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#because they know it's difficult for him
tangledinink · 9 months
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I’ve been having your aus in my brain for a while. I absolutely love them 🥰
Question for Swanatello, have you ever had a strong desire to go back home to the lair or do you even remember much about the lair being your home, even with the bracelet and board? Like, have you ever in the middle of the day just randomly think “I want to go home” while thinking about the lair?
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Of course he does. He doesn't remember details very often... but the one downside of the bracelet is that now he is almost constantly aware that something is wrong. Even when he doesn't understand what's going on-- he almost always knows that something is wrong with him and with the world around him. He wishes for things he can't remember. He aches over the absence of things that he can't recall. He misses people that he doesn't know. He can't remember home, but he knows he's not there.
Swanatello hates to be alone now. Overall, it's for the best, it helps, but every evening he's introduced to the idea that something is horribly wrong, and then he's promised that someone is going to be there soon to help. And every evening, he has to wait to see if that promise will be fulfilled and if his family will come and help him.
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ruporas · 9 months
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all I wanted was to save them... (ID in alt)
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gummi-ships · 7 months
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tyttetardis · 3 months
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Macbeth Q&A 18th Jan 2024 Part 1
Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️
The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.
The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.
Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!
To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).
David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".
First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!
Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.
David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.
He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.
Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.
When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!
Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.
Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.
Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".
It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.
David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.
He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.
Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.
David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.
Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.
David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".
Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.
The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.
Part 2
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cerise-on-top · 3 months
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Hugging, Kissing and Cuddling HCs for König
I'm trying to see him in another light again after everything I've seen about him, so I decided I'd write something fluffy and nice for him. And then came the realization I never wrote some HCs like these for him in my original posts, so I decided I'd change that! He's Austrian, so naturally I have to love him!
When it comes to hugging someone, König is a bit hesitant. Considering he’s not the most physically affectionate person out there, it’s almost an honor to be receiving an unprompted hug from him. Whether his hugs are long or short depends on the occasion: If he’s proud of you for accomplishing something, then the hug will be rather short lived. Though, he might pick you up and spin you around until you’re dizzy. If you’re sad and need some comfort then his hugs could last a while. He’s not the best with words, he prefers to listen to other people, but if he knows a hug is what usually helps you then he’s willing to do so. Despite being a big and strong lad his hugs are surprisingly gentle, he’s worried about crushing you. He could put his all into them, but then you’d likely end up with a few broken ribs and he doesn’t want that to happen. König is also surprisingly warm, so receiving a hug from him is a rare, but nice experience. Although he does go rigid at the beginning, not knowing what to do, but relaxes into the hug eventually.
Again, he’s not a very physically affectionate person, but isn’t opposed to the occasional peck on the cheek or on your lips either. There is some anxiety whether you’d actually want a kiss from him or not, so he doesn’t kiss you very often, even if you do reassure him that it’s quite alright. He’s a bit tense at first when he presses a kiss to your lips, but calms down eventually. It’s especially bad during the beginning of your relationship, but he’s since gotten better at being calm about it. Since there’s a good chance he’s taller than you he loves giving you a kiss on the forehead. It’s a small but sweet gesture. He doesn’t need to bend down entirely to reach you but he still gets to be affectionate with you. However, if you’re on the taller side, or just as tall as he is, then he’d love to receive kisses to his temple from you. It makes him smile every time you do it. If he’s in the mood for receiving a kiss then he’ll lay his head on your shoulder and nudge you a bit. Or try to get his head in your closer vicinity. Kind of like that one bunny video where the bunny stretches to receive some kisses.
Cuddles with him are a bit more common than hugs actually. However, he refuses to lay down on top of you. If you’re shorter and weaker than him then there’s no chance he’ll put his weight on you, he’s just that afraid of hurting you. If you’re taller or just more muscular, then he might, but he’s still a rather heavy lad. Most he’ll do is put his head on your shoulder while you’re cuddling in bed and are both lying down. Although it’d be a lie to say he doesn’t want to be held. König is alright with being the one to hold you, but sometimes he would prefer to be the little spoon as well. That urge gets especially bad if you’re roughly the same size as him. Sometimes just nuzzling into your chest does the trick for him as well, though. Loves it when you run your fingers through his hair as he does so. Another thing he adores is you sleeping on his chest as he holds you. He gets to hold you close, he gets to protect you and he gets to doze off a bit himself, it’s bliss to him. Sometimes he leans down to press a kiss to your head and accidentally wakes you up like that. He feels bad about it and apologizes profusely, but does chuckle a bit when he sees your disheveled hair and your tired expression that shows you just woke up.
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commsroom · 2 months
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it's true that sometimes people will soften eiffel, forget that he's kind of a dick, and play up the more good-natured, goofier aspects of his personality while downplaying how self-centered he is and the amount of undeniable Cis Guy Behavior he is known to display. but his character arc only works the way it does because he is, despite everything, very lovable - it's there in how minkowski's reaction to eiffel's conviction is set up to mirror the expected audience reaction, and desire to believe the best in him. wolf 359 captures something very real in eiffel that i've never seen as authentically represented anywhere else: a sincere, kindhearted man who still perceives himself as the default type of person, who wants to do right by people, but perpetuates harm through selfishness and ignorance. he's held to account for it, but isn't condemned. it matters that he improves because the people holding him to account are doing it out of care for him, because they want him to be better, and to be in their lives.
