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#and you deserves only the best!
raplinenthusiasts · 1 month
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IT'S NOT A BIG DEAL by Kim Taehyung
for @magicshop
cr. qdeoks
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whalesfall · 2 years
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btw. your search for the most morally upright and ethical piece of media that has the most correct “representation” will destroy your ability to find the most profound and beautiful and human of stories. and may even destroy the stories themselves before they are created. if you even care.
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uncanny-tranny · 8 months
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Basically, my philosophy around disability fakers is: I would rather a thousand people fake a disability than have one disabled person suffer without care, aids, compassion, or any help.
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poorly-drawn-mdzs · 6 months
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My rendition of @tempo-takoyaki's DTIYS!
Congrats on the milestones! And to everyone else, please go check out their 'Drawing TGCF (except I haven't read the books)' series!
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stuckinapril · 3 months
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Well it may seem like the end of the world but tomorrow’s a new day & the sun will shine just a little brighter with each moment that spring inches closer & you will find the people who cocoon you like a warm wool blanket & you won’t have to cling so hard to those who strip you bare anymore
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pensymbols · 3 months
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ah yes the brook/franky/robin/jimbei polycule also known as the babysitters also known as monkey d luffys biggest enablers
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willowser · 11 months
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touya + eggplant ; 3.2k ੈ‧₊˚ for our meet fruit collab ! ‧₊˚✧ ₊˚
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touya's message comes across in the early afternoon, when you know he should be working.
the image that comes to mind is — hilariously sweet: him in ill-fitting trousers and freshly combed hair, leaning too far into some desk as he fiddles with his phone. biting his lip, most likely, running the very tip of his tongue across the hole his piercing left behind; amused.
it'd be even better, you think, if he wasn't sending you three eggplant emojis and nothing else.
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it's bold, and startlingly so. enough that your heart rate skyrockets and sweat forms instantly on the back of your neck, in the creases of your palms, as you overanalyze three cartoon vegetables harder than you ever have in your life. you could easily believe he's sending this as a drunken joke, but he's been stone-cold sober since he was released, and if that had changed, even in the slightest, yumi would have told you.
you type out four different variations of the same question — asking what the hell that's supposed to mean — before sending none of them. are you...being a weirdo? eggplant emojis are inherently sexual, right? and maybe touya's been away for a while, but surely he would know that. right? in a single, wordless text, he's managed to make you sixteen again; too young to be crushing on your best friend's older brother.
— though you think of him now as he was only days ago: eyes clear and focused, razor sharp and set on you from across the todoroki living room. the very memory makes your stomach churn, violently; just a kid that should be worrying about their studies, and not about a boy that wouldn't give you the time of day.
before your thoughts can get themselves any more scrambled, another text follows suit:
yumi wants to know if u wanna come for dinner
eggplant, you tell yourself, as in the actual food that people eat. the actual vegetable, and not the dickish inquiry you thought it was. you do your best to ignore the little wave of disappointment that washes over you, and then the following crash once you realize that you wouldn't actually mind if he was asking after what you thought he was asking after; you, carnally.
you collect yourself enough to send him a normal, not weird text in response confirming that you'll be there, and his thumbs up comes across almost instantly. as if he'd been waiting for you.
touya was always in and out of their house when you and fuyumi were in school, but you caught him every now and then when things were good. safe at home, doing his best to hold down a job and stay out of trouble, soaking up a warmth from his family he never got as a kid, when their dad was around. how couldn't you have developed such a crush on him? to see him happy and whole, more dangerous than anyone expected, mysterious in a way that excited your teen heart — and kissing up to his mother at the dinner table?
you're not delusional enough to think he ever noticed you or your big goo-goo eyes, but sometimes he would stick his head into his sister's room, to grin and wiggle his eyebrows at you, before getting pelted in the head with a stuffed animal and chased away. it earned a high-pitched laugh from him, more of a game than anything sincere, but you still thought of him while staring at the ceiling in your own bedroom, wishing.
in all the time he was away — in rehab or jail or who-knows-where — you thought you'd outgrown your juvenile infatuation, but — here you are, still, with fevered cheeks at the very thought of him.
here you are, still, taking care to choose your clothes for dinner, as if it were only going to be you and him. fussing with your hair for far too long, as if he would notice. making little crescents with your nails into your palm outside the door to the todoroki house, as if you haven't been here thousands of times.
you've seen him since he's been home, of course, in the last few months, but there's been this weird aura surrounding you both, worse than it was when you were younger. you're tip-toeing around each other and you both know you're tip-toeing, and he's always wearing his little smug smile and looking too long. it's hard to be around him, really. a little easier to text, but every winky face he sends only winds you up even further.
when the front door swings open, you hold your breath unintentionally, neck straining until you realize —
it's only shouto.
