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#and i do like my job so thats a big asterisk on all this
hellenhighwater · 2 months
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How do you stay creative while working full time? :)
I don't know, I just do stuff. Not art stuff, really! I think sometimes that I have to maintain a base minimum of Stuff Going On to stay above the gravity well of Comfy Bed All the Time No Need To Get Up And Do Things. There's an inertia to stuff, you know? Sometimes when you're busy it's easier to just maintain the momentum of getting things done. I don't always get stuff done as quickly as I'd like--the fact that I'm doing stuff all the time doesn't mean that the stuff I'm doing is necessarily productive. That's a good thing, though, because creativity has to be fueled from somewhere. There's got to be non-creative time for that part of the brain to recharge and rest, so it's not bad to have a job that doesn't demand that kind of thinking.
I did a lot this weekend and almost none of it was creatively productive in a normal sense. I got some pottery done on saturday morning, and then met a friend for sushi, went to my dad's to sandblast and powdercoat car parts and got a milkshake, went for a walk in the woods to pick tiny flowers, met my brother for dinner, and played DnD until midnight before driving back home. Today I planted hydrangea, hauled flagstone into place, dug up grass and tilled it over, and put mulch down. I made a roast for lunch and played DnD in my other campaign for a few hours, then started mixing down the clay slurry into slip for casting, which has to rest for the next 24 hours. In a little while, a friend and I are going to do an online movie marathon, and tomorrow--monday--I've got a board game night after work. Then the next week is pottery tues/thurs/saturday, dinner with my other brother and his wife on wednesday, DnD friday and sunday again.
You know what all of those little appointments with friends do? Force me to manage my time well. Force me to stay on and not just let the day get away from me. I rest when I need to but I also put really concerted effort in to spending time doing stuff that I enjoy.
People often say that they create art from a specific emotion, but to me, in order to make art, to make art sustainably, you have to be happy enough to want to put new things in the world. They don't have to be happy things. But you have to be in the world to reflect it out. Sometimes that's work. Sometimes that's friends.
Work on joy; the art will follow. That's just what's true for me.
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thebibliomancer · 3 years
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Essential Avengers: Avengers #235: Havoc on the Homefront!
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September, 1983
Welcome to the Wizard’s Mansion of Mechanized Mayhem!
This cover has got it going on!
Where “it” is “multiple things.”
Still, I love covers that are just like ‘here’s a couple things happening today’ and this is a great version of that concept with the things being viewing screens that the Wizard is looking at.
He’s watching the Avengers in various peril channel.
This is a good cover!
So last time: uh, a couple things. Wasp called Vision and Scarlet Witch in as reservists when Annihilus tried to blow up the universe with an invisible dome. The two basically contributed nothing but Vision was thrown into a robotic coma.
Wanda and Vision in a tube moved into the mansion while he recovers and Wanda recapped her entire backstory including new retcon that Magneto is totally her dad.
Then she had a Dr. Strange crossover. Since it also involved Monica, two Avengers makes it notable enough to synopsize in brief. And its titled Assault on Avengers Mansion! so its like its baiting me.
Dr. Strange astral projects to bother Wanda when she’s trying to get some grief reading in. He wants to find the Darkhold and she’s the last known possessor or vice versa because thats when she was possessed by Cththon and had to be saved with a care bear stare from the Avengers. But Dr. Strange really wants the Darkhold to stop Dracula from getting it. Yes, Dracula.
Since the Darkhold is being stored in a vault at Avengers Mansion after Beast brought it back from Wundagore, Dracula’s cult attacks and manages to break into the Mansion. Dr. Strange, Wanda, and Captain Marvel all fight off Dracula’s cult and then Dr. Strange trolls Dracula by teleporting the Darkhold somewhere else.
Also, Avengers Mansion got trashed in a break-in in Fantastic Four #257. Dammit. Whats with all the intertextuality in this era?
So that story there is: mostly a lot of Galactus eating the Skrull homeworld and fallout from aforementioned Annihilus story. Only the last two pages are relevant.
