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#and here i was thinking i was just Bad At The Visual Arts
semiotomatics · 20 days
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literally just realized ppl without aphantasia can prolly actually visualize what theyre going to make (draw, paint, sculpt, knit, etc) before/as they make it. wtf.
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maulfucker · 8 months
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Some sketcheys of this AU because I needed to get some of it out of my system
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texeoghea · 10 months
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messy guardian au sillies. does this count as ryugoro. i dont think so
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emiliemaria · 10 months
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Just wanted to draw Takeru after seeing a drawing i did of him 10 years ago
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guideaus · 4 months
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hikaru no go is a very engaging story that gets me emotionally involved in multiple ways, but looking at my liveblogs later after posting feels so funny bc i dont think the pages convey the scene's feeling out of context, lol
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maretriarch · 3 months
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im not a tattoo guy on the best of days but american traditional is like instinctuallly repulsive
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I dont think telling disabled people who use AI to make 2D digital art to Go Do Some Other Kind Of Art is helpful or even like halfway decent behavior. I think its really shitty to be like “I understand youre doing this because you physically cannot draw and never will be able to, but have you considered doing something else instead because major corporations are probably going to latch onto this technology to steal jobs from other artists, so clearly the solution is to just stop developing technology instead of Something Else”
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canisalbus · 3 months
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might be an odd question, but i have a theory after noticing trends amongst artists iv known in my life and SO FAR it's rung true so im expanding sample size
IDK if u know what aphantasia is already so I'm including reference [forgive me if uv already spoken abt this also]
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Where would u say u fit on the scale?
For me I cannot see an apple, I know I am supposed to, or I will see concepts of it [like how the flesh is shiny and holds water droplets but i do not SEE it nor can i hold a clear visual of anything in my mind for that matter it is always flashing IDEAS like components of a visual, never the whole thing]
I'm asking because of people I've asked about this, there's a quality of their art that [i dont know how to put into words WHY] reminds me of each other, and I'm wondering if u will give me the same answer they have because I am a curious little bastard
I'm pretty sure I'm 1? I think I might have one of those brains that operate mostly on visuals. I don't need to close my eyes to see the image in my mind, it just sort of "opens in a different window" and I'm looking at reality and the mental image simultaneously.
It's never a flat picture, I see a 3D model of sorts, and I can rotate it around, cut it into pieces, look "through it" to see it from outside and inside at the same time, and arrange it to different poses if it's a character. Sometimes when I'm drawing something, I imagine what it would feel like to touch it and hold it in my hands, and that helps me to figure out how to convey a better sense of volume and tangibility.
I also think in images (or, like, gifs?) and I've never had an internal monologue. It surprised me when I heard that some people actually have a narrator in their heads, I can't imagine what it's like.
It's not always fun though, sometimes I get pretty nasty intrusive thoughts and they come in forms of vivid and very unpleasant mental images. Like visiting a relative's grave and being hit with a crisp picture of their decomposing body. Or getting those "I could walk in front of that car/ jump down from here" call of the void thoughts and instantly getting a brain illustration of it playing out from an onlooker's point of view and what the aftermath would look like. They're most distressing when it's bad things happening to someone I care about, for example I have a really persistent one about accidentally slamming a door on my cat and seeing him crushed and dying.
Oddly enough it doesn't extend to all visual thinking. My mind's eye and visual memory work well, but I also have severe face blindness and practically nonexistent ability to form mental spatial maps of my surroundings.
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alicenpai · 1 year
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"Lament! Terror! Despair! I shall kindly teach them all to you! And in your final moment, I... shall kill you by my own hand!!"
pandora hearts print for anime north this weekend 🥀🖤🤍
I also put this up on my inprnt! there's a sitewide sale for 40% off right now 🌟
For this drawing, I really wanted to emphasize the gothic and chaotic, convoluted nature of the series. Pandora Hearts has become a lot of things to me, as someone who's read it since I was like, 14 years old. but I eventually found the perfect words to sum up the series - a cross between a Shakespearean tragedy and a Grimm fairy tale.
The ink brush + watercolour brushes I used turned out so well together!! I wanted the style to be kind of a nod to like the manga cover art you'd see from the late 90s to 2000s, kind of like Mochizuki's early approach to traditional art.
A lighter approach to both the lineart + coloring also helped me not strain my arm too much - besides work, I stopped doing full illustrations due to the amount of work being heavy on my arm/shoulder T__T. my last full illustrations were the TGAA/DGS zine + WHA zine pieces back in Dec-Jan, but my heart really lies in illustrations more than anything and I definitely want to get back into it!! (as long as my physical health allows it!!)
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anyways, above is the thumbnail/inspiration board for this drawing! I also did some quick chickenscratch studies of others' drawings to help me get a sense of their composition. I started on the top left and then made a sort of meandering curve through... definitely went through a lot of ideas for this one. If I explained the intended symbolism.. I would be here.. all day..............
the candles were definitely first inspired by an animation of a lighter I did during art skool... and then I did this AA Dahlia animated illust... and then this OC charm (below) I did in 2022...? maybe I should draw fire more often. it's like, the way that fire looks in animated keyframes that I really like drawing out, and I guess I kinda really enjoyed translating that into a non moving visual medium??
