i dont want to trample on ur emotions/right to be upset at people getting mad at you for not wanting to be called smth, but like. idk the way youre talking about DID is really weird and rubs me the wrong way.
you have every right to be upset at the people in ur inbox calling you heinous shit, but you dont have to attack (online) DID culture because of these people. it's reading very fakeclaim-y
I don’t think you would recognize sarcasm if it punched you in the face
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bestieeeee will we get an update tonight? or tmrw?
im reluctant to give exact times bc before i lowkey got people getting mad bc i didn't uphold my word
usually when that happens its bc i think of a scene I want to add and just decide to hold off uploading j to let ugs know i dont mean to be unreliable i just have a weird need to overinclude things
that being said i am essentially 90% done and am planning on uploading before i pass out so im thinking 7 am (don't judge my sleep schedule, my user is restlessnights for a reason lol)
the reason this chapter took so long was because i was going to originally going to make these two different chapters, but decided i wanted to get certain scenes out bc ik ugs been waiting patiently <3
this chapter is now projected 16k words bc of this choice btw
yeah i went a little crazy sorry yall the cruise pics got me feral these days
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I really had to read with my own two eyes multiple times since this post had multiple people add on to it, bringing it back to my dash again and again, that the drama from Tharn and Phaya's past life did not feel dramatic at all. And somehow that detracts from taking the drama of the present as seriously as the show is taking it.
This story is based on Thai folklore? The Naga and Garuda are eternal enemies. The love between a Naga and a Garuda is an insult to the literal cosmic order. Chalothon who was only trying to preserve the natural order has been wronged by their love. The natural order is also referenced several times but especially when the priest was like keep Phaya and Chalothon away from each other, they're destined to be enemies.
Not meeting the show halfway to accepting this as part of your lens as an audience is frankly...an interesting choice to make.
The next bit is pure conjecture on account of me not being Thai but I'm trying to relate to what The Sign is likely trying to do from my own understanding of Asian folklore and the way we use those stories to build new stories.
What is there to get out of this show other than the big fuck you to 'natural order' of things that must be because of the way that they are. Why can't a Naga and Garuda be in love? This must be a concept that people explore under the general lens of forbidden love in Thailand (pure conjecture but also like I don't know how it can't be true).
We all have our poorly explained versions of Forbidden Love gone bad; Romeo and Juliet, Ram Leela, Devdas would be some heterosexual stories of Forbidden Love that kind of hand waves around the forbidden part a little bit that I'm familiar with. Devdas (the story I'm most familiar with of the one's stated) and its myriad adaptations is a story about the absolute ways we hold on to class even as it brings about our own downfall.
It's a great pick for a queer adaptation because the reasons why the lovers couldn't be together was so made up and really came down to ONE person (Devdas' mother) who just couldn't let go of class even though everyone else was literally begging for the two to just be together because let me tell you none of you have met a poor little meow meow on the scale of Devdas.
The Sign is bringing the forbidden love between a Naga and Garuda as a parallel of the forbidden love between two men. Homosexuality outside of the legal sphere really does come down to an ideological difference as to what is natural vs not. Homosexuality goes against a natural order of reproduction. And this is true. Two men cannot reproduce, two women cannot reproduce with each other.
The challenge isn't to prove that they can, it's to prove that reproduction isn't the centerpoint of human life, that we have transcended the need for our life to be dictated by this 'natural' order because on principal our societies just aren't built along the paradigm of 'survival of the fittest' where the benchmark of species fitness is its ability to reproduce.
Thai shows including things that have come out of Idol Factory (that produces The Sign) are often socially engaged with LGBT rights within Thailand. Now that gay marriage is legal or on its way to be, I assume a move in the direction of bringing same sex relationships up to the same societal respect as straight relationships would be a natural direction that future screenwriters will go.
The Sign is trying very hard to take the question of homosexuality right to the heart of Thai culture and tradition and talk about it from that lens [this is less conjecture and more paraphrasing what Saint has said about the show in interviews]
And I know that you all are capable of meeting a story halfway in respecting its desire to set up the stakes through references of allegorical story telling since y'all have been doing it with Last Twilight and Le Petit Prince. So I don't know even know why I had to make this post but:
tl;dr: The stakes of the love between Tharn and Phaya and the forbidden nature of it is set before you even see much of the show just from the fact that Tharn is a Naga and Phaya is a Garuda and as a member of the audience you have to accept that the love between Naga and Garuda is a deviant form of love in Thai culture.