Mr. Fantastic shows up to Avengers Mansion to check on Vision, Wanda goes to make him tea, and then he’s teleported to a space trial leaving a giant melted hole in the mansion.
Honestly, I don’t know why FF got asterisked instead of the Dr. Strange issue. They both messed up the mansion but the Dracula cult was more of a break-in than someone leaving a giant hole in the wall. Although that’s more mysterious.
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Anyway, with two different ‘read this also’s between issues that messed up the mansion, no wonder the opening splash has to be devoted to a repair crew patching things up.
Wasp is putting her size-shifting to good use to literally micro-manage. Zipping around at tiny size telling everyone how to do their job.
Captain America who is also supervising and impressing people with how buff he is gets annoyed and goes to tell her to stop but stops himself.
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Captain America: No... No. She’s in charge here, and I have to let her handle things as best she can. Her methods do seem to bring results... They’re just not my methods, that’s all. Yeah...
And then he sulks off, ignoring Wasp when she asks what he’s muttering to himself.
Hm. The new leader honeymoon period is off, it seems. Cap was Wasp’s biggest supporter as chairperson and now he’s grumbling and second-guessing.
Dang.
I hope this isn’t snapback to Wasp not being leader because she’s flighty and silly. I hope we’re not just going to do that.
Cap wanders over to where Vision-inna-tube and Wanda are. Wanda is still glued to Vision’s side. And either Wanda can read minds or Cap says something between panels because we have Cap wondering in a thought bubble whether if Vision has shown any signs of improvement and then Wanda answering that he hasn’t shown improvement or worsened.
Cap(tain) America: “Well, don’t let yourself get too worried, Wanda. That husband of yours has been through worse scrapes than this. He’ll pull through!”
Scarlet Witch: “When you say it, Cap, I can really believe it!”
Inspirational Cap! Charisma rolls: Very.
Still, Wanda is sad because Vision is lying in a tube helpless and she can’t even touch him.
Cap wanders off again, without even saying goodbye (rude) while musing how much it sucks.
Cap: Blast it! Those kids were just starting to make a life for themselves, and this had to happen! Why was it that of all the Avengers who went up against the threat of Annihilus -- it had to be a couple of reservists who suffered most?
And then starts musing how weird it is that Scarlet Witch and Vision as reservists since they were active Avengers for so long!
Remember, Wanda joined the Avengers not very long after Cap did! Only a couple months in-universe! She was one of his Kooky Quartet!
Cap: At times I wondered if the Avengers would survive -- but somehow, through all the tumult and changes, the team not only survived -- it grew stronger! I pray it always will... with the menaces we so often face, we can’t afford to weaken. We’ve gone through so many changes lately. We’ve picked up two fine new Avengers in Captain Marvel and the She-Hulk, but we’ve lost Hank Pym... and now we’ve lost Iron Man, too. Even Thor has taken himself off the active roster to pursue a personal mission. I hope he won’t be gone too long.
Cap is clearly in some sort of dour Mood.
A dour and monologue-y mood.
And what’s Thor up to leaving the team roster OFF PANEL?
(Sigh)
Well, since the asterisk is telling me to see Thor #334... oh geez, Don Blake is under suspicion of killing Jane Foster. Thor, and Lady Sif take Keith Kincaid (the non-Thor love interest of Jane) on a trip to get the Runestaff (long story) and restore Jane Foster (long story).
Annoyingly, the Thor issue does show him telling the Avengers he’s going to be gone for a while and to take him off the active roster. And borrowing a Quinjet.
I think that it would have been nice to see at least a panel of that. Or something. I don’t want the book bloated with ‘see alsos’ but I’m confused why it put the most emphasis on the FF one when it was literally two pages where Reed manages to ruin the wall while getting kidnapped.
Whatever.
Anyyyyway.
Even though he thinks the new Avengers are good, Cap worries about having both Thor and Iron Man off the team.
Especially Iron Man.
He was their science/technical guy. And on the current team, the only one with any sort of science expertise is new trainee Starfox.