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This drawing simultaneously took SO long but I also sped through it?? I had to like... not dwell too long on certain parts... like for example I think some individual character compositions really could be a lot stronger... because I knew this would be a beast of a drawing, I didn't want to spend an unnecessary amount of time focusing on details when I should be looking at the big picture. and I know that's a bad habit of mine!! I'm trying to unlearn my perfectionism!!
thanks for reading if you got this far, hope ya enjoy it!! and I hope I'll keep drawing Pandora Hearts in the future (clearly I haven't stopped since high school omg) and I hope to draw some more Vanitas someday beyond just chibis!
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drchucktingle · 1 year
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Hi Dr. Tingle!
I was wondering if you have any advice for anxious buckaroos that are a little scared of putting themselves out into the world?
Maybe some advice you would tell your younger self?
Thank you for all you do <3
yes bud. part of my way on autism spectrum is that when i used to create EVERYTHING HAD TO BE PERFECT i would get so riled up by every small imperfection and if one little dang problem popped up then everything was ruined and chuck was in a BAD WAY.
there is no 'cure' for autism and i do not want my way to be cured, i LOVE being autistic, but this particular part of my trot was not healthy for me and i learned to adapt. part of my adapting trot was to start letting things be perfectly imperfect. it was small steps at first but now i can swim in a beautiful ocean of chaos pretty dang well.
anxiety and autism are not the same thing of course but maybe you can relate to this philosophical lesson of chuck:
when you create, whether that is with VISUAL ART or FOOD or A WALKING PATH THROUGH THE PARK or a BREATH OF AIR you have already made the perfect version of this thing, because it is a reflection of that moment on this timeline. you have CAPTURED THE NOW
any anxious feelings of 'am i doing this wrong?' 'is this weird?' 'is this incorrect?' 'is this awkward?' can always be answered with 'well this is perfect representation of right NOW'. if you are trotting with love in your way and fueling your path then THAT will shine through at the end and you will move towards something great, and the STEPS to get there are ALL perfectly imperfect.
to move it back to art, lets say you are trying to paint a field but you get out there with your canvas and you forget your dang GREEN PAINT. you might think 'DANG what a disaster i cannot paint the green grass gotta use red now this is the worst painting ever'. but here is the thing, that painting is not broken it is a PERFECT REFLECTION of what led to it and it is a PERFECT REPRESENTATION OF NOW because now is not perfect. what that painting says is 'this is the field of someone who forgot their green paint at home' and there is nothing WRONG with that. in fact that is exactly the kind of thing that makes trotting through this timeline fruitful and wonderful.
if you get anxious worrying about mistakes, maybe try thinking on idea that most mistakes fall into this category. dont worry bud we are ALL just bumbling through this timeline trying our hardest and making perfect imperfections.
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blossomthepinkbunny · 14 days
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Hazbins bad character design
I feel like there is a definitive lack of varitey when it comes to the designs in HH as well as a problem of characters' designs not fitting them or what the show wants us to assume about them.
I've said it before and I'll say it again (like lots of other ppl already) but the designs in HH specifically mostly don't work. They're fine if you look at them disconnected from the show. Maybe as just random characters who don't really have to carry a show visually. But they don't work if you actually put them into context and into the background of Hazbin Hotel.
Obviously this stuff is very objective and if you do like the designs thats fine (which I shouldn't even have to say). Also I didn't study art or character design and I don't think you have to to be good at it/be able to form opinions on it and this is mostly just me compiling what I don't like while using some basic knowledge on how shapes, colours etc work.
(rant under the cut)
One problem I really have is, that as soon as you have a design there are immediate assumptions about the character. In the sense that if person A is very muscular and fights against person B, who is maybe slimmer or less buff, you would probably immediately assume that person A wins, atleast in physical combat. Whereas person B would probably be the assumed winner in a stretching or flexibility competition. Often characters are designed with these assumptions in mind. Muscle, height, weight, age, clothes etc. give way into assuming stuff about people, their condition, lifestyle or personality.
The expectations that are set up by the design choices are usually either picked to genuinely represent something about a character or to be subverted and shock/confuse the audience.
Like how a lot of fighting types in Pokémon will either be more muscular or have other details relating to certain fighting styles/sports and the fairy types are usually pinkish, fluffy and cutesy. Because these elements are something typically associated with these types and when we look at them we can pretty easily tell which type they're supposed to be.
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Otherwise, Monster girl from Invincible is drawn as a twelve year old girl, so it subverts expectations when she turns into a big green monster and generally doesn't stray away from violence, because it's something you wouldn't have assumed about her from her appearance.
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In Hazbin Hotel most of the time the character designs don't necessarily fit what they're supposed to be and they also don't use the other design choices as subversion (the one that would probably count here is Nifty with looking and acting very childlike usually but then also acting violent/crazy sometimes).
The first thing would probably be that characters don't look their age mostly.