"hi!" you say, trying not to sound as winded as you feel, though shouto — as usual — is unimpressed.
he blinks at you, two-toned, and almost rolls his eyes like the rotten teenager he's capable of being, attitude too much like touya's. there's a little doughy dumpling in his hand and he turns away from you while using it to wave further into the house. "she's in the kitchen."
fuyumi, even though you didn't ask. you follow him in and stick your tongue out at the back of his head, before going off to find your best friend — who is, indeed, in the kitchen, surrounded by bowls and utensils and too many real, actual eggplants.
"what did you do?" you ask upon seeing her treasure trove of purple veggies on the counter. "rob a farmer?"
there's really an absurd amount of them, though she doesn't look up from cutting one into little rangiri pieces. "no, actually, they were on sale at the farmer's market!"
you eye one closest to you before poking at it, oblong in shape and — kind of ugly. it feels odd in your hand when you pick it up, but that's probably because you're hyper-aware of every sound in the background of the house, of the burning embarrassment tucked away in your pocket in the form of touya's three emojis. shamefully, your thoughts take a dark turn, and when fuyumi finally glances up, you toss the vegetable back onto the counter too fast.
she snorts and shakes her head, pushing up her glasses with the back of her hand before pointing at the little steamer basket of dumplings near the stove. "try one! before shouto and natsuo eat them all."
you consider it for a moment before weighing just how much eggplant it seems you're going to consume tonight, and decide to wait until after dinner, if they're still there. along with her veggies, she's got a little tub of red miso out and also some pork frying in a pan, as well as too many bowls in the sink already. though you admire her passion for cooking, you know she'll wait to clean until everything is plated, and no one else will help her, so you take to starting on the dishes instead.
the frown she sends you can be felt, but you've been in this kitchen long enough that you think she should just give it up.
there's such comfort to being in here, with her, maybe because you really have done it so many times by now; the water is warm as it runs over your hands, sending little goosebumps up your arms, and you nod your head absentmindedly to the sound of her knife against the cutting board. you absorb the heat from everywhere quickly, and when you begin to smell the garlic and ginger cooking, you feel like a warm, doughy little dumping yourself.
you get lost in it with her and all the tension from the day melts, dissolves completely when you can lightly hear fuyumi humming over her sizzling pan. she tells you about some other things she bought at the market, gossip about a mutual friend you both have, she asks about the shirt you're wearing and why she's never seen it before, and you're rinsing your hands of dish soap when you hear her squeal—
"ah! get out!"
when you peek over your shoulder, you can see touya there, leaning too far over her own, smiling with full cheeks as he investigates what she's cooking. half of a little dumpling is in his hand and he looks down at it, makes a face before turning it over, and then he places it right back in the steamer.
"ew, gross!" fuyumi nudges him away with her elbow before plucking it right back out, trying to hand it back off to him. "nobody wants your half-eaten food."
and then, much to your horror, right in front of his sister — touya's eyes cut across the kitchen to you. one corner of his mouth quirks up in his little smirk and then you're whipping back around to look down in the sink, despite it being empty. his stare can be felt, too. you wonder if it's a todoroki thing.
"ew," fuyumi mumbles. you feel like you've been caught in some kind of way, though you don't doubt she clocked your affections for her older brother the minute they developed.
it's not something she's ever spoken directly to you about, however, which you're grateful for. you don't know how you would be able to handle that discussion, but she's always made sure to pass off the odd and unprompted little updates about touya over the years.
when he speaks again, it's clear his mouth is full. "shouto said he's not settin' the table."
"okay, then you go do it."
"no," touya snorts, "he's the youngest, that ain't fair."
"and you're the oldest, so you can ask him to do it."
"he doesn't listen to me and you know—"
"alright!" fuyumi sighs, and when you peek back at them, she's shoving her knife into his hands and shaking her head to herself, before stalking out of the kitchen.
you unravel out of your little dumpling warmth immediately, though your goosebumps return in full force. touya grins at you, happily, and tosses the kitchen knife in his hands in a way that looks too proficient, too dangerous for what it is. your teen heart thumps loudly in your ears, charmed and enamored by his tragic mystery.
