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mayans-mc · 1 year
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Mayans MC gif meme → 5 episodes [5/5]: Chapter the Last, Nothing More to Write, 3x10. __________________________ She left, EZ. She's gone.
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fashionbooksmilano · 8 months
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Joan Fontcuberta Twilight Zones
Essays (in English) by Jorge Wagensberg, Martí Peran and Anatxu Zabalbeascoa.
Graphic Design Ramon Prat, Collaboration Leandre Linares, Anna Tetas
Exhibion Curator Anatxu Zabalbeascoa, Coordination Carmen Diaz
Actar Publishing, Barcelona 2000, 160 pages, Hardcover, with 75 four-color plates and additional color and black and white illustrations finely printed full-bleed on heavy paper by Ingoprint, 17x24,5cm, ISBN 84-95272-15-2
euro 50,00
email if you want to buy : [email protected]
A beautiful exhibition catalogue that presents three of Fontcuberta's most minimalist and poetic series: Haemograms, Constellations, and Semiopolis, together with fine essays.
This book brings together three recent projects by international artist Joan Fontcuberta, "Constellations", "Haemograms",and "Semiopolis", featuring images of dramatic celestial landscapes, science fiction urban utopias, and abstract and minimalist smears of blood.
Includes an exhibition history and selected bibliography.
25/10/23
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lukecoalman · 1 year
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Mary and Flo on the go Boards
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Back in 2020 I directed on Mary and Flo On the Go. A sorta strange spin off of the CBC show Frankie Drake Mysteries. Where two of the characters star in a kids cartoon. Overall though it was a fun show to work on. I worked with a great team, in the heart of the pandemic. I've posted the animation crew credits below.
youtube
Production Manager SARA LINARES ARBEL��EZ
Character Designer MIKE DEAS
Props Designer APARAJITA RAVICHANDRAN
Backgrounds Designer ALEX HAWLEY
Storyboard Artists JESSA LEE REMPEL WADE TURNER
Builds
JOEL CHAHAL PETER GAJEWICZ CHERRY LAU AJA LOMOVIC LEA MacDONALD KATHERINE MASON DAVID SCHUT
Background Painter
UNA DI GALLO PAUL HAMMOND ARAMIKA KLIAVIN
Animators
THOMAS TWOLAN MATTHEW BURROWS MELISSA GABRIC JACOB JACKSON WILLIAM MARTIN SEAN McDOWELL JOSH PINKER ANNA SOU ALEXANDER SUN DANI WOODS ANNIE ZENG
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444namesplus · 25 days
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My Chilean crush.
Valentina Vargas.
Born: Santiago, Chile, December 31 1964
Occupation: Actress & musician.
Filmography
Strictement personnel (1985) - La masseuse
The Name of the Rose (1986) - The Girl
Fuegos (1987) - Margarita
The Big Blue (1988) - Bonita
Dirty Games (1989) - Nicola Kendra
Street of No Return (1989) - Celia
The Tigress (1992) - Tigress / Pauline
The Devil's Breath (1993)
Twin Sitters (1994) - Lolita
The Shipwrecked (1994) - Isol
Hellraiser: Bloodline (1996) - Peasant Girl / Angelique / Angelique Cenobite
Southern Cross (1999) - Mariana Flores
Chili con carne (1999) - Ines
Bloody Mallory (2002) - Lady Valentine
All Inclusive (2008) - Carmen
Ilusiones ópticas (2009) - Rita
Faces in the Crowd (2010) - Nina
Night Across the Street (2012) - Nigilda
Johnny 100 Pesos: Capítulo Dos (2017) - María Francisca
Television
Le flair du petit docteur (1 episode, 1986) - Laure
Piazza Navona (1 episode, 1988) - Perla
Air America (1 episode, 1999) - Celia
L'Été de Chloé (2002) - Agnès
Un homme en colère (1 episode, 2002) - Laura
Les Liaisons dangereuses (2003) (mini series) - Emilie
Le Caprice des cigognes (2006) - Anna
Fête de famille (5 episodes, 2006) - Monica
Héroes (2007) (episode: "Balmaceda") - Sofía Linares
Discography
Tiger In A Dress (Single, 1992) (Original Title song from the film The Tigress)
Midnight Dancing (Song, 1994) (vocals, track included in Jon Anderson's album Deseo)
Mensaje Amazónico (feat. vocals in this song by "Sin Fronteras", included in the album "Kiruba: Alpaka & Sin Fronteras")
Bit of Sun (Album, 2013)
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facesvasias · 2 years
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Uu mele rajini murugan song lyric meaning
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annamezz · 2 years
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Estrenamos e iniciamos gira en Madrid, en ese mágico y acogedor lugar que es DT Espacio Escénico.Jose True Blue Daniel Aranda Piedra Dura De la Vega Monika Rühle Linares  Anna Mezz.