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the goncharov stuff was on my dash, have no idea what it is (still dont) and i just started reblogging with the mindset of “i’m sure i’ll figure out what it is in a bit”
goncharov context
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original thief series basso & garrett :)
ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels
there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.
anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app
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number #1 tactic that people use to not sound as racist as they are when they talk to black people: 'uhh so you AMERICANS need to stop pretending everything is about YOU. why should i know this im not from the us :/' (= is talking about like. a phenomenally internationally well-known black artist)
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i hope this doesn't sound like a silly or weird thing to send you, but i'm autistic and have long thought of nico and a handful of other riordanverse characters as autistic and i love your posts about why nico in particular seems intentionally autistic-coded. but i've been thinking, if rick did intend for any of his characters to be autistic, why wouldn't he say so outside of the text at least? i can't think of a good reason why not, when he goes out of his way to be explicit about so many other characters' various marginalized identities and has confirmed things like reyna being asexual outside of the original text. so it gives me this nagging sort of doubt that maybe rick just made nico come off as so extremely autistic coded by accident, somehow. if it wasn't an accident i do kind of wish he'd say so because there's next to zero explicitly stated autistic representation in, like, any media so it'd be nice to have here even if not strictly necessary. either way though, like i said, i love your posts and i agree with you 100% about autistic nico! some others i like to think are autistic are annabeth and leo.
(Most of this is gonna be kind of a tangential ramble to your point and i apologize in advance just bear with me)
This actually touches upon something I've been meaning to do a write-up on recently, which is: depending on the coding, that is our explicit statement. In most coding, actually, that's kind of the point. (Also something something Death of the Author.)
You may have noticed a recent trend across media of characters saying things directly rather than expressing them in a natural way, and often this includes incredibly stilted dialogue of characters explaining things in very politically correct, wikipedia-esque descriptions and terminology that make absolutely no sense for the characters' personalities or mannerisms. This is born out of the idea that if something is not stated in explicit terms, no amount of evidence below an outright direct exact statement will ever count - if two characters of the same gender have an explicit kiss and wedding on-screen, it doesn't matter because they never said the word "gay," etc etc.
In PJO, prior to more recent books, we get plenty of examples of characters explaining parts of their identities without direct statements. Percy never needs to say in outright terms that he has PTSD from Gabe - and it doesn't make sense that he would! He's 12! He's never been diagnosed for that. He probably doesn't even know what PTSD is really. But we, the audience, know without a doubt he has PTSD, because it is clearly expressed to us. That is coding. Tyson is coded as having down syndrome. Nico is coded as being autistic. It doesn't make sense for Nico to turn to the camera and explain that he's autistic and what that means, because he definitely never got diagnosed for it and probably doesn't know what that means cause the diagnosis literally did not exist when he was growing up - and heck, autism terminology was still kind of getting sorted out back in 2007 when TTC was published, so it's unlikely we could have feasibly gotten any exact terminology wink-wink-nudge-nudges short of something like how Percy outright mentions other students called Tyson the r-slur in Sea of Monsters. And in fact we see that same exact style of coding with Nico later on in the series. Nico never turns to the camera and says word-for-word "I am gay, I am mlm, here's me wearing my exact pride flags" (until TOA/TSATS, which... did the exact thing i mentioned about characters speaking like theyre trying to get a good grade in therapy, or giving a powerpoint presentation). But it is never unclear that HoO is telling us outright that Nico is gay. It's not just hinted at. It's there, in your face. But entirely because no one ever outright says "gay" specifically it's technically still only coding. We know he's gay, we know the characters have trauma/ptsd, etc etc. We don't need it spelled out - that's just kind of condescending. It's like if you said describing a character with "eyes like moss" means they were "green-eye coded."