— and then you take in his still-pristine work outfit, openly, now that he's watching you; slacks a little slouchy on his narrow hips, white shirt buttoned up to his neck. the tattoo there is covered up by bandages on purpose, and though he means to simply hide them from view, it only sharpens all his edges.
the small pink, hello-kitty band-aid on his cheek helps, too, in a cutesy way. makes you all too aware of how much has changed over the years. how much he's changed, all the work he's had to do, the dues he's had to pay. your heart swell stubbornly, seriously, and you try to shake it away.
your voice starts out small, embarrassingly enough. "you look nice in your fancy office clothes."
touya's hand slip into his pocket and he rocks back and forth on his heels once, pleased, before looking down at his loose tie. "think so? you like a white-collar man?"
you look back to the sink, shy. it pulls him in; a moth to the flame of your hesitance, and it's not a moment later that he's leaning up against the counter beside you, watching your heated face carefully. the knife at his side gleams in the kitchen light and — you're not afraid of him, couldn't be, but you wonder if anyone else has ever been.
the truth of what landed him in trouble with the law is unknown to you, the one thing fuyumi never shared, and you can't help but to be curious as to why. you're practically family at this point and it's not as if you could ever look down on them, ever, and while you couldn't possibly understand the horror they went through with their father — you can sympathize with the fact that it wasn't easy. that he left scars they'll always nurse.
touya's always been so out of your reach, despite being just down the hall. blame it on time or the slight age difference or your relationship with his sister; it's hard to hope that he could be here, at your side, truly. finally.
instead of answering, you simply turn so that you're facing him, hip leaned against the counter, and the bright eyes he has on your cheeks are almost impossible to be at the mercy of. even worse when his smile grows, boyish-ly cute.
"what, coming on too strong?" he asks, laughing quietly when you put on a brave face and roll your eyes. "figured the emojis would'a opened the door a little."
your cheeks flame, and you press your hands into them to tide back your smile at how — flirty he is. the step back you take doesn't go unnoticed. "i couldn't even believe what i was seeing when you sent those."
"oh, yeah?" the tone of his voice changes then, shifts a bit lower. if you weren't tracking his eyes as they shift down to your mouth, burning a little brighter, you might've though you'd upset him or said the wrong thing. "what'd you think i meant?"
you glance away from him, directly at the ugly eggplant you'd been fiddling with earlier, and the dark thoughts return. when you don't answer right away, he reaches over to flip on the tap, running the knife blade underneath the stream as you map the wide expanse of his hands, the length of his fingers. small, translucent scars litter his knuckles.
"i don't know," you lie, and then it seems like you have said the wrong thing, this time; touya turns a little, placing all his attention in the dish soap and the sponge you'd left out to dry.
you are sixteen, speechless, nervous by his proximity—
"you seein' anyone right now?"
—but this is not the same boy that left you behind.
you have to laugh in order to keep yourself rooted to your spot, here on earth in the todoroki kitchen, and it brings his attention right back to you. "uh," you say, lamely, "what?"
it makes him laugh, too, all your sputtering. "yeah, c'mon. i mean, i know i'm fucked in the head, but," and then he really laughs, open-mouthed, showing off the piercing still in his tongue. "i'm workin' on it, and stuff. renewed and reformed, or whatever."
"hang on," you shake your head quickly, frowning at him as you replay the words over and over; his self-deprecation is so genuine that you almost missed it. "i don't think you're...fucked in the head."
"well, that makes one of us—"
"no, touya, i'm serious," the step closer you take has him looking away, down into the empty sink; hilariously, a mirror of yourself that you never could have imagined seeing. it does strange things to your heart, your stomach, and your nerves. makes you bolder than you really are. "i've never thought that."
he doesn't say anything for long time, choosing to watch droplets of water as they fall from the faucet. his jaw works in the silence, like he's chewing the inside skin of his cheek, like he's thinking too hard.
and then he says, quietly, "i know." he continues without looking at you, sensing the confusion on your face. "i know you never did, 's'why i couldn't..."
you blink, lost suddenly in the meaning of his words and their whirlwind. you think back to all the times he grinned at you from fuyumi's doorway, how uninterested he seemed in you from across the dinner table, his silence on the rare occasions you were alone together.
you've known touya since you were fourteen and he was fifteen. you remember when their parent's got divorced and when touya got his license and when he got locked up, the first time. you've known him through so many of his bad moments and it never dimmed the little stars you had in your eyes for him, and you once thought that was a bad thing, that it would only lead to heartbreak time and time again from him. you once thought it was something only you and fuyumi knew about.
"i am tryin' now," he continues with a sigh, a little winded. "seriously. got this shitty job and am goin' to my meetings. not as big of a piece of shit." when you start to object, he shakes his head and holds up a hand to stop you from arguing. "i know, i just mean...you wanna white-collar guy, i'm a white-collar guy."
you feel shy again, especially as the high points of his cheek flush pink. boyish-ly cute. "so that's why you sent me three eggplant emojis instead of just asking me to come eat dinner?"
touya snorts. "yeah, like i said, i'm workin' on it."