Mil gracias Ignacio Jose Repetto, Eloísa Segura, Paco Cañizares Quero, Mari Fuentes, Rosa María Neto Morales
Un espectáculo de amor #SurgeMadrid
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pedropcl · 3 years
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MAYANS MC (2018 - ) | 3.10 CHAPTER THE LAST, NOTHING MORE TO WRITE
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hvitserkk · 3 years
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So now I know your greatest fear. Something that will make a bullet to the head feel like an act of mercy.
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mayans-mc · 1 year
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Mayans MC GIF Meme: Masterlist
Oh my god you guise, I finished it! Only took me 3 ½ years, but yay for being a completist. 😝 Shoutout to everyone who supported me and reblogged these gifs!
1 location
The open road
2 outfits
Angel & his plaid shirts
The guys & their black ‘work’ hoodies
3 relationships
EZ/Emily
Miguel/Emily
EZ/Sofía
4 quotes
“EZ was supposed to be the one who got tf out“
“My Bad!”
“Never, never be like your mama. Promise me, Coco.” 
“Let my blood be the last!”
5 episodes
Perro/Oc, 1x01
Our Gang’s Dark Oath, 3x04
Death of the Virgin, 4x05
Camazotz, 2x03
Chapter the Last, Nothing More to Write, 3x10
6 characters
Taza
Tranq
Riz
Emily
Nestor
EZ
7 scenes
EZ & Felipe in Kukulkan, 2x08
The table vote in Itzam-Ye, 2x09
Flashback to EZ finding out who killed his mom in Cuervo/Tz'ikb'uul, 1x10.
Emily in the pool in Pap Struggles with the Death Angel, 3x01.
EZ’s and Gabriela’s goodnight kiss in Overreaching Don’t Pay, 3x03.
Adelita killing Anna Linares in Death of the Virgin, 4x05
Kody Katie telling Creeper the truth in The Calling of Saint Matthew, 4x09 
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jcmorrigan · 3 years
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001 - Tales of Zestiria?
Favorite character: It's a tough call between Maltran and Symonne, and Lunarre is trailing right behind both. I tend to call them the "Heldalf Squad," but make no mistake, Heldalf himself isn't part of it. I just like his swagalicious minions. The dry and sarcastic political manipulator, the sadistic and wordy theater nerd, and the flamboyant cannibal who hates everything. Yes. LOVE. But I have to give a shout to my boy Dezel on the hero side! Angsty/stoic characters are very hit-or-miss with me, but Dezel is the flavor I love - obvious soft spots and quirks, and slowly he builds from being antisocial to showing how big his heart is. When he stops the woman from leaping off the Guinevere tower...that's one of my favorite scenes in the entire game, because you can see when the switch flips, when he realizes that he CANNOT stay aloof any longer when there's a stranger's life on the line. He's still a grump about it but a compassionate grump.
Least Favorite character: Heldalf. His backstory is really clever, and I like the curse on him. But he himself just feels like Ganondorf but more boring. I kinda hate that he's so vanilla when his three lieutenants are in my arsenal of pet villains from the vastness of fiction. Also shout-out to Chancellor BART in the opening Ladylake act, because I distinctly remember liveblogging this to a friend, and I played Zestiria *after* Berseria (I'd loved Berseria and that's why I eventually sought out Zestiria) so here I am just comparing up the corrupt church in Ladylake to the Abbey's suave rogues gallery like "Yeah no BART has nothing on Lady Teresa Linares." Thankfully BART was never seen again.