Who is busy making out and not being on time for his daily training session.
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At least he remembers that he has a prior obligation.
And he’s only two minutes late. Or to put it another way, he’s a whole two minutes late. And Cap(tain America) is a notable stickler for punctuality.
Cap: “Punctuality may be an anachronism in this day and age -- and, for all I know, it may be unheard of on the planet Titan -- but in my day, it was something that was expected of people!”
Wow, Cap really pulled a ‘in my day.’
Frankly, I’m surprised he doesn’t pull that more often.
Starfox does seem contrite and apologizes for putting pleasure before business which sends Cap into an introspection about why he’s really being so harsh on Starfox.
Protip: It’s Tony. It’s almost always Tony.
Cap: Pleasure versus duty, that’s what it always comes down to. It was Tony Stark’s ‘pleasure’ which led him to giving up his Iron Man identity... leaving the Avengers. Some ‘pleasure’! He’s crawled so far into the bottle, he may never get back out. And there’s nothing I can do to pull him out... Nothing any of us can do, unless he lets us. That’s what’s really bothering me... isn’t it?
And he accepts the apology with a “just don’t let it happen again.”
You sound so old sometimes, Cap.
Meanwhile, She-Hulk is off on a jog through New York, listening to some Beach Boys’ California Girls.
An overeager driver scoots forward and cuts her off at the crosswalk and (I assume) in frustration, she punches the hood of the car.
And given it’s She-Hulk, she kinda punches a hole IN the hood. And probably engine.
The guy being either an idiot or incredibly unperceptive runs after She-Hulk to grab her arm and yell at her.
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She does not care for that at all.
Like, why would you? She’s seven feet tall and green and just punched a hole in the hood of your car.
Luckily for the guy’s skeletal integrity, Spider-Man pops out of nowhere to be Friendly Neighborhood and mediate this conflict.
They both air their grievances.
She-Hulk: “This creep grabbed me!”
Creep: “Hey! She... she crunched the front of my car!”
She-Hulk: “That was you who cut me off in the crosswalk? You’re lucky I didn’t rip out your axle!”
Spider-Man: “Now, now! Let’s keep this friendly! Sounds like you’re in the wrong, chum! The lady had the light!”
Creep: “Lady?!? She’s no --!”
Spider-Man: “I wouldn’t say that if I were you! That’s the She-Hulk, dummy! Remember what she did to your car? Well, just imagine what she could do to you!”
Creep: “Oh yeah.”
And with the power of Spider-Man’s bomb-ass mediation, the guy realizes that he was in the wrong, apologizes, and leaves in a hurry.
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(Her skeptical glare cracks me up for some reason)
Moral of the story: Don’t be a jerk. Stay behind the line when the little man is lit up.
After the guy takes off, She-Hulk praises(?) Spider-Man’s amazing mediation skills by saying he should have been a lawyer. And then they catch up.
She-Hulk is still having trouble adjusting to the East Coast lifestyle and lack of beaches so Spider-Man suggests checking out the Jersey Shore.
She-Hulk: “My big problem right now is housing. Avengers Mansion is nice, but I want a place of my own.”
Spider-Man: “It’s tough -- rents are pretty steep.”
She-Hulk: “The real trouble is finding a place I like. With the thousand a week I get as an Avenger, rent’s no big deal.”
Spider-Man: “I guess not, if you’re making a... a thousand A WEEK?!? I passed up a chance to become an Avengers, and they make $1000 a week?!? Oh, NO!!”
Ha ha, that ol’ Parker luck.
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Maybe Thor should have mentioned the money when he tried to recruit Spidey.
Meanwhile, at a federal penitentiary in Vermont, a scene change.
Bentley Wittman, aka the Wizard, aka the Wingless Wizard, aka the adult man who thought the best use of his time was bullying a teenager, is being questioned about Plantman Sam Smithers’ escape from jail.
The Wizard claims that he knows nothing about Plantman’s escape and that he barely knows the guy anyway. They were airlifted from Ryker’s in the same helicopter and that’s it.