"no, i..." it feels wrong to admit anything to him like this, so close as his grin grows on his handsome face, dimples showing. you've been thinking about moments like this for years, but now that it's here, you feel a little dizzy, looking into his bright eyes. "i like the eggplant emoji." you step away from him for just a moment, to grab his half-eaten dumpling, and his expression grows serious — a little dark — as you nibble on it. "i like the way you...do things."
his smile grows knife-sharp, something he's too good at wielding. "well, in that case—"
"can i come in yet? our dinner is about to burn."
you both whip around to take in fuyumi, hovering at the edges of the kitchen with her arms crossed. watching on, her cheeks tinged pink, too. you try to step away, embarrassed and caught, but touya only leans in, knocking his hip to yours.
fuyumi rolls her eyes at him, but the small smile she sends you has you wanting to be swallowed up by the floor; this isn't a discussion you've ever had to have with her, but now — it's inevitable.
you suppose you can't complain too much.
"okay, you had your moment, now get out," she sticks her tongue out at touya before shooing him away, making a small noise when he pinches your elbow teasingly. it makes him laugh when she swats at him, and he only holds up his hands and tries to drop all his weight back on her as she steers him out of the kitchen.
you fish the knife out of the sink and return to cutting another eggplant once she's back and stirring in her leeks and little miso mixture. the moment is tense between you to begin with — but then she's humming quietly under her breath and knocking her hip into yours, too, tucking you back into the comfort of this house you've always been in. this family you've always loved.
"you know," she murmurs eventually, rolling her eyes with another smile when you glance up at her face. one of the eggplants is weighed in her hands, and even she frowns down at it, before shaking it at you in a way that makes you both laugh. "he made me buy these, by the way."
—tucking you back into the comfort of this family that has, maybe, always loved you, too.
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newts-and-bones · 9 months
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Papyrus doodle sheet (+ 2 sans guys)
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milquetoad · 11 months
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of the many injustices put forth toward the show by fans i think the most overall damaging and telling of a complete lack of critical viewership is the idea that sam riegel builds his characters with nothing more than the bit in mind. like you are only telling on yourself if you think characters like scanlan shorthalt and veth brennato are one-dimensional and depthless
#if im being exTREMEly generous i can maybe understand this view of scanlan if you started c1 and then gave up 30 episodes later#he played the long game with him more than any other and a lot of his growth could be looked at as shallow if you DIDNT watch til the payoff#but any time this opinion is used as a blanket over all of his characters including tary and even FCG.. like be serious#i mean at this point im definitely biased bc he is my favorite player at the table. However. that wasnt always the case#and even when i was myself writing some character choices off i NEVER applied that to the characters themselves. how can you??#seen sooo many ppl criticize him for making veth an alcoholic or scanlan irreverent & hedonistic as tho it’s only possible#to play these traits as shallow jokes or at best played out satire…. and then the same person will turn around#and praise how percy was built to be pompous & superior and jester immature & self-centered and caleb steeped in self-effacing hubris#why are these characters and their players given a near universal acceptance of nuance and acknowledgement of growth & healing#but SAMS CHARACTERS ARE NOT!!!!#this turned into such a rant but it bothers me SO much. everyone at the cr table is so goddamned talented#and takes the game as seriously as it deserves#so many more points i could argue but this is already so goddamn long no one is reading this far. i love sam and all of his characters <333#critical role#sam riegel#scanlan shorthalt#veth brennato#my posts
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dollypopup · 23 days
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"Colin should have grovelled more!" "Penelope folded too easily"
I think statements like this typically come from people who like Penelope. . .but don't really understand her. And don't really understand just why she cares for Colin, and just why him groveling would not in any way bring her peace.
Penelope and Colin are kindred spirits in their loneliness, in season 3 more than any others. Penelope had lost her friendship with Eloise, and Colin didn't really have a close friend circle to begin with. Except with Pen. Pen was the person he could put the mask down for, could open up to, (in particular with their 'dreams' discussion) and that's why he couldn't even entertain the idea of giving up talking to her in Season 2. She is a vital part of his life, and holds so much significance and importance to him.
I imagine that's what made their silence over his travels especially painful for him. They spent such a long time talking after Season 1, and he even informs her that her letters were so encouraging, that it helped him heal something inside of himself. That if she could see him in a gentle way. . .so could he. (And he repays this, because he is honest to god out here acting and looking at her like she hung the moon in the sky). But without her presence in his life, he spiraled. Didn't feel confident in being who he is, and thus put on his persona more firmly. We know this because he wrote in his journal that "I want to be less needy, less insecure, while still maintaining the core of my vulnerability that makes me who I am". That he misses his family, that he misses home.