Charlie and Valeria (Vaggie, but I really don't wanna keep calling her that so she gets a new name) look fine as they're supposed to be around 20. Rosie and Carmilla also look alright for what we can assume their ages are supposed to be. But Alastor is in his 30s or 40s (what it says on the fandom wiki) and he looks around 20 as well. The same thing goes for Lucifer. He looks so young that he could also count as just Charlies brother or friend rather than her dad, because he doesn't look like he could be the dad of a 20 year old. This makes the song "Hell's Greatest Dad" a bit awkward because these men are singing/competing about who is better as Charlies father but they don't look a day older than her. Husk also looks way too young for someone in his 60s-70s (again from the wiki).
The body types being all the same also doesn't help.
Mimzy and Adam are pretty much the only more relevant characters who aren't like all the others in terms of body shape. All the other relevant women in the show have a tiny waist and either big boobs/big hips or just a slimmer build in general. All the men have thin waists and then broader shoulders.
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And for some characters it makes sense. Like Angel is really flexible and his more lanky body fits with being a spider. But why are Lucifer and Valentino like that? Other than the fact that Viv doesn't like drawing muscles there is really no reason for them too being build like every other skinny man there. Valentino is supposed to be intimidating not just by how he acts but physically too. He seemingly has a bit more muscle than others but his arms are still super thin and look like they could snap if I look at them wrong. I'm not trying to say that abusers all have to be buff, but simply from a design perspective the scenes with him would be a lot more effective if we saw him actually have a big physical advantage over Angel and others, even when he isn't necessarily threatening them. As soon as he comes on screen, we could see him as a much more intimidating presence, especially when all the other characters look like sticks. Or they could make it so, that he hides his muscles under his coat and when we get the reveal of him actually removing it, it's more shocking and immediately makes the situation more tense.
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Lucifer could've had a more confident frame as well. He's the king of hell and the strongest being in hell, so just for the diversity I would give him some muscles too. Husk is also super skinny and for someone who only sits around and drinks alcohol all day, he should definitely have a beer belly (please I swear to god I wanna see more men with bellies, Mammon was great). Also for Valeria and Lute and pretty much all the Angels I don't get why they wouldn't be more buff either. Valeria is a fighter, she's Charlies bodyguard but she looks like all of the other women there. It's stated that Angels fight so wild because they don't know they could get hurt. And while I know that the Angels can really only get hurt by angelic weapons, having this whole reveal that they can be injured would've definitely suprised me more, if they actually looked like they couldn't be injured in the first place. But then again, Valeria looks like her arms would break as soon as a breeze hits them too hard. In some episodes her thighs look a bit more muscular, but not notably and she also doesn't fight using her legs (like Carmilla) so only her thighs being bigger sort of doesn't make sense. In general, she or Lute don't show any difference to the women who aren't physical fighters. And obviously just to have a more interesting show to look at, including different body types would do a great job at making these characters stand apart from eachother more.
While we're on the topic of diversity, another obvious thing that makes the characters redundant and borig (sometimes ugly too) is the reused colour pallette. Colour coding is probably one of the easiest things when talking about character designs and it's something atleast Helluva Boss understands.
What effect warm/cold tones have or what feelings we associate with different colours is a great way to bring stuff about characters across without being too on the nose. Obviously colour can also be used to either connect characters or to make them very distinct. Shape language also plays into that of course. In Inside Out the emotions are mostly characterized by their respective colour and by their distinct shapes.
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Joy = yellow (bright colour often associated with the sun/light)
Sadness = blue (cold colour often associated with tears/rain)
Anger = red (very strong colour with aggressive association with fire or when someone turns red because of anger)
Fear = purple (light colour here, mix between red and blue as fear often falls into a more angry or sad feeling)
Disgust = green (colour of most dirt or puke or other stuff people usually see as gross)
Or in a show like Bluey, where different patterns, shapes and colours show the breed of the dog and also how characters might be related to eachother (same breed/mix of breed = usually related).
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Or how colours can be used as lighting effects to create cool shots when the colour pallette changes all of a sudden. In JJBA these changes happen often when someone is in distress or unsure of themselves. Also in tense moments to make them seem more exciting and interesting.
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Hazbin Hotel has very limited range when it comes to the colours of the main cast. All of them feature some form of red and that usually in combination with black or white (if they aren't just purely red like Alastor or Rosie). This makes them not stand out from eachother and creates very similar colour pallettes which get boring once you've seen them repeated over and over again. It also makes the visual connection between characters who are actually related (like Charlie and Lucifer) a lot less strong because so many characters share similarities already.
Also they just hurt to look at sometimes because the background is mostly red as well and with a lot of them being very overly detailed. People have also spoken before about the show being pretty inaccessible for colour blind/vision impared people due to these issues with the colour.
And now you might say that it's hell and therefore it makes sense for all of them and the background to be red. But firstly, I don't think that there is a definitive source which decides that hell is red and can only be shown/interpreted as red. And also there is another show, also set in hell which actually does a much better job at that and actually shows different colours in hell. Like in Helluva Boss the rings are all colour coded.