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bonefall · 5 months
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I’m rereading Po3 and despite its flaws I really enjoyed the introduction to the three. Jaykit isn’t mentioned to be blind in the first few chapters and instead they chose to show how much MORE capable he is compared to his littermates; until at the end of chapter 3, he brings up his blindness on his own. It makes forcing him to be a medicine cat SO much more frustrating because it really feels like they’re setting him up to be a warrior and choose his own fate (note i haven’t finished the reread this is just my first impression)
I like how you seem to take that path in BB regardless! It makes his arc so much more enjoyable
His arc in canon is super frustrating because he's such an independent character who clearly wants to make his own decisions in life, but then he just gets shoved into the medcat den. I LIKE that he ultimately goes there and that he enjoys it; but it was still really fucked up that they stripped away his autonomy in the process.
Re: they are not real, they are writing choices. Taking away the choices a disabled character can make over their own life, forcing them into a celibate nun role, and then going "awwwww dont worry see? he likes it! This was the best thing for him :)" was fucked up.
And imo it didn't have to be that way! You wouldn't have to go the FULL route I did with big changes, he could just be more involved in the descision to stop being a warrior apprentice and it would be fine. Minor change that would make a world of difference.
I do also have to interject to say though... blindness should really not be an extremely severe impairment for a ThunderClan cat.
I'm dead serious.
Whiskers are built-in sensors that tell you the exact position of everything within several inches of your head, ears swerve to pick up sound, and the jacobson's organ provides a sense of smell so keen that I have an entire Clanmew expansion draft because I needed to make WORDS describing the power of this sense that humans do not have. I cannot stress enough how delicate their other senses are, felines do not rely on their sight like primates do
ThunderClan lives in a mixed-oak woodland, where sight is already often obscured by foliage, objects are close together (for whiskers to feel), and nearly every movement makes noise against the leaf litter. RiverClan and (moor-running) WindClan cats would have a harder time with this disability than Thunder or Shadow.
Cat sight SUCKS to begin with. It sucks BADDD. They don't have color vision, they're significantly nearsighted, and they can't track up-and-down movements well. WC doesn't write realistic cats (more like small fuzzy people really) and I also work with more humanesque eyesight, but the only thing Jay should really lose is an ability to rapidly track a small animal swerving fast. Blind cats are often still excellent hunters in spite of that!
So it's an extra big waste that they railroaded him into a position he didn't choose, saying he couldn't be a warrior. This is the perfect disability to write, if you want to explore how ableism can impact the characters in this society who ARE legitimately still capable of nearly full independence, but still need to find accommodations for what they can't do.
In the same arc they're doing the dumb Cinder Reincarnation Plotline, no less!! Where SHE is also feeling like she has no choice over her "destiny," and gets a conflict over a potentially disabling injury
"Oh nooo if cinderpaw breaks her leg she wont be a warrior!"
"What the f-- Im Jaypaw and im reporting live from the scene where a Category 1 Idiot Moment is taking place. Woman breaks leg, suddenly everyone believes she is a horse, more at 11."
One of these days I should really make "herb guides" just covering how various sensory disabilities impact the lives of Clan cats and some tips for writing them as warriors, especially between Clans. Stuff you wouldn't usually consider, like how much noise deaf cats tend to make, how RiverClan would get a ton of sinus infections and lose their sense of smell, being blind in Sky vs Thunder, etc.
#I once saw someone say offhandedly 'well what if someone snuck up on jay from behind and attacked him. No whiskers there'#NEWSFLASH! YOU ALSO DONT HAVE EYES IN THE BACK OF YOUR HEAD#He doesn't have short whiskers either they're normally sized#Something like 4 - 5 inches on a cat like him. About double the size of the head foward and sideways#Once you're talking about close combat like the cats usually do there's no way that you can stay back far enough to avoid them#I want to rewrite owl and jay's fight or make a rematch where jay realizes owl is being a coward#Hanging just out of his range and jabbing at him#But once he realizes it's just a coward's strategy it clicks that the counter is to be aggressive#And not let his opponent out of his 'range'#Also give him a neat little scene where they're grappling next to Black's dam project where it's super muddy#And Jay is like 'YOU WANT TO PLAY DIRTY? LETS GET FILTHY' and dunks Owl's face down into the mud#Because Jay can fight without his sight but Owl doesn't know how to continue while there's stinging gunk in his eyes and nose#I like thinking about what I'm going to do for BB!Jay's matches because his fighting style is really fun to write#1. Be aggressive and proactive 2. Don't let them out of range 3. SCARE THEM#From the Mud Match he learns that the best way to end a fight quickly is to absolutely terrify them#Because they're usually not expecting the fight to be difficult nor are they expecting to feel like theyre in danger#So if you surprise them it breaks their willpower real fast#And as he gains a reputation for brutality he faces less opponents until he's practically known as the Cleric Without Mercy#Bone babble
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kanansdume · 20 days
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Okay, so I have read a lot of fics where Dogma joins the Coruscant Guard post-Umbara as a way to protect him, or he joins the Guard because the 501st doesn't like him, but I have a new CG Dogma AU concept.
