy and excited and he’s doing his human-life things and having a lovely time, but he’s also constantly stressed because of the Need To Do Good. From the moment Gabriel turns up, he’s a nervous wreck and is trying to hide it by Doing Good, by Solving the Problem, by Fixing Things, by being so active and reactive rather than letting himself think about it. It’s a sign of exactly how frantic he is that he starts giving away his books and letting humans touch them.

Watch his face when the Archangels show up unexpectedly: that isn’t joy. That’s blind terror. He’s so afraid of doing the wrong thing in Heaven’s eyes, even though he made the active choice to do so because it was the Right thing to do. He’s a Guardian and he will protect, but he is so very afraid of the repercussions, even now. 

At the end of S1, Crowley said “they’re gearing up for the big one” so Aziraphale’s not oblivious. He knows a big one is coming. He knows something worse than the Antichrist will be on its way. And he’s trying so hard to pretend that everything is normal and fine and if he ignores all the looming bad stuff, it won’t happen. If we don’t say anything about it, nothing has to change.

But then the changes come knocking at his door holding a box and the choice is gone. He can keep trying to blinker himself to it, but then there are angels and demons in the bookshop and he’s had to use his halo and everything is falling apart.

So when he realises that he can get himself into a position where he can guarantee those repercussions won’t happen to Crowley? He will absolutely take it. He says himself “I don’t want to go back to Heaven”, but the instant the Metatron offers him a free pass for Crowley, to take Crowley out of both Heaven and Hell’s sightlines, to keep him safe (Another bee inside the hive, if you will), no wonder he grabs it with both hands.

The tragedy is that Crowley thinks that when they saved the world together, that was the end of Heaven’s influence in Aziraphale. When he was cast out the split between him and Heaven was sharp and clean. He doesn’t - he can’t - understand how deeply it has tangled around Aziraphale. It’s built into Aziraphale’s entire being and unravelling it isn’t that simple. Aziraphale’s trauma is a horrible, terrible Gordian knot and Crowley can’t understand that he couldn’t simply cut through it, because that’s just not how Aziraphale works.

#good omens s2 #good omens season 2 #good omens #good omens spoilers #gos2 #go s2

[justhereforthemeta]

Romantic expectations and the story we didn't see: A magic trick hiding in plain sight

Here's a hopeful meta for all my fellow celestial brainrot sufferers out there. Cheers! :)

This idea started as a dead end, trying to track the movements of Crowley’s sideburns/tattoo because I thought time travel shenanigans were afoot. I had to abandon that theory when it was pointed out that David was simultaneously filming as the sideburns-having Fourteenth Doctor, and in-universe Crowley can do whatever he wants with his facial hair whenever he feels like it. But hey - null findings are still findings!

On the bright side, pausing the show to make notations in a spreadsheet forced me to slow down and notice other changes I'd overlooked the first time around: acting choices, costuming choices, references to book lore. And possibly a few surreptitious flicks of the wrist, in places where we’re meant to be focused on the magician’s other hand.

@amuseoffyre and @ineffablefood had a great exchange recently about romance and “the significance of misdirection and three-in-one (magic) tricks” throughout the show. I suspect Neil has done something brilliant with the audience’s long-standing expectations (since the 1990s, really) for the love story between Crowley and Aziraphale to develop. And while it is a wonderful story indeed, playing to this expectation lets Neil distract his audience from the blink-and-you'll-miss-them seeds he's planting for the final chapter.

Continued below the cut...

Let’s start at the beginning of Episode 2. First, context: In the previous installment, Crowley stormed out of the bookshop, was whisked away to Hell by Beelzebub where he learns about the Book of Life threat to Aziraphale’s existence, then returned to the bookshop to dance a little apology dance and hide Gabriel with an unintentionally massive joint miracle. In S2E2, we and Shax catch up with Crowley as he's snoozing in the Bentley.

Shax: “You’re in trouble”

A. J. Crowley, cool as a cucumber: “Obviously. Former demon, hated by Heaven, loathed by Hell. How will our hero cope?”

Interesting! Sarcastic? Yes, absolutely; but that’s also a good 4500 years and an averted apocalypse away from “I’m a demon. I lie,” wouldn’t you say? Someone is sounding a whole lot less depressed and aimless and navel-gazey (do snakes have navels?), and a whole lot more like he’s got a project to focus on, since his "what's the point?" ruminations on the park bench in E1.