5 Favorite ships (canon or non-canon): DezeRose, SorMik, Symonne x Coco Atarashi (The World Ends With You), Alisha Diphda x Sergei Strelka, and...I swear you have to bear with me here...Zaveid x Anna (Frozen). I also kinda wanna note a couple ships I'm on the fence about for my other favies - those being Maltran x Ebony Maw (Marvel Cinematic Universe or Marvel Ultimate Alliance) and Lunarre x Arkham (Devil May Cry).
Character I find most attractive: Dezel. It is a scientific fact that guys with pointy teeth are just hotter.
Character I would marry: Maybe Dezel, maybe Sergei. I wouldn't want to take them from those I see as their wifeys, but at the same time, they are husband goals, both of them.
Character I would be best friends with: Catch me clinging to Maltran's train and she drags me along annoyedly as I yell "PLEEEEAAASE LET ME HANG OUT WITH YOU GUYS" and Lunarre is losing it laughing while Symonne rolls her eyes
a random thought: So I toyed around with basically every accessory I picked up, and I decided to put the sideburns on Rose because fuck gender roles. Well then I just got used to seeing her with facial hair in every cutscene where her 3D model was used, and now I headcanon that she does get it. Maybe nonclassical CAH intersex? Like, I don't necessarily see her as trans (but I support everyone who hc's her as such) but moreso "a cis woman, but I grow this stupid damn facial hair like a dude and I don't get why." And this is why you shouldn't let me play with customizable accessories on RPG characters because I can and will abuse my privilege to headcanon.
An unpopular opinion: That this is actually a very good game. Listen, I think I get it - the initial marketing promised something far different. And that's disappointing. But coming back to it several years after its release, after the release of its PREQUEL, when I never had that hype building up...it actually exceeded my expectations. I held off from it for a while because I thought Eizen's fate would make me too sad, but that didn't end up the case at all. I actually had just come off playing a more recently-released triple-A game that was hyped up for years, and I completed it to my satisfaction in 20 hours. $80 for 20 hours. Zestiria gave me my money's worth in comparison; it took me about 60, and I loved just how MUCH story it had to offer me. I honestly like Rose better than Alisha anyway (Rose was one of the biggest aspects that interested me about playing it in the first place). I've also seen complaints that the characters weren't well-developed enough? Which I just kinda take to mean "They didn't angst enough." Listen. There are PLENTY of games out there if you want angst and sad stories. I don't really like sad stories in my games. I like adventures where the party is a goofy foundfam that jokes around with each other and helps each other work through shitty situations, and that's EXACTLY what I got. (And Berseria really worked on me too because it kinda started at the bottom of the angst barrel, then worked its way up through "The edgy and tortured protag has gained a party of idiots and oh noooooo she's learning friendship and happiness.") Dezel's death is one of the few game deaths that just made me SATISFIED to watch instead of depressed because of the closure he got and the themes tied into his final moments and sacrifice. I loved going on this adventure, I loved the idiots who I went on it with, and I loved seeing what Glenwood had to offer me in world design the further I explored.
my canon OTP: There's not much for canon romance in this game, come to think of it. Just subtext and some flirting. So I'm blanking on if there actually were any canon couples at all.
Non-canon OTP: DezeRose! Which maybe can be considered almost-canon based on the amount of subtext, but still. It's adorable. (And it's the exact same dynamic as EiRoku except M/F and a thousand years later. I need these four to double date...the dual-wielding goofs with their edgy, grumpy Reapers...)