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And I know, that HH plays in the pride ring fully, but imagine how cool it would've been to see sinners have colours similar to the sin(s) they committed. This could lead to them looking distinct from eachother and the background and would also lead to us being able to assume stuff about them, if we're familiar with the colour coding. In "Hell's Greatest Dad" they do a fun colour change with different light and it's really refreshing and I just wanted to see more variety like that (of course I kinda get that the colour changing isn't really part of the shows design but it was pretty cool to see in that song).
There also is the issue with characters that are supposed to be animal-like sinners not looking like the animal they apparently take inspiration from. The thing is that the animal/object parts don't necessarily have to be visible to understand a character. But in the show, how sinners look in hell is often influenced by their life on earth. Vox's head being a TV is because he was a Tv-show host when he was alive. Nifty also is supposedly a bug, which makes sense because she hates bugs and probably hated them in real life too. But that is where it would be great to actually have Nifty resemble a bug, instead she has no features of one and just looks like a regular humanoid sinner. The same thing happens with Alastor being a deer, Valeria a moth, Charlie goat-like and Angel a spider (also Mimzy is apparently based off of a chicken). Like I said, the animal inspiration isn't essential to the characters, but emphasizing these design elements could help the characters stand out instead of them all just looking like sort of human characters. Sir pentious and Husk work the best in terms of presenting their animal inspiration (though pretty much everything else about Husks design sucks ass).
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And then there are complaints about the characters that are supposed to be people of colour not having any features that resemble their race. It's just a bit weird when a mostly humanoid sinner doesn't really seem to resemble how the person looked in real life. Black characters have really desaturated and sometimes just straight up grey skin in HH. Alastor is probably the most egregious in that regard, but also Emily has just light blueish gray skin and no textured hair or other black features like the nose or lips or palms. Velvette and Sera have darker skin but also no other features (except for when we see Velvette's natural hair texture in like one shot at the end of the season). I know there are other things wrong with how Voodoo is presented in HH or with Mimzy's design often being seen as a jewish caricature, but I don't wanna focus on that fully, because I feel like there are people better suited for talking about that (black people or jewish people ofc).
In general HH is a show with pretty bad designs (imo). That's actually a thing I prefer about Helluva Boss, because there the designs are mostly okay or actually sometimes pretty good. Striker is probably my favourite design in both shows (he reminds me of Dillon and that's cool).
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I like Mammon, Asmodeus, Octavia and Loona as well. I would still probably change a bunch if I were to redesing the HB cast but they overall look more solid than the HH cast.
This was another post which pretty quickly became an excuse to talk about other media I enjoy. I might do that more often, because comparing elements of HH or HB to other stuff makes it kinda easier to articulate my feelings. Also just because I enjoy talking about other stuff too.
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adyophene · 2 months
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lucifer x husk is something i never knew i needed and as a multishipper im screaming
literally. king of hell x some alcoholic furry guy
i love them i need to know how they wouldve met, fallen for each other and started dating. and how much thatd piss alastor off
Ooh I am so happy other people are enjoying this pair as much as I am! I've gotten a few asks about my headcanons for them, and I am happy to blab on and on. Fair warning. This is gunna be a long and rambling essay.
I'm gunna put it all under a readmore, just cause I want to insert the art I've done of them so far, since I've been half-heartedly trying to tell a visual story through the doodles.
Okay. On we go!
How they met;
We did see them technically meet in the show, where they shared their singular canon piece of dialogue, which was just Husk saying 'hey'. And then in the finale where we see a literal split second moment of Lucifer holding Husk's arm.
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(also seeing the sweet looks huskerdust is giving each other here just makes me feel so delulu for writing this all, but crackships are silly by definition, so lets get back to the lucihusk) For me, what I imagined, is after the Hotel is finished its rebuilding, that is when Husk and Lucifer finally actually meet in a proper manner. I think Lucifer would be trying to make a good impression on all Charlie's friends at this point, endeared to all of them from their actions during the finale. Unfortunately, I think he is also the King of Bad First Impressions.
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[Note. I think at this point Lucifer wouldn't even remember Husk's name quite yet. I think he would call him 'Keekee' ( by accident) or 'Dusk' (confidently incorrect) or just be like "Hey!.... Uh... You?" until Charlie or Vaggie finally corrected him. ]
Husk, on the other hand, I feel like maybe wouldn't gel with Lucifer right away. Wouldn't hate him, but also maybe not be enamored with him right away. Same as Lucifer, maybe he would have sweetened on him a bit through the hotel's rebuilding, but I think they'd start out at very neutral feelings. Maybe a vague sense of 'He's okay, but I don't know if we will really get along.'
Despite this, Lucifer is persistent, and he's going to be everyone's (except maybe Al, unless they start getting along by s2) buddy. He'd start hanging around the bar and participate in the redemption exercises.
Now, we know Lucifer struggles with depression, and I think he would be trying real hard to mask anything going on during this time. They defeated Adam! They rebuilt the Hotel! He believes in Charlie's dream, and he's more involved with her life and other people than he has been for years.