And of course we all noticed the costume change right away. Hello, black turtleneck. Feeling cute today, thought I’d cover up my graceful long neck? That sounds unlikely. Let’s put a pin in this one.

There’s also an interesting acting choice going on here. Crowley speaks to Shax in a funny, drawling, too-cool-for-you voice that we haven’t heard in a while. Specifically, not since 1967. If you go back and give the S1E3 scene in the Dirty Donkey a listen, you’ll hear it (and if you know of another instance of it that I've missed, please let me know!). In S2E2, he keeps up this odd voice (if anybody knows what kind of affect this is supposed to be, please do tell!) throughout this dialogue with Shax, except for the brief moment when she first surprises him about the joint miracle having been detected.

1967 was a fun year. Crowley masterminded a heist! And seemed like he was having a ball doing it, right up until his little caper was called off after Aziraphale brought him the thermos of holy water. Crowley spoke to his co-conspirators in that same funny, very 60’s-caper-film voice. He wore a hip 60’s turtleneck. He bought petrol for the only time ever, so he could get those sweet James Bond bullet hole decals for his car (per the book, seen on the Bentley in the show).

Those James Bond bullet hole decals would of course have been part of a promotion for this 1967 release, which you just know our film-enjoying demon went to see in the theater:

Starring this suave, be-turtlenecked guy:

And now - begging your forgiveness - a brief rant.

There are a number of posts out there that refer to Crowley’s S2E2 turtleneck as a flirtatious sartorial choice - actually, ‘slutty’ seems to be the favored accusation. There are even a few posts floating around commenting on how sweet it is that Crowley swaps out his slutty, kinky, throw-me-over-your-desk-and-take-me turtleneck for a more dressy and appropriate collared shirt specifically to attend Aziraphale’s Jane Austen ball. 

Now this is all in good fun, and Crowley does indeed look fantastic here, and I do love a good fangirling sesh as much as the next person. However, fandom’s collective tendency to interpret what we are seeing on the screen through the lens of romantic expectation can, at times, give rise to a kind of blinkered enthusiasm that obscures the original text in a haze that is part Mandela Effect, part unrestrained horniness, and part in-group code talking and identity reinforcement.

Respectfully, Crowley’s black turtleneck does not appear at all in S2E5: The Ball. In fact, it never appears again after the end of S2E2.

For Someone’s sake, let’s collectively pull our heads out of the romantic fog/gutter for a moment and focus on what we are actually seeing in the book and on the screen. For Crowley, this is an uncharacteristic within-period costume change. There is a surreptitious flick of the wrist happening here, out in broad daylight, and we are all missing it.

So here’s a thing. Aziraphale appears to have settled comfortably into life on Earth, his neighborhood, his books, using Crowley as an outlet for sharing his good deeds that he would once have reported to Heaven. Meanwhile, at first glance, Crowley appears stuck in a rut. There he slouches on a park bench with Shax in S2E1: a guy who lives in his car, stagnantly clinging to old familiar habits, mulling over the pointlessness of it all.

Setting aside the bit about living in the Bentley (I’m going to attribute this to well-documented issues between him and Aziraphale, discussed in many other excellent metas, and move on), Crowley has at least two very good, proactive reasons for maintaining his contact with Hell through Shax. First and foremost, it’s a source of information he can use to keep ahead of potential threats to Aziraphale and himself.

But also, I would posit…he kinda likes it.

Recall that book GO was first conceived as a parody, with Aziraphale and Crowley as spy-against-spy (but not really) field operatives in an ages-old cold war between Heaven and Hell. Their entire book dynamic is rooted in the trope of two opposing agents who have been in the field for so long that they now have more in common with each other than with their respective head offices. Their St. James’s Park meetings among other spies and ministers trading secrets are a sendup of what was once a well-known Cold War-era cliché. 

Our contemporary Crowley still likes slick outfits and hellaciously expensive watches and high-performing vintage cars and pens that write underwater while looking like they could break the speed limit. He coaches Shax on how to blend in as a demon on Earth, and he helpfully redirects the wayward contact looking for the Azerbaijani sector chief. He loves improvising and getting away with shenanigans under the institutional radar. And boy golly was he impressed with Jane Austen: master spy, brandy smuggler, and mastermind of the 1810 Clerkenwell Diamond Robbery. 