And we know, from the books, that Home? Home is Penelope. Penelope is his North Star, is his guiding force, and who I argue he feels he needs. In his very first scene, he looks toward her house, tries to find her in the window. When he does not, he returns to his family. In the outdoor gathering, he looks for her and finds her, eager to talk. He states aloud that he misses her, and I imagine he wrote it, too. Not hearing back from her over the course of his travels was surely something that hurt him, but he doesn't hold any ill will toward her for it, only wants to reconnect again. In fact, the one and only time he brings up how he misses her and that she didn't respond, she makes very clear the reason why: she heard what he said and it hurt her. And he's ashamed of it.
Colin hears her call him cruel, and instead of ruffling his feathers about it, instead of getting upset, instead of having a chip on his shoulder as I feel so many men would about it. . .he understands why she does so.
Penelope is a woman who has been largely treated poorly in her society. She feels unheard, she feels undesired, and in her circumstances, and I can't help but ask myself. . .has anyone ever truly apologized to Penelope for hurting her, before? Her mother? Her sisters? Eloise, likely, but. . .anyone else? And the way Colin did? Because of all the characters in the show, Colin? Colin knows how to apologize. He has a lot of practice in it. And very importantly: Colin, a man of privilege in his society, apologizes. . .predominately to women. To Marina, to his mother, and multiple times to Penelope.
Ultimately, Penelope wants to be heard, Penelope wants to be understood, Penelope wants to feel desired.
And Colin checks every single one of those boxes. He informs he is not who he was before, and then he proves it to her. He hears that he hurt her, and he comments on it directly. An entire night apart, and he comes back to her 'Because I embarrass you' with 'I am most certainly not ashamed of you', replies to her 'I am a laughingstock' with 'you are clever, and warm, and I am proud to call you my good friend'. He hears her proclaim her own insecurities, and empathizes so deeply with her. He listens. He understands. He makes clear that he cares for her, and that she *is* desired. 'You lift my spirits' 'I seek you out at every social assembly'. That she helps him see the world in ways he loves, that he sees HER and how much she has cared for HIM, that she makes him feel appreciated, that he appreciates her, in turn.
And then? Then? He shows her. He tells her, and he shows her. His actions all throughout Season 3 reinforce this apology. He continues looking for her in every corner of every ballroom, he continues complimenting her, he laughs at her jokes and respects her boundaries, he is ever so gentle with her, he listens to her with an attentiveness that no one else has ever given her. To Lady Whistledown? Sure. But to Penelope? Who else in the entirety of that ton has listened to Penelope the way Colin has?
Absolutely no one.
Penelope Featherington ghosts Colin Bridgerton for months with no explanation, and Colin comes back wanting to reach out to her, and she finally tells him why.
And he apologizes. Because he listens. Really, truly listens. And really truly cares.
I need you to understand how rare that is, even nowadays, but especially back then. That Colin is the kind of man who can put his hurt to the side and realize he made a mistake, that he said something callous, and he adores her, and he can't lose her, and he has to see her and make it right.
Because that's why Penelope fell for Colin. Not because he's beautiful, not for his charm, not for his family. But for his heart. Because he shows her kindness in a world that so often disregards her. Because he seeks her out and tries to understand her, truly hears what she has to say and compliments her, says he's sorry and looks at things from her perspective.
Because he saw her when she was invisible.
Penelope Featherington, who grew up in a house that made cruel jabs at her, has Colin Bridgerton come to her and say he regrets what he said, and that he was wrong, and that he understands why she's mad at him. Penelope Featherington who has so rarely had much of anyone tell her that they're sorry for what they said about her, sits before Colin Bridgerton as he professes how much she means to him. That he cannot even spend a full day away from her knowing they're on bad terms with each other without making it right. That he sees how she is hurting and he has to in any way he can amend it. She is lonely, with no one really in her corner at the start of season 3, and she feels like she lost it all, and Colin comes to her and says 'no, I'm here and I appreciate you and you are special to me, please let me in and let me prove it'. Is it any wonder why after she shakes his hand, she stands in the sun, and she feels the warmth of it, she can smile? That she can breathe, again? That she can be truly content for the first time in the season?
Because Penelope Featherington does not want Colin to beg. She knows him. She knows the tender, full heart he hides behind the new cavalier persona. She knows the soft underbelly of Colin Bridgerton.
He never had to grovel. All he had to do was love her. Assuredly. Fervently. Loudly. Unapologetically.
And he does.
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It's weird to expect lb to be able to read cn mind and called her a bad partner for it. But it's even weirder for lb to ignore cn WHEN HES OBVIOUSLY IN DISTRESS and not called her a bad partner for it because I think called her a bad partner for ignoring it is understandable and justified especially since she consider herself as his boss.