most badass character: Rose! Not only able to wield the Shepherd's Armatization powers, but also to be a dang good assassin on her own, able to hold her own against Heldalf before she even had her eyes opened to seraphim! Though a shout-out goes to Edna because her armatization was my favorite to play with. There's something just satisfying about bashing the enemy in front of you with a pair of GIANT FISTS
pairing I am not a fan of: RoseAli. To be honest, it was at one point something I kinda enjoyed as a third-tier ship for Rose (Dezel first, then Lailah in second). But then...Alisha's Story. I didn't actually purchase it, thank goodness, just watched it on YouTube, and it was the most grating addition that anyone could've made to this game. First of all, I can sum up the issues with Alisha's Story by reminding everyone that it canonized a secret entrance to Camlann that was much easier to get to and wasn't protected by Muse's sacrifice. But the real thing that hurt to watch was how far down they had to knock Rose and Alisha's friendship to get them to rebuild from scratch. Rose claiming she was never Alisha's friend because she's grieving Sorey? The two of them getting into a PHYSICAL FISTFIGHT over it? Nope nope nope. That's not my Rose. Even less my Rose is that whole scene where she...you know...pounces on Alisha to dress her in the silly noblewoman's dress, and it's framed like...let's just say it's really uncomfortable to watch if you don't know the punchline is just a silly outfit. Even though Alisha's Story isn't canon in my head, it still really killed any buzz I had for RoseAli. I will also say I'm not a big fan of Eizavie - first of all, EiRoku or bust in this house, and second, I have a little bit of a hard time seeing Zaveid as mlm due to how much he goes on and on about The Ladies(TM). (Though I could see Eizen as having a tiny crush on him, though. Just like "Oh no he's hot but he's connected to Aifread's disappearance help")
character I feel the writers screwed up (in one way or another): Mostly just in Alisha's Story. I was mad about the aforementioned Rose stuff, but also...like...they undid Lunarre's original cathartic death, they did so to team him back up with Symonne and then do a whole fakeout that they had Maltran with them too, but Maltran is just an illusion and immediately after this, Lunarre and Symonne just decide "Yeah, we're not gonna work together anymore, have a nice life." Why does Maltran need to stay dead if LUNARRE somehow survived EXPLODING? And just...look to next question for more clarification:
favourite friendship: I just want to imagine that Maltran, Lunarre, and Symonne were weird evil friends. The kind who'd take artistic selfies and caption them "Murder and mayhem with my besties!". Maybe they even had a sibling dynamic. They were all pretty dang jaded, so I like to think they sat around sometimes talking about the things in this world that did them wrong. The reasons they were drawn to Heldalf. Heldalf himself wouldn't have cared, he would've kicked them around like disposable tools, but the three of them were too entrenched in his dogma to see it. Maybe if they met up again after he was off the board...then they'd sing a different tune. Realize they're all three better than this, and now they're gonna do things THEIR way, because remember when they made a three-point attack on Glenwood and Sorey was barely able to keep up with them wrecking Lastonbell AND Pendrago AND Glaivend? Remember when Lunarre and Symonne had each other's backs the night Dezel died? Now they can do what they want on their terms! And I just - I have many MANY feelings about these three.
character I want to adopt or be adopted by: Okay silly self-insert time but the thing is, Archibald Snatcher (The Boxtrolls) and Roman Torchwick (RWBY) are my two favorite parental f/o's (and also my OTP to end all OTPs), and I have this thing about how they'd be PERFECT crime dads to Symonne in particular because she's like a little, more theatrical Neopolitan. So there's a universe in my head where Symonne is basically already my little sister, and I look out for her - well, okay, she's a seraph with powerful Artes and I am a powerless mortal so really she looks out for me because "I suppose SOMEONE has to make sure you don't die" and I am grateful to her for it.
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maddalenafragnito · 3 years
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ART FOR UBI (MANIFESTO) 
Happy to join forces with this movement and create a network that strongly demands the introduction of a Universal Basic Income as the main response to the systemic crisis that is affecting not only the art and cultural production sector but the whole ecosystem in which we move every day!
The ART FOR UBI campaign promoted by the Institute of Radical Imagination.
1/ Universal and Unconditional Basic Income is the best measure for the arts and cultural sector. Art workers claim a basic income, not for themselves, but for everyone.
2/ Do not call UBI any measures that do not equal a living wage: UBI has to be above the poverty threshold. To eliminate poverty, UBI must correspond to a region’s minimum wage.