And if you look at it a certain way, for as long as Crowley has considered himself to be on “[his] own side” - going at least as far back as Job - he could almost think of himself as a sort of double agent. It’s actually a very romantic sort of notion, befitting our hopeless romantic of a (professedly former) demon; but it’s romantic in a very different way than we, the audience, have been primed to watch for.

In other words, in a very “on my own side” kind of way, Crowley really gets a kick out of being a spy. Or at least, dressing up and accessorizing as one, and moonlighting as a good-doing double agent when he can get away with it. And also being a plotting criminal mastermind. Two sides of a coin, really. Just look at Jane Austen.

My point is: No, Crowley did not wait around for Shax to come find him in a turtleneck so that he could go flirt with Aziraphale later. He’ll flirt with Aziraphale no matter what. No, this:

is actually this:

Much like the one he wears to the Dirty Donkey in 1967: 

whilst holy water heist-plotting. Here's a clearer shot with gratuitous Bentley, because I love them:

…and which he'll wear again, with appropriate camouflage, while infiltrating Heaven in S2E6:

That is the 1967 planning a HEIST turtleneck for committing ESPIONAGE and STEALING THINGS in. Because turtlenecks are what modern human master spies wear to get their hands dirty - after all, he saw it in a movie once. 

Crowley dons his tactical turtleneck sometime during the first major break in the action (which doesn't happen until after the joint miracle to hide Gabriel) after he learns about the threat the Book of Life poses to Aziraphale. Loverboy started mentally preparing himself to go after that book immediately upon learning that it was in play as a genuine threat. 

Now let’s pick up at the S2E2 Dirty Donkey scene, reading the story from this angle. Of course, Crowley enables Aziraphale’s delusions about Heaven by hiding information from him, and does not disclose the Book of Life threat when they meet again. They go into the pub, Aziraphale shamelessly paws Crowley’s chest like the seductive Bond Girl he is, and Crowley gets to act all smooth and suave and intimidating as he chases off the interloping Mr. Brown (or Mr. Collins for the Pride & Prejudice fans, take your pick).

Ergo, theory: beginning in S2E2, Crowley is already thinking of himself as a Jane Austen/James Bond action hero (“How will our hero cope?”), psyching himself up to rescue Aziraphale by getting his spy game on and stealing the Book of Life.

Now, watch closely...This is where Aziraphale and Crowley brainstorm their plans to solve the problem they both know about: getting Maggie and Nina to fall in love and thereby get Heaven off their backs. Crowley’s vavoom plan is drawn from yet another movie (“Get humans wet and staring into each other’s eyes - vavoom, sorted. I saw it in a Richard Curtis film.”). But Crowley also implicitly shares his solution to the problem he hasn’t told Aziraphale about. And true to form, Crowley’s Jane Austen solution isn’t the same as Aziraphale’s Jane Austen solution. 

Two solutions that fail by the end of Season 2, and a secret third one that might still work...and there's our magic trick of three.

‘“I’m lost. Am I doing a rainstorm?” Yes, babe. And a heist, too - just not until season three. Can I get a wahoo!? 

I won’t spend time on A Companion to Owls during this meta, except to note that in all three minisodes, we get to watch stories that involve Crowley acting as a double agent on “his/their own side” - successfully making Hell and Heaven think he’s fulfilling their will while saving Job’s goats and children; failing to fool Hell when he does a good deed in Edinburgh; and of course, collaborating with Aziraphale whilst evading detection as an infernal turncoat during the Blitz.

(Because this is getting long, I'll also skip over Crowley's interrogation of Jim in this episode - I'll probably come back to that in another meta. But interrogating is a rather spy-ish thing to do.)

When we catch up with Crowley again later, he’s already slipped out of the bookshop, having left Aziraphale to his biblical reverie about Job. He saunters snakily down Whickber Street as usual, but with a very pointed and swift glance over his shoulder (see pic above). This demon is up to something - possibly something we didn’t get to see, something that may have happened offscreen while he stepped out. In any case, knowing there’ve been unfriendly angels in the neighborhood that morning, he’s rightly concerned about being spied on.

From this point until the beginning of episode six, there isn’t a whole lot of opportunity for Crowley to make any next moves. He babysits the bookshop, during which time he manages to wring some crucial information out of Jim; he follows his Crowley’s Angel around like a puppy, and downs a bottle of red like a good old fashioned lovesick boy once that’s been pointed out to him. If any plotting or scheming is underway, this occult being is keeping stumm for now.