His only issue being Husk sees right through it, both because Husk is perceptive, but also because even the King of Hell can't help but have a lonely night or two at the bar where he ends up venting about his divorce and subsequent lingering loneliness.
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[snapcube ref aside, )I really do think Husk would start to feel more positively toward Lucifer after Luci would drop the act somewhat. That they could bond over feeling both at their lowest of lows, while also being to admit that things seem to be getting better!
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This would be about the point that I imagine Lucifer developing more romantic feelings! Husk would be a bit less prickly, and Luci would just absolutely eat up any and all positive interactions they'd have. I like to picture a lot of little shows of care at the this point, like Husk memorizing what Lucifer likes and even making up 'fun' drinks just to try and cheer the guy up. And Lucifer would fun a fun game in trying to get the grumpy cat to smile, and just, lighting up himself any time he was successful.
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And that culminating into the two of them making each other laugh, with Alastor being an easy butt of the jokes, and a good way for Husk, himself, to finally get a chance to vent. I think Lucifer would be one of the only 'safe' options for Husk to do that with, in just so far as Al can't really threaten Lucifer, and Lucifer already sees Al as a bit of a manipulative bastard.
Falling for each other; At this point, Lucifer would start being a bit more caring toward Husk, though with that wonderful, oblivious flair of his. I don't think Lucifer himself would realize he'd have a crush up until he'd start feeling protective or jealous over Husk, and it would really throw him for a loop at first.
Because fake dating is one of my all-time favorite tropes, I have always had a idea for a fanfic (or comic) that I haven't gotten around to yet, based around Lilith coming back, and Lucifer panickily asking Husk to pretend to be his boyfriend, so he can appear well adjusted/completely over her. Of course the whole thing would backfire, as Lilith would see through it (as Lucifer wouldn't be as good of an actor as he'd think), and that Husk would end up kind of feeling hurt by the whole thing.
Husk, who'd go along with the plot with an eyeroll, would find himself seizing up through the whole fake date/encounter. Would find weird, sudden emotions bubbling up and absolutely hating it.
I don't think that man would think about the class difference between him and Lucifer up until someone would say something about it, maybe Lucifer himself trying to rationalize the (at this time still fake) relationship to Lilith. Now, Husk feels uneasy about the whole thing and ends up drinking heavily the whole night so he doesn't have to think about feelings. (Blitz and Stolas who? Ahaha. fuck.) Meanwhile, while the date would be fake, I think Lucifer would really rather like having Husk on his arm and feeling like he'd have a love-life again, while also not really getting why Husk's mood would be getting worse throughout the night. I think they'd still end up on good terms, but both of them would have their feelings in a jumble, and Husk would not like it. (he thinks he's lost the ability to love, after all)
I think somewhere at this point, as they are starting to develop feelings for one another, is when Lucifer finally starts really realizing how tied to Alastor Husk is, and he starts to make it everyone's problem. I do think Al and Lucifer would stay snarky at each other this whole time, but that it'd only get worse, as Al would poke back since he'd find Lu's over reactions funny.
I also think Al would be maybe the last person to realize anything romantic would be brewing between Lucifer and Husk, and he'd just think it'd be a purely platonic thing.
Beyond just bitching about Alastor, Lucifer would really be ramping up his attention towards Husk too. Fully in that 'puppylove/crush' stage, and trying his darndest to make Husk feel good and special. Husk would be resistant to it all, thinking it would just be Lucifer rebounding hard, and not wanting to get wrapped up in Morningstar family drama when he could happily (miserably) keep his head down and just keep drinking the days away.
But then Lucifer would find out about Husk's love of stage magic, and his history as a performer, and it'd be all over for the catman. It would become Luci's new pet project to rope Husk into some joyful self-expression, and after a song and dance number's worth of convincing, Husk would start to come around. I have to post all these images now cause- I drew them with the intention of mimicking a musical number! Husk starting off as a bit resistant before jumping in whole heartedly, and Lucifer overexcitedly dragging him along throughout the music number, hyping him up and just all around being smitten.
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And this is where Husk would start really falling. Getting swept up in indulging his favorite, least destructive hobby, and having someone who absolutely loves it to bond with. Especially when it would be over. When they would just settle down and talk, and laugh, and bond over what they love about performing. The spectacle, the audience, the love of the craft. Its about the comradery!!!
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@belladonazeppole wrote a wonderful series of fanfics based off these pictures, as well as the songs from 'The Greatest Showman' that really fit the ship! I would be remiss to not mention them here, because Bella and their fics are just wonderful!
How they started dating;
Now. Don't think just cause they both caught feelings for each other, that they'd immediately admit to it. No. I think both of them would drag their heels. I don't think Husk would admit to them at all, without some outside force effecting it. I think he'd stubbornly try to ignore the crush or drink it away, rather than let his heart become vulnerable to anymore damage.