Rex sends Dogma to the Guard specifically to look after Fox. He KNOWS Fox is overworked and the Guard is understaffed, but Fox just isn't asking for help as much as Rex would like, so he sends Dogma over because if Rex can't be there to look after Fox himself, he might as well as send the next best thing. Dogma is a little skeptical about it at first, but Rex tells him that he is legitimately the best man for the job specifically BECAUSE of his personality (he's got reason to believe Fox will have a soft spot for someone who reminds him of Rex).
He tells Fox that this is something he and Dogma discussed because the kind of work the Guard does is a better match for Dogma, but that he's also one of Rex's most impressive soldiers. Fox sees right through Rex and is not impressed at being assigned a babysitter, especially not some barely-not-a-shiny sergeant from the 501st. It's almost insulting, but the paperwork has already gone through so he can't say no or just send Dogma back.
But Rex knew what he was doing and Dogma IS a lot like Rex and he thrives in the Guard and it turns out he gets along incredibly well with Fox and, due to some special insider info from Rex, is perfectly capable of helping keep an eye on his new Commander.
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canisalbus · 8 months
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I had a scrap piece of paper and drew the little freakish dog 👍 I have been silently enjoying your art for like a couple months now? I found it randomly on uploaded Pinterest and was like “oh huh that’s rad” and yeah he’s such a lovely sad little beast
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aroaceleovaldez · 7 months
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once again thinking about the worldbuilding in the riordanverse of "names are power" / "belief is power."
The Tri were only able to become immortal through convincing enough people to worship them that it became true. Monsters and immortals only exist through continued belief, and if enough people believe that they're dead or gone then it becomes true, like Pan. Their varied forms exist and manifest as they're believed in and called upon. Names call attention and epithets summon aspects. They're acknowledgement. Belief. Putting a name to a concept creates it as an individual.
And that's so fascinating when you start applying it to demigods. How much of their abilities are based on belief in themselves, in expectations of each other, in their parents' expectations of them? We've seen mortal figures who became immortal in some form or another because they were remembered. Even the lares - ancestral house gods, who persist because they're remembered. They have a legacy.
At what point does a demigod achieve that status? Rumors and whispers about them so persistent that they slowly become true. "I heard that Jason Grace is the son of two gods, does that make him a god?" "I heard Percy Jackson defeated a titan single-handedly. That he can create hurricanes without breaking a sweat. That he can control blood." After awhile, after enough rumors, does it become impossible to tell where they end and the legends begin? Isn't that what being a demigod is; half-legend?
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sampilled · 1 month
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it's weird how in the flashback episodes we never really see sam as an angry kid when we hear so much about how he argued with john nonstop and how vocal he was about hating the life throughout the show, he's always portrayed as kinda timid and quiet.
the only time we see him act out like that (that i remember right now anyway) is in after school special and he spends the entire episode pushing it down and swallowing everything he wants to say until he is finally pushed too far
its almost like sam wasn't a horribly angry child (or adult)
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hkpika07 · 8 months
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Kill him with kindness
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astronomodome · 3 months
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Feeling conflicted about the cyberpunk thingy impulse is going for because like yeah it’s a great theme and I like the aesthetics a lot but what I really like most about cyberpunk is the themes of corporate alienation and/or transhumanism etc etc which I know will not be addressed at all and in fact it’s kind of stupid of me to expect that at all from a minecraft series. Does anyone else get that or just me
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slingbats · 4 months
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bloody mess
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gothic-mothic · 7 months
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Have I ever posted my Water Narrator thoughts?
For a while, I’ve thought of the use of Water as symbolism for The Narrator, in and out of game context
I think these thoughts are most reasonable when looking at The Skip Button Ending and The Epilogue. In The Skip Button ending when The Narrator first sees a bad review they (Stanley and The Narrator) go outside to see that it’s starting to rain. This continues the duration they spend outside, The Narrator’s stirring mind evident by the distant thunder and as we get closer to the edge of the land we see a large ocean. And what rises out of it? The Narrator’s newest creation, The Skip Button. With this all happening it wouldn’t be outlandish to associate The Narrator and the water outside. Once Stanley’s inside the concrete room we are taken away from the water over time. It dries up along with The Narrator and at the end of those many years we’re left with a tundra; a desert that hasn’t seen water in years. And The Epilogue doesn’t dispute this, the only life we see being Stanley and TK
More into my personal thoughts, The Narrator is vast like the ocean we see. All encompassing; he surrounds his story (a comic I made that slightly echos these ideas).
It rains when he cries, it boils when he’s angry, the clouds fly as he breathes
I talk ab this a tiny bit more in the tags of this post (warning: he’s a bit naked) (ignore the last tag um)
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cozylittleartblog · 9 months
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*googles if the shakesperian language i write into rouxls' dialogue is grammatically correct for the express purpose of using it incorrectly because lord knows that man doesn't know Shitteth From Fucketh*
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