This has been a long one, so I’ll wrap up with Crowley’s infiltration of Heaven with Muriel. The turtleneck disguise works (Archer fans, be vindicated!) long enough to gather some information that will be crucial not just to the denouement of S2, but also to Crowley’s journey in S3 (previous post on Crowley's Fall, Saraqael, and memory wiping). And Aziraphale gets to enjoy that view exactly zero times. The point isn’t oh, a turtleneck! How flirty! So cunty! So cute! Y’all. Everything matters. The costume change was a deliberate choice. In-universe, Crowley’s decision to wear his special spy turtleneck for spying in is a signal that he is out doing spy things, even as we watch.

In sum: Beginning in S2E2 and continuing through the end of the season, Aziraphale and Crowley are actively living out the scripts of two parallel, concurrent, and completely different Jane Austen stories. But you and I, dear fellow audience member, we came here for a comedy with a hefty jigger of romance, and that’s what Neil gave us to focus on. And right up until the Final 15, that was the only story we saw.

Meanwhile, Special Agent A. J. Crowley doesn’t have time to mope around at the end of S2E6. He’s kicked down, but he’s not out. He's got a Book of Life to steal, a very serious bone to pick with a certain memory-wiping angel, and his Angel and the world to save. 

“‘Heigh ho,’ said [romantic, optimist, former demon, hero, master spy] Anthony Crowley, and just drove anyway.”

#so honestly #I think the biggest mark against this conclusion is that Crowley sees his mirror Maggie taking a nap at the end of S2E6 #there is a strong chance of a depression nap before any further spying gets underway #but I am counting on Muriel to be a dorky ray of sunshine and snap him out of it with Clues #good omens #good omens meta #good omens 2 #crowley in a turtleneck #demon bookseller plantdad spy

[armageddidnt]

Welcome to My Collection of Random Thoughts during my nth* rewatch of Good Omens Season 2

*only amazon prime knows the exact number at this point but I’m fairly certain it’s in the double digits

Episode 1: Gabriel’s fly lurking in the box when Aziraphale first takes it inside 👀

Crowley’s promise of “two minutes” basically means that he’s been homeless and living in his car for the past 4 years strictly so that he can be within 2 driving minutes of Aziraphale at all times in case his angel needs him I’m not crying you are

So here I think the key word is “fragile,” Crowley knows they are ostensibly safe from their respective sides but that could change at any moment so he’s basically spent the last 4 years in anxiety-ridden terror hovering as close to Aziraphale as he can to try and protect him from heaven, hell, and anyone else that would want to bring him harm after all that business they pulled in season 1 with stopping Armageddon

Episode 2: I just happened to pause the episode while Aziraphale is lying to the angels about his miracle and LOL Michael really outdid himself here (Sheen, not the Archangel)

Gabriel trying to swat flies and almost smashing the repository of every single one of his memories

I’m cAckling

So if Good Omens exists in Good Omens, does that mean Neil Gaiman and Terry Pratchett exist in Good Omens?? Do you think they based their Aziraphale and Crowley characters on Aziraphale and Crowley??

Episode 3: So I’m trying to find any hints or foreshadowing of the Gabriel Beelzebub thing bc tbh I did kind of feel like it came out of nowhere which is really the only issue I have with them. I found this one scene where Beelzebub almost ?? seems to be concerned about Gabriel ?? But it’s blink and you miss it and there could be lots of other reasons why Beelzebub doesn’t want to fail in locating Gabriel (pressure from/leverage over heaven, etc) so idk

More Foreshadowing Fly content 🪰

Episode 4: So here we’ve seen that Shax can just appear inside the Bentley bc she did it earlier to talk to Crowley. Shax only pretended to be a hitchhiker so she could be invited in because Azirpahale was driving so technically she needed permission to cross the threshold of an angel 👀

This scene will never not destroy me the 1941 flashback is the absolute sOFTEST thing ever to happen on this show

We really need more context here I need to see the Crowley-Furfur Monkey Rides

Episode 5: ahahaha thank you google translate for absolutely destroying my sanity this evening

POP goes the Ziraphale

Okay I know you can’t hear it in the gif but just before Nina takes Maggie’s hand, there’s a very quiet miracle noise, like Azirpahale literally MADE Nina dance with Maggie, he said I’m writing a Mina Jane-Austen-Ball-AU and my otp will KISS godDAMMIT

Azirpahale seems lowkey kind of manic this whole scene tho, he’s controlling literally everyone to force Nina and Maggie together and whenever Crowley says anything that pokes holes in Aziraphale’s Magical Jane Austen Ball Fairytale, Aziraphale just straight up denies it. He wants Nina and Maggie to dance and he wants him and Crowley to dance and he refuses to acknowledge anything beyond that.