Nico being autistic-coded isn't hidden. It's not a secret. It's very overt. If you know what autism looks like, well, yeah, there he is. Even if you only know very vague 2007 media presentation of autism, Nico in TTC is easily recognizable enough as autistic because that's the point. Tyson is easily recognizable as being coded as having down syndrome and it's very clearly very intentional! It's just never spoon-fed in exact terms to the reader because it's not necessary! You've already been told the information necessary to tell you what is up with this character, so just plainly going "oh they're [x] in exact terms" is very much telling-not-showing and feels redundant. And while there are places for that kind of thing, most of the time it's very unnecessary. Sometimes coding is subtle, sometimes it's obvious, and yeah there are times where writers code characters unintentionally, but the textual evidence is there, and that's the whole point.
And that's what Death of the Author is about - it doesn't matter what the author intended at the end of the day, because if it's in the text it's in the text. You can look at author intent to try and figure out what that text means, but the text is the text. A Separate Peace is a very classic example - author John Knowles denies there being homosexual subtext, and meanwhile one of the protagonists living in 1942 puts on a pink shirt while saying he doesn't mind of people think of him as gay. What the author says after the fact doesn't matter - if it's there, it's there. So Rick saying anything outside of the books is completely irrelevant. And Rick talks about this a lot - he actively tells people that his statements outside of the books are just his own thoughts, but what's in the books is what's in the books, and if the text supports it then that's all the evidence you need.
Nico specifically is a case where yeah, he's clearly autistic-coded. It's very obvious and very obviously intentional when he's younger, and as the books progress it remains a background trait of his but is still notable (except for when it gets forgotten in TOA/TSATS like everything else, including the adhd/dyslexia, but i digress). It's a clear pattern within the first few books that Rick is intentionally including. It doesn't make sense, especially for the year the book was published, for the reader to be directly told in explicit terminology that Nico is autistic, because the reader is already being told that Nico is autistic.
And yeah, Rick doesn't mention Nico being autistic-coded outside of the text, but he also doesn't mention Tyson being coded as having down syndrome. He also said one time that Percy doesn't have PTSD at all, which is very incorrect starting from book 1. Again, Death of the Author. Whatever Rick says outside of the books does not matter, because he already said it in the books. And there's plenty of other stuff in the books that Rick doesn't touch upon, particularly relating to character identity - did you know Leo is Native? Sammy mentions that the Valdez family is Native in Son of Neptune but we don't get any specifics and then it's like never brought up again anywhere. That happens all the time in the series - and outside of the series - Rick can't possibly address every single point to confirm/deny everything from the books. That's what analysis is for! And that's why my blog exists 👍
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excuse me i need to Muse on something for a moment
so in Wally's secret 'vinyl' audios, specifically the last few (if we're listening to em in chronological order), obviously he starts to sound more strained/distressed. his breathing is more labored, like it's taking all of his energy to make contact.
but the audio that really caught my attention was the "But i still can't see" one. cause he just said he has more eyes than he did before. he knows We draw them a lot, and it's thanks to that that he can see. but he still can't see?
so my question is: where is Wally physically? cause although he can (assumedly) see the WHRP goings on, he can see through the eyes We draw, that could all be on a, uh... more Intangible level of sight. like the spiral pit is forming an eye, and then there's the eye on the ceiling in the secret Staff Only section - could Wally be in the pit, that space between his reality and Ours, "watching" through the eyes? but unable to actually see with due to the pit being pitch black nothingness? is he somewhere else? is he stuck? he can see, but he can't... see.
(or is he trying to explain an abstract concept - he's not actually viewing anything, but he can sense it. like how he knows We're there, even if he can't see or hear Us. but he just doesn't have the words to describe it other than using physical senses - see, hear, look.)
and him saying "...that I can see. But it is still... I can't..." but it's still what, Wally? dark? something else that he doesn't have the words to describe, so he just says that he can't see?
i know that in the Livestream Trivia Document (compiled by @/the neighborhoodwatch) there was something said about Wally being in a box. my first thought reading that was "oh, so he's in storage? the physical puppet, i mean?" which would make sense - show's over, there's no more use for him. pack 'em up and put him away. but that paired with the "can't see" audio makes both seem a lil... connected.