Every time I bring up this conflict, I try to make it clear that I don't think Ladybug was blameless, I just think Chat Noir's writing was worse. Let's walk through the problem to show what I mean.
Season four stars with Marinette extremely stressed by her new Guardian status. In Truth and Lies, the first episodes of the season, we get this:
Ladybug: Will you cut it out with the practical jokes? I could have really hurt you! Cat Noir:(answering while hanging by the yo-yo) M'lady, the only thing that really hurts me is when you make me go on patrol by myself. (sighs, relaxing his posture) I even missed your little angry pout. Ladybug: Sorry, Kitty Cat, I'm a bit over my head at the moment. (pulling him up) Cat Noir: I bet! "Guardian of the Miraculous", big name, big responsibility!
This is also the start to Chat Noir communicating poorly. In this episode, he's straight up told that Ladybug is in over her head and he never once asks how he can help. In fact, we even get him saying this when asked how he feels about the change:
Truth: Cat Noir, tell me what- (interupted by Ladybug throwing a present at Truth) Ladybug: (covering her parasol with foil) ...do you think about my new role as guardian! Cat Noir: If it doesn't change things between us, then I'm good with it!
So not a great start to the season. I know people focused on Adrien's terrible treatment of Kagami in these episodes, but this Ladynoir dynamic was actually what rang alarm bells for me. I kept waiting for Chat Noir to offer his support since it was really, really obvious that Ladybug was in over her head since she was late to patrols, the last season literally ended with her losing her mentor figure, and, you know, she straight up told him that was what was going on?
The next episode is Gang of Secrets in which we see Marinette out her identity to Alya. I get why she did this, she needed support and her partner doesn't seem interested in giving it, but she can't say that for certain because she never asked him directly and she should have. Trusting Chat Noir over Alya would have allowed Ladynette to maintain the security of her secret identity - a thing she claimed was more important than ever - and to honor their partnership. At the very least, she should have told Chat Noir that Rena Rouge was now a full time holder so that he could account for that in battle and to minimize the fallout by owning up to her mistake asap. The longer a lie goes on, the worse the truth will hurt.
To Ladybug's credit, she does eventually acknowledge her mistake after the Scarabella incident:
Ladybug: You... must've been pretty surprised to discover there was another holder! (Silence. She sits beside Cat Noir.) Ladybug: I'm really sorry, Cat Noir. I should've told you. I mean, if I found out that you told someone about your secret identity, I'd... probably be upset, too. I'm really sorry I hurt your feelings.
This is a decent apology. She doesn't try to absolve herself of wrong doing. Instead, she acknowledges that what she did would hurt her, too, if the shoe were on the other foot. The only thing she loses points on is the fact that she doesn't tell him about Rena Furtive.
However, instead of agreeing with her and telling her that she has hurt him, Chat Noir says that she did nothing wrong and never once brings up how their weakened partnership is bothering him:
Cat Noir: You didn't hurt my feelings. You did everything right. Paris will always need a Ladybug superhero to watch over her. It's just... I realized that if one day that hero wasn't you, m'lady, since we don't know each other's identities, that means... I'd never see you again. Ever. And now, I just don't know if I can bear it.
This is the thing that I hate about this arc. The reason why I say Ladybug is blamed for not reading his mind. Especially because, three episodes later, we get Rocketear, which gives us this:
Cat Noir: Everyone has doubts now and then, (looks down) even me... Ladybug: Is everything okay, Cat Noir? Cat Noir: Yeah, yeah. (prepare his fist) Pound it! Ladybug: (fistbumps) Pound it!
Rocketear is the episode where Nino outs that he and Alya know each other's identities while acting like Ladybug said identities weren't a big deal even though that is very much not what happened. You'd think that Chat Noir would want to know the full story, but instead he just lies and says that everything is fine.
So we have two situations where the show allowed Ladybug to give Chat Noir a chance for clear and open communication and both times he turns her down.
What's worse is that he clearly starts making up stories in his head, leading to Kuro Neko, which starts with Adrien avoiding a fight on purpose as some sort of shit test. He then gets upset when Ladybug... doesn't lament his absence on national TV?
Clara: (from TV) By the way, where's Cat Noir? You've saved Paris without him quite a few times recently. Are you two at odds with each other? Carapace, Pegasus, Vesperia and Pigella: (from TV) Pound it! Ladybug: (from TV) Of course not, it's just that... umm, he's a partner like any other! The most important is to pick the best superheroes for each mission, with or without Cat Noir. No matter what, we've got a great team and we'll always be here to save Paris. (Adrien is shocked.) Adrien: (turns off the TV and sighs) "A partner like any other..."