Is this just Shax insulting Crowley for how much of a nuisance he’s been or a reference to his former status as an angel ???

They’re both completely dismissive of each other when they’re trying to say something important and that’s the main issue they’ve been having this entire season tbh

Episode 6: I think it’s funny that Crowley describes the angels as bees here because in the book, Neil/Terry describe humans the same way. Guess we have more in common than we thought huh?

So the metatron was the one who originally decided Gabriel would be memory wiped and not sent to hell, and he was also the one that decided not to sound an alarm about Gabriel for some reason and said ‘just go find him yourself’ instead. The metatron has definitely got his own agenda and you can bet he doesn’t want Aziraphale up there in heaven because he’s a “leader” and he’s “honest” like that’s exactly what Gabriel was and look where it got him 👀

There’s just something I can’t quite put my finger on about the metatron bringing Aziraphale a coffee from “give me coffee or give me death” and then asking Aziraphale if he’s going to take the coffee he’s giving him…

I have not seen a single person talk about this since s2 came out but Nina literally calls Maggie “angel” because that’s the term of endearment they hear Crowley using for Aziraphale !!!! I’m still going fERAL over this and I can’t believe no one else is eitHER

Something about this part of The Final Fifteen compared to this scene from the first episode is so representative of the entire season. Azirpahale keeps saying “my way or get out” and Crowley finally hits a wall and can follow Aziraphale no further. So he does just that. He goes.

I’m sure a lot of us by now have seen this post that brings up how Aziraphale literally pushes the remains of Crowley into his mouth and swallows and it’s the only thing I see when I watch this now

We still don’t know for certain if Crowley queued up this song to play on their way to the Ritz or if the Bentley started playing it all on its own and it’s driving me insane

Basically how I am doing after my Truly-Alarming-Number-th watch of this traumatizing episode/season. WELP hope you enjoyed this garbage dump of my thoughts and feelings time to go cry for a bit again BYE

#good omens #good omens 2 #good omens season 2 #my season 2 rewatch aka: I Went Insane #i am unwell #I haven't slept properly in 44 days and counting #ineffable husbands #aziraphale #crowley #angel #demon #armageddidnt-blog #armageddidnt-gifset #armageddidnt-screaming #armageddidnt-pain #good omens 2x06

[averywiseanimatedcat]

6 months on it still thinking about how much of a shock that kiss must’ve been to Aziraphale.

The way Crowley steers his cooperation around really gave Aziraphale no warning at all. I was thinking about the development of their body language and it’s interesting to me so have an analysis under the cut.

Crowleys body language doesn’t change all that much over the course of their history. After their initial meetings as angels then in Eden, Crowleys already leaning in, orbiting and slinking around in quite a comfortable, familiar way. He tends to angle his body towards Aziraphale and stands quite close to him. He shows no sign of being fearful or uncomfortable. He quite happily moves in and around Aziraphales personal space without a care in the world even when they hardly knew each other yet.

Aziraphale however starts out looking guarded and unsure. He often stands facing forward while talking to Crowley sideways.

As we go through history Aziraphale becomes more comfortable. He opens up, starts to angle his body more towards Crowley, stops guarding with his hands and moves into Crowleys space on his own. And he starts to initiate physical contact where it’s not even necessary.

But the only times I can think of Crowley initiating physical contact before the kiss are ones that could easily be written off as just friendly or something else like

The wall push (which was aggressive)

The magic shop handshake is practical for sealing the deal

The handhold for the swap (mutual initiation, also practical we assume)

Sitting on the arm of the chair and kinda sorta leaning on Aziraphale when Muriel turns up

Crowley also tends to reject Aziraphales touch by removing himself from it like in the 1800’s, dodging with some roundabout footwork or leaning away. With moments like the pub or the shoulder touch he doesn’t have much of a visible reaction. Granted his eyes are hidden but Aziraphale probably thinks he just doesn’t like being touched. And yes, Neil said they like holding hands, but do they know the other likes holding hands?