But a convenient x-ray tells a different story.
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And that story is that “the Wizard” doesn’t have any skeleton bones.
... Were we really at the point in 1983 where we didn’t know about the dangers of overexposure to x-rays? They just causally scan both “the Wizard” and the guy questioning him?
Anyway, the ruse being rumbled, the fake Wizard rips the bars out of a window and jumps out to his death.
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Or it would be death if he wasn’t just animate wood wearing a fake skin suit.
Kinda gross if you think about it.
Anyway, where is the real the Wizard?
Obviously, he escaped jail a while back. Not only is he a sinister criminal mastermind who has sinister masterminding to mastermind but also he was tired of the prison hair code. Because dammit, he wants to rock the goatee!
(Literally a comment he makes, calling the prison barbers butchers)
The Real Wizard gets a BLIP-BLIP-BLIP priority alert that informs him that the plant-him has been discovered which means that the authorities will be looking for him now.
Wizard: Now every law officer in the nation will be looking for me. Well, let them! They’ll not find me, unless they look here! And if they do look here, they’ll have a fight on their hands! The Wizard will not bolt and run like some common criminal! My home is my fortress! They’ll never get me out of it! Never!
Anyway, within an hour of the discovery of Plant-Wizard, a disgruntled agent of the national security council named Mr. Sirkorski receives a briefing.
Usually, this problem would be Gyrich’s problem but he’s busy somewhere else, probably making mutants miserable if I had to guess.
-checking- Yup, he’s over in the X-books, being involved in Project: Wideawake, the project that will later accidentally shoot Storm with a demutantifying gun that will take away her powers, leading her to kick Cyclop’s ass, leading to him leaving the team and feeling sad about being happily married.
Wow, Gyrich, you’re the worst.
Anyway, since the Wizard is tied to the presidential hostage crisis via Plantman, that makes it Serious Business.
Hence, Mr. Sikorski’s serious business.
And he hates it.
He hates this bonkers superhero universe. He just wants to live in a spy thriller universe without all this specific nonsense.
Mr. Sikorski: “Oh, great! Plant-Men... criminal scientists... prison breaks! Don’t they think I have enough to do, just keeping track of what the Russians are up to?”
Also Mr. Sikorksi, on the following page: “And it’s up to me to call in the appropriate parties. I feel a little weird doing this! It’s hard enough for me to believe there are such things as Avengers! I certainly never thought I’d be calling them for help!”
This guy is great. I hope he becomes a recurring and just continues to be low-key pissed about what genre he lives in.
SCENE CHANGE TO AVENGERS MANSION’s actually looking cooler than ever meeting room.
The table looks enormous and theres a giant viewscreen that they can display stuff on.
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Only misstep in my opinion is that the seats don’t have personalized icons on the back.
On the big viewscreen map, Cap(tain America) is displaying for Captain Marvel known properties and hideouts that the Wizard has used in the past.
And then big boss the Wasp comes in with She-Hulk to start the meeting.
Since the government has requested that the Avengers help search for the Wizard, Captain Marvel suggests that she could zoom around and check off the whole list in no time flat by using her lightspeed.
Cap(tain America): “You probably could, C.M. -- that’s up to Jan to decide, of course. It would save us some time. After all, the Wizard could be in any of these places... or none of them!”
Wasp: “You think so? If I’d escaped from prison, I’d want to go home. But that’s just me, I suppose.”
Cool contribution, Jan.
I don’t mean to mock, its just she makes a goofy face.
(Hey, I wonder if her new costume was inspired by the FF’s negative zone’d ones. It’s kinda got a similar palette and rough design)
Anyway, Scarlet Witch asks whether she can be excused from superheroing for the day to keep an eye on the Vision.
Wasp: “Why, Wanda! I should say not! You agreed to fill in for Thor while he’s off in space, and I intend to hold you to that! I’m the chairwoman, and I’ll decide who goes where!”
In fact, since somebody does need to watch the Vision, Wasp chooses the most reasonable candidate.