Meanwhile, Lucifer would be struggling between his feelings for Husk and Lilith. (In the actual canon, I do think they might try to rekindle things, depending on what kind of person Lilith turns out to be, but I digress.) Part of him would be so swept up in a giddy kind of excitement, while the other would be set firmly in the camp of 'this is a bad idea, this won't work out, just look at what happened to your last relationship'. It wouldn't stop him from being outwardly more and more affectionate, but it would be weighing on him.
I do think Lucifer would end up being the one who would be thinking; "What am I doing. He'd never like me back." While Husk would be just sitting there (echoing what was said in the ask- sorry I went all wild and wrote this much about the ship dear god)- "I'm just some fucking furry alcoholic, what the fuck would the king of hell see in me??? Am I delusional? What the fuck is going on??" And I feel like this stage would go on for MONTHS and drive everyone else nuts. It would be clear to everyone (except Alastor, who again, would be just this meme
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Though that wouldn't stop him from getting a little pissy about it) And then it would all come to a head during something benign, like a board game night. There would be flirting, there would be jealousy, there would be arguing, and then finally, loudly and with a lot of feeling, Lucifer would shout his way through asking Husk out on a date. A real Date. A capital 'D' date out on the town, dressed to the nines and a real good time. The board would be knocked over in the fray, game pieces raining down upon them while Husk would just stare blank faced, trying to process what just happened. An awkward half-minute would pass before he'd finally, trying to play it cool, shrug out a 'sure'.
How much it'd piss Alastor off;
In the aftermath, a radio static would just lowly grate everyone's ears as Alastor would be slowly coming to terms on how just annoying it would be to have his friend (/Unhealthy co-dependent pet friend possession??) romantically involved (ew) with the King of Hell (double ew)??? Then, either it would be something light hearted like 'he keeps trying to break them up but failing cause he hates interacting with romance' or a darker route where 'he keeps trying to manipulate them into breaking up by preying on all their worst insecurities in the relationship'.
And that, my friend, is all I have in mind so far for this delusional crackship au! There is more I could flesh out, of course, like Angel's role as a friend or potential third in the relationship, or what I imagine as Husk becoming like a stepdad to Charlie, but I've typed enough for the whole month. Hope any of that was coherent! I did not bother to edit or proof read it. Just pure stream of consciousness.
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ender-girl-13 · 4 months
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Thoughts on Palworld
Leave it to the internet to miss the entire point of people disliking Palworld. It's not because they are taking money from Pokémon. It not because they think Pokémon but with guns is stupid. IT'S ABOUT ARTISTIC INTEGRITY AND ORIGINALITY! Some of the Pals are just blatant rip-off's/fusions of existing Pokémon. If people try to steal Pokémon's designs and actually sell that as a commercial product that may give the impression that it's ok to steal others art and encourage it! If all of the Pals they made were original I would love to play it!
P.S
Apparently the accusations of them ripping Pokémon models was false. (Sorry about that) But they did basically do the 3D modeling version of tracing which is still bad. Also I've watched more videos on this game and it is very POSSIBLE they have stolen fan Fakemon designs and changed them up a little which is still shitty of them.
Again I will reiterate I would love this game and it's success if it wasn't so creatively bankrupt and plagiarized.
Here are some alternative Pokémon-esce games to play!
Cassette Beasts - Try to find you way out of this land and transform into and fuse Beasts!
TemTem - Very cute art style and can play online with other people! Also has a Nuzlocke/Randomlocke Mode.
Ooblets - Have card dance battles with other Ooblets and have them help you on your farm. You can also run your own shop!
Coromon - You're a newly minted Battle Researcher and your job gets attacked on your first day of work! Track down the invaders and discover the rising threat around Velua! Has different difficultly modes and customization.
Monster Sanctuary - A Monster Taming Metroidvania Sidescroller
Here are some Pokémon fan games to try!
Reborn - Has decent difficulty/One of the most difficult fan games I've come across. Has new Pokémon Forms
Uranium - Original Region and Pokémon
Insurgence - Has an option for a slightly darker twist on the traditional Pokémon story. Has new Pokémon/Forms
Xenoverse - Haven't play or watched it but looks very promising. Originally in Spanish but has a English translation as well.
Phoenix Rising - Still in development and only has one episode. Has new Pokémon Forms and amazing art and visuals
Red Adventures - From what I've seen it seems to be a game version of The Pokémon Adventures Manga
Castaway - Your plane crashes and you are left to discover the secrets of a mysterious island.
Mewyou - A game where you play as Mew!
Axis - You are teleported from our world to the Pokémon world/You're still human
Ethereal Gates - Still only a Demo at the moment/Unsure if they are still making it
I will add more to this list if asked!
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kirbyluvr69 · 3 months
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Some Thoughts™
About art, desire and John Lennon
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If you're active on the Twitter side of The Beatles fandom you'd know that just yesterday a collage John made for Paul titled "I Only Have Eyes For You" made the rounds and scared people whom, I guess, don't think about visual arts very often. Unfortunately I don't use the word "scared" lightly. People really used the words "disturbing" and "concerning" to describe this piece, with a hint of a "What was Lennon thinking about our poor Paul to make this with him in mind" sentiment that I don't think it's quite fair.