And I can hear you say ok then why does Crowley always put himself within touching distance if he don’t wanna be touched? Yeah, he does, but from Aziraphales perspective Crowley has always done this. He’s always been standing close or leaning in. It’s just how he is. Aziraphale is the one who’s changed. He’s become walking megaphone just blasting ‘please hold my hand before I discorporate on the spot pleasepleaselpleaseplease…’

Aziraphale is clearly a physical touch being. He reaches for Crowley in the most stressful or emotionally charged moments. And I think he has been holding back (we can see that on his face) but there’s times where he seems to stop himself mid motion from touching Crowley. Such as after Gabriels appearance and Az is trying to keep Crowley calm

When Crowley says he’s going to take the humans out

And when Crowley goes to take Maggie and Nina out of the bookstore when Heaven and Hell are there. There is a safety element here as it’d be unwise for him to show his affection with Heaven or Hell around but Aziraphales first instinct is to reach for him. But Crowley just gets out of the way like he does it all the time. It’s another dance they do, Aziraphale pursues with physical affection, Crowley avoids. And Aziraphale doesn’t want to cross boundaries he’s perceiving Crowley to be putting up around physical affection so he’s holding it back.

And I think all that is part of the reason Aziraphale looks angry after the kiss. He’s possibly thinking (among many other things) that Crowley has rejected or ignored his physical affection all this time, making Aziraphale think he didn’t want it when he did. And that would be a painful thing to realise when you thought you yearned alone.

So I don’t blame Aziraphale for being upset when he gets this sudden enormous dose of physical contact out of the blue. He had no warning. On the contrary, Crowleys been acting like a big, prickly, demonic cactus. And it would’ve been endlessly confusing to be kissed after years believing the want for even the lightest of touches wasn’t reciprocated.

#good omens #crowley #aziracrow #ineffable husbands #aziraphale #crowly x aziraphale #good omens s2 #good omens season 2 #good omens analysis #good omens meta

[amomentsescape]

The Slashers React to You Bringing Home a Kitten

A/N: This is purely for fun. I've only included the Slashers I've written fics for so far. But these types of fics tend to put a smile on my face so I'd be happy to write more of these for whoever wants them (for whichever Slashers people want to see too)!

Michael Myers

Probably the most angry of the Slashers included here

He's not going to kill the kitten by any means, but he isn't happy about it being here

It's another mouth to feed, another thing that needs to be quieted

If you're able to keep the kitten quiet and away from Michael, then the killer will more so become indifferent to it

It makes you happy and doesn't bother him? Cool, do what you will

However, if he feels that it's becoming a nuisance, he'd happily leave a door open on "accident"

It was already difficult enough for him to create a bond with you

But with a kitten that can't even talk to him?

Yeah, he'd rather not

Jason Voorhees

Oh my

A cute innocent creature that is super sweet to him?

It's basically just another you

And he likes you, so he immediately likes the kitten

This man wreaks havoc and leaves behind human blood trails all the time

However, he doesn't really want to hurt any animals

These furry creatures have caused him no harm

They never judged him based on his appearance

They were never cruel or bullied him like other people did

In fact, he was fascinated with all sorts of animals as a child

Kittens were no exception

So you come home with a cuddly little cat that enjoys to cuddle up with him?

He'll take it happily

Brahms Heelshire

He's kinda eh with this at first

The house is huge, and it's not like a tiny kitten is going to take up much space here

But what this kitten does take up is more of your attention

And Brahms being Brahms, he starts to become jealous

Your attention went from being solely on him to now being divided with this animal that could clearly fend for itself

You need to feed it, cuddle it, and give it attention?

That's what you should be doing with him

He definitely has a few moments where he debates "getting rid" of the kitten

But then he pictures your crying face and decides against it

But he still considers it from time to time

However, if you are able to turn kitten time into Brahms-and-kitten-time, then he might learn to like it

Animals freak him out slightly since he's not really used to having them around

But he could learn to deal with it eventually

Just make sure you divide up your attention equally

Billy Loomis

He's more of a dog person honestly

But you were swooning and aw-ing over this poor little thing so Billy gave in

You were probably just going to keep nagging him about it anyways

He's definitely like one of those dads that insist they don't want a pet but eventually fall in love with it

Billy will never admit this though

But you can see it

Over the span of a couple weeks, Billy went from just eyeing the kitten to letting it crawl and sleep in his lap

He tries to act all nonchalant about it

But the moment you look away

His eyes are on the kitten and a gentle smile graces his features

Okay so maybe the kitten isn't that bad

But maybe you're just making him all soft

He's secretly not complaining though

Stu Macher

Literally all for it

He loves cats, dogs, hamsters, all animals pretty much

He might honestly become more obsessed over this little kitten than you

He most definitely wants to dress it up like Ghostface

Like are you kidding?