Wally can't see > he's likely somewhere dark > the inside of closed boxes are dark > Wally's in a box. (or maybe the Neighborhood is the box? it's a stretch, i know, but the map is a box. television sets are often set up in "boxes". maybe it's less of a physical storage box and more of a 'boxed in' sort of thing...)
one question i've had since the Start of my interest in this incredible project is: how is Wally communicating? how has he connected to the site? how does he connect to our reality? the pit almost definitely has something to do with it - most likely acting as a bridge, or the deteriorating of the barrier between our two 'worlds' - but if Wally is in a box and Not the pit or even just in the puppet's reality... how is he reaching us beyond just seeing through the eyes he's given?
or is he in their reality, and he can contact through the pit or something, but he can't actually see the other side? Our side? he knows it's there - that We're there - but none of it is visible to him. maybe his apparent disassociation in the 14 bug audios is a demonstration of him contacting Us. we can see through him, but it's a one way street.
and speaking of the pit - i just had a thought. his whole thing with Us letting him in, opening... the pit on the neighborhood map is getting bigger and clearer. but the presumed Other Side, the one on the Staff Only ceiling, is small. it's the size of a ceiling panel. it seems to me that Wally is chipping away at his side of the pit or 'portal', trying to reach Our reality, but he needs Us to do the same thing on the other side. the QA can hear him calling, but there's no phone on their (Our) side of the pit. how do We call back???
there's a fundamental barrier & lack of understanding between Wally and the QA/Us. he's trying. he wants to be let in, but what does that mean, really? let him in where? open what? he's desperate. he wants us to understand. he's trying so so hard Without the right tools to clearly communicate what he wants. he can't see Us, We can see him, both know the other is there, but there's no way to connect. and the attempts are hurting all parties involved, however unintentionally
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my ideal Kira and Julian dynamic is the dynamic between an older sister and a younger brother in a 90s teen movie. Julian is the annoying nerdy little brother and Kira is the teen older sister going "get out of my room you little dweeb" and shoving him into lockers
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i think its weird that i have to make this disclaimer but the internet is crazy so wtvr,, anyway,,
if i say i dont like something, that doesnt mean "that thing is bad and nobody should post it.."
i swear literally every time i even mention that i dislike something, people will go "wow does that mean u fucking hate me cuz i post that thing? ur a fucking stupid bitch and all ur opinions r wrong" LIKE ?? er.. no. just because i say i dont like certain characterizations of certain characters (the saiki k fandom is CRAZY about this cuz i can state an opinion on literally any character and a group of people will still go 'well only we're allowed to post our opinions about them because we're always right!1!1!'), or certain ship tropes (mentioned my hatred of toxic yaoi maybe once or twice on here months ago and people STILL get mad at me as if i said toxic yaoi lovers r evil or something), or certain ships, or WHATEVER, does not mean that i HATE the people who are posting them or that i think they shouldnt post them at all, NO, im just posting about my personal tastes on my personal blog and it would be extremely weird and hypocritical if i decided that i was the ONLY person that was allowed to do that,,
i think the only reason people assume that is because there are a lot of other people on here who ARE like that, and a lot of people toe the line between posting that they dont like something and posting that they think everyone who likes that thing is stupid, annoying, and wrong,, so i guess all i can say is, sorry for whatever made you make these assumptions but they arent true about me so plz leave me alone ʘ‿ʘ ur doing the same thing to me that ur accusing me of but i didnt do it in the first place so ur just actively being a dick for no reason
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Found some older one piece doujinshi with working download links! This is a goldmine of rarepairs involving Usopp such as lusopp,zosopp and sansuo I will be saving the sfw ones onto the internet archive for future translation projects.
For clarification the creator of these scans dosent mind if they are archived for future translation purposes so long as they are credited for their work and people do not post them to deviantART or pixiv.
If anyone would like to preserve a few of the nsfw ones that would be great I would do it myself but at the moment I cant.
My internet archive page
https://archive.org/details/@sugarbear2001
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Model Law x Firefighter Luffy x Police Zoro in an au where one of Luffy's co-workers is seriously injured in a fire that later turns out to be linked to another incident from a few months ago and then another and another. Zoro, Luffy's partner whos a cop, tells him to stay out of this, that everything is much deeper than it seems and that it could end very badly for them, Luffy and those around him. But of course Luffy is NOT about to just let it be.