3/ UBI frees up time, liberating us from the blackmail of precarious labor and from exploitative working conditions.
4/ UBI is given unconditionally and without caveats, regardless of social status, job performance, or ability. It goes against the meritocratic falsehoods that cover for class privilege.  
5/ UBI is not a social safety net, nor is it welfare unemployment reform. It is the minimal recognition of the invisible labor that is essential to the reproduction of life, largely unacknowledged but essential, as society’s growing need for care proves.
6/ UBI states that waged labor is no longer the sole means for wealth redistribution. Time and time again, this model proves unsustainable.Wage is just another name for exploitation of workers, who always earn less than they give. 
7/ Trans-feminist and decolonizing perspectives teach us to say NO to all the invisible and extractive modes of exploitation, especially within the precarious working conditions created by the art market.
8/ UBI affirms the right to intermittence, privacy and autonomy, the right to stay off-line and not to be available 24/7.
9/ UBI rejects the pyramid scheme of grants and of the nonprofit industrial complex, redistributing wealth equally and without unnecessary bureaucratic burdens. Bureaucracy is the vampire of art workers’ energies and time turning them into managers of themselves.
10/ By demanding UBI, art workers do not defend a guild or a category and depreciate the role that class and privilege play in current perceptions of art. UBI is universal because it is for everyone and makes creative agency available to everyone.
11/ Art’s health is directly connected to a healthy social fabric. To claim for UBI, being grounded in the ethics of mutual care, is art workers’ most powerful gesture of care towards society.
12/ Because UBI disrupts the logic of overproduction, it frees us from the current modes of capital production that are exploiting the planet. UBI is a cosmogenetic technique and a means to achieve climate justice.
13/ Where to find the money for the UBI? In and of itself UBI questions the actual tax systems in Europe and elsewhere. UBI empowers us to reimagine financial transactions, the extractivism of digital platforms, liquidity, and debt. No public service should be cut in order to finance UBI.
14/ UBI inspires many art collectives and communities to test various tools for more equal redistribution of resources and wealth. From self-managed mutual aid systems based on collettivising incomes, to solutions temporarily freeing cognitive workers from public and private constraints. We aim to join them.
FIRST SIGNATURES: 
Individuals
Emanuele Braga / Macao, Milan; Institute of Radical Imagination
Marco Bravalle / Sale Docks, Venice; Institute of Radical Imagination
Gabriella Riccio / L’Asilo, Naples ; Institute of Radical Imagination
Ilenia Caleo / Campo Innocente; Incommon – Università IUAV Venezia
Anna Rispoli / Artist
Maddalena Fragnito / Macao, Milan; Phd at Coventry University
Andrea Fumagalli / Effimera; University of Pavia
Nicola Capone / Philosopher; L’Asilo, Naples
Luigi Coppola / Artist
Giuseppe Micciarelli / L’Asilo, Naples, University of Salerno
Julio Linares / Economist and Anthropologist; JoinCircles.net
Dena Beard / The Lab, San Francisco
Manuel Borja-Villel / Museum Director, Madrid
Salvo Torre / Professor, member of POE Politics, Ontologies, Ecologies
Sara Buraya Boned / L’Internationale; Institute Of Radical Imagination
Kuba Szreder / Curator and theorist, Warsaw
Dmitry Vilensky / Chto Delat
Charles Esche / Director of Van Abbemuseum, Eindhoven
Franco Bifo Berardi / Philosopher
Gregory Sholette / Artist
Zeyno Pekunlu / Artist, Institute of Radical Imagination
Anna Daneri / Forum dell’arte contemporanea italiana
Massimo Mollona / Goldsmiths’ University of London, Institute of Radical Imagination
Jerszy Seymour / Artist and Designer; Sandberg Institute
Marco Assennato / Maître de conférences in filosofia, Ecole Nationale Supérieure d’Architecture, Paris-Malaquais