How adorable is that

You can hear loud footsteps in the middle of the night

And when you check, Stu is chasing the kitten back and forth during it's zoomies

Buys (and steals) all sorts of toys for the little thing

Lets it sleep on his chest at night

He's obsessed with this kitten and you

It's like his own little family

And he's honestly super happy with that

Eric Draven

Have you learned anything about Eric?

He loves cats

He does want the kitten and Gabriel to get along though

But if they make quick friends, then great

He plays around with the kitten pretty often

And he's overall just happy to have another something in his life to bring a little joy

The kitten chills with Eric outside while he plays guitar

The only issue is that the kitten would rather spend more time with Eric than you

Tries to play with the crow

The bird just caws annoyedly and flys off

Eric and you both cuddle up at night with the kitten in the middle

It's a pretty relaxing domestic life to be honest

#slashers x reader #slasher summer #ghostface x reader #scream #scream 1996 #scream movie #kitten #slasher imagines #slasher fandom #slashers preference #slashers headcanon #michael myers headcanons #michael myers x reader #michael myers #jason voorhes x reader #jason voorhees headcanons #jason voorhees x reader #brahms heelshire x reader #brahms x reader #brahms heelshire #billy loomis x reader #billy loomis headcanon #billy loomis #stu macher x reader #stu macher #eric draven x reader #eric draven #the crow 1994 #the crow movie #halloween movie

[copdog1234]

Man, I was watching the movie and the entire time I was thinking "Wow. This would've been so much more satisfying in the show" because the show has earned it. The show's writing is far from perfect, it has many, many flaws, but my god is it far better than Miraculous Awakening will ever be. And I'll tell you why.

I will preface by saying, yes, an hour and a half movie has way less time than a TV show with several episodes to build up characters and relationships, so time constraints will make it so we may not get as much depth in the on-screen relationships.

You know what, though? The time they spent playing mediocre songs could've been used better to show us all the things the songs had to outright tell us. Cause that was the problem.

The movie sure liked telling us how the characters were feeling. It rarely showed it. Like could you tell me why movie Marinette liked Adrien? Because I couldn't. What did he do to earn her affection beside look pretty? Why did we only get a montage of them getting closer instead of actually seeing it? Or how we never really see much of Gabriel and Adrien's struggles with the loss of Emilie, we simply get glimpses. How am I supposed to feel anything when Gabriel stops being Hawk Moth when this movie showed us literally nothing of their strained relationship? And then there's Gabriel's claim that he did absolutely everything to get Emilie back. No he didn't. He did actually nothing. He freed a couple of criminals and then akumatized himself. That's it. That's all he did.

Could you tell me why Alya decided to befriend Marinette? Could you tell me why Adrien "who decided not to get close to anyone" was friends with Nino? Could you tell me why Chloe was so confident Adrien had any interest in her when they never actually interacted?

And then there wasnt enough explanation on how anything that we should've been told worked. Could anyone really tell me how these versions of the miraculous work? Or why Master Fu was in possession of them? Or why they really chose their holders? Could you tell me if the kwami had much personality and were necessary?

Like, I will say, there were funny moments, the animation was nice, and there were cool set pieces, but where was the substance?? It was nonexistent. If you don't watch the show, would you know or feel anything for what was going on in this movie?

Cause even for me, who does watch the show, I didn't.

Think about this. The show has even faked out multiple reveals to me and every time I was hyped and screaming, I have read fanfiction of these same to characters falling in love and confessing every which way and I've swooned, but we get reveals and love confessions that are real and permanent in this movie and I felt. Nothing.

It's okay if yall disagree with me, but I just needed to get this off my chest. I'm hard on this movie because I wanted it to be good because I love the characters and story from the show.

#miraculous ladybug #ml #miraculous #miraculous ladybug movie #miraculous movie #miraculous awakening #ml movie #ml awakening #adrien agreste #marinette dupain cheng #gabriel agreste #chloe bourgeois #tikki #plagg #alya cesaire #nino lahiffe #ml movie critique #ml movie analysis #copdog screams into the void #miraculous awakening spoilers #ml awakening spoilers