Captain Marvel!
Who needs her to get the task done in five seconds! She can watch the coma-robot.
You make interesting decisions, Jan!
The remaining Avengers will split up into squads.
Captain America will take Scarlet Witch and She-Hulk to check the hideouts on the east of the map. Wasp and Starfox will check out the western ones.
She-Hulk: “You and Starfox, huh? That’s rich... the All Flirt Squad!”
Pfft.
Cap(tain America) isn’t feeling the humor and tells She-Hulk to save her jokes for when they don’t have a job to do.
Minutes later, the Avengers land a Quinjet on the front drive of the Wizard’s Long Island estate. He has one of those.
Cap: “Come on Avengers -- let’s get this over with!”
Good attitude, Cap.
Wanda notes that the grounds look neatly tended considering that the estate has been empty for the past several years but She-Hulk thinks a gardener was probably kept on retainer.
The Wizard was stupid rich.
When they get inside, Cap changes his tune. The place looks too tidy and ready for occupancy to be empty so maybe the Wizard is here.
So he pulls a ‘lets split up gang’ and splits up gang with each Avenger taking a wing.
Cap: “Oh, and She-Hulk, try not to break anything if you can help it. This is private property!”
Priorities!
Granted, She-Hulk is known to break things. Why just today she broke some dude’s car.
The Wizard is watching all of this on his home security system and springs individual traps on the individual Avengers.
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She-Hulk finds herself in a series of identical small non-descript rooms, each more identical than the last.
So identical that its the same room, looping.
Wizard: “Through the circuity in that doorway, I’ve activated a dimensional matrix which will keep your walking back and forth ad infinitum through the same room!”
Except without seeing herself leaving which you’d think she’d be able to see.
It’s a smart way to trap a Hulk, provided they don’t run out of patience or get frustrated and smash something.
Meanwhile, Cap gets locked in a chamber where an anti-gravity field has been activated, leaving him flailing through the air.
Oh, and dozens of high-intensity laser torches pop out of the walls and start trying to carve up Cap.
Meanwhile, Scarlet Witch’s individualized trap is the most individualized of all.
Because She-Hulk’s and Cap’s could be used on any number of people really. But Wanda’s feels like it was created to counter Wanda. Pretty on the ball from the Wizard considering he doesn’t often fight the Witch.
When Wanda enters the room she suddenly starts spinning out of control, flies across the room, and lands in a chair.
Wizard: “Marvelous! I’ve ensnared the Scarlet Witch within something against which her astounding hex powers are useless. My field effect devices have generated a pocket of non-causality within that test chamber! Within the area, all actions have an equal chance of occurrence. Therein, all probabilities are skewed. She won’t be able to stand, much less cast a hex!”
Wow! That’s some high octane comic book nonsense science!
The point being that every time Wanda tries to do something, something random happens instead because its all equally likely. She tried to walk into a room and ended up standing on the roof. She tried to back out of the room, she started spinning. She tried to stop spinning and she flew into a chair.
Sure.
With the Avengers all trapped, the Wizard turns his attention to deciding how to dispose of them.
Except, as cleverly foreshadowed by my snide comments, She-Hulk’s trap is only as good as Jen’s patience.
Which is good forrrrrrr. Two dozens loops.
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At that point, she’s sure some bullshit is up and scratches the wall with her nails to leave a tangible mark. When she sees the same mark in the ‘next room’ her suspicion is confirmed.
And now that she knows someone is jerking her around, she decides to ignore Cap’s suggestion to not break private property by breaking private property and rips the doorframe (and the dimensional matrix) to crap.
There’s a backup trap that drops slabs of six-inch omnium steel around her but yeah she’s a hulk and she’s not playing considerate anymore. She starts KRUNGing the walls with her fists.
Meanwhile, Cap uses physics to get out of his jam. He throws his mighty shield to break some lasers so action/reaction will propel him backwards and he can jump off the wall, grab his shield back, and uses one of the broken-off lasers against the others.