I tried to search more about this collage´s context, but all I could find (without having to buy Julian Lennon's book in which the image was featured) was that it was made in the 50s, while John was still at art college, but to be quite frank, I don't think the exact date matters too much.
What I see in this image first and foremost is desire, plain and simple. Red is a sexual colour, we have naked women sprawled, the head with its mouth open in a orgasm-like fashion, the eyes symbolizing voyeurism. If anything, as a friend of mine also pointed out while we discussed it, this collage is proof of the way John and Paul were so close they were even free to be honest about their sexual desires to one another. Even if the collage was made for another purpose and gifted to Paul later, this sentiment still stands, because Paul was the person he thought would receive this part of himself with open arms.
Is the collage "disturbing"? I guess, in a way. The same way I think growing up in the 40s and 50s in a hyper-convervative protestant society like England and discovering yourself would be disturbing. Even more if you're not entirely straight as an arrow. But I don't think John's talking about this here. This is about his feelings for the opposite sex, and they weren't always nice. Red is also the colour of blood and guts, John was also known for having violent outbursts. Would it not disturb you that the object of your desire also brings up in you violence? I don't think we'll ever know why he felt that way, but here we see that he's aware of it. At least I think so.
I saw another analysis of this collage that somewhat agreed with me, but presented this argument as if this was a bad thing? I don't know exactly what made me think this way, maybe the verbiage, but I'll never think a person exploring the nature of their desire, be it disturbing or not, is wrong. Of course domestic violence is bad and I'm in no way excusing it, but if you're willing to engage with The Beatles, you have to bear in mind they were shitty to the women in their lives in varying degrees much like every man ever in general, and specially at that time.
As a self proclaimed John Lennon Scholar i.e. I Wanna Crack Open His Skull And Look At His Brain With A Microscope, I'm happy this exists, and I think I need a little more time with it myself.
All of this to say: I like it, I think John Lennon was a good visual artist and stop being weird about art.
To lighten up the mood, look at the gay as hell collage John made for Elton in 1975! This one deserved its own post with a lot of tin hatting on my part, but whatever! I love them so much (and yes, I WILL find a way to mention their friendship in every post I make, shut up. One day the Lennon/John masterpost will come).
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70sscifiart · 6 months
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The Last-Minute Sci-Fi Gift Guide
There's only one thing worse than procrastinating on getting gifts for your loved ones, and that's procrastinating on putting together a guide to help out everyone else with all those gifts. It's Dec 12, so you can decide for yourself which I'm doing.
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Art book: Worlds Beyond Time, $32
If you follow this blog, you might have heard of this one. I published Worlds Beyond Time: Sci-Fi Art of the 1970s this year after five years of work on it, and I think it's really good! 400+ images, 100+ artists, with lots of fun art history and jokes.
Also, it's just $20 right now if you order through my publisher and use the code SKIPTHELINE! Cheapest it's ever been!
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Card game: Coup, $14
In this "social deduction" card game, you play as a government official in a future dystopia who needs to backstab their way into power. Everyone starts out with just two cards in this bluffing game, so the tide can turn pretty quick when players start assassinating each other's cards. The fast pace makes it a good gift for someone who loves spies but thinks they don't like card games.
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Game to play over Zoom: Bad Spaceships, $3
If a bluffing game stresses you out, try Bad Spaceships: It's a collaborative world-building game in which you roll dice to see what area of your spaceship connects to another, forcing you to spitball exactly why this is the case. As the game puts it, you might fix the hull by playing Tetris, or charge your weapons in the swimming pool. You're basically getting weird prompts to tell a story that can evolve over the course of the game.
It's such an indie game that it comes as PDFs you download from itch.io, but you can play it just as well over Zoom, if you're looking for an excuse to catch up with your old digital nomad college friend.
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Movies/TV: Streaming service gift card
Gift cards are all well and good, but you can personalize them by recommending a few of your favorite shows as well. I suggest:
Hulu: Cowboy Bebop
Apple TV+: Severance
Criterion Channel: Ravenous, Paprika, Strange Days
Paramount+: Yellowjackets
Amazon Prime: The Devil's Hour
But to be honest, this entry is just an excuse to talk about the new Max show Scavenger’s Reign. Inspired by the work of French artist Moebius and with a clear debt to famed 70s animated film Fantastic Planet, this stylish sci-fi show features a bunch of humans trying to survive on a beautiful but hostile alien world. Perfect for lovers of fictional nature.
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Vintage sci-fi
This Etsy shop has some good stuff, like the 1971 Frank Kelly Freas NASA poster above, a bit of history that I even mentioned on page 167 of my art book.
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Penguin science fiction postcards, $28
These postcards have a ton of very cool sci-fi covers I've blogged in the past – great value if you want a lot of art for a low cost.
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Meteorite pendant necklace, $34
I think we all know what kind of rock your loved ones need around their neck: A chunk of meteorite straight out of the 1576 Argentinan meteorite fall.