Roberto Ciccarelli / Philosopher and journalist
Sandro Mezzadra / Philosopher
Geert Lovink / Institute of Network Cultures, Amsterdam
Alisa Del Re / senior professor Ateneo Patavino
Andrea Gropplero / Film Director
Giuseppe Allegri / Activist
Elena Lasala Palomar / Institute of Radical Imagination
Nicolas Martino / Philosopher
Ilaria Bussoni / Editor and curator
Danilo Correale / Artist
Annalisa Sacchi / Incommon – Università IUAV Venezia
Giada Cipollone / Incommon – Università IUAV Venezia
Stefano Tomassini / Incommon – Università IUAV Venezia
Piersandra Di Matteo / Incommon – Università IUAV Venezia
Elena Blesa Cabéz / Researcher, Barcelona; Institute of Radical Imagination
Jesús Carrillo / Senior Lecturer at the Department of History and Theory of Art Universidad Autónoma de Madrid; Institute of Radical Imagination
Pablo García Bachiller / Arquitecto; Institute of Radical Imagination
Theo Prodromidis / Artist; Institute of Radical Imagination
Mabel Tapia / Art Researcher Madrid-Paris
Chiara Colasurdo / Labour Lawyer
Organizations
Institute of Radical Imagination
Il Campo Innocente
Macao
Sale Docks
Chto Delat
L’Asilo
Euronomade
Dirty Art Department Gerrit Rietveld Academie and Dirty Art Foundation
Effimera
OperaViva Magazine
Basic Income Network – Italia
Community and Research for Circles UBI
Forum d’arte contemporanea
Global Project
Dinamopress
Sherwood
AWI Art Workers Italy
Maestranze dello Spettacolo Veneto
Autonomedia New York City
#ARTforUBImanifesto
You can sign ART FOR UBI (Manifesto) on change.org
We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe
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dovebuffy92 · 4 years
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The Alienist: Angel of Darkness Season 2 Episode 5 & 6 Review
The Alienist: Angel of Darkness Season 2 Episode 5 & 6 Review
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Sara solves one of her cases, but another baby is lost. John, Sara, and Laszlo’s lives get more complicated as they pursue Libby.
Spoilers
 Clare Kilner directed The Alienist: Angel of Darkness Season Two Episode Five “Belly of the Beast.” Episode Six “Memento Mori” is directed by David Caffrey. Libby escapes capture, Sara Howard finds baby Anna Linares. Libby kidnaps the Vanderbilt baby boy in…
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gobqro · 4 years
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Más de 90 atletas compitieron en el Estatal de Luchas Asociadas
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En las instalaciones del Parque Querétaro 2000 se llevó a cabo el Estatal de Luchas Asociadas con la participación de más de 90 atletas. Jorge Olvera González, presidente de la Asociación de Luchas Asociadas del Estado de Querétaro, explicó la forma en que están trabajando en esta disciplina de cara a los Juegos Nacionales 2020. “Tenemos atletas juveniles que están en el proceso a los Juegos Nacionales de CONADE, chicos juveniles que ya están en Primera Fuerza como Karla Acosta y Miguel Ugalde, y otros que nos pueden dar buenos resultados, el seguimiento de atletas existe”, dijo.
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Agregó que “este año ha sido muy especial porque el hecho de tener cinco clasificados al Preolímpico, estamos por encima de otros estados como Jalisco y Monterrey que llevan a dos y un atleta, respectivamente; Querétaro se ha destacado con cinco atletas, y eso ha sido trabajo de muchos años de todo el grupo de la lucha, de los padres de familia, entrenadores y del apoyo del gobernador Francisco Domínguez a través del director del INDEREQ, Markus López”. En la categoría Infantil B, Uriel Plaza, Santiago Juárez y Josué Ramírez ganaron el primer lugar en 32 kilogramos, 35 y 38, respectivamente. En Infantil C, Gael López  fue el mejor de los 32 kg., Fernando Pérez de los 38.kg y Tony Macías en los 41 kg. En Juvenil femenil, Dessire Crespo se impuso en los 50 kilogramos, al igual que Karla Acosta en los 53, Fernanda Landaverde en 55, Sandra Escamilla en 65 y Mariana García en los 76 kg.