Also, meanwhile, Scarlet Witch tries to figure out her own, incredibly specific trap.
Scarlet Witch: This is like a nightmare! Whatever I try to do, something else happens. Just in making the attempt to call on my hex power, I wound up falling flat on my face! I can’t even... wiggle my fingers? I... I can! Oh, but only very close to the floor! Whatever is causing my actions to go awry must be weaker near the room’s outer surfaces! Then there’s HOPE -- !”
Wizard must have gone cheap on the pocket of non-causality projector for that room if it’s not completely covering the area. Sure, the area it doesn’t cover is relatively small but now what’s about to happen is going to happen.
So Wanda gets as low as she can go to the floor and uses her probability-altering powers.
This causes the non-causality field to reverse because why wouldn’t it? And causes feedback through the circuitry which causes the master control to shock the Wizard.
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It also causes every logic circuit in the master control to overload and the whole dang thing explodes, Wizard barely flying out of the control room in time.
Right in She-Hulk’s path.
She’s not happy. He’s not going to like her not being happy.
She-Hulk: “After what I’ve been through, it’s gonna be a real pleasure to pound that helmet down around your ankles!”
Wizard nopes right out of her way and decides to abandon fortress.
Then Scarlet Witch probability alters his battlesuit flight controls to malfunction to halt his escape and make him crash to the-
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...
I’m pretty sure his neck is broken now.
I mean, it’s apparently not because he keeps talking and moving and living but he look at that panel. Guy should be dead as movie Zod.
Y’know, if the Avengers are going to kill the Wizard, the FF should really get them back and kill one of their villains. I suggest Grim Reaper.
Anyway, surrounded by Avengers, Wizard pulls his trump card.
Wizard: “Your confidence is ill-founded, Captain America. There is one resource I can yet draw upon. There is a thermonuclear devise beneath my house -- powerful enough to destroy half of Long Island and make the remainder very unpleasant for a very long time. Much as I hate to see this place destroyed, I would press the button, so to speak.”
“You being such renowned public heroes, would hate that even more. But unless you allow me to go unharmed, I shall active the timing sequence of the bomb’s detonator.”
And Cap is like ‘do you mean this detonator’ and pulls out one he prepared earlier.
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HAH!
You know, ironically, if he had just hidden in a safe room or on the roof or something, the Avengers probably would have came and went without noticing him. Springing traps on them really backfired in oh so many ways.
The threesome return to the mansion, presumably after turning Wizard over to the authorities, and Wasp comments that it sounds like they had a bit of excitement (Starfox grumbling to himself more excitement than he had searching the Bronx with the Wasp ha ha).
Cap(tain America): “You’ll be glad to know, Wasp, that your instincts were correct. The Wizard had indeed gone home. He gave us all a pretty good challenge... a welcome challenge, I dare say.”
Wasp: “Looks like I assigned the right people to search the right place, huh?”
Cap: “Yes, Ms. Chairwoman, I’d say you did!”
And elsenow, Wanda goes to the medical bay to check in on Vision and relieve Captain Marvel.
Scarlet Witch: “Can you hear me, darling? I hope you can. I was feeling awfully blue today... And I was given a duty that first seemed annoying, and later became dangerous. But I didn’t give up... I came back, and I won. I know that you can come back, too, darling! It’s just a matter of time... and hope.”
“It’s funny! I thought the Wasp was silly for sending me on that mission. But -- in a way --it was something I need. I think the others needed it, too!”
Captain Marvel: “Then that’s why she sent you, Wanda... because she knew what you needed! And that’s why she leads the Avengers!”
Secret friend mastermind Janet van Dyne sends you out for punch therapy when you need to punch something.
Reminds me of when Captain America picked a fight with Goliath Hank Pym to lift his spirits. Except with a lot less fighting her own friends and more pointing them in the right direction.
Something I love about this era of Avengers and with the big shift in Wasp after Hank’s court-martial is that while her character has changed she’s still recognizably and uniquely herself. She’s still a bit goofy. She’s still playful. And on top of that, she’s proven that she’s a good leader for the Avengers. It’s not mutually exclusive.