Dude, what did you want her to do here? Complain that you flaked on her? Make Paris feel less safe by saying she doesn't know where you are? Imply that the fight was barely won without you? What are you doing? Plagg, you are completely failing as a mentor right now.
The shit test continues as Chat Noir goes to meet up with Ladybug now that the battle is over, arriving just as Ladybug has finished instructing the team on what to do:
Ladybug: Come on, guys! Hurry up before you all detransform. I'll meet you at rendezvous points. (The heroes jump away in different directions, and Ladybug starts typing something on her Yo-yo.) Cat Noir: Hey! Meow are you, m'lady? Ladybug: Great, thanks, but I gotta go retrieve all these Miraculous. Cat Noir: I could lend you a paw to help save time. Ladybug: Thanks, kitty cat, but it's a guardian's job to do it. Cat Noir: I know who some of them are, remember? I was there when you first gave them their Miraculous! Ladybug: You don't even know where their rendezvous points are, I don't have time to— Cat Noir: Playing cat and mouse is my forte, you know— Ladybug: (yelling) If you wanna save me time, stop wasting it in the first place! (Cat Noir gasps. As Ladybug swings away, Cat Noir clenches his fist.) Cat Noir: And take my Miraculous back when you're done!
So Ladybug doesn't publicly chastise Chat Noir for missing the battle and rejects an offer to help because of very legitimate timing concerns, leading to Chat Noir quitting because she failed his stupid, petty, childish tests. Realistic writing? Yes. Writing that paints Ladybug as the one in the wrong? No.
Going into this episode, Ladybug has no idea that things are messed up between them even though she has actually kept communication lines open. She asks him if things are okay, but he lies. And when he's ready to quit? He plays stupid games and wins a stupid prize. It's really not shocking that the next scene sees Ladybug totally baffled by what just happened:
Plagg: For a while now, you've been neglecting this camembert— I mean Cat Noir, and going on adventures with the all other cheeses! Ladybug: But he should be happy about it, it gives him more time off. Plagg: Cat Noir doesn't wanna have time off, Ladybug! He is in love with you! And your persistent calling on all the other heroes has broken his heart.
And how is she supposed to know that, Plagg? Was she supposed to assume that her partner was lying when he said he was fine? Because she did ask and he said that nothing was wrong. But something was wrong and it lead him to build up a story in his head, reading nonexistent intent into her actions, all of which is toxic and unhealthy communication.
I cannot stress how common this shit is. I've seen it so many times and I will own that I've done it in the past and wound up getting no support when I needed it because I'd directly told people I didn't and they committed the heinous crime of... believing me.
Here's the other thing, there are times when I'm in distress and legitimately don't want or need help. Times when I just need to be alone for a bit. So if someone asks me if I'm okay during those times, I'm probably just going to say, "Yeah, I just need a people break" or something like that. That's why the Scarabella scene is so bad. Ladybug can see that Chat Noir is in distress and he gives her a fully plausible answer: I'm not upset with you, I'm just saddened by the idea of losing you. And she believes him because why wouldn't she?
Same goes for Rocketear. It's reasonable for Ladybug to assume that Chat Noir is just shaken by the fight. She has no idea about the bombshell that Nino dropped right before the fight. She doesn't even know that Nino and Chat Noir are actually close friends, making this fight a lot more devastating than it looks at face value. Her actions here are not objectively wrong. They're only wrong if you know the whole story, including Adrien's needs. Things that she cannot know unless Chat Noir uses his words to tell her things.
I cannot over stress how much season four is a textbook example of denying yourself support because you cannot communicate your own needs. Is it an understandable character flaw for a character with Adrien's background to have? Yes. Absolutely. 100%. But it's still a character flaw. This season desperately needed an arc about Adrien learning to tell people what's wrong. Not because he's the only one in the wrong here, but because things cannot get better when Ladybug has no idea that she's hurting him. (Nino has no idea either, but let's keep our focus on Ladybug.)
One of the most important things you can do for your own mental well being is to dismiss the idea that your needs are the same as everyone else's. Everyone needs different amounts of attention and values different behavior based on things like their upbringing and life events.
I get the feeling that I'm wired pretty similar to Marinette. At least, it influences how I write her because I can go months without talking to my best friends and still call them my best friends, a trait we all share because two of use are artsy introverts and two of us are moms to young kids, which allows for very little free time. Meanwhile, my SO and his best friend spend hours on the phone almost every week. I swear that those two go into withdrawal if they don't talk at least once every seven days. If months went by without them talking? Something would be very wrong, but the exact same time gap isn't even remotely concerning when it comes to my friends. It's something my SO and I had to figure out when we got together because I need a lot less attention than he does. But we communicated and found a balance that we continue to work to communicate about so that he doesn't feel neglected and I don't feel overwhelmed by too little me time.