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Book recs
For astronauts: Packing for Mars by Mary Roach, The New Guys: The Historic Class of Astronauts That Broke Barriers and Changed the Face of Space Travel by Meredith Bagby
For comedians: Gideon the Ninth by Tamsyn Muir, Even Greater Mistakes: Short Stories by Charlie Jane Anders 
For sleuths: Six Wakes by Mur Lafferty, Drunk on All Your Strange New Words by Eddie Robson
For crafters: Knits of Tomorrow: Toys and Accessories for your Retro-Future Needs
For the resistance fighters: The Light Brigade by Kameron Hurley, An Unkindness of Ghosts by Rivers Solomon
For slasher movie fans: Clown in a Cornfield by Adam Cesare
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Syd Mead "Biomorph Vehicle" button down shirt, $49
T-shirts aren't classy enough for the world's coolest visual futurist, Syd Mead. I haven't actually bought this incredibly odd shirt, but I really need to.
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Art prints (and more) from 70s sci-fi artists
Artist shops can be surprisingly hard to track down on the internet, but here's a short list of ones I've come across. All of these artists are featured in my book (except one), so you can read up on them before you commit to a print.
Michael Whelan 
John Harris
Syd Mead
Don Maitz
David B Mattingly
Peter Andrew Jones - Jones was one of just a few artists who declined to be included in my art book, but he has a distinct, colorful style that I would have loved to have featured!
Finally, here's one extra bonus, just for everyone who made it to the end of this article: The UK-based educational charity Centre for Computing History sells three big officially licensed John Harris posters featuring these three artworks, famous for their use as covers for Sinclair programming manuals.
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It's a great deal that I've never seen mentioned anywhere, and Harris' work has a timeless quality that makes it great for an unassuming wall decoration. If you're outside the UK, the shipping costs will be a pain, but there's no better deal for a classic sci-fi poster.
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windienine · 2 months
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the best game of 2024 was an hour-long visual novel demo, and i can't tell you how it ends
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attack and dethrone god.
okay. oh my god. soul of sovereignty by ggdg (of lady of the shard & deltarune fame) is discounted for only a few more days, so i need to get this one out while the iron's hot.
so: i'm inviting you along on another journey. we're following a polite gentleman of the wizardly inclination (loïc) who is approached by a sickly woman in dire need (ysmé). all she requests, in her plea, is an escort to guide her to the nearby temple. his decision to support her may turn out to be the most important choice he ever makes.
... have you ever enjoyed the kind of narrative that traps two people with heavily contrasting motives and personalities together in an unbreakable contract? do you like stories of absolute devotion?
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i could look at this shot forever ngl
... are you compelled by immersive speculative fantasy worlds where the use and study of magic heavily influences the rhythm of people's day-to-day lives?
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(really intriguing magical linguistics system going on here)
... do you ever promise too much of yourself to others, sometimes, even when it's a bad idea?
... if it was possible -- if you could -- would you abandon your humanity for the power to change your world forever?
and, whatever you may feel in your heart about the above...
do you want to see behind the eyes of a hot trans girl as she bullshits her way into a truly volatile level of power and influence and gets everything she wants?
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(+ her pet dilf lovely assistant)
if even one of these elicited a "yes," i think you'll love this story.
i'll go out of a limb:
i think, if you open up your heart, you'll find yourself falling for both of the leads. It's a game that really wants you to look at it from every angle, take it apart, and ask questions about loïc, ysmé, their stories, and what they believe to be true about the world and one another. subtext -- especially the charged subtext this story throws at you and hopes you'll piece together -- is a beautiful thing.
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the number of talksprites in this demo is kind of staggering
the jrpg-inspired world of the mosaic and its surroundings is as vibrant as it is profoundly lonely, color folded into every facet of its character as you move through it. appropriately, it's really invested in a lot of questions that arise not just from high fantasy as a genre, but from the modern fantasy sensibilities of jrpgs and the interrogation of what divinity even means in a world where the gods are forces you can interact with and draw power from, however indirectly.
what can i even say? that gg and toby fox's collab score for the prelude is downright heavenly and made it onto my work playlist right alongside the deltarune ost the day it came out on bandcamp? that gg's art, especially their use of light, conveys every scene with vivid beauty?
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i wouldn't be posting so much of it if i didn't want to eat every CG. oh my god. he's so pretty. it's not even fair
beyond all of that, i think the game's main resonance point with people is that gg's writing is genuinely thoughtful. they use art detail and deft character writing to convey everything about the leads, using the limited time you get with it to paint layers and layers of information on who these people are and why they make the decisions they do. soulsov's roughly an-hour-and-change of text, expressive talksprites, and lush CGs is infused with so much heart and so much horror and so much intrigue that it leaves you feeling like you're a part of this world, carried along for the ride right alongside the two leads. gg clearly really adores these two, and that level of passion makes everything loïc and ysmé do shine even brighter. in spite of (or perhaps because of) all their friction and flaws, they're easy to love.
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(it's really fun to read aloud as a script, too! ysmé's a hoot.)
i hope you experience it with high expectations and an open heart. i don't think it will disappoint. it is, perhaps, just a little bit magical.
i hope you see it through to the end!
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