Cap (previously Wasp’s biggest supporter as leader) started this issue grumpy and even had his own ideas what the best tactic for searching for the Wizard would be, but by the end he agrees that Wasp made a good decision.
Despite playing the ditz for a long part of her career, Wasp isn’t dumb. And she’s got a good head for the interpersonal challenges of running a team too.
I’m reminded that during the much later Busiek run, when the Avengers need to expand and modernize to match up to expanding challenges, Captain America turns the leadership of the team over to the Wasp.
My point being, I was worried that there’d be snapback on Wasp being leader because she is flighty and silly. But instead, she can be flighty and silly and still a good leader.
I’m pleased with this take, Stern.
Follow @essential-avengers​ because there will probably be more Wasp being a good leader. Fingers crossed. Also, like and reblog this post maybe if you also like Wasp being a good leader.
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graesays · 7 years
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Grae Reviews: Alice Nicholls - Kind Quiet Riots
So yeah, there’s been dust gathering around here lately hasn’t there. In my defense that’s because I’ve spent quite a lot of time working on someone else’s website and that’s meant I’ve had less time for my own. I’ve got my end of year music roundup coming up soon that I can’t wait for, but in the meantime I thought I’d do something different and #sharetheawesome one more time as I review my mates new EP.
(Authors Note: This post was edited on 25/01/2018 to correct typos and update relevant info. It was originally published on 21/11/2017)
As you’ve probably figured out by now this review comes with multiple massive asterisks over it because I’m reviewing something made by a mate, it gets even stickier considering that I played a set at the launch event for this very EP. So, with bias duly laid out on the table, and my infamous tendency to big up my mates creative work at every possible turn, I should also point out that I do intend to retain what little dignity as a writer I have (I did write a song that is pretty much grade A tumblr bait once so I basically have no shame at all), so I will be honest with my feelings about each track on this 6 song EP. Good job I have talented mates really then isn’t it?
So let’s crack on. Kind Quiet Riots is Alice’s 6th release (if her Bandcamp page is to be believed) and a follow up to the infinitely intriguing Folk Law, which was a collection of traditional songs reworked in Alice’s unique playing style (if you’re a fan of early days Biffy Clyro you’ll appreciate Alice’s attitude to time signatures).  The new EP, as the title suggests, is a collection of politically charged songs. Although the cool thing about this one is that Alice isn’t scared to turn the looking glass back on itself and that creates a major intrigue.
When the EP was released I was familiar with 3 of the 6 songs from playing gigs and various open mic nights with Alice, so I’ll make things easy on myself and cover one of those first. The opening track, Deluge, is a guttural response to changing times and a political shift in the wrong direction (the song was written in the immediate aftermath of the 2015 general election where despite all signs and hopes to the contrary, the Tories gained a majority, UKIP hit a record vote share and the Brexit vote process was set in motion). The song does offer hope but is unbelievably bleak in tone, which fits perfectly with both it’s lyrical theme and its instrumentation, the first of two outings on the piano and a perfectly slotted in accompaniment on the violin.
Next up is Get Some Learning, another shot fired at the right-wing (particularly stale, pale, male right-wingers). It’s also another great example of a superbly underrated talent Alice has, getting dark music out of a ukulele. This was the first song from the EP that I hadn’t heard tested out on the scene and while I like to think I have at least as much of a grasp on what to expect from her musically (well, in as much as you can from someone who stuffs her car to the brim with instruments to play at gigs, as she says herself, techies hate her for it), I got shown up again. The two songs of hers that feature the uke that stick in my head are not really that politically charged (unless I’m hugely missing a trick, and if so I apologise) and I always assumed that if there was one thing that even the most talented ukuleleist couldn’t manage, it would be to get an angry political rant out of it. Well, aren’t I thick?