Serial fires that have so far killed more than thirty people and injured hundreds, mainly because one of these fires happened in a factory that exploded and injured and killed not only the workers, but also many passers-by and neighbors, are not something Luffy can just let be. Zoro has little to do but accept that his boyfriend just won't let this go, so the next thing he knows he's sharing with Luffy all the evidence that has been collected so far that points to the Donquixote Group as the biggest suspect of th incidents of 'industrial sabotage'.
Luffy unfortunately can't keep his mouth shut to save his life, so suddenly the whole 'gang' knows about it and, through Nami, they discover a very good chance to collect evidence. Annually the Donquixote Group hosts a charity ball that invites 'the whole' city and by whole city, she means the entire upper class of the city. Luckily for them, her girlfriend, Vivi, can definitely help them get into the ball without a hitch. Then, all they have to do is go through security and get to the president's office and look for possible evidence. Which, in Zoro's opinion, is a terrible plan, but Luffy's terrible ideas usually work out, so they go with it. And it definitely works. Vivi easily takes them to the ball and, in the confusion of Straw Hats causing chaos among the big shots of GrandLine City
Luffy and Zoro slip through security and find their way to the Donquixote group CEO's office and that's where their luck ends. Or not. Not even five minutes after they begin to search the room, the door is opened and a pair of golden eyes stare unimpressed at them. The door is instantly closed, and before long, they hear voices outside, one of them being undoubtedly those of the owner of the room in question, Donquixote Doflamingo. Luffy and Zoro, practically frozen, simply look at the closed door in anxious anticipation as if at any moment Doflamingo would break down the door and set them on fire. He doesn't and soon the voices drift away. After that Luffy and Zoro are quick to continue the search, despite the scare, and unfortunately, they do not find anything of value to the investigation.
They are quick to leave after that, taking with them the straw hats that served as incredible distractions. Back at square one, they meet again at Luffy's house trying to plan their next step. But their little evil-combating meeeting is interrupted by a surprise visitor. Outside the house, standing at the top of the stairs, dressed in expensive clothes and looking fabulous, Trafalgar Law, the super model who is the face of the Donquixote Group all around the globe, the owner of impassive golden eyes, offers a deal.
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Also just because you get annoyed by something someone is doing doesn't mean they are evil you can leave us alone
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So I saw a screenshot of Ralph without his hat (for his wedding outfit + I think a DLC outfit didn't have it?) and honestly. There's a reason he wears it. It's unfair if he doesn't. Olive Town really is just "hot bisexuals in your area" and they would thrive if they advertised it as such.
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Saw a YT vid with the title, "Fandom Can't Handle Asexuality"
You're right, they can't... Because it doesn't fucking exist to them.
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Out of curiosity- what's the weirdest thing another trans person has told you regarding transhetness?
probably the most offensive one has to be that time someone said i would never have to worry that people wont accept my sexuality. because in my life that has not been the case lmao. like i am still TRANS so generally someone who doesnt accept homosexuality isnt gonna be thrilled with trans ppl either, like those kinds of people who are homophobic but not transphobic really only exist in terfs brains lol
and the least personally offensive one would have to be that one person who said "you cant be straight as a trans person, this push for sameness is really hurting our community" like damn rly didnt think i was gonna get called an assimmilist for like, being a heterosexual lmao my bad
also im not straight passing irl either, but i am cis passing, so whenever i bring up that im dating a girl i get to visibly watch the gears turn in peoples heads as they try to figure out how this little gay boy fucks women which is always fun
i think generally a lot of weirdness i get probably comes from the fact that for one, a lot of people view queerness and gayness as the same, and queerness and heterosexuality as opposites, and especially people in my specific generation (older gen z) and especially the cis people/recently cracked eggs rly have put emphasis on "gayness" and "being gay" and take on "being gay" as the same meaning as being queer, so when they meet someone who is queer but is explicitly NOT gay (and this is more than transhet people, this can be anyone who is queer but doesnt identify as gay, including same gender attracted people of all sorts of sexualities/genders), they really dont know what to do with us, and for two im southern and live in the south and people here are not usually very imformed about different flavors of queerness and for some people im lucky if i get them to understand that im trans at all, let alone telling them im a heterosexual, because im not exaggerating when i tell you that pretty much everyone expects me to be gay no matter the fact that i have a girlfriend and havent dated a man since 2021 lol
and heres a photo of me close up if that helps you understand why everyone thinks im gay (i really dont get it myself but)
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