What I'm trying to say is Marinette wasn't horribly wrong for assuming that Chat Noir was telling her the truth or that he liked having a larger team so he had less responsibility. Those are reasonable assumptions. Especially since he never actually indicated that he wanted more responsibility until he was ready to quit and decided to shit test her by pushing for more to do when she was stressed and on a timer.
I do think that she should have offered it to him before that or - at the very least - the show should have clearly stated why she didn't do that since it apparently had nothing to do with Chat Blanc trauma like we all thought it did. I'm not saying that she's blameless or perfect or that there weren't things she could have done better. It's just really hard for me to look at Chat Noir's behavior in season four and go, "Oh yeah, he's the injured party here. Ladybug holds all the blame and did everything wrong." She did many things wrong, but generally speaking, she owned her faults and tried to keep communication channels open. Chat Noir chose to ignore those chances to talk or otherwise try to express his needs in a clear and understandable manner.
We'll end with one final point to drive this home: You said that she's his boss. Well, if my boss asked me, "is everything okay with the project?" and I said, "yes" while freaking out about the upcoming deadline that I'm probably going to miss because he's given me too much work, the issue is not all on my boss. It's on both of us. Him for overloading me and me for not telling him I'm overloaded. You could even argue that it's mostly on me because I'm the only one who can properly gauge my own ability to do a given workload. As soon as it was too much, I should have said something. And if I don't feel like my boss is approachable? Then I should quit. But that isn't the situation I'm in and it doesn't appear to be the one that Chat Noir was in, either. He wanted to stay part of the team, he just totally failed to tell Ladybug how being on the team was making him feel.
People magically knowing what you need and how you feel is a myth. I promise you, most people in this world do not want to cause you pain, but if you cannot clearly express when someone is causing you pain, then you will continue to get hurt by people who would be very happy to not hurt you if they actually knew that their actions were causing you pain.
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tenisperfection · 1 month
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So few things beat the euphoria of watching Buck see Eddie for the first time, knowing now that it was attraction he was feeling but he did not know it. Even fewer things compare to the knowledge that Buck's life has just changed forever in that second and he does not know it yet, and it is because of that man he's trying to devour kill with his eyes.
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poorly-drawn-mdzs · 11 months
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Bestie Deficiency
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#poorly drawn mdzs#mdzs#a-qing#xue yang#xiao xingchen#Xue yang is cold because cold blooded creatures can't generate their own body heat#I am skipping over drawing the stories they tell due to the fact this arc is already really dragging#but I think they are very key in understanding the yi-city characters#Even if they are stories that really bring down the slumber party vibes A-Qing was hoping for.#I mentioned some of my thoughts in the tags of no. 76 but to continue on a bit more#I think xxc and xue yangs stories inversely mirror each other on the meaning of sacrifice and what it means to 'deserve' something#to xue yang he has only ever sacrificed - therefore he is in his right to 'deserve' what he wants. And he wants everything.#xxc leaves song lan thinking its the best course of action to atone but my god. No it wasn't. Poor communication crown actually goes to xxc#but it's what xxc he feels he deserves - continued sacrifice to atone. He wants to want nothing.#both are very stuck in the past in ways that are not actually accounting for their actions#It's easy to look at xue yang and go 'dang you need to get over your childhood trauma'#but that very much ignores that fact that we - real human beings - define so much by our childhood pains.#Growth is having to come to terms with it and trying to move past it...and not everyone is ready for that.#I have a lot of thoughts on that matter but I'll let it be for now.#Anyways. Amiguito appears to be one of those words whos meaning change depending on speaker and contextual factors#So as far as I can tell it slides around on the scale on romantic and platonic. Which works for this dynamic. I think.#Native Spanish speakers I am so sorry.
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i-d-e-g-a-f · 2 months
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i ache for katara so deeply, she deserves so much better than her canon fate. i cannot express in words how much her story and how the fandom views/treats her physically hurts me
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jewreallythinkthat · 2 months
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Call me old fashioned but when I see suffering alongside those who are not suffering (in the same way at least), my first thought is not to drag down those who are happy so they can experience suffering themselves, but to instead try and work out how those suffering can be raised up so everyone is living happily and peacefully.
And if to stop one group suffering, I must instead pass that pain onto others, I simply don't make a decision about who I executively decide to be mose deserving of suffering but instead put in the effort to find another way
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curi0uscreature · 8 months
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* Vampire Helmut mayhaps? A little bit of Fullbat anyone??
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