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En la modalidad de grecorromana Miguel Ugalde subió a lo más alto del podio en los 60 kilogramos, además de Luis López en 97, Pedro Uriel Bello en 87, Ángel Ariel Ramos en 82 e Irving Josué Salazar en 67 kilogramos. Mientras que en Escolar Libre los luchadores que se llevaron el primer lugar fueron: Emir Serrano en 44 kg., Marco Flores en 57, Patricio Zuñiga en 62, Josué mata en 68 y Kevin Olvera en 75 kilogramos. En femenil, las triunfadoras fueron Hanna Aguilar en 33 kg., Joscelyn Odette en 36 kg., Anna Gutiérrez en 39 kg., Abrill Hernández en 42 kg., y Noemí Dennis en 46 kg. 
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Durante este evento se reconoció a los 5 atletas queretanos seleccionados para representar a México en el Campeonato Panamericano Clasificatorio a Juegos Olímpicos, a celebrarse en la ciudad de Ottawa, Canadá en marzo.
Atletas seleccionados:
- Samuel Gurria, 60 kg., greco.
- Andrés Vargas, 77 kg., greco.
- Luis Gerardo Rivera, 97 kg., greco.
- Fátima Rojas, 50 kg., femenil.
- Karla Acosta, 53 kg., femenil.
También se reconoció al entrenador Juan Carlos Linares y a Miguel Ángel Ugalde, quienes ganaron el Premio Estatal del Deporte 2019, en la categoría de mejor entrenador y mejor atleta juvenil.
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megaclipsnet · 5 years
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Anna Linares - Juguete Viejo
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orum · 2 years
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I've been a fan of the Swedish magazine OEI for the past many years, so it's a special pleasure to find myself included in an issue. Each issue is a humongous treasure torve of visual and text based work bursting with everything from unfamiliar contemporary artist to rare historical materials that are difficult to find. An often used series of double and triple volumes that take up several meters of shelving in my home. And now I'm so happy that, with the help of mathias Kokholm, I have managed to sneak a few pages into "OEI #94-95: geografer" based on the djurs archipelago project. Nästa nummer av OEI, #94-95, är ett 464-sidigt nummer om geografier som utkommer i början av mars. Det omfattar arbeten av och om Gunnar Olsson, Élisée Reclus, Pjotr Kropotkin, Doreen Massey, David Harvey, Christina Kullberg, Minna Henriksson, Erik Bryngelsson, Bureau d´Études, Raymond Williams, Carla Zaccagnini & Santiago Costantino, Trevor Paglen, Peder Alexis Olsson, Hérodote, Antipode, Eva Arnqvist, Aeron Bergman & Alejandra Salinas, Lytle Shaw, Jasna Jaksić, Bogdanka Poznanović, Radmila Iva Janković, Ivan Kožarić, Jonas (J) Magnusson, Nicolas Pesquès, Johannes Fridholm, Strabon, Johan Redin, Ptolemaios, Gustav Sjöberg, Edmund Husserl, Michael Marder, Georges Bataille, Katja Aglert, Filip Lindberg, Raketa, Minus Miele, Augustin Berque, Christian Abrahamsson, Alexander von Humboldt, Franz Boas, Runo Lagomarsino, Alfred Wegener, Jonathan Brott, Klaus Dodds, Louis Marin, Edwin Abbott Abbott, Anna Enström, Immanuel Kant, Axel Andersson, Mary Hunter Austin, Johanna Adolfsson, Mattias Legnér, FRAUD (Audrey Samson & Francisco Gallardo), Aihwa Ong, Emmeli Person, Bronwyn Bailey-Charteris, Pontus Pettersson, Mattias Jacobsson, Michel Chaillou, Cecilia Grönberg, Lasse Krog Møller, Kristoffer Ørum, Erika Arzt & Juan Linares, Martin Grennberger, Bo Anders Persson, Buckminster Fuller, Glenn Gould, Indigenous Peoples Atlas Of Canada #oeimagazine #djursarchipelago #geography #mapping (at Djursland) https://www.instagram.com/p/CZfYNIiMZpo/?utm_medium=tumblr
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