Track 3 brings me back on familiar territory. Man in the Machine is a response to a conversation that Alice had with a bloke at a gig back in her old uni stomping grounds. After assuming she was carrying her boyfriends instruments and being corrected only to respond by declaring something along the lines of “women can’t write angry songs”, this angry song about dickhead men on the scene. Obviously I can’t share my own personal experience of gendered persecution by a fellow artist because……yeah, but I can say that there is an ever growing list of occasions where I have seen people (sometimes musicians, but white male slam poets tend to be the worst offenders in Leeds at least) use their platform to decry efforts towards equality or just treating others like they’d just wiped them off the sole of their shoes. This is a song that I like, but definitely hits its intended goal of making privileged male artists (read: people like me, save for the disability obviously) think about what they’re doing. It also features some quality guitar playing and I guarantee that once you’ve heard this you’ll have the line “They cry encore, they always want more” stuck in your head.
Now though, pray silence for my favourite song of the bunch. Track 4, Tall Stories. Alice is back on the piano for this one and on this one occasion she has company in the form of another super talented Leeds musician, Dave Lynch on the snare. This song is so utterly captivating purely because of how well presented the theme is. This song is a re-telling of the fairytale Rapunzel, where rather than being rescued by a prince, Rapunzel is instead rescued by other women who promise a life free from patriarchal values, only to end up imposing their own values upon her. This is an unashamed attack on people who claim to be feminist but who willingly fail to be intersectional and it’s a premise that probably needs high level songwriting chops to pull off, good thing Alice has the pen in hand on this occasion then. That said I do need to give a particular shout out to Dave. I heard Alice play this song solo a lot before I heard it with the drumming included, and I was worried that because I’d gotten so attached to the demo where Alice plays solo on piano, that I wouldn’t like it with the drums. Thankfully there’s no reason for concern because the drums blend in so well and on reflection they’re a great fit for the theme. Hats off Dave. I strongly suggest that if you’re gonna give the EP a sample, make sure this is one of the songs you try.
The final two songs are one’s that I knew nothing of heading in and because I’ve only had access to them for 2 weeks as of the time of writing this review, I wont be as in depth (UPDATE: I’ve re-written these parts 2 months later). Suffice to say that they are still fantastic. Track 5, One Flew Over turns the spotlight onto the state of of the way we still treat mental health in this country, both in terms of stigma and the atrocious state of how we treat it. This enforces that this EP is not the place for anyone looking for a happy hook. I am a big fan of this song though and although a classical guitar isn’t something I regularly see Alice bring out at gigs, I would love to see this get a live airing some day. That’s what I said two months ago, Now this song has by a long distance become my favourite song from the EP and I can’t stress enough that you should listen to it. Like, right now!
The 6th and final song, Token is an unapologetic strike back at those who marginalise women, and fittingly features the most raw instrumentation on the whole EP, just Alice and the guitar tuned like a cello that I’ve dubbed the coolest looking guitar in the world. Although all the other songs are clearly genuine statements, this one stands above the rest as a pure heart on sleeve moment, and the most fitting way to close out this EP. I get the impression that this is the track that Alice would be most proud of (She’s currently putting together a video for the song at the time of writing) and it’s clear to see why. This feels absolutely like the statement of intent that I’m sure she meant for this song to be.
Now clearly this review is propped up by the fact that I know Alice personally and I have some insight into these songs that a casual listener probably won’t get upon first listening, but I do feel that even without that knowledge it’s absolutely possible to be taken in by this EP. The politically charged will get along more than well with the lyrics and even the apolitical amongst you will enjoy the musicianship. Alice is superbly talented in front of all the instruments she has in front of her (by my count thats a piano, violin, ukulele and 3 different variety of guitar, I expect to be corrected if I missed/misheard anything). In fact the only people I can see having an excuse for a case of buyers remorse would be anyone who’s a target of this collection of kind quiet riots.
And on that awkward segue, the EP is available on Bandcamp at the link below where you have the option to try before you buy. Therefore you have no excuse not to give this a whirl and support your local musicians.
Bandcamp Link: https://alicenichollsmusic.bandcamp.com/album/kind-quiet-riots
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